Showing posts with label Eternity Girl. Show all posts
Showing posts with label Eternity Girl. Show all posts

Tuesday, March 24, 2026

Eee! Tess Ate Chai Tea: The Newsletter #25 (Fourth Week of May 2018)

E!TACT! #25
New Superman #23, Eternity Girl #3, No Justice #1, Michael Cray #7, Kick-Ass #4, Superman Special #1, Poetry Corner, Grunion Guy's Musical Corner of Music Reviews, and Letters to Me!
By Grunion Guy


2019's Hot Takes On Comics (2019 because I'm so Avant Garde! (Is that how you spell that? (And am I using it correctly?! (I mean the term "Avant Garde" (and also the term "hot takes"))))

New Superman and the Justice League of China #23
By Yang, Peeples, Santorelli, and Hi-Fi

We all know Aquaman is a terrible character that hasn't fit in with modern storytelling since the late '50s. Perhaps he skated through the '60s as an acceptable hero because people reading comic books were on LSD. But into the '70s, he was nothing but a total snore. The preponderance of Quaaludes didn't help his case either. Hell, he was the superhero version of Quaaludes. Bill Cosby got so much pussy handing out Aquaman comic books. Don't at me. Is that what the kids say when they say something controversial? I'm not even sure what it means. Just don't do it. Cosby was a terrible human being. Almost as bad as Aquaman was a superhero.

Oh hey! I just noticed Google loves to drag Cosby too. I looked up Quaaludes just to be sure I was spelling it right. As I flipped back to that tab to shut it down, I noticed this:


Hee hee hee!

My point is that Aquaman isn't any less boring when you make him North Korean and stick him on a more lighthearted Justice League. He's also been given a hard-edged makeover but that doesn't help either. Remember when Peter David tried that and everybody went, "Oh my God! Aquaman is going to be so cool now!" Then after a few issues, everybody forgot to keep buying the comic book and had been raped by Bill Cosby.

About half a year into this newsletter thing and I'm finally utilizing it to its utmost potential! I could never make that joke if I were still on Tumblr! Or in the public eye at all! Or cared about what people think of me!

Rating: This comic book series isn't as good as it was when it began but it's still enjoyable. It retains the exuberance and whimsy of superhero comic books from the 80s but with a modern sensibility. It's as if Chinese heroes forgot to model themselves after The Dark Knight Returns or they've forgotten that their stories are supposed to be so self-aware that they should constantly be questioning how they fit into the world or why they don't become fascist monsters or how effective are they really when they can't save everybody?! Superheroes in China are like bloggers writing newsletters! I really don't have to care about my stupid audience and can simply do whatever I want! Although I shouldn't call my audience stupid because they're obviously super smart if they're reading this.


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Eternity Girl #3
By Visaggio, Liew, and Chuckry

This series reminds me a bit of "Night-sea Journey" from Barth's Lost in the Funhouse. I didn't say it was exactly the same or that the themes are parallel or that this book is also about a sperm having an existential crisis. I said it "reminds me a bit of" that story. That's important because most people on the Internet don't understand subtlety and love to argue. That makes them the worst people in the world and I'm trying desperately to avoid those people. Of course now I probably have to explain why it reminds me a bit of that story which is the difficult part because "reminds me a bit of" is like seeing the face of somebody you've never met before and knowing it reminds you of another person but not being able to place that person. All you can express is the familiarity.

But I'll try anyway! See, the spermatozoa in "Night-sea journey" is concerned about perpetuating a cycle that only causes agony and misery and loneliness. It contemplates why it's making this journey and how maybe things would be better if all the spermatozoa just refused to participate (if I'm remembering the story correctly. It has been over twenty years since I read the book and I haven't been able to reread it because Upright loaned the book to his girlfriend at the time and she never returned it. I'm glad they broke up! She also once ordered a shrimp dish at a Cuban restaurant and then picked out all the shrimp. Ugh! Oh, and one time, she said she hated Madonna because we were watching a thing about Madonna. Then we both pointed out that we liked Madonna so she was embarrassed because she liked Madonna too but only said she didn't because she assumed we didn't! Then another time, she pronounced wanton like "wonton" and we all laughed and I think we hurt her feelings. I think I also got Upright in trouble once because he told me a sexy secret that I didn't know was a secret (and which I can't remember anymore, dammit! (but I did remember it later and now I'm adding it: he told me Simone had a dream where, in the dream, she wanted me to watch her and Upright have sex! I didn't think mentioning it was a big deal because it was a dream. But then when she got upset, I thought, "Oh! Maybe she does want me to watch them have sex! Ooh la la! Or gross!") and I revealed I knew it at some beerfest which ruined his day because she was embarrassed and mad at him after that. She probably had some good aspects to her personality as well but those stories are less interesting and I forgot them. Especially because all I can think about is the story about being in the Japanese gardens and what happened beneath the bamboo! Ooh la la! Or gross!). In Eternity Girl, she's sort of making the same decision about ending the cycle of life and death except she's a bit more upfront about how selfish she's being. She wants to end everything because it's the only way she can die and she's a bit suicidal. So see? There's a similarity there that was enough to allow me to talk about Simone, Upright's ex-girlfriend! Who knew I wanted to do that so badly?! Not me!

Ranking: I think my main point is that Upright owes me a copy of Lost in the Funhouse! You know my address, Upright! Amazon that shit to me! And don't use the address in this newsletter or it will go to the McDonald's on the corner of Scott and El Camino! [Fun Fact: Upright sent me a copy of Barth's book after this! Thanks, Upright!]


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No Justice #1
By Snyder, Williamson, Tynion IV, and Manapul

Superhero comic books are the worst at telling stories where everything looks bleak and hopeless because they never resolve the situation in an interesting or emotional or surprising way. In the end, the heroes simply believe in themselves more for no real reason or they throw a bigger punch than they've been throwing or they all finally work together in a way that isn't depicted through story but through Narration Boxes and dialogue where somebody says or thinks, "We need to all work together!" Then the heroes all nod and win.

The best superhero story where the world is about to end and the heroes rally at the end to defeat the bad guy is Pretty Soldier Sailor Moon R: The Movie. I didn't even need to watch it in English the first time to understand it and be moved emotionally by the plot. The part at the end where the Sailor Scouts rally by remembering the times Sailor Moon was there for them, after which they stood up and said, "Usagi!" and "Usagi!" and "Usagi!" and "Usako!" was more touching and believable than any time Superman ever thought, "I just have to believe in myself and justice and Lois Lane's unbelievable lips on my penis!" No wait. That last one about the lips was really good but I don't think it counts because I thought it.

What I'm trying to say is that I have no faith that this story will present an engaging climax to a story that was probably pitched as "Just think about how crazily the fans will react to the heroes teaming up with DC's major cosmic villains! Holy smokes! James, stop fondling my ass crack!" I'm sure DiDio did not stop Snyder in the pitch to ask, "Is the story coherent? Does it have an emotional theme to keep the readers engaged? Does it say something more important than 'heroes can beat up bad guys'?" Although he may have interrupted to ask, "How much is Williamson going to be responsible for? You'll keep him on a short leash, right? God, he's terrible."


In other words, "Remember all the other cosmic threats to the very existence of the DC Universe? Even the ones that destroyed everything and rebooted the entire franchise so we could fix past mistakes by making new ones? That was nothing compared to this! Prepare to believe this threat is super dangerous because we just told you it was the worst ever! Oh my God, the tension!"

The problem is that the Source Wall has a small crack in it and The Guardians are freaking the fuck out. For some reason, Kyle Rayner doesn't step up and say, "I'll handle this! I've been on the other side of that wall and it was nothing for a great hero like me (who was just an average comic book reader, remember! Because they're the greatest, right guys?)" Then he doesn't look at the reader and doesn't wink and doesn't reach out to jerk the reader off a little bit before saving the day. Instead he just floats in the background while Guy Gardner says, "This is some totally new and different shit that can't be compared with all of the other universe ending shit that we've dealt with! And that's me saying that! The guy who always talks super tough! Whoa, we must be in trouble!"

Man! I'm really scared now! This threat is really serious, guys! If the next thing I read is that Lobo pissed himself thinking about the Omega Titans, I'm going to have to read this book with the lights on! I mean, I have to do that anyway but I meant it in an I'm so scared I need the lights on kind of way and not an I can't see a thing without the lights on kind of way!

If you're an aspiring comic book writer, here are a few tips on how to write a believable story about the end of the universe. First, you start with an antagonist that looks like it could juggle planets. Just having something of that size makes the reader think, "Uh oh. This could be trouble!" Second, you have to say, preferably right near the beginning of the story, "This is the worst threat to the existence of everything ever!" You might not want to say it that bluntly. Usually you'll want to tie it into the main character in some way. Perhaps have Batman say something like, "I survived the death of my parents. But I don't know if I'll survive this! Emotionally, I mean! So traumatic!" Or maybe have Martian Manhunter drop his Oreos when he hears the news and rush off without picking them up or making sure the package is resealed so they won't go stale before he returns. That totally suggests he might not ever return! Or maybe have one of the original Justice League lock themselves in the bathroom and then not respond to Mera pounding on the door before she finally breaks in to find that original Justice Leaguer has opened his fishy wrists and scrawled on the wall in his own blood, "IT".


Shit! Things are so bad, Starfire is using contractions!

The opening scene upsets me. Not because the world is being overrun by cosmic monsters but because it seems to suggest Dick Grayson is a pedophile. It shows teams battling the monsters. It begins with Suicide Squad which, of course, means a shot of Harley saying something hilariously wacky. Then it shows Nightwing with the caption, "The Titans." That reminds me that Nightwing is on a team called the Titans which have "recently" regrouped after The New 52 ended in a nostalgic story that focused on how they've been friends for so long. So they're at least in their late twenties, right? Then it shows Starfire who Dick Grayson fucked years and years ago and she has the caption you see above: The Teen Titans. What the fuck? Why is Starfire on the Teen Titans? How old was she when Dick Grayson was fucking her?! No wonder Deathstork has such a hard-on for Dick. Hee hee.

Things are so bad that Amanda Waller has initiated Protocol XI. Now you might be thinking that's a play on Task Force X. See, the so-super-smart thing that some writer came up with in the past was that the X wasn't a letter at all but a Roman numeral! Sure, it's been done before like how Weapon X gave rise to Weapon XI. Probably. What? I'm supposed to know everything about Marvel too?! Anyway, that's old hat to think that way. So Snyder probably thought, "I'm going to surprise everybody yet again! They're going to think Amanda is invoking the next step in the evolution of Task Force X! But what they'll forget is that DC Comics doesn't use lowercase letters! So I'll surprise them when I reveal this is Protocol Xi! That's right! It's the fourteenth letter of the Greek alphabet! That means it's fourteen times greater than Protocol Alpha! Sure, nobody has every heard of that but just think! FOURTEEN TIMES GREATER!?!"

Also it could just mean Protocol Extra Large because Amanda is calling in all the extra large, over-the-top cosmic entities to team up with the Justice League to help save the world.

Brainiac has come not to warn Earth of the universe's impending doom but to make sure they know they were the cause. He's practically defeating everybody on Earth single-handed until Superman shows up to punch him in the face and yell, "NERD!" Then he gives him a space wedgie and a Kryptonian swirly (that's where you stick the head of the person in a toilet while the world around you implodes) before Brainiac is all, "I love to suck big dicks! Mmm! Mmm! I can't get enough of them! Are you satisfied?!" Then Superman high fives Cyborg, slaps Wonder Woman in the ass, and then shotguns a Rainier.


Jesus Christ. Does everybody know about the Suicide Squad's ties to the American government?!

After Superman stops humiliating Brainiac long enough for Brainiac to speak, everybody learns that Brainiac wants to save the universe. He needs the help of Earth's mightiest heroes but in teams that the heroes were too unimaginative to think up. Seriously! Can you imagine Batman working with Lobo? Or Beast Boy working with Deathstork? Or Superman working with Martian Manhunter?! Or Zatanna working with Doctor Fate? Or Flash working with Cyborg? Hilarious! It would never happen in normal circumstances! How does Snyder keep coming up with shit like this?!

Brainiac has decided to form teams based on the four cosmic energies that make up all of reality: Entropy, Wonder, Wisdom, and Mystery. I bet James Tynion IV tried to convince Snyder to use Entropy, Wonder, Whipped Cream, and Amyl Nitrate.

It turns out Waller's Protocol XI really is Task Force XI. I forgot that if Snyder thinks it up, it's brand new and exciting! Stupid Penis. You're supposed to get erect when you read Snyder's cool story ideas! Stop letting Brain distract you by pointing out how none of this is actually original or groundbreaking! You're better than that, Penis. Remember how you totally sabotaged Brain in Algebra by constantly getting it to stare at Grace Bamberger?! Remember how you used to rule the roost?! What's happened to you, Penis? You've lost all sense of wonder! You must be team Entropy.

Anyway (I say "Anyway" too much, don't I? I can't help it! It's the only way to segue back into the boring plot bits after going on the entertaining digressions!), Task Force XI is composed of all DC's greatest psychic characters. Amanda is using them to hack Brainiac so that she can be better informed than any other character in the DC Universe. I bet she even learns about Zero Hour! I don't know how she captured all of Earth's psychics. I bet once you catch the first one, the rest are easy! Or maybe she just put up an ad on Craigslist: "Looking for psychic who loves to receive rim jobs. Contact The Wall at Belle Reve Penitentiary. Don't think about how suspicious that sounds. Just think about the awesome rim jobs!" I would reply to that ad if I were psychic!

Brainiac is about to explain his plan to save the universe when his head explodes due to Amanda Waller's probing psychics. So now all the heroes have to go on is that they need to "find four cosmic trees" which each represent one of the four cosmic energies. That will somehow do something that will allow them to whatever. I'm sure they'll figure it out somehow. Like maybe having Batman dangle Amanda Waller off the side of a skyscraper.

Rating: This is the exact type of mediocre crap that Scott Snyder does now. At some point, he decided to stop writing comic books that told innovative stories which revolved around deep flaws in the main character and provided insight into that character's personality. Apparently it was more fun to write over-the-top end of the universe stories that always wind up being exactly the same. "A bunch of heroes form a bunch of different teams to go on quests for metal or trees or some other cosmic MacGuffin. They are defeated but then they rally and they get the thing they were looking for and save the day. But not before something happens to create an epilogue so that a new and worse cosmic disaster can be sold to comic book nerds six months down the road." At least it's fun in the way comic books should be fun. I'm sick to death of continuity nerds who need Batman to not be written by Tom King because Tom King writes smart, fun, and entertaining stories that aren't completely derived from Batman's entry in Who's Who. Fuck those guys!


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Michael Cray #7
By Bryan Hill and N. Steven Harris

I'm so racist. I was just typing in the names of the writer and artist for this comic and I thought, "I wonder if Bryan Hill is black?" So I checked his Twitter and discovered that not only is he black but he's also going to be taking over Detective Comics and throwing Black Lightning into the mix. Goddammit, Bryan Hill! I finally got off my lazy ass to drop Detective Comics because I'm sick of Tynioin IV's name (and maybe his writing as well (but mostly his name)) and now I might have to grab it again? Well, I'm not putting it on my pull list! Not because I think I should give it a probationary period to see how I like it but because I can't bring myself to look my comic book store owner in the eye and say, "Um, can I get, um, Detective Comics back on my pull list?" Not that that's something to be embarrassed about. It's just that it will certainly lead to a longer conversation! And who wants to converse with people?! Fucking Doom Bunny, that's who!

Anybody who has enjoyed my comic book blog over the last seven years should thank Doom Bunny because I was mostly writing directly to him for the first two or three (or maybe four or five or six or seven) years! Although he keeps insisting that "Twat Lobo" was his thing, as if that was the pinnacle of my insulting ability! Didn't he read about the time I called Scott Lobdell's mother's vagina a "reverse wood chipper"? Hmm. That didn't make any sense. Aren't all vaginas reverse wood chippers? I mean the heterosexual ones!

Rating: The art is still terrible. The story is better than the art but not great. I think it peaked when Deathblow killed Aquaman. There's only so far you can go with a comic book whose premise is simply "a super rad '90s Image character kills alternate versions of characters you love to hate!" Especially when that premise gets marched out every few years to creepy fans full of bloodlust. I'm looking at you, younger version of me that loved this comic book so much when he discovered that Green Arrow was going to be killed!


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Kick-Ass #4
By Millar and Romita Jr.

If you read the first Kick-Ass and forgot there was a second one and thought, "I need more of this," I have got some good news for you! We, as human beings, have the ability to reread things! Also you can read this series which is the original joke my lack of impulse control just ruined.

If any serious reviewers out there aren't mentioning how this is just more of the same from Millar then they're either not being honest or they're dumb or they're being paid by Millar (which technically falls into the "not being honest" category but definitely doesn't fall into the "they're dumb" category because I would totally take sweet, sweet Millar bucks to say I'm-not-really-a-writer-but-I-write-reviews things like, "Kick-Ass kicks ass!" or "Hit-Girl is a hit, girl!").

I guess I'm not really honest either but then I'm constantly telling people who won't listen that I'm not really a comic book reviewer either! Also I'm dumb. But I guess those cancel out which is why my reviews are so honest and smart! It's simple math.

Last issue, Mark Millar seeded the plot with one really stupid idea that every reader knew instantly was a built-in crutch for Kick-Ass to get out of the deadly situation she's found herself in: he said the party balloons at the we're-going-to-kill-a-cop party were filled with hydrogen instead of helium. The punk who did it said it was to save money which might be a good plot reason for it but that doesn't explain how much more work it would have been to get hydrogen over helium. Party stores aren't going to have tanks of hydrogen. You have to go to some specialty place that services old timey air balloons and chemistry teachers who are too dumb to make their own hydrogen with tap water. My feeling is some henchman for a drug gang isn't going to be the most ambitious person. Why save a little money on the party when he can probably just skim a few grams of cocaine to sell on the side? Way easier!

Anybody who has ever nearly blown up their chemistry class while trying to make the popping sound of hydrogen being burned understood what was going to happen this issue after the gang member mentioned his money saving party tip. Kick-Ass was going to light the balloons and then probably say, "Oh, the humanity!"

In the ensuing fire, Kick-Ass's brother-in-law is badly burned. Now she has to go to the hospital to watch him die and hope that the bad guys (who will also be there watching him die, probably, because he's like the main bad guy's right-hand man) don't recognize her. Also the bad guys are calling up some guy named Mister Solo who takes care of problems. So she'll have to fight him too. Hopefully the hospital is full of hydrogen balloons so she can make another easy get away.

Rating: It's a Kick-Ass comic book. You know what you're getting.


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Superman Special #1: Escape From Dinosaur Island
By Tomasi, Gleason, Russell, Flynn, Godlewski, Hitch, Andrews, Eltaeb, and Sinclair

Blog sites like Tinyletter and Blogspot have an auto-save feature to ensure that your document is saved every few seconds to make sure that if there's a sudden loss of everything, you can be sure that the one thing not lost is your precious writing. But what they don't have is a means to not save your document immediately after accidentally highlighting a whole paragraph instead of just a word and then hitting the space bar. Because obviously since the text was just changed, the system thinks, "Whoa! Better save that immediately!" Stupid fucking Tinyletter. Now nobody will get to read why this E!TACT Newsletter is probably going to be late! Well, they'll read why it's late. It's because I've been spending most of my free time playing Silvern Castle. But what they won't read because I don't want to rewrite it is my explanation of what that is (which also leads into an explanation of what Wizardry was and what the Apple IIe was and things a high school virgin does in his not-having-sex time) and the story about the confused homeless person who finds my non-existent 'zine but does not have access to Google. That's probably self-explanatory anyway.

The version of me from two weeks ago wasted five dollars on this Superman Special #1 so I guess I should read it even though I got really bored as soon as I read the word "dinosaur."

Now that I read it, I hate me from two weeks ago.

Rating: If a more boring comic book has ever been written, I've probably purchased it and read it and forgotten all about it. Because it was so boring. Which, thankfully, is what will happen with my memories of having read this euthanasia drug in a four color format. I'm not exaggerating when I say I immediately began to fall asleep at my desk after having read this before stumbling to the couch and falling asleep for two hours. So I guess I can now blame having read this comic book for why the E!TACT Newsletter is running late!

Seriously though (although, I really was serious in the last paragraph so I don't know why I'm beginning this paragraph in that manner), I was thoroughly bored. I think the main story about Superman and Jon rescuing Captain Storm from Dinosaur Island was supposed to be some kind of Memorial Day story? Like, lets honor our promise to our vets or something? If it wasn't that (and it barely was that if it was!), I have no idea why the story needed to be told. Perhaps it was just an advertisement for a future Losers comic book?

I was even bored by the Mark Russell story and I'm never bored by his stories! I usually read a Mark Russell story and then write six paragraphs about the veins in my suddenly rigid penis. But this time, I read it and was all, "What happened? Why is my penis inside of me? Is this a vagina?" In the story, Superman rescues an old man from a collapsing building. The old man asks Superman to go back and save his photos. So Superman is all, "Okay. I guess? What else am I going to do?" As he's going back to rescue photos and not making sure everybody on the ground is safe (since, you know, a building is collapsing?), he hears a puppy barking from another unit. He thinks, "Well, I can't save the puppy and the photos in time? What a dilemma!" Although, you know, it's not a dilemma at all! Of course he rescues the puppy. Then when the old guy is all, "But my photos! MY PHOTOS! OH THE HUMANITY!", Superman is all, "Here. Take care of this puppy. Memories are whatever." Then the comic ends and I had to imagine the scene where the original owner of the puppy, a little immigrant girl from Poland who had received the puppy to help her deal with the trauma of moving to a new country where she doesn't speak the language, cries her eyes out because it died in the accident. Superman is a fucking asshole.

I think the message of the final story was this: Superman loves to give people second and third chances but he's wrong to do so because super villains hate him so much that they just can't be rehabilitated, no matter how big of a lesbian Maggie Sawyer is.


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Poetry Corner with Grunion Guy!


Metaphor

Sometimes when you have something really important to say,
You want to say it as a poem so that it also feels emotional and smart.
But then you need to think of a metaphor for that thing
Or else what you're saying just sounds like prose.

So say I want to talk about bad memories and how they made
You what you are even though they're bad.
Maybe I could say they're a demon and it's inside you!
That might sound scary but it's not! It's just the metaphor!

And I don't want to scare anybody so after I mention the demon inside the reader,
I'd better immediately say what the demon represents!
Then the reader can exhale and think, "Whew! I almost called an exorcist!
"Boy, wouldn't that have been another bad demon inside of me?!"

The exorcist would have been, "Hello? How can I help you?
"I mean, I know how I can help you! I really only do one thing as an exorcist!
"I was just being polite and letting you know that I had answered the phone,
"And that I was ready to listen to you speak!"

Then you, the reader, would have said, "Oh! I was just reading this great poem.
"And it said I had a demon inside of me. But I just happened to read the second line
"As I was waiting for you to answer the phone and now I'm embarrassed
"For having called you over nothing. This is now a bad memory!"

Later, the exorcist would grow really curious and hit star sixty nine.
The reader would pick up the phone and say, "Hello?"
Then the exorcist would say, "Hello. We spoke earlier and you mentioned a poem.
"Do you know where I could get a copy of that poem?"

And from that conversation, word of mouth would spread,
And I would see my book of poems on the list of New York Times Best Sellers.

--Grunion Guy


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Grunion Guy's Musical Corner of Music Reviews!



Everyday by Buddy Holly
This song is from a time when people did not have sex. You can tell by the beat of the song. Nobody could have sex to that. They'd be all, "Bam bam bam bam bam bam bam bam bam bam bam a-ay a-ay-ay!" Near the end of the song, somebody begins hitting a glass stirring rod against a bunch of test tubes and beakers for some reason. Probably because they're antsy in their pants about not getting any sex. Another way you can tell this song is old is the way Buddy Holly compares their love to the fastest thing at the time: a roller coaster. We have way faster things now! Like cars and planes. Oops. I probably shouldn't have mentioned planes.
Grade: B.


Machine Ballerina by Suzanne Vega
Suzanna Vega's original draft of this song was called, "What Am I To You? Just Something To Fuck When You're Feeling Horny?!" But her producer was all, "Whoa, whoa, Suzy! Tone it down a bit! That's something that slut Debbie Harry would sing about! People love you for your great songs like Uncle Tom's Cabin and Luke Skywalker!" Then she was all, "Well, I once read a terrific poem about metaphor by a really great writer and I also once heard a Monkees song that was basically about date rape and toys. Maybe I could do something with those influences!" Then she came up with this song and the producer sold "What Am I To You? Just Something To Fuck When You're Feeling Horny?!" to Belinda Carlisle.
Grade: B.


Under the Western Freeway by Grandaddy
The music to this song is exactly what I imagine a tumbleweed hears as it goes about its business in the background of westerns and back roads of Arizona. If you've never heard this song, I imagine you have no idea what that might sound like. But if you have heard this song, you're now thinking, "Holy shit. That's exactly what this sounds like! It also sounds like a kid was told to write a three minute song and came up with fifteen seconds of music that he decided to put on a loop. But that's basically what you said with the tumbleweed thing!" But don't let this review and the subsequent grade lead you to believe that the album this is from (also called Under the Western Freeway) isn't a good album! It's just that Grandaddy must have thought, "What's a good way to make people think this record sucks? How about we do a title track that's more boring than Superman Special #1: Escape From Dinosaur Island?!"
Grade: D+.


Cars Pass in Cold Blood by The Faint
I've had this album for years and never really paid attention to the lyrics of this song so I decided to look them up online right now. I'm more confused about this song than before I knew the lyrics! It felt right listening to this song as Jesus's apostles listened to his parables. I would think, "Oh yeah, Todd! Cars do pass in cold blood! And there really isn't any time for whatever you just said in the line before! Totally get where you're coming from, dude. Rock it out!" But now that I've read the lyrics, I have a feeling Todd was sitting in traffic one day when an ambulance was trying to get by and some business man was trying to get around the traffic and blocked the ambulance and Todd thought, "I wish I had that guy's balls!" Then he wrote a song about it. I wish Jesus were here to explain the parable to me since I obviously have no ability to understand it.
Grade: B+.


己を信じて進むのみ by 手塚理・Vink2
This is from the Slayers (スレイヤーズ) Next soundtrack. It sounds a bit like a marching song. Slayers was a Japanese cartoon about a wizard named Lina Inverse who had small breasts. I'm pretty sure that's important to the narrative since Ghourry and all of the enemies Lina encounters mention it constantly. But it's not one of those Japanese cartoons where you get to see naked people or squids do sexy things to orifices. It's rated whatever rating is the one that doesn't mind the constant talk of small boobs and where another important plot point can be how Lina loses her powers when she's menstruating. I haven't watched the series in a long time because I own it on VHS. I do remember watching it in the '90s one time while on LSD. I was with my not-yet-burned-up friend Bobby Henline (you can Google him if you're curious about that statement (but don't read his poetry or you might begin to think my poem was making fun of his)) and I came up with the classic routine about the VCR remote control. It went something like this, "How come when you hit the play button, it plays the video. And when you hit the pause button, it pauses the video. But you can also hit the pause button to play the video once it's paused? What's up with that?!" Such classic stuff! I also realized how triangles and the number three were at the center of understanding the meaning of the universe but when I sobered up, I couldn't remember how to express it and it didn't seem important anymore anyway.
Grade: C.


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Letters to Me!


KB Writes: Guess who's been a useless lump of lump? Me! Haven't been writing, though I have been reading your newsletters.

My Reply: I wish I wasn't writing! You know how much Fortnite there is to be played? It's not going to play itself, you know? Stupid obsession with putting my thoughts onto virtual paper! Where has it gotten me? In a place where I've played far less Fortnite than I wanted to!

KB Writes: You said: "We have become a society where the thing you love must somehow remain the thing it was at the moment you began loving it (and you must also be the only one that loves that thing as much as you love that thing because obviously nobody else understands it the way you do (although you hate them for not understanding it the same way. How can they not?! (But then if they said they did, you'd think to yourself, "Pshaw. Poseur.")))."

I think our brains are wired to worry about things, but in a society where most of our worries are more existential than practical, the worry-lobes of our brains make damn sure we have something to worry about. It's like how our immune systems are built to identify invaders from early childhood, but kids growing up in oversanitized households end up with allergies because their immune systems get bored and start identifying peanut butter sandwiches as a deadly threat. In the same way, people who are very very comfortable develop strong opinions about, say, the "Thundercats" reboot. (We Star Trekly types, at least, have been taught to feel a little shame for our obsessions.)

My Reply: This probably makes scientific sense and I'm going to espouse this belief from now on whenever some kid with a peanut allergy wanders by. I'll be all, "KB says you're mom tried to have you killed!" Then I'll shove three Nutter Butters in my mouth and say, through a mouth full of nutty goodness, "Oh man. These are so worth dying for! Want one?" Then he'll probably die from the peanut smell on my breath. Good! He deserved it, probably.

Fun Star Trek fact: my house number growing up was 1701! I never dressed it up as the Starship Enterprise on Halloween though because I was lazy.

KB Continues as if I hadn't rudely cut him off mid-thought: The thing is, there are all sorts of things that need to be done in our world, so if you're bored enough that you can stand in line for "Rick and Morty" giveaways at McDonalds, that's a sign that you should open your eyes and widen your circle. Help somebody with such resources as you have. It's not hard to find people who need help; hell, QKB and I are a little frightened of making new friends because we keep finding people in trouble, and our little life raft often feels like it's a little past capacity already. It's exhausting, but we take at least some comfort in not being the sort of people who would riot because McDonalds didn't make enough Szechuan Sauce.

My Reply: I imagine if I wasn't so narcissistic, I'd point out that I am one of the useless masses. I think we should put people into two groups: those who would actually be useful at rebuilding society after civilization crumbles and those who would just be in the way. I have a feeling the new world wouldn't need somebody standing nearby making fun of the guy setting up the aqueduct because he sewed the leaves on his frock poorly. Also I would be naked because sewing? Ew!

KB Asks: Speaking of, do you have any tofu-cooking tips? I came up with a recipe recently: tofu fried with cinnamon, honey, and cranberries. Tastes like Christmas in a vegan compound.

My Reply: I don't have any tofu cooking tips. Frying it is probably best. Make it nice and crispy and crunchy and add some kind of hot sauce, depending on your taste. This is unhelpful because I don't ever remember the things advertisers want people to remember (I'm terrible at capitalism) but there was...oh! I just remembered so maybe I'm not so bad at it! There was a product called Smart Grounds that I used to use to make tofu tacos. It had the consistency of ground meat. After flavoring it with taco seasoning, you could hardly tell the difference. A little drier than actual beef or turkey but that just means less greasy!

KB Writes: Snagglepuss said: "The purpose of art is subversion. Art is telling the world how it's killing you. How its institutions have failed you. In the end, any culture worth a damn is made by subversives. Because art is what tells the world it needs to change. Power merely redecorates it."

Goddamn Snagglepuss, that's some insight. The pedant in me (possibly Atom Ant) wants to observe that there are other legitimate purposes for art, but probably none are as important as challenging the audience.

My Reply: Yeah, the pedant in you doesn't need to add anything. Snagglepuss was speaking in a particular context to a particular set of freedom crushing bastards. I'm sure, in other settings, he'd have other things to say about art. I just love the sentence "Art is telling the world how it's killing you." Hoo boy.

KB Writes: You wrote: "Anyway, I'm about to read Frankenstein and I think it might cause some feelings in much the same way Snagglepuss has. Did that sound dirty?"

Sorry, no. Mostly I found myself thinking, 'whatever you do, don't read Dracula, or as I call it, "Eastern European Train Schedules: The Novelization".'

My Reply: So I've been reading Frankenstein and so far, Victor has created the monster out of mystery and hard work. But immediately after he's successful, he freaks the fuck out and lets it go on its own. So he didn't mind spending nine months in a sweltering summer apartment full of loose body parts but he can't bear to spend a single second in the presence of a living person. I totally get that.

Later, when Victor once again encounters his creation two years later, Shelley writes, "A flash of lightning illuminated the object, and discovered its shape plainly to me; its gigantic stature, and the deformity of its aspect, more hideous than belongs to humanity, instantly informed me that it was the wretch, the filthy daemon, to whom I had given life. What did he there? Could he be (I shuddered at the conception) the murderer of my brother? No sooner did the idea cross my imagination, than I became convinced of its truth; my teeth chattered, and I was forced to lean against a tree for support. The figure passed me quickly, and I lost it in the gloom. Nothing in human shape could have destroyed that fair child. He was the murderer! I could not doubt it. The mere presence of the idea was an irresistible proof of the fact."

Fucking gorgeous passage. Can we just get teachers to teach this one paragraph? In it, it contains all the psychology of systemic racism and belief in conspiracy theory and conservative debate! "The mere presence of the idea was an irresistible proof of the fact." Fucking hell. Somebody read this to every police officer in America. And then explain it to them, of course!


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I really wrote too much this week! Later, jerks!

Wednesday, February 11, 2026

Eee! Tess Ate Chai Tea: The Newsletter #21 (Fourth Week of April 2018)

E!TACT! #21
Jesse Chris: A Grunion Guy Story, Eternity Girl #2, New Super-man #22, Detective Comics #978, Suicide Squad #39, Justice League of America #28, Action Comics #1000, Kick-Ass #3, Deadman #6, Grunion Guy's Musical Corner of Music Reviews, and Letters to Me!
By Grunion Guy


Jesse Chris
A Grunion Guy Story
By Grunion Guy

         "You guys are the greatest," proclaimed Jesse as he flipped his long blonde surfer's hair around his head in slow motion. "Who could ask for a better bunch of twelve male friends! So rad!"
         Jeremy Scaredycat looked askance and turned red. Everybody thought he was blushing because he loved Jesse so much. But he didn't love Jesse as much as he used to love Jesse. He loved Surf Country and hated Valleys way more than he now loved Jesse. Like thirty bucks more even.
         "Hey Jesse," devil's advocated Jeremy. I mean, he was about to devil's advocate. He was actually just getting Jesse's attention in the last quote. Also he believed his argument so maybe he was just the devil. But he didn't want people to know that he believed his argument so he was pretending to just be an advocate. "We should spray paint 'Valleys go home' all over the place because I'm tired of my shoulders being ridden over."
          "Oh, Jeremy," patronized Jesse in that way everybody but Jeremy loved. Simeon and Jacob and Terence and Sebastian and Philip and the other ones all loved it when Jesse looked at them like they were Italian dogs being told to roll over in French. "Render unto Brad what is Brad's. Duh!"
         "That doesn't make any sense, Jesse," replied Jeremy to the audible gasps of the other eight men at the table. I mean ten? Maybe some of them didn't gasp because their mouths were full of Jesse. You'll understand what that means after the next paragraph! "The waves aren't for Valleys! They're our waves!"
         "Oh, Jeremy," Jesse continued in that patronizing way. "This rad pizza is my tubular flesh. And the Mountain Dew is my blood, Brah. Duh!"
         After throwing up, seven of Jesse's friends said, "We totally understand why you said that!" They looked dumbly at Jesse like a French dog being told to roll over in Italian.
          "Man, this is my last dinner with you jerks!" cried Jeremy as he thought about how much non-Jesse's-flesh pizza he could buy with thirty bucks.
          "Well, why don't you leave the tip, what with all that thirty money you have," scowled Jesse but in a righteous way. "And Terence can deny having ordered the appetizers!"
          "What?! Why would you say that?" asked Terence. "And I didn't order them!"
          "Oh my goodness! How did he know you'd say that?!" cried Sebastian! "It's a miracle!"
         "He knew I'd say it because I didn't order them!" denied Terence.
          "Are you sure?" asked Philip.
          "Of course I'm sure I didn't order them! My stomach can't handle all that cheese!" denied Terence again.
          "Oh, to hell with this!" exclaimed Jeremy. "That's him! That one! The one in the Pacific Beach t-shirt!" Several Valleys rushed in to grab Jesse.
          "I got him!" yelled Brad!
         "Me too!" yelled Brad! It was a different Brad from the Valley than that first Brad from the Valley.
         "Oh no!" screamed eleven friends of Jesse! "Let's challenge them to a surfing contest!"
          "Put away your boards!" exclaimed Jesse as he winked at the camera. Later he surfed for everybody's sins. That was the exciting part. But the important part was that he made it through the tube three days later as all the bikini-clad onlookers watched in shock and amazement. Everybody always remembered him forever after that, especially the way he hated gay people.

The End!


Comic Book Reviews!

Eternity Girl #2
By Visaggio, Liew, and Chuckry

Rating: One of my favorite things in the world after Oreos are writers who tell people how to write. It's always so informative for people who think they want to be writers but aren't actually writers. Because if you're a writer, you write. If you're a person who wants to be a writer, you ask writers what it takes to be a writer. Luckily for my love of writers who give writing advice, Magdalene Visaggio (the writer of Eternity Girl!) drops some knowledge on us at the end of this issue: "[W]riting is about saying yes more than it is about saying no. Don't let your fear that your stuff isn't good enough stop you from listening to your instincts. You don't have to be a genius right when you start; spend time writing and figuring out what kind of writer you want to be, and then you'll know what ideas work and don't for what you are doing."

Let's see. I definitely say yes more than I say no, as people (for example, all editors) who constantly criticize my writing will attest. I definitely wasn't a genius when I started out (and have no expectation that I'm somehow growing into a genius the further along I go). I have spent time writing but I don't think I've spent enough time figuring out what kind of writer I want to be! Is that how writing is done? Am I supposed to have an image of me on the back cover of my first novel and write toward that? I want to be one of those guys smoking a pipe and banging tons of ladies. What's a look that says "I bang a ton of ladies!" since I don't think publishers actually let you stick a photograph of you banging a ton of ladies right on the back cover of your novel. And finally, I'm not sure if I'm following the advice of that last sentence because I'm still trying to parse it.

One more great piece of advice from Magdalene: "Live fearlessly, and honestly; this is the only life you get." That's pretty profound when you think about it. I mean, seriously. Think about it! Have you ever considered that you only have one life? I bet you haven't or else you'd be spending it smoking pipes and banging tons of chicks and/or dudes! If you aren't puffing away on a pipe right now feeling superior, you're wasting your life!

In my early twenties, I had that only life you get epiphany and stupidly told my current girlfriend. She, understanding my mind better than I did at the time, said, "What the hell is that supposed to mean?" I thought it was obvious but I was apparently wrong because she saw my epiphany better than I did! Obviously what my mind was telling me in its stupidly grandiose way was this: "You probably need to break up with your current girlfriend." My mind was right but I was a naïve asshole who probably gave people writing advice and definitely shouldn't have told my girlfriend that thing that was basically code for "I need a new direction in life and some space and really need to change some things, especially one big relationship thing!"

I should probably review this comic book now. I'm not sure how I feel about this series after this issue. I liked the first issue but this one was just depressing. I'm starting to see how a book about a main character desperate to die can be a bit of a downer. The commentary on comic book continuity didn't help to make me feel any better by thinking, "Whoa! Was that post-modern? I think that was post-modern? What is post-modernity anyway? Is asking that post-modern?!"

Two point six out of five stars.


New Super-man and the Justice League of China #22
By Yang, Peeples, Santorelli, and Hi-fi

Rating: This comic book is less fun than it used to be. Three point one stars out of six.


Detective Comics #978
By Tynion IV, Fernandez, and Kalisz

Rating: You might remember how I said I was going to stop picking up this book because I hate typing the IV on Tynion's name, right? Well I did it! I took it off of my subscription box at the local comic book store! But I still have a couple of issues to read in the stack. This is one of them. I haven't read it yet but ignorance has never stopped me from reviewing a comic book. I'm sure this one is as mediocre and Tim Drake heavy as the previous dozen. Two point seven stars out of twelve.


Suicide Squad #39
By Williams, Edwards, and Arreola

Rating: I finally dropped this book as well. It's a shame it's been mostly bad for the last six and a half years since, seeing it on the shelf in December of 2011 while in Phoenix, Arizona, it was the impetus that got me back into comics and reading The New 52. If I had to judge the past seven years based on the quality of comic books I've read since that moment, I'd say it was a bad decision to walk into that comic book store. But if I had to judge it on how much enjoyment it's given me through writing about comic books, it was one of the best decisions of my life. But now, I must finally break up with this comic book because Rob Williams writes terrible one-dimensional characters. He isn't as funny as he might think he is. I suppose he doesn't give a shit if his characters' quips are humorous or not. He just knows he gets the same dollar amount per page no matter how shitty the quality of each page. Well, I finally give a shit and I won't read this shit any more. Point five out of ten stars.


Justice League of America #28
By Orlando, Petrus, and Hi-Fi

Rating: Now that Lobo has left the team, I can finally read this comic book with clarity and objectivity. And it's not very good. For some reason, Orlando has decided that telling a good story is less important than stating a thesis and then restating that thesis and then grabbing the reader by the back of the neck and rubbing the reader's face in that thesis. I'm not sure why he even bothered to give the script to an artist. He could have just written "Inspiration is the most important thing in the world (after diversity, of course. But we covered that in the early issues)." The premise of this story is that super-heroes inspire people to greatness. That hasn't been the reality of comic books for decades (since Watchmen, probably?) but it's still a shared delusion that comic book readers all pretend to believe. Super-heroes aren't meant to take care of our problems for us because that apparently makes us weaker (although that's been the plot of every comic book since Watchmen. Probably); super-heroes inspire us to be as heroic as they are (except more heroic because we aren't invulnerable or good looking). But how could super-heroes be so inspiring if they didn't have inspiration as well? Nobody thinks up or does anything meaningful by themselves. Somebody has to do nothing but inspire before somebody else can think, "Oh! I hadn't thought of that! Now let me do all the real work while you go on singing or raising awareness or being famous or whatever." So super-heroes were inspired by a god of super-heroes whose existence they depend on. I guess without him, little Bruce Wayne would have just shrugged his shoulders after his parents were murdered and grown up to be another boring businessman.

Chronos has decided the way to defeat all the heroes at once is to kill Ahl, the god of super-heroes, with a magic brick. This is one of the few stories in recorded history that would be made better by a final revelation that it was all a dream. The other stories that would be made better by the dream revelation thing are the previous stories in this comic book series. Hopefully the final issue of Justice League of America will be Batman being awakened by one of his own long and painful farts. Then Alfred will walk in, make a sour face, and wave his hands in front of his nose before thinking, "That reminds me. Whatever happened to Batcow?"

One star out of seven.


Action Comics #1000
By lots of people.

Speaking of inspiration being the means to the end of itself, here's an eight dollar book with a bunch of stories all about inspiration! The stories within are best summarized by Geoff Johns and Dick Donner's story "The Car." It's about the guy who owned the car on the cover of Action Comics #1. The man's car is a metaphor for the man's life: he can either fix it or junk it. Superman gives him the option to make his life about helping make other people's lives better so they don't have to live the shitty life that led this man into crime. As Superman and the man speak, the guy says, out of nowhere, really, "Out on 45th, yeah. It used to get so hot, we always wanted to go swimmin' but there weren't no pool." As I read that, my eyes rolled and I blacked out for three minutes. "What the fuck was that non sequitur?" I thought critically. Sure, Superman mentioned the guy grew up in the orphanage on 45th. But who suddenly goes into some sort of nostalgic reverie over that comment? Shouldn't he just be like, "Yeah, I growed up there, Supes. What of it?!"

But being a Grandmaster Comic Book Reader, I know when dialogue that sounds unnaturally wedged into the story has been placed there to make a point later. So this man whom Superman lets go to fix his life or junk it chooses to fix his life by making the world a better place. And how does he do that? By breaking fire hydrants down on 45th so that the kids can keep cool! Thank God Superman is on the job to inspire people to make a difference! Can you imagine if those kids had to be a little too warm for a few weeks without this do-gooder's do-gooding?! I'm so glad Superman is out there inspiring us all to be our best selves!

Paul Dini's story, Actionland, is the best story because unlike Tom King and Scott Snyder and Geoff Johns and that Bendis guy, he doesn't think he has to be the smartest guy in the story collection. He just writes a dirty story about Mxyzptlk's sex life complete with rocket boners and purple-headed innuendos. I wonder how many young people will check this out of their elementary school library and get their first sexy time feelings reading this? They'll probably be confused and it will impact their sex life for decades after.

Brad Meltzer decides to twist the idea that everybody else came up with for this book: he has Superman inspired by the people he saves! But his story sucks because it didn't end with "I apologize for killing Sue Dibny."

Rating: I lied. This issue isn't about Superman being inspiring at all. It's, apparently, all about whether or not he's Superman without the red briefs. According to nearly every writer and artist in this issue, Superman's underwear is the most important part of Superman. And while some of them simply put the underwear back on him without saying much about it, Bendis seems to think his entire story hinges on mentioning it over and over and over again. I've never read Bendis so I'm now thinking, "This is what everybody raves about?" I'll simply assume this isn't his best work rather than assume it's typical of his writing. Although why would he write such overwrought pap for his big debut at DC? I'm not talking about the pages of underwear dialogue now. I'm talking about the prologue he's written for whatever he's doing next for DC. Once again we have a writer who believes their voice is so important to the comic book world that they have to bring about their vision of the Superman mythos by rewriting the entire thing. So welcome DoomsMongulod, the newest and worst nemesis Superman has ever faced! Working with Jor-el (because we haven't gotten enough reworking of Jor-el into a terrible person over the last few years (what is this fascination with making the previously glorified parents of superheroes into pieces of shit?)), Rogol Zarr (the Doomsday Mongul Zod Lobo mash-up) was the cause of Krypton's destruction in his quest to kill all Kryptonians.

Okay, maybe Jor-el wasn't part of this guy's quest. I should probably point out that Rogol Zarr simply says he promised Jor-el that he'd destroy all Kryptonians. That was probably meant as a threat and not a handshake deal. I just needed to add this paragraph because my facetiousness is hard to read in written texts to an online audience rabid to correct as many people as possible (whether they need correcting or not!).

58 stars out of 1000.


Kick-Ass #3
By Millar and Romita Jr.

Rating: Kick-Ass finally learns that she's not in a comic book. I mean, she is. But the premise is that she isn't. And she learns the painful lesson about reality this issue when everything goes to hell and she's captured by her nemesis. You can tell he's her nemesis because he looks different than all the other characters who pretty much look the same. That way when she encounters him, she doesn't have to think his name so the reader can say, "Oh! That's who that is! Her brother-in-law! There's no way I would have remembered." Now when Violencia appears, the reader can exclaim, "That's that guy! The really bad one! You can tell because he's covered in tattoos and piercings!" Then everybody in the coffee shop can scowl at that imaginary reader for shouting although it could have been worse. I almost made the reader shout, "That's the fucking cunt who almost killed Kick-Ass!" Then they really would have had a reason to scowl self-righteously.

3 stars out of 5. It might be standard Kick-Ass fare but I guess it's sort of entertaining if you've completely forgotten the premise of the first two Kick-Asses (which is also the premise of this Kick-Ass (I think. I've forgotten the premise of the first two)).


Deadman #6
By Neil Adams

Rating: Thank the stars this is the final issue so I don't have to feel compelled to buy another issue of this nonsensical garbage. I said "Thank the stars!" because I don't believe in God. But is thanking the stars any more reasonable than thanking God even when I don't believe in Him? Because now I sound like one of those wacky jerks from the seventies who believed in astrology and extra body hair and big orange vans.

Every cover of this series has had some kind of secret or special cover right up until this one. But I figure this one must have some kind of secret so I completely ruined it due to being convinced it was a Mad Fold-in. I'm still not positive it isn't so maybe I'll scan it into Photoshop and play around with it for a bit.


It's no good! I can't figure it out! I'm stumped as to how this cover is special. Maybe the fact that it's not special is how it's special! Maybe the only secret is the eye in Deadman's musculature?

Reading Deadman is like watching somebody have a stroke in slow motion. Did people at DC Comics simply accept the pages of this comic book without checking up on Neal? Editor Kristy Quinn must have been paid to not do her job. "Just accept whatever he turns in, Kristy," ordered DiDio as he wrote up a complaint to Human Resources about how long James Tynion IV holds eye contact. "It's not like he's going to come up with anything better on a second try. Did you read The Coming of the Supermen? No? Nobody did. Don't bother reading this either."

At one point during Deadman's "conversation" with Rama Kushna, he says, "You got no time to shut up and get on with it!" I have now spent longer contemplating the meaning of that line than the meaning of my own existence.

I think maybe this issue is a transcription of Neal Adams' personal conversation with God. Or maybe he's ranting at DC Comics for stealing all of his life's ideas and treating him like shit. Doesn't this sound more like Neal ranting at DC than Deadman ranting at Rama Kushna:

Neal: "Do you actually think I want to be here? You suck, you know that? This whole place sucks! If I could...I'd spit on you!"
More Neal, continued: "And you...you soulless witch...you have all my secrets and you hold them away from me!! I hate you...with a blue flame, Rama Bullpucky. You lie to me...and you compound your lies!! You're like a politician. You don't even know when you're lying."

Neal and/or Deadman seems angry at something but it's never really made clear. Nothing in this book was ever clear. It's the ramblings of a madman who gets to draw and say whatever he likes for a paycheck. I'm so fucking envious of Neal Adams right now! Who knew that by working hard your entire life at a job that earns you kudos and respect, a person can be rewarded with a paying soapbox to do whatever the fuck they want?! Why didn't somebody tell me this at twenty?! Instead, I've been on the non-paying soapbox trying to garner an audience by rambling like a madman! Stupid system!

Zero stars out of ten.


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Grunion Guy's Musical Corner of Music Reviews!

Praise the Lord by Everlast
There are as many versions of rap as there are versions of rock. Maybe more since rock only has the two types: "I love fucking girls" and "There's a girl I want to fuck but she won't let me." I guess if we think of "Prog Rock" as rock, we discover a few more kinds of rock themes, such as "Don't help poor people because it hinders their ambition," and "I read a book once and I'm going to tell you about it now." Some people think the only versions of rap and/or hip hop that exist are "We're about to fuck, baby" and "Let's kill some cops." But this is Everlast so we get the white variation on rap with this song which is "I got beats and can rhyme better than all the other n-words, yo!" I'm not a white rapper so I'm not allowed to say the n-word when I'm being a bit jokey. If I were writing a serious treatise on whatever serious people write about, I would totally use it. The only other time I'd actually use the word n-word is if playing it would help me win a Scrabble championship. And then I'd probably make it plural to get the fifty point bonus and also so I could play it by pluralizing the last word I played, faggot. Although, I bet Scrabble doesn't allow players to use the n-word and I'd lose in a challenge. But they have to allow faggot because I was using the British variation of it, of course.
       Anyway, this song by the jump around guy playing a character named Whitey Ford was written to express how great he is at writing rap songs (presumably all about how great he is at writing rap songs about how great he is). At one point, he compares himself to Edgar Allen Poe which I thought was super clever because I recognized that name as a writer of psychological thrillers and sado-masochistic porn. He also mentions farting in a line where some people catch the vapors. Is that old-time farting? Probably!
Grade: C.

Crocodile by XTC
This song falls into a sub-category of "There's a girl I want to fuck but she won't let me" because it's about Andy Partridge's wife who left him. I think. Aren't all the songs on Nonsuch about that? I suppose every song in existence could be about Andy Partridge and his divorce from his wife Marianne if I think about it for long enough.
       The problem with this song is that it's on an album where I love half of the songs so much that it causes me to dislike the other songs even more than I normally would. So "Crocodile" and "Holly Up On Poppy" and "Humble Daisy" and "Bungalow" wind up covered in my spit and invective because I'd rather hear "War Dance" or "Rook" or "The Ballad of Peter Pumpkinhead" or "Dear Madam Barnum" or "Books Are Burning."
       Also, I read up on this album a little bit and discovered that the supposed crocodile noises in "Crocodile" are actually just slowed down pig grunts. Being that I have no understanding of my emotional responses to things (if that emotional response is anything other than blind, angry hatred), I don't know if this impresses me or makes me feel like fool.
Grade: C.

18 Wheeler by Pink
Pink lets us know immediately in this song that we can't keep her down after which she makes me realize my categories of rock songs are completely sexist! Who knew I was sexist?! I certainly learned something today! Also maybe I'm racist and homophobic based on my Scrabble bit earlier!
      Anyway, Pink's song, "18 Wheeler," falls into the rock category of "I'm the girl that's not going to let you fuck her." So while my categories were sexist in their initial perspective, they still work, I guess. It's also a good example of how the "girl" and the "fucking" in my category are completely metaphorical. See, you thought I was really limiting myself in my categories while also being sexist, didn't you?! Well maybe you won't underestimate me next time now that I've pretended I knew what I was doing all along.
       Let me explain: the "18 Wheeler" is a metaphor for music producers. I think. And Pink is all, "You aren't going to treat me like a slave because I'll join the Underground Railroad. Choo choo!" Which might be a bit of an iffy metaphor, Pink. I mean, do you really want to compare yourself to a slave when you're a rock star? I suppose it isn't as bad as her song called "My Vietnam" in which Pink declares how helping feed the homeless one time in her life was as bad as Vietnam. At times, Pink can get really melodramatic.
       iTunes lists the album Missundaztood under the genre of "Dance & House." Who comes up with these things? I'm pretty sure this song is simply "Rock" or "Pop." It certainly doesn't make me want to dance. Especially when Pink pronounces "sword" as "suh-ward."
Grade: C.

Last Dance by The Cure
Most of the songs on Disintegration fall into a subcategory of "There's a girl I want to fuck but she won't let me." That subcategory is "There's a girl I want to fuck but she won't let me because she drowned or something just as tragic. Maybe she just moved on with her life and left me to wither in my heartbreak and pain." This song seems to be about the death of innocence, or the dangers of living in nostalgia, or, maybe, about a man who murders a woman he once loved when they were children because she doesn't love him anymore. It's hard to tell because every song on Disintegration sounds as if you've just taken six Vicodin (it's the only opiate-based medication I've ever taken so it's all I can compare it to! Otherwise I'd probably say, "Five seconds on a morphine drip!" or "Three spoons of heroin!" or "Tea derived from steeping twenty-eight opium poppies!") and learned to listen to music through gauze while somebody sits by you, holding and caressing your hand, reminding you of the death of every pet you've ever had.
       Disintegration really is an album that probably did more harm than good hearing it at the time of my life I did. What I needed was an album that had songs like "How Many Times Does She Have to Tell You No, You Stalker?!" and "Take Control of Your Emotions, You Jackass!" and "Get on With Living, Dope!" Instead I discovered this album which was all, "Why?" and "How could she?" and "Maybe She Can Love Me If I Just Invest Even More Time Than I've Already Wasted!"
Grade: A+.

Some Fantastic by Bare Naked Ladies
I've never before noticed how much this song sounds like somebody simply hit a tempo button on an 80s keyboard before ad-libbing some goofy lyrics. Do all Bare Naked Ladies songs sound that way? I'm currently convinced the answer to that question is "How did I never notice it before?!"
      I was just goofing around when I came up with my rock categories but this song is another version of the "There's a girl I want to fuck but she won't let me." But instead of being sad about it, this guy is all, "If I think about it enough, I'll come up with some ridiculous plan to get her to sleep with me!" Then he lists all of those plans. I think if he had one more verse, it would be all, "I'll buy a van and remove the handles from the inside door before learning which bus you take to work after which I'll pull up and ask you if you can help me find my lost puppy. But first I need to learn where I can buy chloroform."
Grade: B-.


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Letters to Me!

KB writes: There really ought to be an annual Superboy Punch! to clean up continuity. There are of course conflicting opinions about what should be cleaned up, but maybe we start with the comics events that have pissed off a lot of fans, and see if the criticisms are valid, or if there are better versions of those events. Like, Barbara Gordon. There are differing opinions about whether she was better as Oracle in her wheelchair, but I think we can probably agree that the rapey aspects of "The Killing Joke" are worth retconning away.

My Reply: Isn't one of DC's big problems that they try a Superboy Punch! every few years? They should probably just leave everything alone. I especially don't think they should let fans determine what should and shouldn't be canon. They're the worst people to be in charge! Like if I were to write only stuff Doom Bunny wants me to write about, this blog would be full of recipes that didn't have any cheese unless it was cheddar and only in super extreme circumstances. Also if there are nuts in the recipe, there shouldn't be any chocolate. Also every plated recipe would look like an orgasming penis.


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KB Writes: The young have never heard of Chesterton's Fence. It goes as follows:

"In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, "I don't see the use of this; let us clear it away." To which the more intelligent type of reformer will do well to answer: "If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it.""

To put it differently, maybe very simple solutions rarely fix the world because the world is a complicated place. Much more often than not, the "wisdom of youth" is more aptly called "the Dunning-Kruger effect". All in all I think it's a good thing that Tynion IV doesn't have the power to remake the world in his image, because good Lord imagine all the fences he'd rip down all willy-nilly.

My Reply: I think Chesterton doesn't describe his paradox clearly enough, or he needs to work on it a bit more. Sometime in my early twenties, I took up the philosophy that if I really despised something, or something really annoyed me for seemingly arbitrary reasons, I should actually pursue that thing as if I were one of the mindless masses to see if I could understand the joy of that thing. It's why I wound up with my tongue pierced in my mid-twenties. Although that also came about as challenging myself to do something ritualistic so that I could, even if only symbolically, feel like I'd made some transition between childhood and adulthood. I suppose taking my cross country trip in my Volkswagen bus was that as well. And that was a good metaphor for my transition to adulthood since my bus broke down halfway across the country.


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KB Writes: Can I admit that I miss all your daily thousands and thousands of reviews? Not that I want you to subject yourself to that sort of suffering; we've got only one of you so we should keep you in good repair. But, I really did enjoy all the hard work you did. Have you ever considered re-reviewing Cullen Bunn's work to see if you like it any better years later?

My Reply: I miss doing all of those reviews as well! Which is why I'm doing this! I'm not sad to be reading far, far less comic books though. I've finally gotten back to reading actual books at a reasonable pace again and I'm enjoying it. Plus one used book costs as much as one twenty page comic which just makes me hate comic books even more than I do when I'm reading one by Cullen Bunn. Speaking of which, how dare you ask me to consider re-reading Cullen Bunn's comic books! I was just forgetting about Twat Lobo and now look what you've done? I'm bleeding from my eyes and anus!


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That's all for this week! I've forgotten my sign-out! Later, jerkos? That sounds about right!

Saturday, January 10, 2026

Eee! Tess Ate Chai Tea: The Newsletter #17 (Fifth Week of March 2018)

E!TACT! #17
"A Reminiscence", Justice League #40, Batman: White Knight #6, Shade the Changing Woman #1, Eternity Girl #1, Action Comics #999, Suicide Squad #37, Justice League of America #26, Detective Comics #976, Grunion Guy's Musical Corner of Music Reviews, and Grunion Guy's Movie Reviews!
By Grunion Guy

A Reminiscence
By Grunion Guy

My editor, Pickle Boy, was sniffing the hand he just used to scratch his crotch when he said to me, "You know what, Boss?"

He calls me boss because I told him he has to.

"Boss," he said, "Boss, I think you should begin the newsletter with some kind of prologue. Like an essay or a sexy picture of you and your cat or something. You can't just begin with a comic book review that nobody cares about."

"And yet they'll care about some stupid essay which won't have anything important to say because I don't really care about anything at all? I mean, sure, I get what you're saying about the sexy picture though."

"Maybe you should write a story! Everybody loves your stories! Remember how those three junior high school girls in St. Louis went nuts for 'A Really Scary Story' and practically died when you creepily began following them on Twitter?"

"That wasn't creepy! That was cool! I was a star touching them with greatness!"

"You shouldn't say you touched them. I know I dropped out of law school to make sandwiches but I think I remember touching underage girls isn't great," Pickle Boy replied as he put too many onions on my sandwich.

"Hey, can you guys hurry it along, please?" said an old bat waiting to order her sandwich. She was super annoying and probably the villain in this story. I'm sure after she left Subway, she wandered off to poison an orphanage.

"I metaphorically touched them!" I shouted so that everybody stopped eating their sandwiches and crunching their chips and smacking their stupid lips. One of them probably said, "I'll have what he said!" and the audience remembered it forever. "Besides," I continued in my defense against pedophilia, "They're all in college now."

Pickle Boy sighed. He always sighs when I mention college girls. I think it might be because, in college, he did it with one that looked like a 3-D misprint of the hot girl at the local coffee shop (or at least that's what he claims). This was before he went to law school. Most of the girls he asked out in law school would respond, "Are you wearing acid washed jeans?" and then he didn't date them.

"You probably shouldn't talk about it anyway," droned on Pickle Boy. "Why don't you ever talk about your adult male fans?"

"Gross!" I exclaimed! If this script gets turned into a movie and the director decides to place it in the 80s, you could have me say "Gay!" instead of "Gross!" It would probably resonate better with older audience members who will turn to each other and nod enthusiastically while saying, "That's right! We used that word for everything back then!" Then a millennial will shush them and give them some side-eye before subtweeting them in a twenty-six long tweet thread about problematic older people and how they've ruined everything with their talking too loud in Subway shops and anti-pedophilia stances that sound suspiciously like joking about pedophilia. As if they know anything! Maybe they should concentrate on those old women getting pushy in the queue at Subway! They're the real monsters!

"Anyway, Boss," Pickle Boy kept on going. "You should think about it."

And I did think about it! But I decided I didn't have anything to say so I wrote about comic books instead.

The End!



Comic Book Reviews!

Justice League #40
By Priest, Woods, and Sotomayor

In this issue, the Justice League will be battling the Justice League of America. The cover shows them matching up against each other and I thought I'd predict who might win each battle.

Superman vs. Batman: Batman will win because Superman can't use lethal force. He also won't want to hurt Batman by using non-lethal force. But Batman can do whatever he wants to Superman because he knows he can't kill him. So Batman wins simply because the two combatants are fighting using different rules of engagement. And Superman's rules of engagement are lame (no offense to cripples meant!).

Aquaman vs. Black Canary: Black Canary will win because Aquaman has sensitive ears for hearing underwater. So she'll just introduce herself and Aquaman will fall on his knees and yell, "I yield!"

Wonder Woman vs. Vixen: Wonder Woman will win. Although I don't think it's right to show a white woman beating down a woman of color. I just thought I'd say that so everybody knows I'm awakened. Also I truly believe it! Such bad form, DC!

Cyborg vs. The Ray: This is the most even match-up in the group because a white gay male is equal to a black heterosexual male in the world of identity politics. Unless that's both racist and homophobic and then I think The Ray will win because Cyborg is boring.

The Flash vs. The Atom: This could be an interesting battle. How can The Flash outrun what he can't see when The Atom goes subatomic? But how can The Atom get inside The Flash's urethra when The Flash is so quick? Now maybe you see why I'm so excited for this penis. I mean battle!

Both Green Lanterns vs. Killer Frost: This is the "Which characters do I still have to draw?" match-up. It doesn't make any sense to waste two Green Lanterns on Killer Frost. Are we supposed to think Killer Frost can only be contained by two Green Lantern bubble cages? Or are we supposed to think, "Oh yeah! Simon Bax and Jessica Cruz barely even equal one Guy Gardner!" Okay, that's what I'm supposed to think. All the real comic book fans thought Hal Jordan.

The issue begins with the Justice League arguing about how racist they are. In the time it takes for the first word of the first person who begins the debate, The Flash could have evacuated all of the poor people. But he doesn't because he's the biggest racist of them all.


It's still cool to think Lobo is cool, right?

Speaking of how cool Lobo is, does anybody remember that anonymous guy who kept replying to all of my Twat Lobo reviews as if I were the most serious and dedicated reviewer of all time? How could he read any of my reviews and think that I was being serious? I think commenting on the Internet gives you brain damage. He had to be one of Cullen Bunn's friends, right? Or even Cullen Bunn himself?

He responded to my review of Justice League of America Rebirth #1 with this:

[First quoting me] "Lobo, like Rorschach, transcended the authorial criticism inherent in his creation!"

Transcended, no. Becoming the very thing he was supposed to condemn? Definitely."
First off, I ended that quote with an exclamation point! That's the first clue that I'm being a hyperbolic fanboy! What's worse is that I don't think he read the next few lines: "Also he looks super cool and sexy, wears radical knee pads that don't make any fucking sense, rides a motorbike, looks like he's wearing clown make-up, has a butt-rocker sense of style, and is way into space dolphins. He's the fucking best ever." The idiot can't even see that I'm doing that thing where I'm defending how he transcended the criticism with evidence that exposes that I'm just a stupid fan that loves all the dumb, satiric stuff about him!

Man, that guy was an asshole. I'm sure glad he's not one of my E!TACT Newsletter readers!

Also, I love Lobo so much!

The two Justice Leagues never battle. Granted, the cover just says they "collide" so I guess it's technically not a great big fraud to sell more comic books. Instead of punching each other, they spend most of the issue shitting themselves as the Watchtower plummets out of orbit with them in it. For some reason, Cyborg isn't able to Boom Tube them out and nobody has Doctor Fate's phone number. The Green Lanterns could have saved the day but they went on that mission with Martian Manhunter. Do you remember that because the cover artist didn't.

Rating: This issue was a bit boring. It was mostly everybody arguing about who should get to sacrifice themselves for the greater good. For some reason when Aquaman proclaimed he should, nobody said, "Yeah, yeah. Sounds like a good idea!"


Batman: White Knight #6
By Murphy and Hollingsworth

Rating: I'm fairly certain I missed Issue #3 in this series and I didn't even notice until this week. That might be a critique of this story or a critique of comic books in general. I could probably miss an entire week of books and when I was confused reading the books the month after, I'd merely assume it was my own memory at fault. Every new comic book should come with a reprint of the previous month's book.


Shade the Changing Woman #1
By Castellucci, Zarcone, and Fitzpatrick

I decided to give this series a chance even though I didn't like the character of Shade the Changing Girl and the series is still being written by Castellucci. Maybe now that she's a woman, things will get interesting. If you're an adult, you know what I mean by interesting and I don't have to explain how the birds and the bees makes you feel so good that you can't tell kids about it or else they'll start doing it immediately. You have to say things like, "Do you want to ruin your life with a baby like I did?!" and that might not go over well on your child's mental health further down life's road. Also you don't want to have to hear your child say, "What does masturbation have to do with procreation?!" Then you have to pretend you're angry so you can stomp out of the room and into the kitchen where you keep the dictionary stuffed in the junk drawer. After you've read the definition and sighed with relief that "procreation" doesn't have anything to do with "pro-life" which probably means your masturbating teenager isn't a filthy, disgusting member of the illogical religious right, you can go back into their room and threaten to take the door off its hinges if they won't stop enjoying their bodies in the way you don't want to think about your kid enjoying their body! Then they'll probably say something smart like, "Oh, so you want to watch me?!"

After you finish cleaning up your vomit from the doorway, you decide to do what every adult in the history of adulthood eventually decides to do: live in denial while making your kid do their own laundry. That settles that!

If you're not an adult, you probably didn't understand anything I just wrote and probably shouldn't think about it for too long.


See? Much better!

Rating: I lied. The occasional drawing of a booby doesn't make it better at all. The main problem with this book is that it has too much to say and doesn't ever get around to saying any of it. It acknowledges as many problems with life and identity as it can but never says anything about the way humans deal with those problems. Shade just goes, "Beauty!" Then she sees herself in a mirror as an anorexic and also as somebody with lots of plastic surgery. Then she moves on to say, "War!" Cue the shot of protesters facing off against each other with signs that read "You're wrong!" and "We're right!" on them.

"Whoa!" I think. "I've never thought of it that way! Could you explain a bit more, Shade?"

"NO!" she screams and goes on to say how love can make you sad and happy without any context or emotion. But I'm sure a bunch of readers read that and thought, "Holy fuck! That's exactly what love is like! Man, such good stuff!"

But it isn't. It's trite. Unless I mean tripe. Maybe both?


Eternity Girl #1
By Visaggio, Liew, and Chuckry

This series seemed interesting based on the backup Eternity Girl stories in the Milk Wars saga. But as I typed the creators names, I realized Sonny Liew was doing the art and almost immediately lost all interest while also getting super angry about how terrible his and Paul Levitz's Doctor Fate was.

Why do you keep making me remember bad things, Brain? You're the worst. No wonder I love Penis so much more.

Eternity Girl is suicidal. She teams up with her dead arch-nemesis, Madame Atom, to destroy all space and time since it's the only way Eternity Girl can die. While she's making these plans, she hangs out with her therapist, lying about how she's doing better and she's ready to go back to work. So, you know, like every person who probably committed suicide after which their friends and family all said, "But she seemed so happy and successful!"

Rating: I like this book so far. My only hope is that they don't push the idea that Eternity Girl's sense of meaningless and purposelessness is the main reason she's suicidal. It was brought up a bit but, as we all know (at least, I think we all know if I imagine everybody is just like me in the way my therapist told me I must imagine if I'm to not seem like a sociopath everywhere I go), existential crises don't automatically end in suicide. In fact, embracing the meaningless of it all makes some people (should I say everybody or is that just me projecting myself onto others? What is empathy?!) into much better people. The knowledge that this is all there is and none of it matters can make you a monster or a saint.

I should write a comic book called Saint Monster! Dibs! Or Copyrights! Or Trademarks! Pickle Boy, get to lawyering!

Anyway, suicide often has no other reason than an imbalance of stupid brain chemicals. You hear that, Brain? Nobody ever committed suicide over an imbalance of stupid penis chemicals! And don't blame Penis for getting sexually transmitted diseases! It was Brain's responsibility to prevent those, you idiot. Um, so, you know. I hope the creators don't try to work through Eternity Girl's suicidal tendencies in some way that logically shows why she shouldn't be suicidal. Hopefully she doesn't find that she does matter and then decides she wants to live. I'm more than half hoping (possibly 95% hoping?) that she winds up killing herself and taking us all with her.


Action Comics #999
By Jurgens, Conrad, and Nunes

It took nine hundred and ninety nine comics but Superman finally realized that throwing criminals into the Phantom Zone was a dick move. His first (and possibly only?) step in correcting this attitude is letting Hank Henshaw out. After which Superman immediately imprisons him in an Inertron cell (unless it's Adamantium) and puts him into a hallucinatory state so he won't cause trouble. Jurgens seems to be telling this tale to show that Superman is too good to be corrupted like, in the other half of the story, Sam Lane fears. Instead, it simply shows that Sam Lane is correct. Superman does believe he's above the law. What gives Superman the right to hold a dangerous criminal in captivity without a trial? How is that not exactly what General Lane is talking about when he fears Superman might take control to keep Earth safe?

Although, to be fair, what's Superman supposed to do? He sees how Batman just leaves dangerous criminals to the system and they wind up inside Arkham Asylum's revolving door. If Superman were to let humans deal with the threats he takes care of, it would be irresponsible!

Although, to be fair in a fairer way, Superman's foes always seem to escape just like Batman's enemies. So Superman can either follow the law and the villains he captures will still escape, or he can imprison people illegally while they still manage to escape. Since nobody can keep a comic book villain locked up, Superman should at least choose the option that doesn't make him look like a fascist.

Rating: Most of the comic revolves around Lois and Sam measuring their dicks. That's why Superman and Hank Henshaw have to punch each other for a few pages even though Superman really just wanted to talk with Henshaw. It's weird how characters in comic books can't have a conversation without first punching each other in the face for a few pages. I was really surprised that General Lane didn't smack Lois a few times.

I suppose DC had to make this issue boring so that Issue #1000 will seem extra exciting!


Suicide Squad #37
By Williams, Luis, Tarragona, and Lucas

I keep thinking I'm going to take a few hours to read through all the comic books on the stack but then I read something like Suicide Squad #37 and think, "That was fucking painful. I'm exhausted. Why do I keep doing this to myself?"


Although looking at this cover, I know exactly why I did this to myself. I think in a few minutes, I'm going to do it to myself again.

Ranking: It's possible Captain Boomerang died again this issue. The problem is the "again" part of that statement. I think every person on this team has died and then come back. This isn't the Suicide Squad. It's the Resurrection Squad. This comic books is terrible. I wonder how quickly sales would drop if DC Comics removed Harley Quinn from the team?

Man, I wish they'd remove Harley Quinn from the team.


Justice League of America #26
By Orlando, Mendonça, Vines, Faucher, and Sotomayor

Ranking: Poor, poor Justice League of America. For 25 issues, it had a free pass to be the best comic book DC currently publishes. That time has passed. Lobo has left the team. Although he did keep his JLA teleporter token, so he'll probably make guest appearances when sales begin to dip. The other reason this comic book has just trespassed into terrible territory? The next story features Chronos and begins twenty years from now. If only I had any reason to be optimistic about comic book time travel stories, I would be on the verge of arousal. But comic books have a long history of telling the laziest time travel stories in creation. I bet even The Bible told at least one decent time travel story.


Detective Comics #976
By Tynion IV, Fernandez, and Kalisz

Tynion begins this issue with a character saying, "The future is such a strange concept." The character then goes on to spew shit from his mouth. I know it's shit because it isn't anything that I would have said. What I would have said is, "The future is exactly like the past except we can't remember it for some reason." That makes sense, right? Imagine sitting on a bus. You haven't yet shit yourself and you don't remember shitting yourself. In some sense, you actually think that you won't ever shit yourself on the bus. But after two minutes of thinking, "I won't shit myself on this bus," you shit yourself while on the bus. Most people might think, "I really should have avoided this situation. And I'm sure I could have if I'd taken the proper measures to not shit on the bus." But what they should be thinking is this: "Whelp. I guess I was always going to shit on the bus. It definitely was my fault that I shit on the bus because I shouldn't have done all that crack and eaten all of that three day old chicken vindaloo. But since I was always going to do all of that crack and eat all of that chicken vindaloo, I really had no choice but to shit on the bus."

Not that I believe in fate! I'm just a pragmatist! Unless I mean realist! Unless I really mean idiot. It's just that we can't change the past so we probably can't change the future either. Unless time is like cement. There's probably a window of time where things set and then your course is stuck. But past that window, the cement is still being mixed in the cement truck. That's when you can avoid shitting yourself while on the bus. But once you're on the bus, it's too fucking late, man! You really shouldn't have smoked all that crack vindaloo.

Look, I'm not smart enough to understand time! I can't even understand space! And I don't mean outer space. I mean my own living space! How does one go about creating a life out of these shitty raw materials?! Sometimes I think the only way to get by is to shrug your shoulders, hold your nose, and jump into the deep end of adulthood. There's a certain amount of confidence needed to pretend you're as adult as all the other people doing a really good job of pretending they’re adults. Sometimes I think I'm still in the changing room refusing to take off my underwear so I can get into my swimming trunks.

Does that prove that I don't understand space and time? The fact that I made it into a swimming metaphor? It might actually be pretty apt because I refuse to swim in a public pool. I also refuse to participate wholly in society. I think maybe there are parallels there. Although one of those mostly has to do with how I'm trying to avoid submerging my body in the piss of other people.

Rating: This comic book has too many characters I either don't care about or hate to the bottom of my bowels: Tim Drake, Jean-Paul Valley, Stephanie Cluemaster, Tim Drake, and Tim Drake. I've always considered him the worst Robin. At least when I forget about Jason Todd, I do.


Grunion Guy's Musical Corner of Music Reviews!

Memory by Concrete Blonde
Concrete Blonde might be my favorite band of all time. This song is from Group Therapy, an album which came out after I believed they had broken up forever. The Non-Certified Spouse saw it and bought it for me before I even knew it existed. Not long after that, we were having lunch at Marco's Subs on Hawthorne and I picked up a Willamette Week to scan the local clubs to see who was playing. That's when I saw Concrete Blonde was playing at Dante's that night. So that was how I first saw Concrete Blonde live. Apparently at that concert was a friend from high school who had no idea I was living in Portland. She didn't come up to say anything to me and I didn't know she was even there until some months later. A mutual friend on Facebook mentioned she'd seen me at the Concrete Blonde show. It was only then that I remember seeing somebody at the bar who I thought kept staring at me and even sort of thinking, "That looks like Lisa." Turns out it was!
   That was a memory I had while listening to the song Memory!
   None of that has anything to do with this song which is slower than maybe I'd like. But since it's still sung by Johnette, I can't not like it. Her voice is fucking incredible.
Grade: B+.

How You Get the Girl by Taylor Swift
This song begins with Taylor having the most mediocre orgasm. I would have added "I've ever heard" but it's the only one I've heard so far. I think. Anyway, Taylor Swift gives advice on getting girls in this song. The gist of it is this: lie to her a lot. Say stuff like, "I want to be with you all the time!" and "I would wait for you forever and ever, even if you're fucking all of my friends constantly" and "I would rather hold your hand for hours than play Fortnite Battle Royale" and "I'm sorry for having fun without you" and "It's not a chore to make you orgasm after I get mine almost immediately!"
   It's catchy in that way pop songs are catchy.
Grade: B.

Heaven on Their Minds by Carl Anderson
Possibly my favorite song from Jesus Christ Superstar! I just recently found a new Karaoke place that lists this song among their inventory. That means I'll be singing it soon in front of drunk strangers! I have no idea how many times I've seen this movie (at regular speed as well as fast forward while on LSD). I've seen the musical live twice: once with Ted Neely as Jesus and both times with Carl Anderson as Judas. He's my favorite so it makes me happy to have seen him perform before he died. I didn't watch the recent live version of this although I did look up Alice Cooper as Herod to watch his performance on YouTube. I wasn't thrilled about the way he sang the song but I enjoyed watching him play the part. He's my favorite too!
   It's possible I don't know what the word favorite means.
Grade: A+.

All You Had to Do Was Stay by Taylor Swift
Fuck you, iTunes! Your random feature is the worst. Maybe I should just begin skipping songs when iTunes repeats an album in these short lists. Otherwise the list just gets shorter as I forget to talk about one of the songs because I'm too busy cussing at iTunes.
   Anyway, this song is another catchy pop song. Except this one has a bonus feature: every time Taylor Swift says the word "stay" in a high pitched voice, it's like getting an ice pick rammed into the front of your skull!
    I think this song is about a guy who broke up with Taylor Swift (I know all of her songs are about that! I haven't gotten to the bit that makes it different yet! At least I think it makes it different) but he wants to fuck her again. And she's all, "Dude. If you wanted to put your penis in my vagina, all you had to do was [ICE PICK IN MY SKULL]!"
Grade: C.

Interjections by Bob Dorough
This is that Schoolhouse Rock song that everybody my age remembers. I like to sing it as "Expletives."

He cured the infection,
With one small injection,
While Reginal uttered some expletives!
Asshole, that smarts!
Shit! That hurt!
Fuck! That's not fair!
Givin' a guy a shot down there!

But that isn't the best part of the song! The date rape part gets even better!

Though Geraldine played hard to get,
Geraldo knew he'd woo her yet.
He showed his affection
With a meat injection
While Geraldine hollered some expletives!

I guess it isn't as date rapey when I change it to my lyrics. The original song goes like this: "He showed his affection despite her objections while Geraldine hollered some interjections." I think a few of those interjections are "No means no!" and "Help! Rape!" and, of course the last one, "Hey! You're kind of cute!" This song might be Ground Zero for Rape Culture. Did I capitalize too many words in that last sentence? I might be edging into conspiracy theorist territory!
Grade: B- (it's not the best Schoolhouse Rock song but it certainly isn't any Busy Prepositions. Ugh! (Oh look! Interjections!)).


Grunion Guy's Movie Reviews!

Boy
This was the greatest movie I've ever seen in my life up until a certain point that I'm going to spoil in the following sentences and possibly even this one. No wait. It wasn't that one. But soon, I'm sure!
   First off, everybody has New Zealand accents in this film by Taika Waititi. That already gives the movie +75 percentage points in my 1-100% rating system. How can you not love the New Zealand accent? I sometimes wonder how anybody in New Zealand can argue with anybody else in New Zealand. Wouldn't they all just start giggling and feeling good because they're listening to other New Zealand accents? I bet the only time anybody argues in New Zealand is when some stupid Australian steps foot on their island.
    Second off, the characters in this movie make me ashamed of my own personality. Why can't I be written as well as Rocky was written? Or Boy? Or Falcon Crest? Just a spectacular array of characters, with almost all of whom I fell in love, even if they didn't have any lines or much screen time.
   Third off, am I doing a movie review correctly? I feel like I should be smarterer. I mean, third off, Taika Waititi might be the most charming person in existence. The only person more charming is Taika Waititi when he's with either Jemaine Clement or Rhys Darby.
    Now is the part where I spoil the movie! This movie was pure joy and I was thinking, "This is my favorite movie! Do I even know what 'favorite' means? You know what? I don't care! This movie is my favorite." And then the goat was hit by the car and killed. Then all of my joy left me and I cried. I cried a lot. Then after the movie was over, I went into the bathroom, sat on the toilet, and sobbed. I don't think I sobbed as much as when my cat Judas died but I definitely sobbed more than after the finale of Mad Men. Also, I still don't know exactly why that made me weep snottily. Maybe I'm broken in that way Douglas Coupland warns in Generation X?
    I suppose even with the death of the goat, this movie was better than all the movies. I think maybe the goat was meant to get the viewer over the edge because there was so much low-level sadness in this thing but it was hard to tell it was sad because the accents and the cute characters. But then the goat died and you're left thinking, "Oh yeah. Some of this is really fucking terrible! Fuck you, life! You suck!" But then they all do the Maori dance to that super popular Maori song while dancing like Thriller and everybody is happy again. Also the goat doesn't really die. You have to stick around until the after credits scene to learn that.
Rating: 98%


What Am I Currently Reading?!

I just finished reading Piers Anthony's Apprentice Adept series. The last time I was in Seattle visiting my friend Xan (no relation to the land of Xanth, probably), we began talking about Piers Anthony for some reason. It's when I remembered this series. I told her it was where I first learned the word demesnes and I still didn't know how to pronounce it correctly. She also remembered the book where she learned that word but I don't remember what she said because I don't listen very well.
   Rereading the series was interesting because I'd forgotten how poorly the whole thing ties up (not that it's all tied up! I believe Anthony wrote more stories in this world later. I suppose I'll read those next). At the time we talked about the books, I remembered a couple of things. The main thing was that the characters compete in some elaborate game system where they pick categories to decide what they'll be playing. I didn't remember any of the games except the one where the main character competes against a person playing musical instruments. The other player is better but the main character shows the audience how to tap with their heel instead of their toe because that moves their whole leg. It's the only way white people know how to show excitement while listening to music, I guess. What a revelation though! Tap with your heel? Crazy!
   The main thing I learned from this series is that maybe I don't have enough life left in me to be reading books I've read before. Especially books I read when I was twelve. Why would I take advice from that smelly idiot?!


And that's a wrap on this week's newsletter! Goodbye, jerkos!