Justice League of America #3

Whatever the Greek word is for the cover of this comic book, I'm a that-phile.

Officially, I'm not complaining that Lobo is on Batman's Justice League of America. Batman has a history of keeping raging psychopaths on the team so he can keep an eye on them or maybe punch them once in the face causing enough brain damage to change their personality (Fun Fact: Batman's punch to Guy Gardner wasn't the first time Guy Gardner suffered brain damage! Why aren't people cutting him some slack for his grievous brain injury?!). Also, his team composition is supposed to represent America so Lobo obviously represents the uneducated, violent, xenophobic working class (but a working class that believes hard work and reputation are the most important qualities in a person¹!). But (remember: not officially complaining here!) it does seem odd that for a person whose got a rule set like Fight Club where the first few rules are all the same rule, and where those rules happen to be "No killing!", it seems a bit hypocritical to place Lobo on your team. Maybe hypocritical is the wrong word. Maybe I should say arrogant. Batman actually thinks he can keep Lobo in check simply because he manipulated Lobo's sense of honor to always finish a contract? Seriously, I don't think Lobo has to do everything Batman says just because Lobo casually said, "I owe you one for free." I don't think Lobo would allow Batman to make that "one" into "Work for me for an indefinite period while not killing anybody at all and you probably also shouldn't fuck any Earthlings without their consent and maybe also learn to use a plunger."

The best part about comic books is that they're so fucking ridiculous. That's why I'm not officially complaining. Technically, I'm never officially complaining about anything that happens in a plot or about anything a character does (no matter how out of character it might seem to me since who am I to think I know better²?). My only real complaints are how terrible a writer or artist does their job. And often I don't complain enough about that because I pretend that the problem lies within the story and complain about the story instead of just saying, "Cullen Bunn's writing can be described by the most horrific metaphor imaginable³!" So being that comic books are utterly ridiculous by nature, I don't care about the logic behind Lobo being on the Justice League of America. I'm just thrilled that he is!

Last issue, Lord Havok became the king of Kravia. Now he's threatening the neighboring country of Gardevia. Not explicitly, of course! He's just all, "I won't stand for your people acting in a way that I won't stand for! If you don't do something about it, somebody else will! Hint, hint!" Then he apparently hits on her.

I'm going to try this line at the Karaoke Bar next week!

The people of Kravia start brewing rebellion. It's a lot like making a melting pot except more violent and with less racial epithets. Also, the melting pot thing was actually pretty violent. It turned out a lot of people just wanted Eggs Benedict. Actually, the ingredients in Eggs Benedict are probably too melting potty itself! It just sounds so white!

So, um, anyway, the rebels (two people, so far!) are sitting around a bar discussing how they're going to oust Lord Havok when Batman and the Justice League of America stroll in and are all, "Is this where the revolution is brewing?! We're here to advance our own interests in the guise of helping!" It's too bad Lord Havok doesn't have a World's Greatest Detective on The Extremists or he could have sussed out the rebellion himself. Batman is so smart to know where to find these political hooligans!

Lobo's kneepad looks like an eighth member peering through the door. "Hello there! Mr. Skully-Stars here! I'm British!"

Apparently Lobo tracked Bogna to her hidden den of rebellion. He makes sure to point it out before uninformed morons like me start giving Batman all the credit. I'm sorry, Mr. Lobo! I don't know what I was thinking! Why am I still giving credit to Batman? It's obvious you manipulated him into forming this team so you can have a nice relaxing vacation on Earth. And as a good guy, maybe you'll get to date Wonder Woman too!

Dammit. Now I want a Lobo team up book in the style of The Brave and the Bold. But he only teams up with female heroes who have become sexually intrigued by him! I hope what I just typed in that last sentence doesn't mean he did something disgusting to their buttholes. By sexually intrigued, I just meant they were interested in finding out what he has to offer in the love bathroom. Hmm, that sounded even more like something disgusting just happened to somebody's butthole. I'm so turned on right now!

You know what two words I can't stand? Capital and capitol. Stop purposefully trying to be confusing⁴!

The rebellion's only request of the Justice League of America is to overthrow Havok and The Extremists. After that, they'll take care of the rest. I thought Bogna was going to be way too proud to ask the Justice League of America to do practically everything! The nerve!

While the rebellion foments, Lord Havok visits the neighboring countries to tell him all about his open palm slash fist metaphor. One of the countries he visits is Zandia and he's all, "This place sucks in this timeline. Get it together, Rebirth!" I don't recognize any of the other countries. That means they're probably real!

Remember how I just figured out last issue that The Extremists were parodies of Marvel heroes? I just remembered it myself! And that also means that the cover is even more exciting than I first thought! It's a rematch between Lobo and Wolverine (albeit a lousy parody Wolverine but I'm honoring the sentiment!). And this time the fight had better not take place off panel behind a bar! And also, Lobo had better win! What a stupid rip-off that last fight was. Nobody really believed Wolverine could beat Lobo. The vote was rigged! It was all politics! It was a popularity vote! If comic book fans had the ability to use logic and not just their nerd boners for certain characters, it would have been totally obvious to the Wolverine fans that the Lobo fans were being totally logical and scientific in voting for Lobo to win.

Gross. His world must stink. Also, how can you trace any scent when you can smell everything?! I'm surprised Tracer can speak or use a toilet since most of his brain must be used in sorting scents.

I hope Lobo wins the battle by farting directly into his face.

The only fight I want to read about now is the battle between Lobo and Tracer. All those flexing muscles! Maybe a bit of clothing torn off in just the right spots to see a little inner buttock or maybe the slight wrinkling of a scrotum! Nipples hard and quivering through the sweat of physical exertion! Their lips coming closer and closer as they threaten each other with outrageous tortures! Oh man. I'm so turned on right now!

Killer Frost and The Atom battle Death Bat (who just killed her teammate Brute who had been sent to kill her for being weak. Ha ha. Who's weak now, et tu Brute? Did that sound intelligent?). It's the worst battle because Death Bat does that thing where a comic book villain knows more than they should know so that they can use it against the heroes. So she happens to know that none of the team really trusts Killer Frost and tries to use that to make Killer Frost doubt herself. Instead, Killer Frost is all, "I've changed! And you can change too! I mean, people seem to accept a hero with the name Killer Frost. Death Bat probably won't go over too bad either!"

Black Canary fights Gorgon and judging by his tentacle hair, it's bound to be the sexiest fight of them all.

Hee hee. Eyes up. He's looking at her cleavage! Or, at the very least, I'm looking at her cleavage!

What's with female super heroes in cool boots refusing to lace them? Is that a form of martial arts I don't know about? Like drunken style? Tripping over your laces fu?

The Ray battles Dreamslayer although it's not much of a battle. It's more of a therapy session. Ray is all, "Why aren't you being as mean and violent as the rest?" And Dreamslayer is all, "Because I'm afraid of the monster that I might become!" And The Ray is all, "You're gay, right?" And Dreamslayer is all, "Kiss me!"

Okay, maybe that scene only happened in my Masturbationarium.

Wink, wink!

Batman, Vixen, and the Rebellion go after Lord Havok on the throne. When they break into the throne room to punch him in the face, he's all, "I've already won! I made diplomatic deals with the surrounding nations that were only based on about 95% threats! That means they'll stand behind me and not you! I mean...that's how it works, right? Wait. Did I miscalculate?" And he did miscalculate but not in the way he was thinking. He miscalculated by not killing Batman in the first issue and then by not keeping an eye on Batman ever since that moment and then by not realizing Batman had infiltrated his inner sanctum! Idiot.

Batman steals Havok's shield off of his back so he can stand there looking like Captain America. You know, just in case Steve Orlando had to sell this script to Marvel!

Oh, and Lobo's battle with Tracer lasted one panel where Lobo put out his cigar in Tracer's eye. That was almost as bad as the fight behind the bar and the hand reaching up for the cigar to indicate who won! Which could have been either Lobo or Wolverine, so it shows the scene was already written long before the votes were tallied! All it needed was the colorist to choose the correct palette!

The Ranking!
Obviously this is the best comic book DC is currently publishing. Obviously that is an objective assessment and not the rantings of a total Lobo fanboy.

_________________________________
¹As long as that person is white.
²I'm Eee! Tess Ate Chai Tea, dammit! Grandmaster Comic Book Reader!
³I'll let you come up with the metaphor because I don't want a bunch of offended people trying to ruin my life. I mean, I can think up some really offensive metaphors! So bad! They're in their right now, dancing around inside my mind doing the most horrible things to each other. So terrible!
⁴Of course, just like every other confusing thing in English, it only takes a brief overview to clear up the confusion forever. So people who don't know when to use who and whom are just being purposefully ignorant! And I know purposefully ignorant!

Scooby Apocalypse #10

I didn't know they made one piece chain mail tunics for women.

On their podcast, Athletico Mince, Bob Mortimer and Andy Dawson do this thing every episode where they imagine what Steve McClaren has been up to during the week. Since it always makes me laugh, I thought I would try it out myself! But nobody reading my comic book blog would know who Steve McClaren was, so I decided to do one of Cullen Bunn. Apparently Cullen Bunn's jerk friend who always sends anything I write about Cullen Bunn to Cullen Bunn sent the thing I wrote about Cullen Bunn to Cullen Bunn because Cullen Bunn had a reaction to it.

I can't believe I nailed it! I mean, he certainly didn't deny any of it. His wife even Tweeted about how they keep plastic spoons around the house because they don't stick as well. Which, frankly, seems like a huge lie (probably to cover up some sordid conspiracy). I would think the plastic spoons would stick to a penis much better than the metal ones!

I just want to clarify one thing: I don't love Cullen Bunn so much that I hate him. I neither love nor hate Cullen Bunn. What I did hate was Cullen Bunn's writing on Twat Lobo and Aquaman. You know, just to clear things up! I would also like to point out that I never @'d (is that how you say that?!) him via Twitter and only tagged his name on my reviews for archival purposes. I have done the same for many other writers and artists. Occasionally if I say something positive and I also think it's incredibly clever, I'll tag the writer on Twitter so they know I'm available at any Portland Con if they need a little digital and anal manipulation after Con hours. I'm not looking at you at all, Tom King. I'm looking at your cock.

I almost wrote my Steve McClaren bit using Scott Lobdell but at the last second, I thought, "Scott Lobdell never flipped me off via the Internet!"

More clarification! Cullen Bunn had every right to flip me off via the Internet and even in person! I was not kind to his writing. But I assure everybody involved, I would never be not kind to his face. Just ask Scott Lobdell when I had him sign my Big Book of New 52 First Issues! I totally didn't tell him I was saying horrible things about his writing on the Internet!

Hopefully, judging by the tone of Cullen's tweet, he understands that I harbor no ill will to any writers or artists of comic books and he'll apologize to me for writing Twat Lobo.

The Review!
Aha! I knew that chain mail on the cover was historically inaccurate!

Much better!

My knowledge of medieval armor consists mainly of three dozen Red Sonja comic books. But don't think I know better than to trust a single source for my information. I've also researched the topic in the pages of Cerebus where it completely backs up the facts from Red Sonja.

Velma ran away from the Scooby Gang last issue and now she's the warrior queen of Monstrovia. Did I miss issue 9.5?! This must be somebody's wet dream. I have theories about who that somebody is but I'm a little embarrassed about having that dream. So it's, uh, probably Fred.

Oh, before I wrap this up with "Yep! It was just a dream! A really good dream because I got to see so much of Velma's butt and underboob!", I should also mention that Magilla Gorilla makes a cameo.

Definitely a dream. I don't think Velma is actually this fit or well shaven. Don't get me wrong! This Velma is great! But I still prefer the one I had to conjure in my head because she wears about six yards of orange cloth made into a turtleneck. Although I suppose when you wear chain mail against your naked skin, you'll be hairless before long. Ouch!

Yep! It was just a dream!"

"A really good dream because I got to see so much of Velma's butt and underboob!"

The Ranking!
No change! What? You think I'm going to approve of a fill-in issue?! Even with Velma in a chain mail bikini, forget it!

Scooby Apocalypse #8

Now that's a thigh gap! Ooh la la!

I see "Wagner" there on the cover and now the only thing I'm thinking is, "I fucking hope Matt Wagner is writing the Scrappy Doo back-up story!"

It's not. It's some jerko named Ron Wagner who probably changed his name to sell a few more comic books to overly excited Matt Wagner fans who pick up every Wagner book, just in case.

Last issue, Scooby Doo had run off, leading a bunch of monsters down a hallway lined with doors while some wanna-be Monkees music played. The rest of the gang drove off to the hospital, leaving him behind. This is the first page of this issue:

I guess somebody realized Scooby's name was in the title so maybe it wasn't such a good idea to have him run off.

Scooby Doo found his way back to the Gang because he's loaded down with Smart Dog technology and also he can smell Velma's ass from like five miles away. Lucky dog.

This episode begins with the formulaic bit where Scooby and Shaggy go off on their own to shit themselves. Also, they're looking for medical supplies. I imagine they'll also find the ingredients to make a five foot tall sandwich. And Scooby will say, "Roh boy!" And Shaggy will prepare to eat it and then look away and Scooby will eat it one bite and go, "Reee reee reee reee!" I think that's the way he laughs.

Daphne joins up with Shaggy and Scooby because this comic book doesn't know how the cartoon works. I guess it's okay this time because Fred is unconscious and Daphne usually fucks Fred while everybody else is busy investigating the haunted circus tent. Also it's okay because Daphne is a cold stone killer. She's also probably a lesbian since she keeps rebuffing Fred's advances. Also because this is a modern take on an old cartoon. You can't have everybody in the group be white and heterosexual! This is 2017! And Velma being the lesbian is too obvious. Also Fred being gay is too obvious. I mean, an ascot? What is that? Seriously. What is an ascot?

While Fred and Velma disappear into the Mystery Machine to do mysterious things like rest and celebrate life the only way they know how in the face of terrifying oblivion, Scooby, Shaggy, and Daphne explore the hospital looking for survivors.

This comic book is nothing like the cartoon! This should be a kitchen full of stuff to make sandwiches and also olives and toothpicks! I guess there is a ham hock on the floor.

Shaggy, Scooby, and Daphne discover a monstrous doctor torturing a human being unaffected by the nanites. I don't think the human being is famous so he'll probably die. The Scooby Gang only allows famous people to pal around with them in the Mystery Machine.

I suppose that might be Matt Leblanc. Maybe he could join up and drive the Mystery Machine! As long as he keeps from doing donuts around war memorials.

Daphne shoots off the demon doctor's arm but that doesn't help save the patient because the bed eats him. It's death bed! The bed that eats people! Actually, it's Death Hospital, the Hospital That Eats People. Because the entire hospital begins transforming with Scooby, Shaggy, and Dapne inside. For some reason, Fred and Velma don't drive away to live a life of bliss as the last man and woman on Earth. Instead they wait for the others like I probably wouldn't do. Especially since Velma isn't one of the ones in trouble.

Surprisingly, everybody survives the Death Hospital and they drive off on another adventure. Hopefully a sexy adventure that will force me to look up the meaning of the phrase "double penetration".

What Did We Learn?
Hospitals are the worst places in the world. Why don't hospital dramas ever portray hospitals as they really are? This Scooby Doo comic book came closer than shows like Grey's Anatomy or Chicago Hope or Doctors Fucking Like Rabbits. They're grisly and terrifying and the doctors are all a lot more monstrous than they look. The doctor in this comic book looked monstrous but that just meant he was even worse than real doctors like House or Trapper John. Hospitals would go a long way in not being creepy death vaults by changing up the architecture and minimalist hospital style they all like to stick to. Nobody wants to walk down an echoey hallway with stark florescent lighting and fuzzy beige walls because we all know that a madman lurks around the corner at the approaching T-intersection. If you never want to be completely sane again, get a file cabinet and a hand-truck and go to a nearby hospital. Tell them you're there to deliver it to whatever part of the hospital is located in the basement. Then go down there alone and walk those fucking empty halls until you shit yourself. Fucking hospitals are the worst.

The Ranking!
No change.

Green Lanterns #4

Once again, this comic book has way too many artists working on it. The cover says seven but the credits page lists eleven. I'm not an expert but I think that indicates a problem.

The Review!
This comic book isn't as bad as I'll make it seem in the following commentary. But I've declared I will never again complain about the thing that I complain about in the following commentary. I'm practicing not complaining about it right now! I'm using Green Lantern levels of will not to talk about it! It's not even that big a deal, really. It's just a little pet peeve I have that apparently nobody else has which is why comic books are so Goddamned fucking terrible now! I mean, um, it's not a problem at all! No big deal! It's not even like it's something new! People do it all the time and have for decades! It can even be used to good affect when done well and by a writer I have declared an oath of undying fealty for. But Sam Humphries has yet to impress me in a way that would keep his use of those things I don't complain about anymore from bothering me at all.

The Commentary!
I didn't hate this comic book when it began. I didn't even hate it three issues later when Simon Baz and Jessica Cruz kept speaking directly to the reader. I didn't want to hate a person I've never met before and who will likely never have any effect on my life ever. I didn't want to but here I am. I hate Sam Humphries. He broke me and this is the Narration Box that did it:

"Hello, Simon! I'm Tess, the meanest comic book critic ever!"

It was cute last issue when Jess thought, "OMG I am the worst Green Lantern." It was cute because she thought it just moments after Bleez threw her through an office building. It is not cute this issue when Simon Baz thinks the same thing. Not just because Sam Humphries already used this line since I can kind of understand how he's using it on purpose to compare the two new recruits and their ultimate lack of self-confidence in their ability to do this job. They both offer up a strong facade but are terribly concerned that they will fail Earth. What pisses me off about this moment is that goddamned fucking "Hello!" Who the fuck does he think he is? Larry of Larry, Daryl, and Daryl? Lenny and/or Squiggy? Some character who says "Hello!" when coming on scene but whom young people would recognize?! Hell, he's not even one of those characters because at least those characters were saying "Hello!" to other fucking characters. They didn't look at the camera and acknowledge the audience and wave and wink.

I don't know what to fucking do. This kind of shit has become such a standard trope in comic books that nobody cares or notices. Hell, I think the majority of people like this stupid shit. But then the majority of people are assholes and morons who think they're way smarter than they really are. They want heroes to tell them everything inside the hero's stupid head. Stories in third person which remain outside of the character's mind are just way too ambiguous. And how would a comic book like this work without being privy to all of Jess's and Si's thoughts, right?! We have to see how they think so we can compare and contrast their styles and attitudes! No way we could have any opinion on the two of them without knowing every thought in their stupid fucking heads. I mean, look at The X-Files? It didn't do that and it was complete and utter shit, right?

Of course it wasn't, asshole. That was the point. Now get the fuck off of my lawn while I read this rest of this comic book I already know will be garbage because I'm only on page one and it's put me in a terribly foul mood.

Maybe I'm a Red Lantern!

Simon and Jessica plunge into the Hell Tower which is actually the opposite of a tower. Maybe Atrocitus thought The Hell Well was too cutesy. Jessica has been infected with the Rage so she isn't working with Simon. Usually that wouldn't be a big deal because one Green Lantern is as good as two Green Lanterns, right? But remember how Hal Jordan insured that there would be easy tension and drama by forcing Si and Jess to share a battery? Remember how they could only recharge their rings together? Yeah, remember that caveat and conundrum? Well, guess what? You get a Mini-Grandmaster Comic Book Reader Ribbon if you guessed Simon's ring is running out of juice! Oh, Green Lantern comic book! You never fail to make me think, "What am I doing with my fucking life?"

Simon only has 2.2% charge left in his ring which is ridiculous because I'm constantly being reminded that the Green Lantern ring is the greatest weapon in the entire universe. And yet the stupid thing is constantly low on charge when it's most needed. I guess Simon is going to have to destroy the Hell Well with his pistol.

Meanwhile in Dearborn, Michigan, Simon's relatives are bickering because there's a Bohemian Guardian of the Universe in the pantry. He reveals he's as nutty as the other Bohemian Guardians even though he's of a different variety. I don't know where Kyle's Bohemian Guardians wound up. This Guardian finally reveals the name of the ring he brought with him: The Phantom Ring! It sounds so mysterious! And probably not real. This guy is kind of crazy. But he also knows a secret about why Earth suddenly needed two new Green Lanterns when they already had five or six times more than any other planet in the entire universe. But all of that stuff probably won't be revealed until The Hell Well is destroyed.

Simon's ring didn't have enough energy to do a med scan of Jessica or to find a nearby lost teddy bear. But it does have enough energy to do that impossible healing thing Simon Baz does! I'm totally enthusiastically smiling and excited about this revelation! Really I am!

How many more stupid pages is this stupid comic book that's stupid?

Jessica begins to feel less angry and decides to quit. Good! If you quit then Simon has to quit because he can't use the battery without you and then I never have to read this comic book again! If there's even the slightest possibility I might read another Narration Box where a character says hello directly to me, it's worth shutting down this entire series.

Stop it! Stop trying to talk her out of it! Let her quit! Put me out of my misery!

See? These two don't have the confidence that they want everybody to believe they have. Not that I had to put any thought into this comic book to reach that conclusion. All the thinking was done for me! Narration Boxes are the equivalent of those rails that keep the kiddie cars on the tracks at places like Disneyland. They're the bumpers in bumper bowling. They're the cliff notes published in the margins of the book the notes are for. They're the red hot pokers and bamboo slivers jammed under my fingernails. And they're so ubiquitous that I'm bored ranting about them. I'll never fucking mention them again because it seems like all I write about lately. I wish something that mattered would make my blood boil the way these shitty Narration Boxes do!

Jess and Si patch up their differences, recharge their rings, and climb out of The Hell Well. Waiting for them at the top of the well are Atrocitus and his Red Lanterns. Surprisingly, they don't immediately kill Simon and Jessica. Instead, Atrocitus tells them he'll let one of them live. That one will be the one who kills the other Green Lantern. Nice try, Atrocitus! But they just got the whole good guys battling each other thing out of their system this issue. Next issue is way too soon for another physical confrontation between the two Green Lanterns! I mean, I know Si and Jess are going to wind up fighting each other many times across this series. But they can't do it every single issue!

One of the Red Lanterns with Atrocitus is Zilius Zox. How come nobody remember he died in Red Lanterns Annual #1?! This isn't the first time he's been back after dying which probably explains why he's still around. Because somebody else fucked up and brought him back and now nobody realizes he was killed. Oh well. This is Rebirth, after all! It's as good a time as any to declare Zilius Zox's death was exaggerated.

Martian Manhunter #7

Oh mighty question mark! You make a simple statement into a startling revelation!

J'onn J'onzz has thrown in with Mars. He's betrayed his adoptive planet and decided Mars is the place for our universe. Beautiful, glorious, too small to retain its own atmosphere Mars! What a jewel! A joy! A terrible place that thinks putting zucchinis in cookies is a fun idea. Fuck Mars. Fuck it right in its Olympus Mons!

J'onn may have chosen for Mars to live at Earth's expense. But not every aspect of him agrees with the decision.

There's not really enough difference between "hunter" and "killer" for this line to come off as anything but silly.

Nobody needs to explain to me that killing doesn't always come at the end of a hunt. Sometimes people hunt for meaning! Or other things. But you know what I fucking meant, didn't you? Didn't you! You didn't need to ever utter the word "actually" except to irritate the shit out of me.

Speaking of both silly lines and irritating the shit out of me, I watched Halley Berry's Catwoman for the first time yesterday. Me-ouch! Oh man! If I had been a movie critic at the time--not a serious one, mind you! One of those hacks that simply tries to come up with some positive, pun-induced message about how fun the movie was--"Me-ouch!" would have been a good tagline! Of course it wouldn't have made the poster so I would have been doing it wrong. And I'm sure half of the writers came up with "It's Purrfect!" before even viewing it. Also it was not purrfect or anything close to it. The acting was atrocious. The CGI was awful. The dialogue was a disaster. I don't even think it took place in Gotham! And who was this Patience person? I kept waiting for the real Catwoman to appear and reveal that Patience was the villain! It was a truly terrible experience. And...oh yeah! The line that made me punch myself in the face to see if I was awake and, if I was, I might knock myself out. In the final battle, Sharon Stone says, "Game over!" And Catwoman says, "Guess what? It's overtime!"

Go ahead, those of you lucky enough to have never seen the movie. Take your time drinking in the awfulness of that exchange and how it made it into a movie script. How come Halle Berry gets all the horrible superhero lines? She was also the one in the first X-men movie to deliver that line about how toads being struck by lightning differs very little from when it strikes everything else.

I'm a bit ashamed to say I rated it 5 Stars on Netflix. I rate everything I watch 5 Stars just so that I know I've watched it already.

On the positive note, Catwoman stopped the evil make-up conglomerate from making women's faces fall off!

Um, anyway, J'onn fights with himself for a bit and then rushes off without explaining anything. So now the other aspects of himself need to figure out how to save Earth because is still exists. For now!

You liar, Mister Biscuits. You were homeless.

Since the Living Mars has returned to the solar system, it's no longer a dead world and actually full of angry Martians. They attack because they're not as into poetry and love as I seem to remember them being. Maybe they're violent because their planet is sick and it's still probably going to die. But this time it's taking the Earth with it.

Luckily the Martian Manhunter Body Parts Gang know the leader of the Martians: it's little Alicia! She survived the Blood Magic Ritual and aged twenty years and become a general in the Martian Military! Somehow. I guess the only explanation I need is "Blood Magic Ritual."

She's also not as sweet as she once was.

Martian Manhunter #7 Rating: -1 Ranking. This story feels like it's gone off the rails. I thought it was a pleasant read when J'onn was confused and trying to find himself and figure out why he was on Earth. I suppose this is still part of that story. Except now instead of a man (martian!) trying to find himself and his place in his adoptive world, it's a time travel space opera revolutionary war story. I'm as confused as Mister Biscuits! And I'm all out of biscuits!

Telos #3

Here's a simple trick for gauging the quality of a comic book: the more creators credited on the cover, the worse the issue is going to be.

I haven't watched it yet but before heading to work last night, I noticed one of the weird non-cable television channels that only shows old movies and commercials about drugs or lawsuits pertaining to drugs was showing Motel Hell so I set the Channelmaster to record it. I probably haven't seen that movie in thirty-five years. And yes that means that I probably saw the movie when I was eight or nine. My mom didn't want me seeing boobies in movies but she didn't mind if people got hacked up and made into jerky. It's probably why I'm so well adjusted. If this movie isn't as exciting as a man wearing a pig's head over his face and hacking up motel guests, I'm going to abandon it and go watch my movie!

Telos had recently made some friends in prison on Colu. They're helping him to overthrow the tyrant Computo and his lapdog Validus because Brainiac wants his planet back. Unless there were other reasons for the conflict. It's hard to keep fifty-two or more different plots straight from month to month, especially for titles I'm not interested in. This is one of those, in case you are bad at reading comprehension.

Validus attacked at the end of the last issue so this one picks up during that battle. Telos also telosgraphs that somebody will die before the issue is over. He actually says "before the day is over" and the day might last more than this issue but I hope not because I'll feel like I was scammed. Here are the characters we have to choose from who might die:

Captain Comet: No way. Even though he's not the most important character in the DC Universe, he's a favorite among really nerdy readers. And you don't piss off the severely nerded.
Captain K'rot: Technically he's not the real Captain Carrot because DC Comics doesn't want to pay any bonus money to Scott Shaw and Roy Thomas but he won't be killed off anyway. Because then they'd have to bring Captain Carrot back from Multiversity world, a place where apparently DC will pay any royalties they must so they can watch Morrison jerk off on nostalgia.
Stealth: Stealth is a possibility because she has such a simple name and an easy power to replicate. Plus she's new as of Threshold. I think. It's so hard to tell which characters have been brought back from Limbo and which ones are freshly minted buttercups.
Techne: It could possibly be Techne because she's just a female version of Brainiac-5. But that's also an argument for keeping her.
Telos: Oh man I hope it's Telos! Then I never have to buy another issue of this idiotic idea of a comic.

After laying out my arguments (were those arguments? Whatever), I've decided it will be Captain Comet. His death will be the easiest to explain away when he reappears later in the story. It'll be some latent power that all super-evolved humans have or something.

Oh wait. Is that a cop out? I think that's a cop out!

Validus isn't dead so now I'm not so sure anybody will actually die. Telos may have just been acting dramatic.

Telos opens a portal and sends Validus into space which, as I read about it happening, causes me to think, "Why didn't he just do that first? And why are they taking the short way to the Super Secret Data Center if Telos can open portals in space? And when will Captain K'rot begin making jokes about being an alcoholic?"

Meanwhile Computo is pissed off that things aren't going his way. Poor dolt should have gone to the Harvest School of Super Villainy! There he would have learned to act as if every thing that ever happened was all part of your plan. Now instead of looking like an undefeatable bad-ass, he just looks like a sorry asshole that has to ask Brainiac for help. Which was part of the plan since the beginning so maybe he did take some classes at Harvest U. He just needs to tone down his temper.

Telos and Friends decide to go destroy some Psions before completing Braniac's plan. I mean Telos's plan. I mean Computo's plan. You know what? I think it's time I admit I don't know what's happening anymore. I know Telos wants to find his family and Techne wants to free Colu and the others probably just want to escape. So that probably means that even though Brainiac manipulated Telos into doing work for him (and maybe Computo?), it doesn't really matter anymore because everybody has their own agendas now.

First agenda: destroy the Psions!

Or startle them into setting the self-destruct sequence and destroying themselves.

This isn't as exciting as cannibalism but I'm almost done with it so I guess I should finish.

Techne injected a virus into Computo (I think?) and now his control over Colu is breaking down (I think?) so the gang must destroy Computo's back-up and Computo's body to save the world (I think?). Unless destroying him just hastens the demise of Colu? I don't know. Whatever's happening, Telos ends this issue facing off against Computo and Brainiac while the rest of the gang get stuck in the same cliffhanger as last issue:

Validus attacks! Again! I think!

Telos #3 Rating: -2 Ranking. Three issues in and I don't see the point of this comic book. Since I don't believe that our lives or the universe has any inherent meaning behind it, I like my art that was actually created on purpose by sentient beings to have some kind of meaning. It's a small pet peeve of mine. I'll accept that life has no greater meaning than to perpetuate itself. I mean, that's already pretty weird in the first place, right? But think about it. The reason life which accidentally was created by complete accident continues to exist is because it was accidentally created with the need to keep existing. If life had been created without that need or drive (and it probably has been created that way billions of times!), it would cease to exist after living its lonely life. Therefore life which continues to exit continues to exist because it needed to be able to continue to exist to continue to exist. It's simple philosophy! Unless it's math. Or science? Um, whatever! Unlike this comic book, I had a point! Oh yeah! I accept that in the greater scheme of things, life is meaningless. But we are sentient beings who desire meaning! Thus we project whatever meaning we think appropriate onto our lives or our existence or the reason sharks have dead eyes. I want to read stories that encourage the illusion of meaning! Why do I want to read something that's a perfect reflection of reality?! Don't give me a story that doesn't matter and has no meaning and then call it Telos! That's just fucking depressing, man!

Bombshells #6

Wink, wink!

I'm home tonight instead of driving around making my business thrive because the roads in Portland are currently sheets of ice. Therefore I've decided to work on my second business which is writing unhelpful comic book reviews! And which of my reviews are more unhelpful than my reviews of DC Comics Bombshells?! Practically none of them because in the other ones, I don't spend the majority of the time hoping women will kiss. I mean, I spend my time reading the comic book thinking that, obviously! But I don't write about it as much as I write about it while reading Bombshells!

I have a theory! The main reason guys like lesbian pornography is because we think men are just as disgusting as women think we are! Who wants to watch a man be sexy? It's gross! I can watch a man chop down a tree or swing a golf club or light a cigar and suck the shit out of it but I don't want to see him kissing a woman passionately. When I see that, I just think, "Poor woman!" Actually, men doing things that aren't sex is when men look most sexy. Some people think men in porn are skanky looking dudes but they're not! I bet they look super sexy trying on a tuxedo! It's just that filming a man's bone face while he stares at the woman desperate for a taste of his cock is like farting in the Louvre. I'd explain that analogy further but then why bother using it at all?!

My theory is probably wrong. But I plan on doing experiments to test it! Does Craigslist have a Science Section?

This issue begins with Mera destroying a German sub with a zombie crew. She conscripts a few whales into service on the side of the Allies which seems a bit presumptuous. How does she know they're not in favor of whatever Germany was in favor of. I think it had something to do with a worldwide eugenics program. It might also have had something to do with real estate and paranormal artifacts.

After Mera gets done flirting with the seamen, she meets Starikov and Stargirlikov.

I don't remember why I chose to scan these panels. Mera looked sexier in some earlier panels!

After battling for the requisite number of pages, the women stop and chat. They discover that they're all on the same side and choose to work together to save the world with copious breaks for kissing.

The next story features Batwoman and Catwoman so it will be the sexiest of all three stories. Unless the last story is a Harley Quinn/Poison Ivy romp!

While out blowing up tanks, Batwoman discovers a hideout for swing kids. Those are kids who swing. It's right there in their name. And one of those swing kids is The Huntress. And some of the swing kids are zombies! No wait. The zombies are of the undead German soldier variant so I guess they hate swing music. Batwoman watches The Huntress take a few out with her crossbow guitar and decides she wants to adopt her.

After the war stories are over, will this just morph into a Bombshells Birds of Prey book?

Catwoman and Lex Luthor pull up as Helena mentions she's the leader of the German Youth Resistance. Helena hides in Catwoman's trunk as Batwoman gets in to go have dessert with Lex and Selina. What kind of fancy French dessert is a ménage à trois? It sounds delicious!

Then there's a panel where Batwoman is simply saying "...eee." which means it's totally going to become an Eee! Tess Ate Chai Tea header!

On the way to dessert, Lex shows Batwoman his new toy: kryptonite! I guess that will stop...let's see...doing the math...one of the Bombshells so far! Utterly useless, Lex! That should be Lex's new nickname: Uselex.

There is no third story. There is just a bunch of epilogues to the stories that have been taking place. Supergirl and Stargirl join the Bombshells and change their uniforms so they aren't quite as Soviet looking. Kate Kane misses out on dessert (or is coming back from it, seeing that she's in a new dress) because Brother Night tries to kidnap her. Wonder Woman breaks out of prison and goes on the lamb with Steve Trevor. Harley and Ivy continue their road trip to Germany while creating more Nazi zombies.

And Zatanna flirts with Bunny Constantine.

The Zatanna and Bunny Constantine gets a longer epilogue than the others because it's both sexy and too adorable for words. Especially this panel:

Now I want a bunny so I can teach it to smoke.

DC Comic Bombshells #6 Rating: No change. Overall, the art this issue didn't do much for me. Except for some of the bunny shots of Constantine and Zatanna wishing for Milan. I hated the relationship between Zatanna and Constantine in Justice League Dark but I could get behind this one. Their "will they/won't they" chemistry really works. Unless it only works because I can't stop cooing over the widdle bunny. I'm also cooing over Zatanna's cleavage but in a very different manner. I don't know why so many Bombshells comics have been coming out but I can only assume it's because they had a backlog of them from when it ran digitally and DC has been catching up on all of their late comics in December. It's probably for tax reasons. Isn't everything for tax reasons?

Aquaman #46

This cover sent me down the trans-rabbit hole beginning here.

Aquaman has been on some pulpy pulp adventures recently and they'll probably continue right up until you see an Aquaman comic book on the stands without "Bunn" on the cover. He's also obtained any power he needs to solve any plot problem that swims along because Poseidon decided to bless him even though Aquaman doesn't believe in gods (according to the Aquaman of the current run of JLA). He's lost his wife and his kingdom and his ability to say he's never been raped. Hopefully this story has been going six issues now so that it can mercifully end to be reprinted in a trade with which everybody will be disappointed. Even Cullen Bunn seems to have admitted that this entire run on Aquaman has been terrible and unwarranted from the start. Although he probably used different words like "people were mean to me!" and "I was coerced into writing this!" and "Have you read Harrow County yet? I actually care about that book!"

This issue begins with Aquaman returning to Earth and immediately choking the fuck out of Extriax who is a character in this story. It's not the usual way most people begin conversations but Extriax takes it in stride. Heroes are allowed to choke the fuck out of whomever they want because they're heroes. Whatever they do must be the right thing because they're on the side of the just! If Aquaman chokes the fuck out of Extriax because Aquaman is dealing with his anger of being raped, it must be the morally just reaction to Extriax's not stopping the rape from happening. I mean, Extriax must be at fault, right? Why would Aquman cause harm to a good person?

"Look at my violated boner, old man! LOOK AT IT!"

Aquaman declares that he will go rescue Mera now that he realizes she's in danger. He probably should have realized it earlier when Mera was suddenly acting nothing like Mera and was sending people to kill him and declaring that she will protect Atlantis at any cost even though she's never before shown any interest in what happens to Atlantis prior to this.

Mera wouldn't want her death to stop Aquaman from trying to save her?

Wonder Woman arrives on the scene to find Aquaman pouting about his new lot in life. I think he'd be happy! Now Mera is merely in life-threatening danger as opposed to hating his guts and trying to kill him. That sounds like things are moving in a positive direction. Plus, Mera can take care of herself! At least before Aquaman received every new power in the superhero handbook, she was way more powerful and capable than he was. I think she'll be okay if he just keeps doing what he's been doing! As for why Wonder Woman is here? Oh, I don't know. I guess so Cullen Bunn could use the title "Amazon in the Amazon"? See how clever that is?

Wonder Woman also appeared in Sinestro this month so I guess somebody just wrote a blank Wonder Woman check to Cullen Bunn to do with her as he pleased.

Uh-oh! From the beginning of Wonder Woman's speech to Aquaman, it sounds like she might be taking up the Sire-disguised-as-Mera role now. She didn't immediately choke the fuck out of him like some other hero might have done but she's certainly got quite the accusing tone to her speech. It seems she and the other Justice Leaguers know about Thule's attack on the world and how Aquaman has known about it for some time and hasn't gotten around to stopping it. I'm not quite sure yet if she's just come to him to help or to yell at him because I was distracted by this:

What the fuck, Guy Major?

Wonder Woman seems mostly upset that she had to speak with John Constantine while researching who was invading Earth. I think she just wants to help end what's happening but I'm not entirely sure because other things are distracting me far more than Guy's alternate Earth.

That costume is so fucking aggressive!

Aquaman asks Wonder Woman "What Would Batman Do?" which seems like a really irresponsible question. A lot of innocent people might die asking that question! Batman would obviously do the thing that would keep his hands clean of any blood no matter how many innocent people would die at the hands of monsters while he was making sure he didn't kill anybody at all. Also, Batman would never do whatever you'll wind up doing, Aquaman. Even if Batman might have done the thing you're going to do, as soon as you reveal that that's what you're going to do, Batman would be all "TT!" and then point out how stupid the thing you're going to do is.

Wonder Woman was followed by Aqualad's All-Stars so that Aquaman could stop gnawing at his problems and just begin punching stuff. My only problem with this twist is that it's not going to help end this story any quicker and get Cullen Bunn off of this book.

If King Shark has the upper hand here then I was a way better wrestler in Junior High than I realized!

The battle ends quickly because Wonder Woman. Now Aquaman just needs to figure out how to defeat Thule while saving the Atlanteans and Mera so that he can get back to his regular life of riding giant seahorses and forcing dolphins to fight his battles for him.

Etriax's followers all begin to panic in that way that crowds in Cullen Bunn books always panic. I guess it helps the reader to realize the situation is tense and scary? And then Thule attacks Amnesty Bay! I hope Aquadog can stop them!

Aquaman #46 Rating: No change. Aquaman looked terrible this issue. Even his raging costume cock didn't seem as full and in my face as I usually like it. He sort of looked like the type of guy a casting director would get to play the part of an action hero when they couldn't book Jean-Claude Van Damme or Dolph Lundgren. Or maybe the guy hired to play Van Damme's character in the porn version of Timecop which would probably be called Rimcop or Timejob or Time Travel Fuck Arrest. The story was more of the same of the bullshit pulp fiction adventure that Aquaman has found himself stuck in. I guess if you like Pulp Fiction adventures, you might like this comic book. But you probably wouldn't have thought, "You know what? Let me pick up Aquaman to fulfill my desire to read new Pulp Fiction adventures!" Most people also probably don't think, "I really like Aquaman and the way he talks to fish and punches things while being surly! Let me pick up some old copies of Conan or John Carter adventures!" Why did Cullen Bunn allow himself to be strong-armed into writing Aquaman when he didn't really want to?! Has he no convictions?! Now he's just wasting my fucking time!

Telos #2

Wait a second. I'm still reading this?!

Captain K'rot has been called in from the bench to make this comic book interesting! He must be part of the rebellion on Colu trying to overthrow Validus and Computo. Hopefully I'll remember who all of his friends are as I begin reading the comic book but it's unlikely. I was mostly drunk while reading Threshold because I had turned it into a drinking game.

Telos has decided to reenact The Odyssey because it has so many exciting chapters. There's the part with the cyclops and the part with the dog and the part with the shooting contest and the part with the sirens and the part with the Scylla and Charybdis and the part with Xena and the part with the blind man and the part with the Nemean Lion and the part with the hydra and the part with the cockatrice and the part with the kraken and the part with the Trojan War and the part where the ghost says "GET OUT!" I may have gotten some of those parts mixed up because I read every single book on myths I could get my hands on in elementary school as well as The Amityville Horror. I also read all of the Oz books and all of the Mouse and the Motorcycle books but I can tell when I'm thinking of one of those stories and not a myth. Because I just ask myself, "Now, Tess, was there a big round mechanical man in that story? Did he fall through the center of the Earth? Were there flying monkeys and evil gnome kings? Was there a mouse riding around on a toy motorcycle? Then it probably wasn't one of Hercules's twelve labors." I also read The Hobbit in elementary school because my sister checked it out of the library (who fucking knows why?! She's never been into fantasy literature at all! Come to think of it, I'm not even sure she can read!) and I saw it had pictures of monsters in it.

On the second page of this issue, Telos reveals his real identity: Arak, Son of Thunder! Ooh! Ooh! That's so fucking exciting I just pulled a bladder muscle! Is that a believable excuse for pissing myself? I wish I'd taken an anatomy class in college.

I'll talk about Arak, Son of Thunder in a Who's Who Update Special Spectacular after this since I haven't done one of those in a long time. I really should stop taking on projects only to completely forget about them because I'd rather just waste time by thinking about nonsense and naked women. When I first began doing New 52 Who's Who Updates, I had meant to keep up with all of the characters as they were reintroduced into The New 52. I sure have failed at that! At least I did most of the Villains Month characters.

Telos allows himself to become a prisoner on Colu because that seems like the best way to infiltrate Computo's fortress. Remember the prison in Lost Army #5? Remember how the cells were connected to all of the important places that could help the inmates escape? I guess Colu prisons are the same way! Once Telos is inside, he'll meet the rebels who are bad at their revolting and were caught. Then they'll devise some kind of plan that probably involves Captain K'rot digging a tunnel and missing that left turn at Albuquerque.

Telos remembers fucking his wife when he was Arak, Son of Thunder! I wish he'd remembered a different moment with less blanket.

Telos tells himself his origin story because I guess he forgot most of it until just recently so he just wanted to make sure he had it all straight. Brainiac came to steal his planet and to save his family and his people, Arak surrendered to Brainiac. He'd hoped to betray Brainiac but Brainiac wiped his memories and turned him into a much more boring character. Maybe this book should just be about Telos remembering stories from when he was Arak because his life as a shaman is more interesting than his life as Odysseus.

Captain K'rot is in prison with his partner Stealth and Captain Comet. I don't know how Captain Comet wound up here but he's like super evolved so I guess he can go wherever he wants to go. K'rot lost his ship as Telos arrived on Colu in a meteor swarm and now K'rot thinks Telos owes him a new one.

What a conveniently placed service shaft! Comic book prison architects must accept huge bribes to build their prisons so that the prisoners have access to everything they need.

The plan (which is actually a trap) goes off without a hitch except for the one hitch where Captain Comet doesn't do what he's supposed to do because he's distracted by evidence that the Psions are conducting eugenics experiments on Colu. Telos insists that they find his family before they destroy the Psions. But when Techne argues that if Psions are on Colu then his family might not exist, he relents immediately and decides to destroy the Psions first. I suppose he's smart enough to know better than to argue with a Twelfth-Level Intellect! Although he doesn't actually listen to her either because after she finds the location of the Psions, he decides to lead everybody back to Brainiac before going on the mission to kill the Psions. I thought Kyle Rayner killed them all but I guess the dirty little bastards are hard to wipe out.

Too bad on the way to Brainiac, Validus attacks! Validus is like a big baby that's evil and strong. I know most babies aren't strong but I think maybe the "evil" part was redundant.

Telos #2 Rating: No change. I suppose I could have raised the ranking this month because this issue was much better than the previous one which wasn't universe shattering at all. But it's still about a character I don't care about at all! Maybe I'd care a little bit more about him if I had been a fan of Warlord in the seventies and early eighties. But he gained a retinue which makes the book more interesting because a few of the characters from Threshold have found a new home. I'm much more interested in Stealth and Captain K'rot than I'll ever be in Telos. Plus Captain Comet reappears and there have to be at least a dozen people who love a good Captain Comet comic book.

Martian Manhunter #5

Oh, I get it. No wonder I never have anything clever to say about these recent Martian Manhunter covers. Because they're just snapshots of J'onn as he's revealing some of his secret identities. Last one, we discovered he was a Haitian cop named Daryl. It's also possible all of the information in the previous sentence is wrong and he was not Haitian nor a cop nor named Daryl. I don't think it really matters since he was ultimately just another piece of Martian Manhunter. Just like this old white dude who is in some kind of Explorer's Club. I bet he smokes pipes in studies with other old white dudes and they talk about how great the Empire was back in the day while enjoying some poetry by Rudyard Kipling.

At the end of the last issue, Phobos (Mars's moon) was headed toward Earth to eat all of the cookies. If you want to try to get a glimpse of Phobos right now, you should get up early in the morning, a few hours before the sun is up, and look in the eastern sky. See that bright light that looks awfully suspicious? That's Venus. Now see that other light that is pretty bright and stable but nowhere close to as bright as Venus? That's Jupiter. And see the little red light that's really trying to impress but being totally outclassed by its neighbors? That's Mars. Now if you look really, really closely and squint just right, you can pretend to see Phobos.

Here's a fun fact: I didn't need any fucking Facebook news articles to tell me those planets were the planets they are. I just like to walk at night and listen to podcasts and when I head down my driveway at the right time of the morning, I see Venus, Jupiter, and Mars and think to myself, "Hey! It's Venus, Jupiter, and Mars." It's probably one of those 10,000 hours things where I've spent that much time of my life looking in the night sky. I should probably get my dick out of my mouth now and start the comic book. Or maybe I'll just suck it a little bit longer.

You people see that list of comic books off to the right? That list is as close to perfect as you're going to get. Sure, you might argue with me about a few relative placements. And, obviously, some of the spots are going to be a little out of whack because, um, statistics and not a flaw in my system. The bunch at the top? Guaranteed good comic books. Those at the bottom? Awful shit. The ones between the top and bottom? Probably decent enough if you're into the characters otherwise not a big deal if you skip them. Now, you're probably asking yourself, "Tess, why did you just cram this paragraph into your confused and chaotic narrative?" Well, my answer to you is that I just had a little bit of proof that my comic book opinion is the best opinion. Not just because it's mine but because it's also other people who probably know what they're talking about (I mean, they do agree with me, ya know?). Now, how long have I been telling y'all that Shade the Changing Man is my favorite all time best comic book ever in all dimensions? And how many of you took me seriously enough to go out and find all of the back issues since the series hasn't really had enough love to be printed in trades (at least no more than like the first arc or something)? Well, here's probably definitive proof that I was right about this.

See? One other person corroborates my belief!

About three years ago, I wrote this: "I’ve been slowly rereading my all-time favorite comic book series, Shade the Changing Man." Hmm, that's not as exciting as I thought it was going to be. I just wanted to mention again that it was my favorite series. That was also when I began to read all of my old comic books. I can't believe it's been three years. Fuck you, Time! You're the worst. Anyway, after Shade I read Doom Patrol, Planetary, X-Force, Batman and the Outsiders, DC Comics Presents, and probably some others I should have made note of so I could remember how I've been spending my limited time alive. Currently I'm rereading the eighties revival of The New Teen Titans. It's the first series that has really caused me trouble because I'm not enjoying it that much. And it's so long!

Currently the Team of Martian Manhunter's Body Parts are headed toward Ghana to regroup with Mr. Mould.

Mr. Mould is the white guy on the cover (probably). He's probably J'onn's brain for a racist reason. Mister Biscuits is J'onn's heart as I've mentioned before. Leo must be J'onn's flaccid penis which is why he's in the wheel chair. Daryl is J'onn's courage. Pearl is J'onn's emotions for a sexist reason. And little Alicia is J'onn's inner child. Unless she's his lungs or his aversion to fire. Even if I'm wrong, just remember that they're all aspects of J'onn and they're all just metaphors. Eventually J'onn will reconstitute himself out of all of these people which will kill them so that will be sad. But they'll still live within J'onn whenever he needs a disguise!

Meanwhile in Ghana...

No wonder Mera is pissed at Aquaman! He's having a homosexual affair! I think.

Aquaman has delivered Pearl to Mould. Mould claims he's the head so that's one metaphorical persona I don't have to guess at anymore. But he hesitates and decides not to tell Pearl what part of J'onn she is. I see. It must be a really embarrassing part like the sphincter or the clitoris or the left ear. Aquaman offers to help J'onn in any way he can. Probably because he just wants to spend some time in a well written comic book. J'onn promises to call Aquaman later once he's put himself back together. Maybe they can get an ice cream cookie sandwich and give each other hand jobs. Aquaman just stands on the beach staring.

He really doesn't want to go back to his terrible fucking comic book.

Mister Biscuits has to say goodbye to Alicia because she's not part of J'onn and he doesn't want to see her hurt. He leaves her a bag of cookies and gold coins so she can buy a monkey and a horse and a big house where she can live all alone and mop the floors with scrub brushes tied to her feet. But after the Team of Martian Manhunter's Body Parts fly off to Africa, Alicia is beset upon by White Martians. They're the worst kind, of course. Especially the cis male ones. Which these are! Also, they're the Martian Man-eater. So Alicia is probably never going to get that monkey, or that horse, or that house whose floors she can scrub while skating about in bubbles.

Back in Ghana, Mould and Pearl watch as Phobos barfs the avatar of Mars back down on Earth. It needs to kill Earth so that Mars can live because this Solar System seems to have a lease with a one planet of pets maximum.

Martian Manhunter #5 Rating: No change. J'onn J'onzz is sad because he wants Mars to live again. But for Mars to live, Earth must die. I say go for it! This world had its chance and all it did was develop a bunch of selfish, narcissistic assholes. They're so awful that I don't even care if every other species that has nothing to do with them dies because of their sins. Except for the cats. Can maybe the cats be transported to Mars? Mars needs cats! And if there's any room after that, how about the raccoons? You can't have a planet full of trash cans and not have raccoons. So, side note, Mars is going to need trash cans. And don't worry about what will happen with all the trash that has to fill the cans to give the raccoons something to do. The goats that can surely be saved as well will take care of the trash. Although Mars will probably need a goatherder/kitten-wrangler/raccoon-appreciator, so I'll volunteer to be the last surviving human in much the way J'onn was the last Martian. It'll mean hard work and sacrifice and so many purrs I can't even not stop myself from saying "I can't even," but I think I can handle it.

Batman and Robin Eternal #3

Gotham City gets destroyed so often they really should add a version number after the name.

In the Disqus forum of my last intellectually critical commentary on this comic book, Commenter Peg said, "[I]s this a thing that keeps happening? That canon doesn't matter, because new writers will erase what happened before if they don't like it? Because if so I quit. I'm not giving my money anymore on these expensive comics if they can't keep their story straight. If history doesn't matter, then might as well make up my own. What's the difference? I don't even have to pay anything for it," in response to my claim that "comic book continuity is always being fucked with depending on the writer, editors, and the current zeitgeist." I must answer "Yes, this is a thing" because comic books are a strange beast which stands alone in our entertainment sphere, especially now in the 21st Century and the internet age. Today, we expect television shows, book trilogies (trilogy here meaning, of course, however many books are published until the author dies or gets bored), and movie franchises to tell coherent long-form stories. In these formats, nobody expects something that was mentioned in Episode Eight of a television show, or in the first book of a trilogy, or in the third sequel of a movie franchise to suddenly be changed on a whim. My guess is that people born post Return of the Jedi have lived in a world where most of the entertainment media they've consumed has tried its best to maintain a cohesive narrative. But comic books are of a different nature because they do not, and were never meant, to tell a structured story with a beginning, middle, and end. The characters must exist outside of time but must also appeal to the current generations picking them up and reading them. They must reflect the current zeitgeist or they will become relics. And for this to happen, the characters must constantly be reimagined.

Because of the expected narrative structure of every bit of media we consume today, it's hard to swallow when comic books do the unimaginable and change the histories of the characters. Can you imagine if Lost had kept changing its mind on what things meant and then...oh wait. That's a bad example. What if the writers of Bones decided that in the current season, Angel was just never married to Jess's sister anymore? People would go apeshit! I think. Does anybody even watch Bones anymore? Anyway, we expect television to not mess with the story told to us in previous episodes and seasons. It's hard to believe there was a time when television shows hardly cared about the continuity from one episode to the next. They generally maintained a sense of "soft continuity" which was really just the established parameters of the premise or the situation. My mother used to dislike shows which she disdainfully referred to as "soap operas" because they relied too much on a long story arc across the season. Before that, characters could change and grow but they really were just plunked down in the same situation week after week without any real reference to previous episodes. The comedy Soap was called Soap because they were playing off the idea that the show's story just kept continuing week after week. But if you watch it now, the continuing premise wouldn't be anything different and the title would be redundant. Soap might just be called Arrested Development and everybody would expect the story to continue from one week to the next. The first drama I watched which I really remember telling the kind of long narrative story expected from television shows today was Wiseguy. Twin Peaks also broke that barrier but even Lynch's show played on the idea that it was basically a soap opera. It even parodied itself in the fake in-show soap opera, "Invitation to Love."

Just a bit of imagery to break up the boring words.

Movie franchises were a bit ahead of television shows in trying to keep a cohesive narrative across multiple films. But even here, it was rare. A series like The Godfather or Star Wars were made to tell a long story and would have been ruined by playing fast and loose with the previous movie's revelations. But continuity mattered less in other film franchises which only produced sequels because the first movie was a hit. And of course novels have always been expected to play as fair as possible. But comic books...oh, comic books. What was going on with them?

Comic books have never had the luxury of maintaining a cohesive narrative across long stretches of time because their audience is constantly changing. Nobody expected anyone but kids to be reading Batman when he first came on the scene. And nobody expected those kids to keep reading Batman as they aged. So Batman couldn't age. Who wants to read about a sixty-five year old vigilante breaking his hip as he tries to swing across Gotham? So the characters aren't allowed to age but they have to interact with the world in which the readers live. The scenery behind the characters flits past, constantly changing and updating, while the characters remain the same age. Certain historical moments that might have been incorporated into the story of the character have to change as those moments move further and further into the past and mean less and less to the new readers coming of comic book reading age. And what about the writers, artists, and editors? The characters outlive them decade after decade. Of course no new writer is going to be compelled to come on to a Batman book if they have to keep the character true to its decades old roots. Sometimes writers will come along and write a new definitive take on a character which the current generation latches onto. That's now who Batman is no matter how upset it might make Batman's older fans who never thought of Batman in this updated way. And eventually, Batman becomes the culmination of a whole bunch of seminal stories that nearly everybody thinks of when they think of Batman. And if there were times in Batman's history that nobody looks fondly on? They're forgotten as if they never happened. But for some people who like that time? They still matter. Things have to change. Things must constantly be updated. But the characters have so much history, parts of which conflict with other parts, that the character means something different to everybody who loves it.

My main point about loving comic book characters no matter how much they change due to "writers, editors, or the current zeitgeist" is that any character you fall in love with continues to exist no matter what future changes eventually turn the character on its head. Because the character you fell in love with is almost certainly not the character she was fifteen years before you discovered her. Do not let the comic book company dictate the stories you cherish simply because they've retconned them out of existence. Do not give the companies power over your fandom. Things in comics will change because they have to change. They are not indebted to any one generation's likes, values, and mores. Nor should they be.

In Dan Jurgens' Bat-mite, Gridlock says, "I have sworn to preserve the world as it is and forestall the devastating changes younger generations would inflict on us." That seems to be a common theme with comic book fans who dislike change. As much as I love to make fun of Dan Jurgens for being stuck in the eighties, his current Bat-mite is an intelligently put together parable about how each generation of comic book fans believes the era in which they fell in love with comics to remain the norm. And that's just not how comic books work. The longer you remain a fan, the more often some character or story or Reboot is going to break your heart. Once you can learn to live with this fact, and realize that the characters you love are made up of the stories you choose to remember, the less angry letters to the editors forum rants you'll wind up writing.

And now it's time to read the comic book!

Dick and the other Batkids arrive at Noonan's Sleazy Bar to keep Jason Todd from getting killed by Cassandra Cain. Is this the part where Sixpack tries to recruit them all for Section Eight? I think Dick would fit in perfectly. He could change his name to Tight Ass and wear ass-less chaps. Between Dick Grayson and Bueno Excellente, they could seduce any super villain they encounter!

The Batkids head out to the Batcave because Batman is out of town. Or his mind. Whatever. It's definitely an adult-free space so it's the place to hang and have sex with each other. They can do Scarecrow Toxin Whippits and play Seven Minutes Behind the Giant Penny. Although the giant penny was turned into a merry-go-round at Lucius Fox's Home for Wayward Youths. And the giant dinosaur was turned into a slide although the giant dinosaur is still in the cave with the randy kids. Continuity Violation! I call Continuity Violation!

Once in the cave, Harper gets laid up in the intravenous healing tea injection table while the rest of the Batkids try to figure out a way to get Cassandra Cain to talk.

Blasphemy! Candy does not equal circus peanuts! And Tim's supposed to be the smart one!

Cassandra taps each of the male Batkids in safe places: Hood is the hand, Tim is the head, Dick is the heart. Then she goes over to touch Harper's stubbornness and Stephanie's funny bone.

Helena gets back in touch with Dick to let him know that she found a reference to Mother in one of Agent Zero's diaries from about twenty-five years ago. It turns out Mother has the capability of producing "designer human beings" for anything a person might need. Red Hood suggests that maybe Batman used it to design his Robins. Dick and Tim seem like they'd like to argue the point but, really, how many times has Batman betrayed their trust in the past? Pretty much once per week. I'm pointing to the Circus Peanuts as treats as proof of one betrayal.

It's only Issue Three and I've actually already voiced my objections to the Batman creating his sidekicks plot when the Sneak Peek came out on my birthday Batman Day. If it turns out that Batman somehow had a hand in creating each Robin, even if he just special ordered them through Mother, the writing crew had better come up with an incredibly crazy but believable and emotional reason for it. Otherwise they're just cribbing the "Joker made Jason Todd into Robin" plot from Scott Lobdell's Red Hood and the Outlaws Zero Issue. Which I ranted and raved about back then.

Time for a flashback to after Dick was gassed by the Scarecrow and Batman rushed him back to the Batcave to describe the experience. I mean to care for him! No, no. It really was just to describe the experience. Batman is one hard motherfucker.

I like how Dick is giving Bruce a little side glance as he admits to his fear, just waiting for Batman to assure him it's not true. Or fearful Bruce is going to agree.

Bruce tells Robin that he saw nothing when he was dosed. Now Dick's memory ramps up his paranoia that what Bruce saw had something to do with Mother and her help in creating the Robins. His flashback is interrupted by Helena with more information. It seems Poppy ate her nanites. But before doing so, one of them hacked her cell phone and figured out where Poppy's outgoing calls to Gotham were headed. To a place where Bruce Wayne is being celebrated. Dick ditches the other kids and rushes off to save Bruce in much the same way Batman would have ditched them all without actually telling them all the details and asking for help. He really is a good Batman replacement!

Tim Drake mans the Batcomputer to watch Dick's back while Cassandra Cain and Harper Row slip off into the shadows to hopefully get that Batkid sex going. Somebody's got to do something sexual soon! I'd be happy with Red Hood pulling out his balls and lying them against Tim's neck as Tim is concentrating on the Batcomputer!

Bruce Wayne gets invited to check out the kitchen at the "Welcome Back, Bruce Wayne (Again!)" party. But instead of getting a tasty treat, he gets ambushed by a bunch of Mother's children. He'd better hope his martial arts training wasn't written over by the Dionesium!

Batman and Robin Eternal #3 Rating: +1 Ranking. I'd better give it as many increases in rank as I can while I'm still enjoying the interactions of the Batkids. I have a feeling when Bruce's Bat-secret is revealed, things are going to get incredibly stupid and outlandish and unbelievable and insane and I'm really not going to be very happy about it all.