Deathstork #16

I am not Shooping this cover so just pretend it reads "Deathstork".

The Review!
Deathstork has gone blind so now his name is Twilight and he kills people with the help of his guide sidekick, Roscoe. Currently he's battling a guy named Deadline so if you had "Eventually somebody will come up with a stupider name than Deadpool" on your superhero pool at work, you still haven't won anything. Let's face it. Deadpool is a dumb name derived from Deathstork. At least Deadline makes it sound like "Oh! I've taken out a contract to kill a person so now that person's life is running on a deadline! And that deadline is my gun! KERPOW!" I guess Deadpool is called Deadpool because there was that Clint Eastwood film a few years earlier and it was probably on television when Rob Liefeld was thinking, "What should I give the name of my Marvel version of Deathstork?"

Although Deadline might beat out Deadpool for stupidest idea ever because Deadpool eventually found a niche in the superhero world that made him popular and Deadline has a weapon called an Infinity Rifle. It uses alien isotopes to create static disruptive shells around its targets. That sounds cool!

The new Power Girl has a fake boob window and it's making me angry. She also has an illusory underboob awning! That's making me less angry and more the other thing. You know, the emotion that powers the Violet Lanterns except more sexy.

Well, now she has a belly window!

See what kind of damage the Infinity Rifle does? Pretty awesome, right?! It could probably kill Superman. Why didn't Lex Luthor think up this weapon?

In the B-story line, Rose finds out that her Hmong family are all actors paid for by Slade. She finds out from Etienne, the woman Joseph is about to kill. I mean marry. He's already fucked her. Also I think he probably will kill her after marrying her when he finds out she's been fucking his father. That story doesn't have any blood in it yet so let's go back to the story where Deadline is about to get his hand cut off and then mauled by Roscoe.

Deadline has all sorts of special powers which he received from his encounter with an alien race. I bet it was just government agents in stupid costumes fucking with him. He also explains his moniker. If he doesn't kill a person by the guaranteed deadline, the kill is free. So why didn't he call himself Domino's?

Deadline's alien tech allows him to phase through solid objects. He likes to kill people by phasing a hand into their chest and going solid. Although that probably hurts his hand too so he usually just relies on the Infinity Rifle. As you saw, that makes a pretty good mess of even people with invulnerability.

Do you think Power Girl is actually dead? It would be interesting if DC allowed her to die in this series. It's not like she was being interesting in any other comic book, even the ones she was appearing in.

Darn it. She's still alive.

The Ranking!
No change! I wasn't paying particularly close attention to this issue. That'll happen, life being what it is.

Deathstork #15

A Hound of Death would make sense if his name were Deathhound.

The Review!
No change. The reason for the story's name, "Twilight", is revealed in this issue. Since Deathstork has gone blind, he's decided to change his assassin name to Twilight. I also think maybe he's a little bit ashamed of his name (his real name, Deathstroke! Obviously he'd be embarrassed if his name was actually Deathstork!) since he's now butting heads with a rival assassin who goes by the name Deadline. Seriously?! I suppose it's kind of creative in that it has a form of "dead" in the name which all bad-ass comic book assassins should have (except for Lobo) and it underlines the idea that all people have an expiration date, or deadline if you will (or don't. I mean, if some other person told me I should equate "expiration date" with "deadline" just to fit the flow of what they were saying, I'd call them a cunt (yeah, yeah. I go to that word way too quickly! But discussions about writing can get heated!)) and it's a riff off of Deathstroke! Stroke? Line? Dead? Death? Ha ha! Good one!

Also in this issue, Deathstork probably breaks some kind of sexual predator registry laws.

She's sixteen and a half, Slade! Way too old for you!

Other important plot points to remember for next month: Jericho's comatose boyfriend who he practically murdered for his supersuit has died but Jericho has taken him to Doctor Villain so that maybe he can have a new Origin Story; Rose has had a vision of Jericho covered in blood with a woman's body at his feet, so I don't think the wedding is going to go over great; and Wintergreen acts shocked that Deathstork is causing chaos at a Congresswoman's fancy party.

The best moment is when Deathstork realizes he's hanging out with another underage Teen Titan and he spends the rest of the issue trying to hide his boner.

Deathstork #12

I got the half-finished variant cover!

• I fucking know, Actually Nerd! Shove your actually up your fucking ass!

• This story is called "Twilight" so I'm pretty excited about that. I love vampires. Especially vampires who are super fucking old but look so young that nobody blinks if they go around fucking high school girls. Those vampires are the creepiest kind.

• I wonder if Vampire Tim Drake from the future will appear in this story!

• The issue begins with wheelchair bound Pat (a former Vigilante) being visited by Slade Wilson. He's got a message for Pat: Luis will live! Well, thank somebody for that! The readers were all kinds of worried about what was going to happen to Luis. Maybe not all of the readers. Most of the readers probably thought, "Who the fuck is Luis?", before shrugging their shoulders and turning the page. The other handful of readers knew Luis was Pat's kid who almost got into gang violence because Pat wasn't around to make sure the maid didn't let him get into gang violence. You can bet that maid lost her job!

• After Slade delivers the news, he runs into the wall instead of exiting through the doorway. Pat realizes he's blind and the readers are all, "What the fuck?" At least some of them were! Most of them probably remember how comic books work and just turned the page expecting the story to flash back in time so we could see how Slade lost his eyesight (which is probably temporary because DC Comics doesn't need their own Daredevil knock-off. Especially when that knock-off is the knock-offer of Deadpool. That's just making things way too complicated).

• Jeromy Cox did the colors on this issue so I expect a bunch of poorly colored flags.

• Just kidding, Jeromy! Ha ha! We have so much fun, right?! Hey, did you ever color any of Cullen Bunn's stuff? He's a big jerk, right? Let's get the gossip!

• The first page of the comic is always wasted. It's like dipping your toe in the bath before getting in so you don't burn off your genitals. Now that I've gotten a feel for the temperature of the comic book with the bit showing Slade run into a wall (although why would he do that? His reflexes and senses should be honed to such a super degree that he'd never walk into anything while blind! He must have done it on purpose so Pat would sympathize with him), I can dunk my bag right into the thick of this story.

• Deathstork is breaking out of the Coast Guard's Supermax prison in Florence, Colorado. That sounds like a made up place. I've never heard of a Florence in Colorado before! And if I haven't heard of it, I'm pretty sure it doesn't exist. That's just simple philosophy!

• Deathstork wasn't the brains behind the escape. That would be The Red Lion. I once went to a high school party at a Red Lion Inn. My friend Aaron and I wound up dropping all the little glass crystals that hung on the bedside lamp out the sixth story window and into the parking lot. That wasn't one of those stories where I'm bragging about my youthful experiences. If I were going to tell those kinds of stories, they would be filled with sex with lots of hot sexpots who were so totally into sex that we would sex all over the places people have sex. A lot. No, that was just one of those stories which are an example of why minors should never be tried in court as adults. The person I was at seventeen shares a lot of similarities with who I am now. But I would fucking beat that kid for shit he did that was way worse than vandalizing the Red Lion Inn. Young people do stupid shit and they shouldn't have their lives ruined forever because of it. And, yes, I even think that if they've ruined somebody else's life. Punishment without the possibility of redemption is simply cruel vengeance.

• Although I'd probably change my mind if some assfuck teenager maliciously killed a pet of mine. Then I would wreck that person so hard, they'd feel my wrath twenty generations down the line.

• What I'm saying is, I don't know everything! Maybe not even anything, really! But at least I know the colors of the stripes on the United States flag! Ha ha! Just kidding, Jeromy, buddy!

• Meanwhile in Minneapolis, Hosun (Slade's ex-dispatch guy) confronts Rose so that they can explicate some of the more confusing parts of the plot so far. I was going to scan that page so that I'd have all of the pertinent information in case I was confused by the story later, but then I turned the page and thought, "I should scan that!"

Slade loves staring at his grown kids in post-coital slumber.

• In Joseph's scene, the readers learn Joseph needs to rush his marriage because that should cure his gay headaches.

• Slade returns to Florence to interrogate Dex, the man who interrogated him when he was thrown in the supermax. Slade wants to know who else was freed from the supermax when he was because he figures Red Lion was just using Deathstork as cover. It turns out Raptor was currently in the supermax too! And now he's gone! Hooray! I hope he's talking to an agent about getting a biweekly anti-hero series of his own. At least his would come with a catchy theme song.

• Slade realizes Raptor and Red Lion are off to steal an aircraft carrier in dock ready to be turned into a casino. Red Lion needs it to get his country back. Slade might not care about all that anymore since nobody is paying him. But he needs to stop Raptor for another reason: Raptor took Deathstork's Ikon suit from the prison and painted a hawk on the front. Right over the dildo!

The Ranking!
No change. A good portion of this story feels like a not too intelligent editor read the previous eleven issues and said to Priest, "Dafuq?" So then Priest was told to write this issue and have a bunch of the characters explain what actually happened in the previous eleven. It still told its own story and moved a bunch of plots forward but the amount of exposition and explication in this one probably quadrupled what came in the previous ten issues.

Deathstork #8

Shit, Adeline really got to Supes!

I was disappointed with Batman's guest appearance a few issues ago because he just ignored Deathstork being in his city. I suppose that's the smart thing to do, really. If Batman isn't going to arrest Slade (and he never does!), why bother getting into a tussle with him? It'll just end with a whole bunch of broken walls and windows and skylights. Which, come to think of it, is exactly why Batman should bother! Wayne Wall, Window, and Skylight Repair would make a fortune!

I don't think I'm going to be disappointed with this confrontation though. Superman has a history of solving all of his problems by punching them in the face. Okay, so Batman does as well. But there's no way Priest can pull that "the hero acts reasonably and responsibly" bullshit twice in one story arc! Fans would riot! And Deathstork fans are the worst! They riot whenever somebody points out that Slade Wilson is an unethical, morally repugnant pedophile!

Slade decides to give up without a fight. But that doesn't mean he has to shut up.

Oh my god! He's a bigger nag than Adeline!

Adeline and Slade are really making Superman look like a lazy chump. But Superman just has to put up with it. He knows the crap Slade Wilson has done because Batman probably whines incessantly about Deathstork sometimes being called the Batman Who Kills. But what is he supposed to do about Alisante? Take Deathstork's word for it? Bring Alisante in without any evidence as to why? At least Adeline had warrants on Slade and evidence of his misdeeds. Superman can't just grab anybody off the street (or the ocean) and drop them off with the cops with a note saying, "Bad person. Do something about it." Although on pages two and three of the last issue, Superman was hauling the entire aircraft carrier to land. So maybe he'll use his x-ray vision to see all of the drugs inside the ship. Does Superman need a search warrant or can he use his x-ray vision for probable cause? Not that Superman has to follow the same procedures as police officers do. But I'm sure he probably tries to, for his own peace of mind.

Luckily for me and my need to see Deathstork beat up Superman, Slade fires a shot into Superman's face as he pretends to give up. Superman then begins to do that thing that makes all of his battles last so long. He hits Deathstork as hard as he thinks he can hit him without putting his fist clean through him. It's not hard enough because of Slade's Ikon Suit. So Superman recalculates and tries a little harder. And then a little harder. And then a little harder than that. See? This is why all of Superman's fights aren't just one punch and done. If Superman knew exactly how hard he could hit an opponent without killing them, then his fights would be short. But he has to be extra careful or else the next time he sees Batman, Batman will be all, "Everybody who hasn't killed anybody can sit by me!"

Pounding on Deathstork's Gravity Armor gives Superman a nosebleed from the shock waves bouncing back at him after each punch. Superman just got rope-a-doped! If you don't know what a rope-a-dope is, you should read Catwoman #15 where Ann Nocenti explains it to the idiots reading her garbage.

Meanwhile, Rose learns that Etienne, Joseph's fiance, works for HIVE. Just like Grant! Just like Adeline! Just like maybe not those two and maybe not HIVE but probably! Nobody is who anybody thinks they are in this thing! Even Superman isn't really Superman since he's Preboot Superman!

Apparently, the Ikon Suit isn't Adeline speaking to him. It's just the stupid suit talking. But it sounds like Wintergreen so that maybe Slade will finally let the real Wintergreen retire. Superman is given an earpiece to listen to Ikon Wintergreen because he's even better at philosophical bullshit and making a person feel guilty than both Adeline and Slade combined! He's all, "So what is justice? What laws do you follow? When do you punch a guy in the face and when do you kick him in the nuts? Who told you you could police the world and what Goddamned rulebook do you follow?!"

Through a bunch of legerdemain and distracting balderdash, Deathstork manages to kill his target while Superman flails around like a Magic the Gathering player trying to take off a bra. Sure, I'm assuming the Magic the Gathering player here is a male but I'm not clarifying whether the bra is on himself or a woman he's about to see naked. You know which one is most plausible.

It's as if Priest were given Deathstork to write and told, "Give people a reason to root for him other than the disgusting bloodlust of enjoying seeing baddies sent to Hell!" And he was like, "Sure! No problem! Easy peasy! Why has everybody found this so hard to do?"

In the DC Universe, if you want to show that your character is a huge bad-ass not to be trifled with, you have them kick Lobo's ass. If you want to show that your character has a conscious and possibly a heart and is actually trying to do the right thing even if maybe they go about it in a blood-soaked manner, you have them engage in a conversation with Superman. Deathstork understands that just because something is a law, it doesn't make it lawful. Sure, his morality also offers a chance to put a significant amount of money into his bank account but maybe there's a reason Batman didn't pursue him while he was in Gotham. Batman operates on the same assumption that sometimes doing things legally isn't enough to get the job done. It's just that Deathstork doesn't mind going whole hog into that line of reasoning. I've liked the character of Deathstork for a long time (it's why I have so many of his comic books!) but I've never really liked the way he's been written. There have been the rare exceptions and this series is one of those.

Also, can you imagine if Red Hood and Batman had basically this same kind of conversation? It would go a long way to fixing Red Hood and cementing why he does things the way he does, and why Batman allows him to. I know some people might have a problem with using the word "allow," but, come on! It's Batman! He's the fascist dictator of Gotham ruling from the shadows! What happens in Gotham only happens because he allows it to happen!

Superman brought along Jericho to help stop Deathstork and to convince himself that he's washed the blood from his hands over whatever the hell situation he got himself involved in. It's all Jericho's clusterfuck now! But in the end, Supes does get the satisfaction of punching Deathstork in the face and knocking him out. Clark and Bruce will later probably swap tales of beating up Deathstork over a beer.

In the end, Superman embarrasses the United States by exposing their ties to the drug lord Deathstork just assassinated right under Superman's nose. He does it to show Adeline and everybody else in the government who wants to keep using them to fight their ideological battles that he's not on anybody's side and he won't be manipulated. He's on the side of his own ideology which is, according to Superman, totally the right one. According to Batman, it's totally an infantile one! But hey, like Deathstork or Rose or somebody said earlier in this story arc, "Tomato, tomato."

Superman places Deathstork in the custody of the Coast Guard so that Slade will be able to free himself by next issue. And, finally, Rose Wilson leaves her dad in the present while she heads off to investigate her Hmong past. Also she's being followed by some white guy! Epilogue!

The Ranking!
No change. Isn't it nice to have a Deathstork comic book that's well done, Deathstork fans? Now you don't have to send me angry messages over the Internet every time I bash your precious anti-hero. You see, it's never been my goal to attack Deathstork. I don't have any personal vendetta against any character in popular fiction. What kind of an insane garbage hound do you think I am?! My goal is, to be precise, to attack horrible writing and terrible art! We might disagree on what those are but know that if we do, you're almost certainly wrong. Mostly because the majority of people can't get past their own internal desires that color the world with their bias, and so they defend awful and terrible things simply because they support their cuckoo world view. But I have a secret and it is this: I don't give a shit about anything except being entertained so that I can, for whatever length of time it gives me, be blissfully ignorant and unaware of my eventual descent into the grave. Just be fucking good and entertaining and, maybe on occasion, terribly, terribly smart and witty and so clever my envy will burn as fiery and hot as the interior of a thousand suns. If you're none of those things, my wrath and disgust will burn even hotter.

Deathstork #7

I think I've spent enough time this week Photoshopping covers.

This opening paragraph is for Anonymous: Trump is a stupid head!

Two issues ago, Batman failed to care about apprehending Deathstork. Although he did manage to make Rose Wilson feel guilty about her chosen profession. This issue, Adeline Kane tries to convince Superman to apprehend Deathstork. She makes a pretty good argument. At least I think it's good. She yells at him a lot and makes him feel like a piece of shit. According to Twitter, that's standard debate tactics which usually lead to winning the argument. Twitter defines "winning the argument" as being blocked by the person you were making feel like shit. Currently in America, a lot of people think they're master debaters when they are, in fact, simply assholes.

Superman decides he should bring in Deathstork just so Adeline gets off his case. Adeline needs to be careful. Superman could leave this meeting feeling sympathy for Deathstork.

The short stories in this issue take place all over the past few days. So the Superman thing was thirteen hours ago. Then he caught Deathstork on a battleship for a double page splash before shifting scenes to Joseph now using dead Uncle Dr. Ikon's super suit himself. That's the problem with secret identities. Anybody can kill you and take over, as long as they fit in the costume.

I suppose all of these stories are the final bits and pieces of backstory needed for the conclusion of this story where Superman and Deathstork have a heart-to-heart talk on the roof of the Daily Planet. Superman will learn that Deathstork is a killer but only of bad people. And Dathstork will learn that Superman will believe anything.

Eleven hours before Adeline convinces Superman to go after Deathstork, Slade Wilson pays Adeline a visit at her home in Georgetown. She's remarried but she still has at least one family picture including Slade on the mantle. Is that normal? I mean, I get having the picture. But she hasn't drawn devil horns or blacked out his eyes or anything!

Anyway, Slade has determined that Adeline is the person currently trying to get him killed. Just like I said! Remember how I said that? I totally did. At least, I think I did. Well, if I didn't, I'll just go back and add it into a past commentary so it looks like I had already said it.

While Slade explains what he's learned to Adeline, he remembers creepily watching Rose and Richard fuck.

I hope it doesn't turn out that Pat, Richard's mother and one-time Vigilante, isn't behind the plot to kill Slade because I'm not going back and changing my past commentaries again!

Apparently Adeline and Slade were made for each other because neither one of them can simply express their feelings or needs. Adeline set up all of these dominoes just to get Slade back into her kitchen so she can ask him to accept a contract for HIVE, or whatever organization she works for. Or maybe she just likes being a stinger in his ass. Whatever her reasons, she tells Slade she's going to keep after him. He decides to walk away because he somehow thinks he won't fall for any more of her intricate games in the future. He's got a surprise with a capital "S" in store for him!

At some point during the past day, Slade pays a visit to Pat the Ex-Vigilante.

Pat probably had a stroke from everybody constantly telling her how terrible her costume was.

Slade's current job to kill some rich person on a personal aircraft carrier goes tits up when his current — I don't know what to call him — you know, the guy who helps him on the radio while he's on a mission? Oh! His Oracle! Anyway, his Oracle gets a call from Joseph's fiance letting him know who he's really working for. Hosun, the Oracle, apparently didn't realize he was working for the guy who fucked his mother. Or killed his mother? I don't know but I guess Hosun is Rose's half-brother? Maybe? I'm fucking speculating like crazy here! Anyway, after Hosun cuts off his help, Deathstork has to finally activate the Ikon suit that he was forced to wear due to the initial bits of Adeline's Rube Goldbergian plan. And once he turns it on, Adeline is able to contact him and she's all, "Fucking Christ, you idiot. Why couldn't you have turned this thing on six issues ago?! Now look at what you made me do!" And that's when Superman tears open the side of the battleship to beat the shit out of Deathstork.

At least, I think it was Adeline talking to him over the Ikon Suit! This series doesn't like to easily reveal its secrets. That must make it hard for people who have to wait two weeks for each new issue to remember everything. But that's their own problem. They should start a blog to help them remember the plots of all the comic books they're reading!

The Ranking!
No change. I'm still loving this comic book even if I don't always know what's going on because I eventually discover what's going on! That's the way stories are supposed to work! I hate when comic books are confusing and then they stay confusing and they never explain themselves because the writer really never had a plan in the first place. But Priest seems to have like a dozen plans in place and they're all paying off!

Deathstork #6

Why is Slade making moose antlers?

Here's an anonymous message sent to me via Tumblr today:

Your reviews are actually kind of funny, but Jesus Christ lay off the Trump references. As a Clinton voter, I'm sick of the low lame jabs.

As anonymous messages go, it's pretty polite! Practically even a compliment! I mean, the "kind of funny" is sort of an off-hand slam that really hurt my feelings. But then everything else about the message seems like a lie, so I probably shouldn't care too much that the messenger didn't say my reviews are uproariously hilarious like they probably should have. I'm sure there are Clinton voters who still consider themselves "Clinton voters" who really hate people making fun of Trump because everybody has a right to be stupid, even Democrats (or people pretending to be Democrats!). But to categorize my slanderous comments about Trump as "low lame jabs"?! Come on! Those jabs were uppercuts! And right hooks! And they were intelligent and cutting! You know how else I know this person didn't actually vote for Clinton? Because they typed "Jesus Christ" with the appropriate capitalization! People who voted for Clinton were obviously atheists and Satanists who would never invoke the name of Christ! I'm too smart for you, Anon!

Look, Anon. If you want to read my stupid reviews, you might have to put up with me expressing opinions that will differ from yours. You can't go around being angry or annoyed every time somebody says something with which you don't agree. But you must realize that I was never going to take your suggestion seriously, right?! I mean, you'll probably never read another one of my reviews ever again! You stumbled upon them today, felt you needed to express yourself to the void of the Internet because nobody else will listen to your Magic Deck making strategies, and probably have already moved on! I would be as pathetic as Cullen Bunn thinks I am if I changed my ways for a disgruntled, anonymous drive-by commenter!

I take it you think I mention sucking dick and masturbating just the right amount though?

This issue begins with Deathstork back in Sub-Saharan Africa. I guess things there weren't completely resolved after he rescued Wintergreen and fucked over the president of the country. I guess he's there to save the president of the country after giving him ample time to think about how he tried to fuck over Slade. Being a villain is hard. You can't trust anybody. It must be nice to have a guy like Wintergreen in your corner who will do anything you say no matter how crazy because he loves you unapologetically.

The president's name is Matthew but he likes to be called Red Lion. But he doesn't matter. Also on the plane is Rose's boyfriend Richard. Apparently he was the one who put the hit out on Rose. I guess that's why all of the subterfuge last issue. It was Slade's way of telling Rose he loves her! By keeping her in the dark about how her boyfriend tried to have her killed. He's so sweet!

Meanwhile Rose is meeting with her brother Joseph to discuss Slade trying to kill her. Joseph isn't too sympathetic because Slade nearly got him killed a long time ago. Also, Slade killed Joseph in the Preboot Universe. But he did it because Joseph wanted him to and because the Wildebeest story had been dragging on for years with no end in sight. Even though I liked Jericho back then, I was glad to see that story arc end!

Oh, well that finally explains that! I was tired of being too stupid to understand what was going on! I mean, pretending I was too stupid! It was a joke! Ha ha! And you fell for it!

Okay! I think I finally understand what is going on! I sort of already understood though because Wintergreen explained it all to Rose about how her father doesn't know how to express affection. Look at what kind of trouble can happen when you don't just hug your parents? Not that the child should be blamed for lacking the ability to have close, intimate contact with their family members (not that kind of intimate contact, you pervert!). I can probably count on my fingers the number of times I hugged my grandparents and I loved the fuck out of them! Plus I have all my fingers! Just for, you know, clarification.

I saw this quote recently that may or may not have actually been said by F. Scott Fitzgerald: "An exclamation point is like laughing at your own joke!" I added the exclamation point because I imagine he probably yelled this at somebody who used too many exclamation points. I use a lot of exclamation points but I assure you, I only use them when the sentence preceding the punctuation mark makes me laugh. Or I'm excited. Or angry. Sometimes all of those! See, I was excited there but not angry and I wasn't laughing. The point to this is that from now on, because he was so critical of the exclamation point which I love, I'm only going to refer to him as F! Scott Fitzgerald.

This issue is filled with editor's notes about other issues because this issue is beginning to tie up a lot of loose ends. The various short stories making up the narrative are beginning to meld into one coherent story in which Deathstork probably disovers Adelaide is behind kidnapping Wintergreen and getting Deathstork back in his suit and turning his children against him and getting him to team up with the Red Lion. Or it's totally different. I'm tired of being a Grandmaster Comic Book Reader! Sometimes I'd just like to admit that I don't know what the fuck is going on.

Oh shit! Richard is that Luis! The one that got involved in gang activity in Gotham because his mother, Pat, put the maid in charge of him while she went out to fight crime as Vigilante!

Richard (aka Luis) hates Deathstork because Richard's mother, Pat, abandoned him to go be Vigilante at Deathstork's side. Also because she was on the run from the police but she really super wanted to be at Deathstork's side. And when he told her he works alone and wouldn't let her come with him, she made the worst cry face in the history of comic books. I think I have the scan around here somewhere.

I can't tell if she's crying or she's in shock due to her brains leaking out of her eyeballs.

Whoa. I'm starting to feel like a Grandmaster Comic Book Reader again! Self-doubt can stuff it!

Meanwhile, Joseph (not Jericho as the previous writer of Deathstork thought his actual name was) meets with Uncle Dr. Ikon to let him know that he's getting married to his sign translator. I know a few signs! I know helicopter and cookie and raccoon and boy and hungry and horny and vagina and cunt. I learned most of those from Signing Times on PBS. I learned the last two from Lee Mack's stand-up. What I'm trying to say is that I might not actually know any of those signs well at all. The ones from Lee Mack because he was a comedian on stage making jokes. Do I trust that?! And the ones from Signing Times because I learned them watching barely verbal toddlers do them while shaking from yet-to-be mastered motor control and flipping the fuck out from excitement.

Anyway, Uncle Dr. Ikon has the best response to a friend confiding their love for somebody that I've ever seen.

I highly doubt anybody who knows me at this point in my life will ever confide in me about their love for another but if they do, I'm not ashamed to say I'll be stealing this response.

Uncle Dr. Ikon has a bit more of a reason to say "I love my cat" to Joseph's declaration that he loves a woman than just being snarky. He's been in a relationship with Joseph for some time, so he's making a comment on the different kinds of love and that maybe Joseph's love for Etienne is like Uncle Dr. Ikon's love for his cat. I don't mean pure and unadulterated and the best kind of love ever in the world forever and ever! I mean the kind of love where you probably aren't going to engage in sex. But Joseph points out that he refuses to be labeled and he'll love and, probably, fuck whomever he wants to fuck. I should also probably stop calling him Uncle Dr. Ikon now because that's a level of creepy that I didn't realize was going to be reached when I began calling him that.

Uncle Dr. Ikon (I decdided not to stop) refuses to accept bisexuality, especially when he's losing his lover to it. Instead of gracefully staying Joseph's secret dick on the side, Uncle Dr. Ikon decides to tattle to Deathstork that his son is a big gay homo fucking his big gay homo uncle. Knowing Deathstork's sexual history, I imagine that will elicit little more than a shrug. But Joseph decides he can't take the chance and enters Uncle Dr. Ikon one last time (or maybe for the first time. Not all gay sexual relations result in sodomy, you know. Oral and hand jobs are quite satisfactory for satisfying certain disgusting urges (I don't mean those urges are only disgusting when gay people have them! Everybody's urges are totally disgusting. Mine resulted in performing a rimjob this morning!)). But this time, Joseph enters him as Jericho in the usual way: eye contact! He then turns off Uncle Dr. Ikon's suit and allows him to plummet to his death. Possibly. The issue ends before Uncle Dr. Ikon ends.

The Ranking!
+1 Ranking! Christopher Priest reached back and plucked out Luis from Marv Wolfman's 90s Deathstork comic book! I mean, that's crazy! Maybe not Geoff Johns crazy or Alan Moore crazy. And because it's just Luis, it's a little bit boring. Also, I don't know that Luis didn't become some huge character during the Naughts! Maybe everybody reading this comic book knew right away who Richard was. Anyway, Luis is a good example of how this comic is really building a great foundation for the Rebirth Deathstork to be more than DC's Punisher with a worse costume. I'm enjoying the complexity of the entire story and how it's all coming together.

Deathstroke #2

I hope this guy's name is The Malingerer. I just want Deathstork to have an enemy named The Malingerer.

The Commentary!
• Douchéstork is written in short stories. It's almost as if Christ Priest (you can shorten Christopher to "Christ", right?) realized Deathstork wasn't interesting enough to carry a comic book all by himself so he decided to explore the entirety of his life through bullet points. Instead of learning about Deathstork through his own personal war journals, or his incessant Narration Boxing, the reader is allowed to see moments of Slade and his family's life to really see what makes Deathstork murder and have sex with underage females.

• The first short story is called "Home Alone". It's about how Joseph Wilson was constantly being left home by himself due to his mercenary parents constantly rushing off to other countries to assassinate people and his older brother throwing temper tantrums and running away because he didn't feel like his dad loved him enough. Joseph apparently doesn't feel loved enough either because when the house is empty, he invites a bunch of strange teenagers over to party on the off chance that a few of them might think, "Jake Wilbur is the coolest!"

• The second short story is called "Ishmael". It has nothing to do with the Moby Dick Ishmael which everybody probably first thought because holy fuck why are so many people in love with the novel Moby Dick?! It's almost as if they've got some kind of obsession or something?! No, this story is called "Ishmael" because it's about the sacrifice of a son. I know what you're thinking! You're thinking, "But Tess! Isaac was the son who was almost sacrificed!" Sure, if you want to believe the Old Testament and the way the Old Testament contradicts itself! Because, seriously, you can't have Abraham sacrificing Isaac if he's sacrificing his only son. The only time Abraham had an only son was when he had Ishmael. The Koran gets it right. Although, to be absolutely fair and transparent, the Koran is a bit lax with its proper nouns. So it's not like it's super clear either! But at least it's not trying to obfuscate things on purpose to make Abraham's story about the Jewish line of decent and not about the Muslim line of descent. Although Joseph, who has been kidnapped and may be sacrificed, is the second son which would make him Isaac. So maybe the title did reference Moby Dick since the bloody writing on the wall says "CALL ME DEATHSTROKE". At least that's what Adeline reads. I think the bloody "E" may have merged with the comma.

• So that past story about Joseph getting kidnapped and eventually getting his throat slit which leads to Adeline putting out Slade's right eye is being told alongside the present story of Deathstroke being forced to wear an old costume that doesn't have boots with huge fucking cuffs on them.

• The next story is still in the past. It's called "Our Gang" and it's Slade's half of the story after he hangs up on Adeline and refuses to hear why she sounds so panicked. It's because somebody took her son and she thinks it's somebody called Deathstork. Slade doesn't have time to talk because he's busy yelling at Wintergreen for crashing the plane they're in.

Apparently you talk upside down and backwards when you're upside down. I had no idea!

• The next story is called "Two Guns" and takes place in the present in Edinburgh. Wintergreen and Wilson are visiting one of the guys who was in that crashed plane eight years ago. I would have guessed it was eighteen years ago based on how badly he and Wintergreen have aged. Wintergreen is searching for the person who was responsible for his kidnapping and only five people knew he was still alive (four if you don't count Wintergreen himself which I totally wouldn't but Wintergreen chooses to do for--I don't know--accuracy's sake?). After Wintergreen and Wilson, their old mate Fredric was one of them. It probably doesn't matter who the others were because it was probably Adeline who had Wintergreen kidnapped.

• In the hopes that Slade doesn't murder him, Fredric tells a story about a man named Racskowski. Why couldn't he be named Smith?! I'll never remember how to spell that! Although the story Fredric tells is called "Rax" so I can probably just refer to him as Rox from here on out. I mean Rax!

• Rax was the other guy in the plane! The story is about how he was murdered by some unknown assailants in a way that would make it look like Rax hung himself (which is probably why Fredric's bar is called "The Hanged Man")! They were unknown because nobody could question them after Deathstork murdered them to death.

• Fredric points out the last person who went on the mission where the plane crashed in Cambodia and Slade probably impregnated a whore with Rose (since the next story is called "Rose" and since that's sort of how it happened in the Preboot, Post-Crisis era) was a Canuck named Isherwood. Unless he didn't go on the mission because he wasn't in the plane that crashed earlier. Although he could have been in the back! I don't know because I haven't read the short story that tells his tale yet.

That was a rough eight years! Although I'm probably entering those eight years now as I turn 45. I should take a before picture now and an after picture in eight years and see if they're similar to this!

• Lillian (Rose's mother) runs a hotel where mercenaries in Cambodia go to have a nice cup of tea and a short nap between missions. She's also the kind of person who mentions how smart they are which means she isn't really that smart. Although it's a comic book so there aren't many ways to let the reader know how smart a character is without somebody vocalizing the fact. And since Lillian doesn't have an advocate the reader can trust to tell us how smart she is, she has to do it herself. But if she were a real person and I met her at a party and she was all, "I'm smarter than 75% of the people I meet," I would probably try to have sex with her. I mean, if I met her at a party and she said, "Der! Der duh der doy!", I'd probably try to have sex with her.

• Apparently Slade has already had sex with her. Several years ago so Rose can be a teenager in the present time.

• Oh! I guess I was mistaken about who was in the plane. Isherwood was the guy in the glasses. Fredric was just the recon guy sent to check out the brothel run by Lillian, the person Slade and his team were trying to rescue. Wait. He got paid for that?

• The brothel was attacked by drug cartel muscle and in the ensuing rescue, Fredric was shot by a ten year old girl with silver hair. Why did she have silver hair when Deathstork's hair only turned as he got older? Was it because Slade's semen was full of the lie detecting drugs which gave him his power? Did he have his powers ten years ago?! Maybe I just don't understand genetics.

• Fredric admits that he happened to mention to somebody that maybe Wintergreen wasn't actually dead which is all Slade needs to head to Canada to find Isherwood.

Why is Wintergreen so familiar with Batman and the way he disappears? I bet he's an old SAS friend of Alfred's and Alfred talks way too much when they get together to drink and reminisce.

• The Doctor Slade goes to see is Isherwood. The guy in the plane with the glasses. Otherwise known as Ikon. Or Doctor Ikon. Or Professor Ikon. He's the guy who built the suit Slade is currently wearing. He's also got his own suit and can fly. So instead of just asking him questions about Wintergreen's kidnapping, he has to also punch him a lot.

• Dr. Ikon is a hero of God. He uses that as an excuse to judge Slade's life of killing even though God loves to kill for justice even more than Slade! Or at least he used to before his peacenik son decided to change the entire message, so much so that it's barely recognizable from one Testament to the other. Almost as if they don't actually have anything to do with each other!

• Slade knows Dr. Ikon wasn't the guy to rat out Wintergreen but he needed more information to help find the people who killed Rax and kidnapped Wintergreen. Wintergreen, meanwhile, kills Fredric. It also turns out they were doing these things at the same time and the Deathstork in Fredric's bar was just a guy paid to hang out in the costume and look scary. Anyway, that whole thing is still a story that is happening. But now they have a twist that is probably tied to that story: Deathstork received a contract to kill somebody named The Ravager. I suppose Deathstork doesn't know anything about Rose yet. But the silver hair and the blue and orange uniform seems to show she knows about him.

The Review!
I forgot I wasn't doing a review section anymore! I'm not a Reviewer! I'm a Reader! But I will keep leaving undefended changes in the rank of the comic book which place it in an imaginary list of comics from best to worst!

The Ranking: +1! If you want to read about Rose Wilson's first appearance, check it out here!

Convergence: Wonder Woman #2

Aha! Now I finally see why vampires are so romantic!

Last issue ended with good old Etta Candy having the blood sucked out of her neck by Vampire Joker. My half-heartedly educated guess (the guess isn't half-hearted; the education is) is that this will be the only "Vampire Clown" story of the 21st Century. That seems more like something that tried to take hold in the Eighties with It and Killer Klowns From Outer Space. Maybe this century we'll get Werewolf Clowns or Mummy Clowns but I'm truly hoping that vampires are nearing their run of popularity. Somebody get Liches trending! Maybe in Pitch Perfect III, Fat Amy can be killed in a really hilarious moment that makes the audience laugh because, hey look! Amy is fat! Ha ha. Then Pitch Perfect IV's movie posters, when Fat Amy returns from the dead, can read, "The Lich is back!" Although I've never seen a fat lich so I don't know where the writers are going to find the humor in the fourth movie.

Remember the days when every fat character in every movie or television show had to be eating something in every scene they were in? Ha ha! Because they were fat! I've been rewatching Leave It To Beaver lately (I seem to do this every few years because it is awesome) and I've noticed in the first season, Larry Mondello is not really that fat. He's kind of the stocky kid that might become fat or could just as easily lose the fat as he gets older. But they have to have him with an apple or a candy bar in his hand in every scene he's in. I think that's the reason he became so much fatter in later seasons. Plus as a young kid, he probably thought his entire worth to the show was that he was fat, so he had to keep it up. Fucking directors made him fat by insisting that the entirety of his character was that he couldn't not eat. Fat people! Can you believe they actually eat food?! Ha ha! Control yourselves already!

I'm kind of like a fat person except instead of not being able to not eat, I'm not able to not write lots and lots of words! My whole premise for this commentary (mostly shtick just to make the commentary easier) was to just make every sentence one or two words. It would be like the notes of the commentary I was going to write. But I couldn't help writing that caption and then talking about vampires and then repeating myself about the way Hollywood treats fat characters which I've written about before but why not repeat material because I can't think up new shit to write about when I'm on nearly my 2401 DC comic book reviews and 17 Marvel comic book reviews and 1 review of an old Shade the Changing Man comic book. That's a lot of talking out of my ass. I think it might be unsustainable and I've reached Peak Ass Words! The whole system is on the verge of collapse! Which is why I was going to try to conserve some but like the old people in a drought who just can't let the fucking lawn go, I failed.

This issue is called "A Fellow of Infinite Jest" because The Joker is an immortal vampire and he loves to pull pranks. Also it's probably trying to sound literary by tying it to that old English Writer who was always one of the answers when I asked my Lit Profs, "If you could have dinner with anybody living or dead, who would you choose?" Last issue Larry Hama made his story more literary by tying it to that blind poet who was always one of the answers when I asked my Lit Profs, "If you could blow anybody living or dead, who would you choose?"

Idiot! You missed the obvious candy joke!

The Joker spends the next three pages not being funny at all. I guess he's making himself laugh though. And what's more important than making oneself laugh? It's all I spend time doing when I'm not eating or standing around with food in my hand or stalking publishers or talking to fish. Have you ever tried to tell a knock knock joke to a fish? They just don't get the premise at all!

Wonder Woman tells The Joker that he isn't funny and then breaks his neck. She's a harsher critic than I am. Then instead of finishing him off which would probably only take another second, she rushes off to save Steve Trevor. Ugh. He's such a princess.

Meanwhile Steve is busy shooting female vampires in the face and calling them sluts. He's such an old school romantic. His ministrations of love attract Poison Ivy and Were-Catwoman who begin trying to sell Steve on their succulent womanly treats. But this Steve Trevor is a man of the eighties! He's a one woman man who doesn't count his secretary and paid escorts as cheating. Also he's probably a bit nervous about having sex with vampires because they're constantly coming into contact with blood and Steve has been hearing an awful lot lately about this thing called AIDS.

Good thing Wonder Woman comes to the rescue!

Holy Cat Boobs, Batman!

Wonder Woman doesn't kill Poison Ivy or Catwoman immediately so they believe she's weak because she won't kill. Wonder Woman seems to confirm that she was trying not to kill them by saying, "That's it, then. No more holding back." But didn't she threaten to end The Joker the way the Batman couldn't? Was Pre-Crisis Wonder Woman also known for not killing, not even monsters like she probably encountered her whole life on Paradise Island? There were monsters there, right? If it has ties to Ancient Greece, it has monsters!

But now that the vampires have taunted her and have explained that they don't fear death, Wonder Woman decides it's okay to kill them all. I didn't realize it was okay to kill somebody who doesn't fear death! I have a new question to ask when interviewing prospective employees for my new business venture, Don't Worry This Is A Real Job And Not A Front For My Human Hunting Hobby, LLC.

You can't even not shit yourself, Steve! Stop acting so macho and ask for help!

Meanwhile The Joker and Etta have a good laugh about The Joker's broken neck. Good times.

Steve Trevor takes care of himself so well that he once again falls into the clutches of Poison Ivy and Catwoman. They bring him to The Joker who gives them permission to eat him. Wonder Woman might have a chance to save him but she's busy crying over spilt vampire everything. But she hallucinates Athena who tells her it was okay to murder these monsters in the same way I hallucinate my grandmother whenever I need to convince myself that I'm not going to hell for masturbating. That never actually helps.

Wonder Woman, having come to terms with killing, destroys Poison Ivy and Catwoman. But not soon enough. Steve Trevor has been turned and now she must destroy him as well to get to The Joker. She'll also have to kill Etta Candy but I have a feeling she'll relish that.

But first the earthquake needs to happen which opens up a chasm between Wonder Woman and her foes. The Joker commands them to jump across and kill her but Steve breaks from his thrall and tackles Etta into the pit while yelling back at Wonder Woman, "I regret nothing! Except maybe that time I told you I could fend for myself!"

Wonder Woman can't save him because she has to battle The Joker now. She knocks him in the pit but he comes back and then she stakes him and then she wins! She also has some thoughts during the battle.

No, they just forget the story because it makes no sense. What was hope doing in a box full of the world's evils? Did the person putting the package together decide that hope was no longer needed when the world had no evil to deal with? And did hope come out of the box or did Pandora shut the box with hope still left in it? And in that version of the story, is that a bad thing? Did hope not get restored to the world or did man retain hope? Why didn't somebody put a fucking lock on the box if they didn't want some curious asshole coming by and letting everything out? It's a dumb story and I'm going to go back to forgetting it right now.

To end the story, Wonder Woman quotes the Duke of Wellington for some reason. I guess Larry Hama loves to quote shit. Just look at his stupid titles for this Convergence thing!

Convergence: Wonder Woman #2 Rating: 7.5 Perky Were-Cat Boobs out of 10. If you hate when comic book companies kill characters, then you should probably subtract five points from my rating because this story is really just about killing Etta Candy and Steve Trevor. I guess Pre-Crisis Wonder Woman isn't allowed to have any friends or lovers anymore. Get with the Modern Age, Diana! You have to be lonely and unfulfilled! Every hero must now be Batman because look at how many comic books he sells. Being completely consumed by your superhero identity and crime fighting lifestyle sells books, kids! Unless it's some other reason why people like Batman. Like the cape.

Divergence: Secret Six
"Six outcasts (or seven, if you count the murderous puppet) are thrown together and forced to carry out deadly missions by an anonymous force that hates their guts. They'll have to learn how to become a team pretty quickly, as survival is not guaranteed!"

The anonymous force is Mockingbird! The murderous puppet counts! Survival is, I'm pretty sure, guaranteed for a good majority of them!

I forgot this comic book even existed! I hope this issue reminds me of the characters and what was going on so I'll be up-to-date for when Issue #3 comes out in six months!

This story is about a museum security guard who gets caught up in a heist and a mass murder and the international ethics of stolen antiquities. The Secret Six have been called in to help protect The Eternity Gem while some other group has been hired to steal it. The other group fails. The end!

The Sneak Peek showcases Catman and Big Shot and Black Alice and Strix's battle techniques. It also highlights Ferdie's power of turning everything into a euphemism for sex and his tiny wooden wiener. Porcelain just wears a pink jacket and half a mask and hits a guy in the head with a hammer in one panel. This story was mostly just a reminder to everybody that this comic book hasn't been canceled!

Convergence: Shadow of the Bat #2

Don't judge my art skills! I had a cat on my lap and did this one handed on a touch pad.

This Convergence series has Azrael in it so I'm already tuned out. Let's see if I can make this commentary interesting for myself and utterly offensive to everybody else.

This issue is called "Home is the Sailor" because Larry Hama is cuckoo whacko. I wonder if I asked him nicely if he'd write a back of the G.I. Joe Action Figure card style biography for me.

On second thought, I'd like one with less grammar errors and a better Code Name.

This issue begins at some point hours after last issue ended. Wetworks are hunting Azrael and Batman in their home town of San Diego (which is going to disappear before the earthquake hits according to Aquaman!). But you know what they say when you try to hunt Batman?! Batman hunts you! Do they say that?

Anyway, Batman hunts them! The members of Wetworks have names like GI Joes which is probably how Larry Hama got this gig. Although I don't know how he got the Wonder Woman gig. Probably because he wrote Scarlet and Lady Jane and Cobra Commander so well.

Don't we all, Batman?!

Wetworks somehow realize immediately, possibly through smell, that Batman does not kill. Batman realizes immediately, possibly through his half-hearted boner, that Dozer hasn't been kissed by very many people. Dane realizes, possibly through nerve receptors, that Batman wears hard boots.

Wetworks are really cool cats because they're part of the early years of Image where killing was cool. So they're like totally killers and kill everything and never die because they kill first. It makes for really exciting comic books that fits with Image's dynamic art style. It's all in your face and saying, "This ain't your mother's comic book company, nerds!" I think one of their slogans was "Are you an athletic athlete that drinks beer and scores with women? Read Image! We ask if you scored with women because we know women aren't interested in all of our big boobed, nearly naked characters that kill and kick ass. Chess sucks!" It was a long slogan but Wizard magazine printed it for half-price because the writers and editors at Wizard loved giving blowjobs to everybody at Image Comics.

Azrael has saved a kid named Damon who's a resident of San Diego. Now he and Batman are becoming friends with the kid and his mother which means they're going to have to save both cities. Batman already knew he was going to do that but Azrael is all, "Sharks! Now I don't get to kill everybody!" He probably added something in French after that because I think he's French.

Batman and Azrael are inside of an aircraft carrier when Wetworks goes after them. I hope while they're fighting they make cool references to it like "I'm inside an aircraft carrier! Now die!" Or maybe something cooler. I hope Larry Hama has put some work into the upcoming retort filled violence.

The first battle is with Mother One and is wrapped up quickly with no clever zingers.

"One lady cyborg buttoned up and ditched overboard" was as zingy as it gets.

Batman makes a joke later after encountering Dane and Dozer but nobody laughs at it. I think he was just amusing himself the way I'm just amusing myself while writing these commentaries. Let me show you Batman's joke through the magic of scanned images!

Here's Bruce's encounter with Dane.


And here's his joke! Get it?! Hand! Ha ha! Genius!

Bethany, the mother of Damon, Azarel's new friend, has a plan to defeat Wetworks without actually defeating Wetworks. Too bad the city is already doomed thanks to Deathblow being horrible at blowing death. I hope the battle at least has a few good one-liners that I can mention at the water cooler at work tomorrow.

I wonder if "Not nice to pound on ladies" will make me popular at work or just get me sent to Human Resources? How about this hilariously obscene line that Azrael drops: "We are standing on top of half empty fuel bunkers with their stopcocks open...." Ha ha! Stopcocks!

Wetworks chooses to surrender and work with Batman and Azrael instead of shooting Azrael in the face and hoping the grenade misses falling into the stopcocks. The city doesn't disappear when they surrender even though the earthquake hasn't hit yet. I guess Deathblow hasn't lost yet so Batman can feel good about the truce. If the entire city had disappeared after Wetworks lost, Batman might feel bad. But now he can go after Telos with Wetworks and they won't notice when the city disappears! Batman might notice Wetworks disappear. And I wonder if Wetworks will know what's happening as they phase out of reality? Will it hurt? I bet it's excruciating! They probably should have risked their lives on the grenade thing being a bluff. Idiots.

The biggest idiot in the entire story is the kid because he calls Azrael a hero at the end. Bah! Don't encourage him!

Convergence: Shadow of the Bat #2 Rating: This issue earns Five Stopcocks out of Ten. It kind of felt like an issue was missing judging by the way last issue ended and the way this one began. But who cares, right? There was a full month between and nobody probably remembered anything about last issue anyway. I wish I didn't. I wonder if I get completely drunk in the next half hour, I can forget this entire comic book?

Divergence: Deathstroke
"The World's Greatest Assassin takes on the impossible contract to murder an Olympian God!"

Hey! Tony S. Daniel is getting writing help on Deathstroke now! I'm sorry to see that happen because the best part about reading Deathstroke is pointing out how most of it doesn't make any sense. Tony S. Daniel just writes a scene he wants to draw and then writes another scene he wants to draw and connects them with plot that he forgets entirely by the time he's thinking up the third scene he wants to draw which totally contradicts the reasons that the first scene led into the second scene!

And Peter Nguyen is doing the art which means Deathstroke is going to be a completely different experience than the first few issues. I liked when Tony S. Daniel drew it because we were assured at least two double splash pages per issue! Now the only double splash pages I can look forward to are the four or five in every issue of Wonder Woman!

How much can he really care when he doesn't even know his son's real name?

The distraction that takes place is the Teen Titans because Deathstork Deathstroke hasn't really battled them in The New 52 like he's supposed to. He fought the Green Team and he fought Lobo and he fought his children and he fought Stillborn and he fought hundreds of assassins and he fought his father and he fought Batman (sort of unless it was a dream) and he fought some other people probably. But he hasn't battled his arch-nemeses, The Teen Titans!

I thought the fight scenes would be more comprehensible than when Tony S. Daniel writes and draws but they aren't. Wonder Girl gets Deathstork Deathstroke tied up in her lasso but then he does something which makes her fall and Bunker hits a mountain and crushes himself in an avalanche which causes Deathstroke to not be tied up or on a mountain but in a jungle where he's attacked by a green panther. Totally following this. Easy peasy!

Oh! It was a simulation! That's probably why it made no sense. Lousy programmers!

The Spanish Inquisitor is giving Deathstroke a mansion with a Danger Room on a private island because Deathstroke might be valuable to the Dead Bastards some day. Plus he was broke and lost all of his hiding places early in the run because Tony S. Daniel thought that was a good idea. Also Slade is young again and loves looking at his testicles. But now danger is headed toward his island! I bet it's a god! Like the "How We Made This Comic Book Worse" blurb indicated!

Hephaestus shows up to give Slade a sword which he's supposed to use to slay a god. I suppose that's a loophole to the whole "only blood can kill blood" rule of the Greek gods. I guess if a god made the weapon it can kill a god. And I bet the god Hephaestus wants Slade to kill is Wonder Woman because she's getting all of the great big double splash pages these days!

I'm satisfied that Deathstroke is going to continue to be just as horrible as it was when Tony S. Daniel was writing and drawing!

Convergence: Wonder Woman #1

If this comic book is going to be accurate then they must portray Pre-Crisis Wonder Woman as a character nobody seemed to be able to make interesting.

The previous caption may not be true since I never read any Wonder Woman before Crisis On Infinite Earths. I also never read any Wonder Woman post-Crisis or Pre-Zero Hour or Post-Zero Hour or Pre-Final Crisis or Post-Final Crisis or Pre-Flashpoint. I mean, obviously I never read any because I'm a guy and guys can't understand female protagonists even when they're written by male writers. Just imagine how confusing reading Simone's Wonder Woman was for a male comic book reader!

This issue was written by Larry Hama who I instantly assumed I had never read anything by. But his name seemed familiar enough that I asked Lord Google about him. Lord Google passed me off to Princess Wikipedia who pointed out that I had read many, many, many, many super-duper short stories by Larry Hama on the backs of the G.I. Joe Action Figure cards! He also wrote the G.I. Joe comic book series by Marvel so I'm sure I've read the occasional comic book from that line as well. I never collected it but across my early years before collecting monthly books, I read an odd assortment of comic books that fell into my hands. I remember quite a few G.I. Joe comic books just prior to my starting to really get into comic books.

With all of that experience writing G.I. Joe, Larry Hama should be a natural at writing Wonder Woman!

That was a joke, nerds! Now somebody is probably ready to tell me that he edited Wonder Woman as well as Welcome Back, Kotter because they'll have forgotten that Princess Wikipedia just told me everything there is to know about Larry Hama! I'm allowed to make stupid, ignorant jokes, you know! I may not agree with everything I say but I'll die for the right of me to say those things!

This issue is called "I Sung of Chaos and Eternal Night" because peeeeee-yuke! What am I reading? John Keats?! Samuel Taylor Coleridge?! Percy "I Can't Believe My Name is Percy" Shelley?! That other guy that wrote about that abbey and shit?! You know the guy! The one with the obnoxious name! Wordsworth!

Consulting Lord Google, I wasn't even close, really. The line is from John Milton which is even more PEEEEEEE-YUKE! than I thought because I actually kind of like the romantic poets. But Milton?! Fuck Milton! Although we kind of have Milton to thank for Nick Cave's "Red Right Hand," right?!

I should read more about the poem this quote is from so I can instantly understand this story before even reading it!

How many of you are familiar with John Milton? Here's the first couple of lines from the poem which this quote is from just so you can also peee-yuke and scream, "Fuck Milton!", right along with me.

Hail holy light, of spring of Heav'n first-born,
Or of th' Eternal Coeternal beam
May I express thee unblam'd? since God is light,
And never but in unapproached light
Dwelt from Eternitie, dwelt then in thee,
Bright effluence of bright essence increate.

Pardon me while I peeeeeee-yuke! again! Although after reading the rest of the poem, I'm kind of feeling like a jackass because I think the gist of the poem has to do with his having lost his sight and never again being able to see the glorious light and the sheep and shit. Although I feel a bit redeemed by his arrogant ending about how, since he can't see all the cool shit we can see, he's allowed to have all kinds of glorious and poetic insights that us "sighties" can't appreciate because we're too busy looking at vaginas and penises. What a jerk! I have poetic insights all the time and I can see kittens and flowers and everything!

Before you heterosexuals begin wanking to this, that's Steve Trevor! I know, I know! I jerked off a little bit to it too!

Steve has been pouting for the last year and Diana has been helping people in the east end slums of Gotham. Plus she's been walking around in her underwear a lot.

Is that a positive depiction of spirituality? When people are confronted by something they can't comprehend, they seek comfort in the incomprehensible!

Wonder Woman has been providing what comfort she can to the dying residents of Gotham. Since all the morphine and pain killers are gone, she's helping old, dying people join cults so they feel comfort in wacky-doodle nonsense. Aww! That's so sweet! It's a good thing Batman doesn't have this job! Unless dying people take comfort in being told nothing but unending darkness and silence await them in the grave.

Diana's friend Etta Candy who I don't know but I love her delicious name believes that angels will one day come down and lift the Dome from Gotham. She's sort of right. Angels? Planet Brainiac? Who's to say one is different from the other?

Speaking of Planet Brainiac, he gives that speech that I read every time even though I was already sick of it after Convergence #0.

I might be a believer if more priests put their Holy Sticks where their mouths are. As opposed to putting them where the altar boys' mouths are.

The leader of the cult prepares to throw Diana in the oubliette that is a fixture of all churches, right? But before they can throw the unconscious Diana in the hole, one of the cult members discovers Diana's Wonder Woman outfit in her bag. That's when they really begin to freak out! They even resort to horrible words like "Satan" and "witch" and "idolator." They probably think words like "slut" and "whore" too but they don't want to overstep any lines.

Etta Candy rushes off to find Steve Trevor while Diana is tied up with her own lasso and thrown into a deep, dark hole. Well, that's it for Wonder Woman! No way can she get out of her own lasso! Or climb out of a deep hole! And what good will Steve Trevor be? It's not like he has a jet on hand!

Why the rush? I'm sure there's time for a little Hide The Strap-On Sausage Deep Inside Steve Trevor's Colon. I'm sure there's also some kind of pinata fucking joke I could make about Etta but I'm not as clever as John Milton.

As Candy and Trevor rush off to save Damsel Princess, the barrio boys watch as vampires come flying into their city. I hope they're current on their vampire lore!

Hey old people! Remember when we weren't completely inundated by vampire stories? Sure, we had Salem's Lot which was scary as fuck. And Lost Boys which was silly but we all had to pretend it was super cool. And Fright Night which had Roddy McDowell so how could you not love it? And Anne Rice was resting on her laurels with that whole Interview With A Vampire book that not a whole shitload of people had really read because it was sitting on the shelves with that God-awful cover on it. Remember? Let me see if Lord Google remembers.

Okay, this isn't horrible. It's actually kind of representative of the book. Definitely not misleading because the book is more fancy-pants than horror. It's actually the back cover I was remembering!

Yeeesh!

I guess the design worked though because I remember wanting to read the book but my mom didn't think it was appropriate for me. But those images stuck with me and I eventually saw the book again when The Vampire Lestat was published and they reworked the design on the covers.

Anyway, Diana saves herself because she wasn't tied up with her own rope at all (although she would have gotten out of that even easier). She realizes she once again has the powers of an Amazon and busts out of the rope and most of her clothes. Woo hoo! Just to be clear: I'm woo-hooing for her near-nakedness and not her fantastic escape.

Meanwhile the cult members receive some new guests.

Dumby! Angels don't need to be invited in! That's vampires! Did you not watch Fright Night!?

The cult members are slaughtered by the vampires from Vampire Gotham City. But it happens off panel and no women have sexual thoughts so this comic book can retain its Teen Rating. Steve and Etta stumble onto the bodies and are confronted by the vampires! It's Vampire Joker and Vampire Poison Ivy and Vampire Catwoman! Scary! And sexy! And more sexy!

Wonder Woman arrives to save the day but not before The Joker flies off with Etta Candy. I think the final page of this issue will be Etta stepping out from the shadows all vampired up!

The couple splits up. Wonder Woman rushes off to stop The Joker while Steve Trevor remains behind to be killed by Ivy, Catwoman, and the newly vampirized cult members.

Close enough!

Convergence: Wonder Woman #1 Rating: Yo Joe! I liked this Convergence issue! Now you know and knowing is half the battle!

Convergence: Shadow of the Bat #1

I'm glad they throw that "Batman" above the "Shadow of the Bat" title. I wouldn't want to accidentally buy a Man-Bat comic book.

Judging by the covers of the Convergence comic books for this week, the main city being focused on will be Post-Crisis or Pre-Zero Hour or Post-Zero Hour Metropolis. I guessed Metropolis simply because this week has Superboy, Supergirl, and Steel. But this cover kind of gives it away anyway with Batman Azrael jumping past the Daily Planet.

I guess with one of the comics being "Green Lantern/Parallax," I should have firmed up my vote for Pre-Zero Hour. But even though there's about ten years between Crisis and Zero Hour, Post-Crisis and Pre-Zero Hour are still kind of the same chunk of the DC Universe, you know?

Oh boy! The original WildC.A.T.s! I hope all of the writers remembered to give them horrible dialogue and all of the artists remembered to draw too many lines and pouches on them! And I think all of them should have at least one shiny or scarred or eyepatch-covered eye! Maybe that was just the X-men when Liefeld was drawing it. Or am I thinking about X-factor? Does it matter as long as there is an "X" at the front of it?

Let me get this straight, Narrator. A place doesn't begin to truly exist until it's been gentrified? I think some people might call it an ending too. And even though you've covered your ass by mentioning its a warehouse district that's been gentrified and not a lower economic district, that's still an ending to a lot of people because why do you think an area gets gentrified? Sure, low property value. But you also need buzz, incentive, and word of mouth to get people to move to the area. So my guess is that these "warehouses" were being used as cheap lofts for artists and a thriving art scene was beginning in this area. And then developers got cartoon money signs in their eyes and the artists were gone soon after. And now it's just a shallow, hollow representation of something that had previously had a real community and a soul.

Currently on the edge of Metropolis where everything is ending, Bruce Wayne is being threatened by Tobias Whale. He's Wilson Fisk's uglier, more bloatedly corpselike cousin. Tobias leaves Bruce to be beaten by his henchman, Johnny New Guy. I guess Johnny New Guy needs a nickname so they're going to see how he tortures Bruce Wayne to see what might stick. Johnny Popsicle Stick? Johnny Toothy Blow Job? Johnny Aggressive Rim Job? Easily Bribed Johnny?

Turns out he already has a nickname: Azrael! Ugh! I hope he gets killed before he has a chance to continue to exist in the DC Universe. He always reminded me of Cousin Oliver from The Brady Bunch. I just wanted to stick a javelin up Oliver's ass and post him on the front lawn as a warning to future television show writers. I'm not going to defend The Brady Bunch as a powerhouse landmark television show but who the fuck decided the show was more interesting by introducing an annoying little albino troll into it? Staked right next to Cousin Oliver would be Andy from Family Ties and Olivia from The Cosby Show (although she might have used her psychic powers to see me coming and gotten away). Apparently introducing a small child into a series works or else why keep doing it? I guess there's a television watching demographic that only watches shows with totally adorable children in them OH MY GOD they say the cutest scripted things!

Oh! Maybe I should get a cute kid mascot for my site! I wonder if my niece Kameila would take the gig?

Bruce Wayne wants to team up with Val-Jean-Paul Saint Whatever but Azrael is worried that Batman won't let him kill if it comes down to it. Oh, don't worry about that, Jean-Paul! As long as Batman tells you he disapproves of killing and forbids you to kill, you can still kill when the time for killing comes around. As long as Batman doesn't get his hands bloody directly, he's pretty much okay with it. He might give you all kinds of stink eye about it but what's he going to do? Kill you?

Jean-Paul agrees to work with Bruce Wayne and then beats the shit out of him anyway. For, as Bruce puts it, "verisimilitude"! That should be my constant status: "Grunion Guy is feeling verisimilitudinous!" So Jean-Paul beats him down and earns the nickname Johnny "Careful Not To Hurt A Guy's Spine."

Did Larry Hama just get a thesaurus for Easter?

Maybe he would have been better off with a style guide.

I know I'm not winning any editorial awards for my use of punctuation but that's part of the Grunion Guy style (like overusing parenthetical references (and eschewing em dashes (and not knowing how to use regular dashes (or periods (or all the punctuation, actually))))). But a double period?! Even for comedic effect, I would never journey into that heart of darkness! I know one rule and by God I will never break that one rule! Even right now when it would make me laugh by ending this sentence with a double period.

I hope some of you got the double period joke at the end of that last sentence!

Tobias Whale wants Bruce to prove himself by using his political influence to find out the route the food convoy will take for its next delivery. Bruce Wayne agrees and heads off to use his political influence on Erasmus Hall.

Or he'll just stand around as Val-Jean threatens the man for the information.

I just realized I have as much political influence as Bruce Wayne! I can also stand in the background as somebody else threatens a politician to do what they want! Yay for the machinations of politics! I wish somebody had gotten me a thesaurus for Easter so I can know if I used "machinations" right! Maybe I should have stuck with my original line, "the cyborgs of politics!"

Holy shit! Don't mention cake in front of Tobias! Not in this post-cake climate!

Tobias is happy that they now know the route but he's worried that Erasmus Hall will get a "pang of conscience" and go back on his deal. So he does the typical thing that mobsters do to make sure somebody working for them isn't a cop: they ask the guy to kill somebody for them. Tobias Whale isn't a very good mobster. Didn't he just bring Bruce Wayne on to use Bruce's political influence? Shouldn't he trust that Bruce Wayne's political influence (we all understand that every time I type "political influence," I actually mean "money," right?) has placed Erasmus Hall in their pocket? If he's just going to threaten and kill politicians, why the fuck does he need Bruce Wayne? I think The Whale is just toying with Bruce and Val-Jean-Jean-Val.

It turns out Whale already had his goons throw Erasmus off of a building after Bruce and Johnny-Paul's meeting. It's all over the news which is playing in the background of their mobster meeting because this is a comic book. Rule One of comic books is that a television set must always be nearby tuned to the local news.

This is an absolutely fair representation of the media. "Your husband is dead, miss! How does that make you feel? What's your daughter crying for? Is she sad at the bloody passing of her father?"

I know that what I'm doing doesn't mean anything and it isn't making the world a better place. But it isn't actively making the world a worse place either (unless you're Scott Lobdell's mother and then I'm truly sorry, ma'am, that your son is so awful at writing that it turns me into the werewolf version of my usual cheery, comic book reviewing self). But television reporters generally can't say that. They intrude on people's lives in a desperate attempt to get more viewers and more fame and more recognition and more money for their outlet. And what truly drives me crazy? They think they're doing the country or state or local community a service. And they truly think everybody is dying to get interviewed by them and appear on local television. Which is why I love that "Fuck her right in the pussy" guy because he shits all over their pretentious bullshit. Newscasters get so fucking offended when somebody doesn't take their on the street reporting seriously.

Come on, Grunion Guy! Pull back on the throttle! That's it! That's it! Whew. Recovered! Talking about "journalism" or "media" or "local news" always sends me into a tailspin from which I seldom recover and wind up writing the same rant over and over again. How many times do I need to bitch about the state of news media and journalism? I suppose I wouldn't care so much if they realized they're not doing anything but trying to make money. It's the attitude that they think they're needed that irks the fuck out of me. That boring ass BBC chap on PBS is about the only newsperson I can watch without completely freaking the fuck out and scaring the cat.

Larry Hama. Enough! Give me that thesaurus right now!

I'm beginning to think maybe Larry Hama had a crazy mother that told him to "get thee to an OED!"

For being the World's Greatest Detective, maybe Bruce needs to do a little soul detecting on himself. He thinks he's Bruce Wayne and not The Batman? Laughable! And sad! He just sounds like that girl that protests too much in that Charlie Brown Christmas Special. I think it was Peppermint Patty?

Batman and Azrael are waiting to stop Tobias's hijacking of the food convoy. Azrael leaps off the building when the trucks arrive while Batman carefully takes the stairs.

This is the denouement? When did I miss the climax?! Also, I didn't realize Road Warrior was an hour and a half of denouement!

Batman is going to kick himself for having that nagging broken back because a lot of innocent people die while he's taking the stairs. The Whale's plan was to kill the convoy's protection and then kill the drivers of the trucks. After that, his team would hook the trucks up to tow trucks to haul them away. I don't like that plan. He should have hired some helicopters with gigantic magnets underneath to catch the trucks and fly them back to his compound!

That's "another think coming," lady. I guess Larry Hama didn't get a book of sayings to go along with the thesaurus and the OED.

I know people say "another thing coming" so much that it's basically the accepted version of the saying now. Even Judas Priest got it wrong and we know how scholarly they usually attempt to be in their lyrics. The other saying I can't help but mention when I pedantically correct somebody getting this one wrong is the "music soothes the savage beast" line. It's breast. "Soothe the savage breast." Lesson ended! Mic not dropped because nobody actually fucking cares about this petty shit. Fuck, even I don't really care! Say whatever you want! What do I care? In another ten years, I probably won't even be able to communicate with the next generation!

Batman confronts Tobias Whale and I'm pretty sure there's some Moby Dick references here but I wouldn't know having never read it. I think it's about a white whale who is drinking buddies with a guy named Ahab who rides around on a gay luxury liner making outfits out of whale dick skin.

Dammit, Bruce! You should have said, "I'm tired of your repartee, so I'm going to end your partay!" Plus I would have gone with the "BLAMMO!" sound effect.

While Whale is busy getting punched in the face, he's also busy watching Azrael kill his henchmen. That way he can say to Batman, "You're practically a murderer because you're teamed up with a murderer! In your face!" And Batman is all, "Eww! Why I'll...actually, I don't care. None of my business if other vigilantes are murderers. As long as they kill people who have, at least, just slightly broken the law. Those miscreants deserve it!"

The next big battle is Batman trying to talk Val-Jean out of murdering the last of The Whale's henchmen. She head butts Azrael's helmet and screams, "Butt out, Bat-creep." That, apparently, is too much for Azrael and now he just has to murder her. How can he not? If he doesn't kill her now, the terrorists win. Plus if he lets her live, he might be sent into an existential quandary which will cause him to start singing "Who Am I?"

Planet Brainiac decides it would be a good time to explain the rules of the upcoming contest. Batman wants to try to stop the battle from happening but Azrael just wants an excuse to punch things in the face and then to put a bullet in that face too. They don't know it yet but their opponents are two WildC.A.T.s, Jester and Pilgrim. They have metal chins and sketchy appearances. Pilgrim can "time-slip" because she's probably named after Billy Pilgrim which is like totally smart and shit. You know it's super smart because even that kid in that movie about football, Varsity Blues, was reading Slaughterhouse Five which totally showed how his character was smart and shit. The other WildC.A.T. is named "Jester" because he either pilots jets or says brutally truthful things to people without fear of reprisal.

One more opponent will apparently appear next issue because reality shifts right at the end of the comic book in such a way that even Batman can feel it even though I don't know where he developed his "reality shift detection training." I bet it's Pariah! Or Kingdom Come Spectre! Those are my only two guesses because I can't remember enough about Crisis and Kingdom Come to make any others. I can name characters and seem like I remember stuff though! Lady Quark! Harbinger! Magog!

Convergence: Shadow of the Bat #1 Rating: The art in this issue was that weird kind of sort of realistic art that doesn't quite do it for me kind of art, you know? And the story was that kind of recycled undercover infiltration kind of story that's kind of tired and overdone, right? And it didn't even need to be in this! It's almost as if Larry Hama decided a few pages in that the undercover shit wasn't really going anywhere so he just put the heroes in costumes and let them go toe to toe with The Whale. Although since the WildC.A.T.s time-slipped, maybe their knowledge of the undercover personas of Bruce Wayne and Jean Val-Jean will come into play next issue. I would find that acceptable! Since I have nothing left to say about this comic book, here is a cartoon about some bats that live the Batman philosophy of life.