Showing posts with label Kick-Ass. Show all posts
Showing posts with label Kick-Ass. Show all posts

Tuesday, March 24, 2026

Eee! Tess Ate Chai Tea: The Newsletter #25 (Fourth Week of May 2018)

E!TACT! #25
New Superman #23, Eternity Girl #3, No Justice #1, Michael Cray #7, Kick-Ass #4, Superman Special #1, Poetry Corner, Grunion Guy's Musical Corner of Music Reviews, and Letters to Me!
By Grunion Guy


2019's Hot Takes On Comics (2019 because I'm so Avant Garde! (Is that how you spell that? (And am I using it correctly?! (I mean the term "Avant Garde" (and also the term "hot takes"))))

New Superman and the Justice League of China #23
By Yang, Peeples, Santorelli, and Hi-Fi

We all know Aquaman is a terrible character that hasn't fit in with modern storytelling since the late '50s. Perhaps he skated through the '60s as an acceptable hero because people reading comic books were on LSD. But into the '70s, he was nothing but a total snore. The preponderance of Quaaludes didn't help his case either. Hell, he was the superhero version of Quaaludes. Bill Cosby got so much pussy handing out Aquaman comic books. Don't at me. Is that what the kids say when they say something controversial? I'm not even sure what it means. Just don't do it. Cosby was a terrible human being. Almost as bad as Aquaman was a superhero.

Oh hey! I just noticed Google loves to drag Cosby too. I looked up Quaaludes just to be sure I was spelling it right. As I flipped back to that tab to shut it down, I noticed this:


Hee hee hee!

My point is that Aquaman isn't any less boring when you make him North Korean and stick him on a more lighthearted Justice League. He's also been given a hard-edged makeover but that doesn't help either. Remember when Peter David tried that and everybody went, "Oh my God! Aquaman is going to be so cool now!" Then after a few issues, everybody forgot to keep buying the comic book and had been raped by Bill Cosby.

About half a year into this newsletter thing and I'm finally utilizing it to its utmost potential! I could never make that joke if I were still on Tumblr! Or in the public eye at all! Or cared about what people think of me!

Rating: This comic book series isn't as good as it was when it began but it's still enjoyable. It retains the exuberance and whimsy of superhero comic books from the 80s but with a modern sensibility. It's as if Chinese heroes forgot to model themselves after The Dark Knight Returns or they've forgotten that their stories are supposed to be so self-aware that they should constantly be questioning how they fit into the world or why they don't become fascist monsters or how effective are they really when they can't save everybody?! Superheroes in China are like bloggers writing newsletters! I really don't have to care about my stupid audience and can simply do whatever I want! Although I shouldn't call my audience stupid because they're obviously super smart if they're reading this.


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Eternity Girl #3
By Visaggio, Liew, and Chuckry

This series reminds me a bit of "Night-sea Journey" from Barth's Lost in the Funhouse. I didn't say it was exactly the same or that the themes are parallel or that this book is also about a sperm having an existential crisis. I said it "reminds me a bit of" that story. That's important because most people on the Internet don't understand subtlety and love to argue. That makes them the worst people in the world and I'm trying desperately to avoid those people. Of course now I probably have to explain why it reminds me a bit of that story which is the difficult part because "reminds me a bit of" is like seeing the face of somebody you've never met before and knowing it reminds you of another person but not being able to place that person. All you can express is the familiarity.

But I'll try anyway! See, the spermatozoa in "Night-sea journey" is concerned about perpetuating a cycle that only causes agony and misery and loneliness. It contemplates why it's making this journey and how maybe things would be better if all the spermatozoa just refused to participate (if I'm remembering the story correctly. It has been over twenty years since I read the book and I haven't been able to reread it because Upright loaned the book to his girlfriend at the time and she never returned it. I'm glad they broke up! She also once ordered a shrimp dish at a Cuban restaurant and then picked out all the shrimp. Ugh! Oh, and one time, she said she hated Madonna because we were watching a thing about Madonna. Then we both pointed out that we liked Madonna so she was embarrassed because she liked Madonna too but only said she didn't because she assumed we didn't! Then another time, she pronounced wanton like "wonton" and we all laughed and I think we hurt her feelings. I think I also got Upright in trouble once because he told me a sexy secret that I didn't know was a secret (and which I can't remember anymore, dammit! (but I did remember it later and now I'm adding it: he told me Simone had a dream where, in the dream, she wanted me to watch her and Upright have sex! I didn't think mentioning it was a big deal because it was a dream. But then when she got upset, I thought, "Oh! Maybe she does want me to watch them have sex! Ooh la la! Or gross!") and I revealed I knew it at some beerfest which ruined his day because she was embarrassed and mad at him after that. She probably had some good aspects to her personality as well but those stories are less interesting and I forgot them. Especially because all I can think about is the story about being in the Japanese gardens and what happened beneath the bamboo! Ooh la la! Or gross!). In Eternity Girl, she's sort of making the same decision about ending the cycle of life and death except she's a bit more upfront about how selfish she's being. She wants to end everything because it's the only way she can die and she's a bit suicidal. So see? There's a similarity there that was enough to allow me to talk about Simone, Upright's ex-girlfriend! Who knew I wanted to do that so badly?! Not me!

Ranking: I think my main point is that Upright owes me a copy of Lost in the Funhouse! You know my address, Upright! Amazon that shit to me! And don't use the address in this newsletter or it will go to the McDonald's on the corner of Scott and El Camino! [Fun Fact: Upright sent me a copy of Barth's book after this! Thanks, Upright!]


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No Justice #1
By Snyder, Williamson, Tynion IV, and Manapul

Superhero comic books are the worst at telling stories where everything looks bleak and hopeless because they never resolve the situation in an interesting or emotional or surprising way. In the end, the heroes simply believe in themselves more for no real reason or they throw a bigger punch than they've been throwing or they all finally work together in a way that isn't depicted through story but through Narration Boxes and dialogue where somebody says or thinks, "We need to all work together!" Then the heroes all nod and win.

The best superhero story where the world is about to end and the heroes rally at the end to defeat the bad guy is Pretty Soldier Sailor Moon R: The Movie. I didn't even need to watch it in English the first time to understand it and be moved emotionally by the plot. The part at the end where the Sailor Scouts rally by remembering the times Sailor Moon was there for them, after which they stood up and said, "Usagi!" and "Usagi!" and "Usagi!" and "Usako!" was more touching and believable than any time Superman ever thought, "I just have to believe in myself and justice and Lois Lane's unbelievable lips on my penis!" No wait. That last one about the lips was really good but I don't think it counts because I thought it.

What I'm trying to say is that I have no faith that this story will present an engaging climax to a story that was probably pitched as "Just think about how crazily the fans will react to the heroes teaming up with DC's major cosmic villains! Holy smokes! James, stop fondling my ass crack!" I'm sure DiDio did not stop Snyder in the pitch to ask, "Is the story coherent? Does it have an emotional theme to keep the readers engaged? Does it say something more important than 'heroes can beat up bad guys'?" Although he may have interrupted to ask, "How much is Williamson going to be responsible for? You'll keep him on a short leash, right? God, he's terrible."


In other words, "Remember all the other cosmic threats to the very existence of the DC Universe? Even the ones that destroyed everything and rebooted the entire franchise so we could fix past mistakes by making new ones? That was nothing compared to this! Prepare to believe this threat is super dangerous because we just told you it was the worst ever! Oh my God, the tension!"

The problem is that the Source Wall has a small crack in it and The Guardians are freaking the fuck out. For some reason, Kyle Rayner doesn't step up and say, "I'll handle this! I've been on the other side of that wall and it was nothing for a great hero like me (who was just an average comic book reader, remember! Because they're the greatest, right guys?)" Then he doesn't look at the reader and doesn't wink and doesn't reach out to jerk the reader off a little bit before saving the day. Instead he just floats in the background while Guy Gardner says, "This is some totally new and different shit that can't be compared with all of the other universe ending shit that we've dealt with! And that's me saying that! The guy who always talks super tough! Whoa, we must be in trouble!"

Man! I'm really scared now! This threat is really serious, guys! If the next thing I read is that Lobo pissed himself thinking about the Omega Titans, I'm going to have to read this book with the lights on! I mean, I have to do that anyway but I meant it in an I'm so scared I need the lights on kind of way and not an I can't see a thing without the lights on kind of way!

If you're an aspiring comic book writer, here are a few tips on how to write a believable story about the end of the universe. First, you start with an antagonist that looks like it could juggle planets. Just having something of that size makes the reader think, "Uh oh. This could be trouble!" Second, you have to say, preferably right near the beginning of the story, "This is the worst threat to the existence of everything ever!" You might not want to say it that bluntly. Usually you'll want to tie it into the main character in some way. Perhaps have Batman say something like, "I survived the death of my parents. But I don't know if I'll survive this! Emotionally, I mean! So traumatic!" Or maybe have Martian Manhunter drop his Oreos when he hears the news and rush off without picking them up or making sure the package is resealed so they won't go stale before he returns. That totally suggests he might not ever return! Or maybe have one of the original Justice League lock themselves in the bathroom and then not respond to Mera pounding on the door before she finally breaks in to find that original Justice Leaguer has opened his fishy wrists and scrawled on the wall in his own blood, "IT".


Shit! Things are so bad, Starfire is using contractions!

The opening scene upsets me. Not because the world is being overrun by cosmic monsters but because it seems to suggest Dick Grayson is a pedophile. It shows teams battling the monsters. It begins with Suicide Squad which, of course, means a shot of Harley saying something hilariously wacky. Then it shows Nightwing with the caption, "The Titans." That reminds me that Nightwing is on a team called the Titans which have "recently" regrouped after The New 52 ended in a nostalgic story that focused on how they've been friends for so long. So they're at least in their late twenties, right? Then it shows Starfire who Dick Grayson fucked years and years ago and she has the caption you see above: The Teen Titans. What the fuck? Why is Starfire on the Teen Titans? How old was she when Dick Grayson was fucking her?! No wonder Deathstork has such a hard-on for Dick. Hee hee.

Things are so bad that Amanda Waller has initiated Protocol XI. Now you might be thinking that's a play on Task Force X. See, the so-super-smart thing that some writer came up with in the past was that the X wasn't a letter at all but a Roman numeral! Sure, it's been done before like how Weapon X gave rise to Weapon XI. Probably. What? I'm supposed to know everything about Marvel too?! Anyway, that's old hat to think that way. So Snyder probably thought, "I'm going to surprise everybody yet again! They're going to think Amanda is invoking the next step in the evolution of Task Force X! But what they'll forget is that DC Comics doesn't use lowercase letters! So I'll surprise them when I reveal this is Protocol Xi! That's right! It's the fourteenth letter of the Greek alphabet! That means it's fourteen times greater than Protocol Alpha! Sure, nobody has every heard of that but just think! FOURTEEN TIMES GREATER!?!"

Also it could just mean Protocol Extra Large because Amanda is calling in all the extra large, over-the-top cosmic entities to team up with the Justice League to help save the world.

Brainiac has come not to warn Earth of the universe's impending doom but to make sure they know they were the cause. He's practically defeating everybody on Earth single-handed until Superman shows up to punch him in the face and yell, "NERD!" Then he gives him a space wedgie and a Kryptonian swirly (that's where you stick the head of the person in a toilet while the world around you implodes) before Brainiac is all, "I love to suck big dicks! Mmm! Mmm! I can't get enough of them! Are you satisfied?!" Then Superman high fives Cyborg, slaps Wonder Woman in the ass, and then shotguns a Rainier.


Jesus Christ. Does everybody know about the Suicide Squad's ties to the American government?!

After Superman stops humiliating Brainiac long enough for Brainiac to speak, everybody learns that Brainiac wants to save the universe. He needs the help of Earth's mightiest heroes but in teams that the heroes were too unimaginative to think up. Seriously! Can you imagine Batman working with Lobo? Or Beast Boy working with Deathstork? Or Superman working with Martian Manhunter?! Or Zatanna working with Doctor Fate? Or Flash working with Cyborg? Hilarious! It would never happen in normal circumstances! How does Snyder keep coming up with shit like this?!

Brainiac has decided to form teams based on the four cosmic energies that make up all of reality: Entropy, Wonder, Wisdom, and Mystery. I bet James Tynion IV tried to convince Snyder to use Entropy, Wonder, Whipped Cream, and Amyl Nitrate.

It turns out Waller's Protocol XI really is Task Force XI. I forgot that if Snyder thinks it up, it's brand new and exciting! Stupid Penis. You're supposed to get erect when you read Snyder's cool story ideas! Stop letting Brain distract you by pointing out how none of this is actually original or groundbreaking! You're better than that, Penis. Remember how you totally sabotaged Brain in Algebra by constantly getting it to stare at Grace Bamberger?! Remember how you used to rule the roost?! What's happened to you, Penis? You've lost all sense of wonder! You must be team Entropy.

Anyway (I say "Anyway" too much, don't I? I can't help it! It's the only way to segue back into the boring plot bits after going on the entertaining digressions!), Task Force XI is composed of all DC's greatest psychic characters. Amanda is using them to hack Brainiac so that she can be better informed than any other character in the DC Universe. I bet she even learns about Zero Hour! I don't know how she captured all of Earth's psychics. I bet once you catch the first one, the rest are easy! Or maybe she just put up an ad on Craigslist: "Looking for psychic who loves to receive rim jobs. Contact The Wall at Belle Reve Penitentiary. Don't think about how suspicious that sounds. Just think about the awesome rim jobs!" I would reply to that ad if I were psychic!

Brainiac is about to explain his plan to save the universe when his head explodes due to Amanda Waller's probing psychics. So now all the heroes have to go on is that they need to "find four cosmic trees" which each represent one of the four cosmic energies. That will somehow do something that will allow them to whatever. I'm sure they'll figure it out somehow. Like maybe having Batman dangle Amanda Waller off the side of a skyscraper.

Rating: This is the exact type of mediocre crap that Scott Snyder does now. At some point, he decided to stop writing comic books that told innovative stories which revolved around deep flaws in the main character and provided insight into that character's personality. Apparently it was more fun to write over-the-top end of the universe stories that always wind up being exactly the same. "A bunch of heroes form a bunch of different teams to go on quests for metal or trees or some other cosmic MacGuffin. They are defeated but then they rally and they get the thing they were looking for and save the day. But not before something happens to create an epilogue so that a new and worse cosmic disaster can be sold to comic book nerds six months down the road." At least it's fun in the way comic books should be fun. I'm sick to death of continuity nerds who need Batman to not be written by Tom King because Tom King writes smart, fun, and entertaining stories that aren't completely derived from Batman's entry in Who's Who. Fuck those guys!


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Michael Cray #7
By Bryan Hill and N. Steven Harris

I'm so racist. I was just typing in the names of the writer and artist for this comic and I thought, "I wonder if Bryan Hill is black?" So I checked his Twitter and discovered that not only is he black but he's also going to be taking over Detective Comics and throwing Black Lightning into the mix. Goddammit, Bryan Hill! I finally got off my lazy ass to drop Detective Comics because I'm sick of Tynioin IV's name (and maybe his writing as well (but mostly his name)) and now I might have to grab it again? Well, I'm not putting it on my pull list! Not because I think I should give it a probationary period to see how I like it but because I can't bring myself to look my comic book store owner in the eye and say, "Um, can I get, um, Detective Comics back on my pull list?" Not that that's something to be embarrassed about. It's just that it will certainly lead to a longer conversation! And who wants to converse with people?! Fucking Doom Bunny, that's who!

Anybody who has enjoyed my comic book blog over the last seven years should thank Doom Bunny because I was mostly writing directly to him for the first two or three (or maybe four or five or six or seven) years! Although he keeps insisting that "Twat Lobo" was his thing, as if that was the pinnacle of my insulting ability! Didn't he read about the time I called Scott Lobdell's mother's vagina a "reverse wood chipper"? Hmm. That didn't make any sense. Aren't all vaginas reverse wood chippers? I mean the heterosexual ones!

Rating: The art is still terrible. The story is better than the art but not great. I think it peaked when Deathblow killed Aquaman. There's only so far you can go with a comic book whose premise is simply "a super rad '90s Image character kills alternate versions of characters you love to hate!" Especially when that premise gets marched out every few years to creepy fans full of bloodlust. I'm looking at you, younger version of me that loved this comic book so much when he discovered that Green Arrow was going to be killed!


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Kick-Ass #4
By Millar and Romita Jr.

If you read the first Kick-Ass and forgot there was a second one and thought, "I need more of this," I have got some good news for you! We, as human beings, have the ability to reread things! Also you can read this series which is the original joke my lack of impulse control just ruined.

If any serious reviewers out there aren't mentioning how this is just more of the same from Millar then they're either not being honest or they're dumb or they're being paid by Millar (which technically falls into the "not being honest" category but definitely doesn't fall into the "they're dumb" category because I would totally take sweet, sweet Millar bucks to say I'm-not-really-a-writer-but-I-write-reviews things like, "Kick-Ass kicks ass!" or "Hit-Girl is a hit, girl!").

I guess I'm not really honest either but then I'm constantly telling people who won't listen that I'm not really a comic book reviewer either! Also I'm dumb. But I guess those cancel out which is why my reviews are so honest and smart! It's simple math.

Last issue, Mark Millar seeded the plot with one really stupid idea that every reader knew instantly was a built-in crutch for Kick-Ass to get out of the deadly situation she's found herself in: he said the party balloons at the we're-going-to-kill-a-cop party were filled with hydrogen instead of helium. The punk who did it said it was to save money which might be a good plot reason for it but that doesn't explain how much more work it would have been to get hydrogen over helium. Party stores aren't going to have tanks of hydrogen. You have to go to some specialty place that services old timey air balloons and chemistry teachers who are too dumb to make their own hydrogen with tap water. My feeling is some henchman for a drug gang isn't going to be the most ambitious person. Why save a little money on the party when he can probably just skim a few grams of cocaine to sell on the side? Way easier!

Anybody who has ever nearly blown up their chemistry class while trying to make the popping sound of hydrogen being burned understood what was going to happen this issue after the gang member mentioned his money saving party tip. Kick-Ass was going to light the balloons and then probably say, "Oh, the humanity!"

In the ensuing fire, Kick-Ass's brother-in-law is badly burned. Now she has to go to the hospital to watch him die and hope that the bad guys (who will also be there watching him die, probably, because he's like the main bad guy's right-hand man) don't recognize her. Also the bad guys are calling up some guy named Mister Solo who takes care of problems. So she'll have to fight him too. Hopefully the hospital is full of hydrogen balloons so she can make another easy get away.

Rating: It's a Kick-Ass comic book. You know what you're getting.


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Superman Special #1: Escape From Dinosaur Island
By Tomasi, Gleason, Russell, Flynn, Godlewski, Hitch, Andrews, Eltaeb, and Sinclair

Blog sites like Tinyletter and Blogspot have an auto-save feature to ensure that your document is saved every few seconds to make sure that if there's a sudden loss of everything, you can be sure that the one thing not lost is your precious writing. But what they don't have is a means to not save your document immediately after accidentally highlighting a whole paragraph instead of just a word and then hitting the space bar. Because obviously since the text was just changed, the system thinks, "Whoa! Better save that immediately!" Stupid fucking Tinyletter. Now nobody will get to read why this E!TACT Newsletter is probably going to be late! Well, they'll read why it's late. It's because I've been spending most of my free time playing Silvern Castle. But what they won't read because I don't want to rewrite it is my explanation of what that is (which also leads into an explanation of what Wizardry was and what the Apple IIe was and things a high school virgin does in his not-having-sex time) and the story about the confused homeless person who finds my non-existent 'zine but does not have access to Google. That's probably self-explanatory anyway.

The version of me from two weeks ago wasted five dollars on this Superman Special #1 so I guess I should read it even though I got really bored as soon as I read the word "dinosaur."

Now that I read it, I hate me from two weeks ago.

Rating: If a more boring comic book has ever been written, I've probably purchased it and read it and forgotten all about it. Because it was so boring. Which, thankfully, is what will happen with my memories of having read this euthanasia drug in a four color format. I'm not exaggerating when I say I immediately began to fall asleep at my desk after having read this before stumbling to the couch and falling asleep for two hours. So I guess I can now blame having read this comic book for why the E!TACT Newsletter is running late!

Seriously though (although, I really was serious in the last paragraph so I don't know why I'm beginning this paragraph in that manner), I was thoroughly bored. I think the main story about Superman and Jon rescuing Captain Storm from Dinosaur Island was supposed to be some kind of Memorial Day story? Like, lets honor our promise to our vets or something? If it wasn't that (and it barely was that if it was!), I have no idea why the story needed to be told. Perhaps it was just an advertisement for a future Losers comic book?

I was even bored by the Mark Russell story and I'm never bored by his stories! I usually read a Mark Russell story and then write six paragraphs about the veins in my suddenly rigid penis. But this time, I read it and was all, "What happened? Why is my penis inside of me? Is this a vagina?" In the story, Superman rescues an old man from a collapsing building. The old man asks Superman to go back and save his photos. So Superman is all, "Okay. I guess? What else am I going to do?" As he's going back to rescue photos and not making sure everybody on the ground is safe (since, you know, a building is collapsing?), he hears a puppy barking from another unit. He thinks, "Well, I can't save the puppy and the photos in time? What a dilemma!" Although, you know, it's not a dilemma at all! Of course he rescues the puppy. Then when the old guy is all, "But my photos! MY PHOTOS! OH THE HUMANITY!", Superman is all, "Here. Take care of this puppy. Memories are whatever." Then the comic ends and I had to imagine the scene where the original owner of the puppy, a little immigrant girl from Poland who had received the puppy to help her deal with the trauma of moving to a new country where she doesn't speak the language, cries her eyes out because it died in the accident. Superman is a fucking asshole.

I think the message of the final story was this: Superman loves to give people second and third chances but he's wrong to do so because super villains hate him so much that they just can't be rehabilitated, no matter how big of a lesbian Maggie Sawyer is.


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Poetry Corner with Grunion Guy!


Metaphor

Sometimes when you have something really important to say,
You want to say it as a poem so that it also feels emotional and smart.
But then you need to think of a metaphor for that thing
Or else what you're saying just sounds like prose.

So say I want to talk about bad memories and how they made
You what you are even though they're bad.
Maybe I could say they're a demon and it's inside you!
That might sound scary but it's not! It's just the metaphor!

And I don't want to scare anybody so after I mention the demon inside the reader,
I'd better immediately say what the demon represents!
Then the reader can exhale and think, "Whew! I almost called an exorcist!
"Boy, wouldn't that have been another bad demon inside of me?!"

The exorcist would have been, "Hello? How can I help you?
"I mean, I know how I can help you! I really only do one thing as an exorcist!
"I was just being polite and letting you know that I had answered the phone,
"And that I was ready to listen to you speak!"

Then you, the reader, would have said, "Oh! I was just reading this great poem.
"And it said I had a demon inside of me. But I just happened to read the second line
"As I was waiting for you to answer the phone and now I'm embarrassed
"For having called you over nothing. This is now a bad memory!"

Later, the exorcist would grow really curious and hit star sixty nine.
The reader would pick up the phone and say, "Hello?"
Then the exorcist would say, "Hello. We spoke earlier and you mentioned a poem.
"Do you know where I could get a copy of that poem?"

And from that conversation, word of mouth would spread,
And I would see my book of poems on the list of New York Times Best Sellers.

--Grunion Guy


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Grunion Guy's Musical Corner of Music Reviews!



Everyday by Buddy Holly
This song is from a time when people did not have sex. You can tell by the beat of the song. Nobody could have sex to that. They'd be all, "Bam bam bam bam bam bam bam bam bam bam bam a-ay a-ay-ay!" Near the end of the song, somebody begins hitting a glass stirring rod against a bunch of test tubes and beakers for some reason. Probably because they're antsy in their pants about not getting any sex. Another way you can tell this song is old is the way Buddy Holly compares their love to the fastest thing at the time: a roller coaster. We have way faster things now! Like cars and planes. Oops. I probably shouldn't have mentioned planes.
Grade: B.


Machine Ballerina by Suzanne Vega
Suzanna Vega's original draft of this song was called, "What Am I To You? Just Something To Fuck When You're Feeling Horny?!" But her producer was all, "Whoa, whoa, Suzy! Tone it down a bit! That's something that slut Debbie Harry would sing about! People love you for your great songs like Uncle Tom's Cabin and Luke Skywalker!" Then she was all, "Well, I once read a terrific poem about metaphor by a really great writer and I also once heard a Monkees song that was basically about date rape and toys. Maybe I could do something with those influences!" Then she came up with this song and the producer sold "What Am I To You? Just Something To Fuck When You're Feeling Horny?!" to Belinda Carlisle.
Grade: B.


Under the Western Freeway by Grandaddy
The music to this song is exactly what I imagine a tumbleweed hears as it goes about its business in the background of westerns and back roads of Arizona. If you've never heard this song, I imagine you have no idea what that might sound like. But if you have heard this song, you're now thinking, "Holy shit. That's exactly what this sounds like! It also sounds like a kid was told to write a three minute song and came up with fifteen seconds of music that he decided to put on a loop. But that's basically what you said with the tumbleweed thing!" But don't let this review and the subsequent grade lead you to believe that the album this is from (also called Under the Western Freeway) isn't a good album! It's just that Grandaddy must have thought, "What's a good way to make people think this record sucks? How about we do a title track that's more boring than Superman Special #1: Escape From Dinosaur Island?!"
Grade: D+.


Cars Pass in Cold Blood by The Faint
I've had this album for years and never really paid attention to the lyrics of this song so I decided to look them up online right now. I'm more confused about this song than before I knew the lyrics! It felt right listening to this song as Jesus's apostles listened to his parables. I would think, "Oh yeah, Todd! Cars do pass in cold blood! And there really isn't any time for whatever you just said in the line before! Totally get where you're coming from, dude. Rock it out!" But now that I've read the lyrics, I have a feeling Todd was sitting in traffic one day when an ambulance was trying to get by and some business man was trying to get around the traffic and blocked the ambulance and Todd thought, "I wish I had that guy's balls!" Then he wrote a song about it. I wish Jesus were here to explain the parable to me since I obviously have no ability to understand it.
Grade: B+.


己を信じて進むのみ by 手塚理・Vink2
This is from the Slayers (スレイヤーズ) Next soundtrack. It sounds a bit like a marching song. Slayers was a Japanese cartoon about a wizard named Lina Inverse who had small breasts. I'm pretty sure that's important to the narrative since Ghourry and all of the enemies Lina encounters mention it constantly. But it's not one of those Japanese cartoons where you get to see naked people or squids do sexy things to orifices. It's rated whatever rating is the one that doesn't mind the constant talk of small boobs and where another important plot point can be how Lina loses her powers when she's menstruating. I haven't watched the series in a long time because I own it on VHS. I do remember watching it in the '90s one time while on LSD. I was with my not-yet-burned-up friend Bobby Henline (you can Google him if you're curious about that statement (but don't read his poetry or you might begin to think my poem was making fun of his)) and I came up with the classic routine about the VCR remote control. It went something like this, "How come when you hit the play button, it plays the video. And when you hit the pause button, it pauses the video. But you can also hit the pause button to play the video once it's paused? What's up with that?!" Such classic stuff! I also realized how triangles and the number three were at the center of understanding the meaning of the universe but when I sobered up, I couldn't remember how to express it and it didn't seem important anymore anyway.
Grade: C.


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Letters to Me!


KB Writes: Guess who's been a useless lump of lump? Me! Haven't been writing, though I have been reading your newsletters.

My Reply: I wish I wasn't writing! You know how much Fortnite there is to be played? It's not going to play itself, you know? Stupid obsession with putting my thoughts onto virtual paper! Where has it gotten me? In a place where I've played far less Fortnite than I wanted to!

KB Writes: You said: "We have become a society where the thing you love must somehow remain the thing it was at the moment you began loving it (and you must also be the only one that loves that thing as much as you love that thing because obviously nobody else understands it the way you do (although you hate them for not understanding it the same way. How can they not?! (But then if they said they did, you'd think to yourself, "Pshaw. Poseur.")))."

I think our brains are wired to worry about things, but in a society where most of our worries are more existential than practical, the worry-lobes of our brains make damn sure we have something to worry about. It's like how our immune systems are built to identify invaders from early childhood, but kids growing up in oversanitized households end up with allergies because their immune systems get bored and start identifying peanut butter sandwiches as a deadly threat. In the same way, people who are very very comfortable develop strong opinions about, say, the "Thundercats" reboot. (We Star Trekly types, at least, have been taught to feel a little shame for our obsessions.)

My Reply: This probably makes scientific sense and I'm going to espouse this belief from now on whenever some kid with a peanut allergy wanders by. I'll be all, "KB says you're mom tried to have you killed!" Then I'll shove three Nutter Butters in my mouth and say, through a mouth full of nutty goodness, "Oh man. These are so worth dying for! Want one?" Then he'll probably die from the peanut smell on my breath. Good! He deserved it, probably.

Fun Star Trek fact: my house number growing up was 1701! I never dressed it up as the Starship Enterprise on Halloween though because I was lazy.

KB Continues as if I hadn't rudely cut him off mid-thought: The thing is, there are all sorts of things that need to be done in our world, so if you're bored enough that you can stand in line for "Rick and Morty" giveaways at McDonalds, that's a sign that you should open your eyes and widen your circle. Help somebody with such resources as you have. It's not hard to find people who need help; hell, QKB and I are a little frightened of making new friends because we keep finding people in trouble, and our little life raft often feels like it's a little past capacity already. It's exhausting, but we take at least some comfort in not being the sort of people who would riot because McDonalds didn't make enough Szechuan Sauce.

My Reply: I imagine if I wasn't so narcissistic, I'd point out that I am one of the useless masses. I think we should put people into two groups: those who would actually be useful at rebuilding society after civilization crumbles and those who would just be in the way. I have a feeling the new world wouldn't need somebody standing nearby making fun of the guy setting up the aqueduct because he sewed the leaves on his frock poorly. Also I would be naked because sewing? Ew!

KB Asks: Speaking of, do you have any tofu-cooking tips? I came up with a recipe recently: tofu fried with cinnamon, honey, and cranberries. Tastes like Christmas in a vegan compound.

My Reply: I don't have any tofu cooking tips. Frying it is probably best. Make it nice and crispy and crunchy and add some kind of hot sauce, depending on your taste. This is unhelpful because I don't ever remember the things advertisers want people to remember (I'm terrible at capitalism) but there was...oh! I just remembered so maybe I'm not so bad at it! There was a product called Smart Grounds that I used to use to make tofu tacos. It had the consistency of ground meat. After flavoring it with taco seasoning, you could hardly tell the difference. A little drier than actual beef or turkey but that just means less greasy!

KB Writes: Snagglepuss said: "The purpose of art is subversion. Art is telling the world how it's killing you. How its institutions have failed you. In the end, any culture worth a damn is made by subversives. Because art is what tells the world it needs to change. Power merely redecorates it."

Goddamn Snagglepuss, that's some insight. The pedant in me (possibly Atom Ant) wants to observe that there are other legitimate purposes for art, but probably none are as important as challenging the audience.

My Reply: Yeah, the pedant in you doesn't need to add anything. Snagglepuss was speaking in a particular context to a particular set of freedom crushing bastards. I'm sure, in other settings, he'd have other things to say about art. I just love the sentence "Art is telling the world how it's killing you." Hoo boy.

KB Writes: You wrote: "Anyway, I'm about to read Frankenstein and I think it might cause some feelings in much the same way Snagglepuss has. Did that sound dirty?"

Sorry, no. Mostly I found myself thinking, 'whatever you do, don't read Dracula, or as I call it, "Eastern European Train Schedules: The Novelization".'

My Reply: So I've been reading Frankenstein and so far, Victor has created the monster out of mystery and hard work. But immediately after he's successful, he freaks the fuck out and lets it go on its own. So he didn't mind spending nine months in a sweltering summer apartment full of loose body parts but he can't bear to spend a single second in the presence of a living person. I totally get that.

Later, when Victor once again encounters his creation two years later, Shelley writes, "A flash of lightning illuminated the object, and discovered its shape plainly to me; its gigantic stature, and the deformity of its aspect, more hideous than belongs to humanity, instantly informed me that it was the wretch, the filthy daemon, to whom I had given life. What did he there? Could he be (I shuddered at the conception) the murderer of my brother? No sooner did the idea cross my imagination, than I became convinced of its truth; my teeth chattered, and I was forced to lean against a tree for support. The figure passed me quickly, and I lost it in the gloom. Nothing in human shape could have destroyed that fair child. He was the murderer! I could not doubt it. The mere presence of the idea was an irresistible proof of the fact."

Fucking gorgeous passage. Can we just get teachers to teach this one paragraph? In it, it contains all the psychology of systemic racism and belief in conspiracy theory and conservative debate! "The mere presence of the idea was an irresistible proof of the fact." Fucking hell. Somebody read this to every police officer in America. And then explain it to them, of course!


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I really wrote too much this week! Later, jerks!

Wednesday, February 11, 2026

Eee! Tess Ate Chai Tea: The Newsletter #21 (Fourth Week of April 2018)

E!TACT! #21
Jesse Chris: A Grunion Guy Story, Eternity Girl #2, New Super-man #22, Detective Comics #978, Suicide Squad #39, Justice League of America #28, Action Comics #1000, Kick-Ass #3, Deadman #6, Grunion Guy's Musical Corner of Music Reviews, and Letters to Me!
By Grunion Guy


Jesse Chris
A Grunion Guy Story
By Grunion Guy

         "You guys are the greatest," proclaimed Jesse as he flipped his long blonde surfer's hair around his head in slow motion. "Who could ask for a better bunch of twelve male friends! So rad!"
         Jeremy Scaredycat looked askance and turned red. Everybody thought he was blushing because he loved Jesse so much. But he didn't love Jesse as much as he used to love Jesse. He loved Surf Country and hated Valleys way more than he now loved Jesse. Like thirty bucks more even.
         "Hey Jesse," devil's advocated Jeremy. I mean, he was about to devil's advocate. He was actually just getting Jesse's attention in the last quote. Also he believed his argument so maybe he was just the devil. But he didn't want people to know that he believed his argument so he was pretending to just be an advocate. "We should spray paint 'Valleys go home' all over the place because I'm tired of my shoulders being ridden over."
          "Oh, Jeremy," patronized Jesse in that way everybody but Jeremy loved. Simeon and Jacob and Terence and Sebastian and Philip and the other ones all loved it when Jesse looked at them like they were Italian dogs being told to roll over in French. "Render unto Brad what is Brad's. Duh!"
         "That doesn't make any sense, Jesse," replied Jeremy to the audible gasps of the other eight men at the table. I mean ten? Maybe some of them didn't gasp because their mouths were full of Jesse. You'll understand what that means after the next paragraph! "The waves aren't for Valleys! They're our waves!"
         "Oh, Jeremy," Jesse continued in that patronizing way. "This rad pizza is my tubular flesh. And the Mountain Dew is my blood, Brah. Duh!"
         After throwing up, seven of Jesse's friends said, "We totally understand why you said that!" They looked dumbly at Jesse like a French dog being told to roll over in Italian.
          "Man, this is my last dinner with you jerks!" cried Jeremy as he thought about how much non-Jesse's-flesh pizza he could buy with thirty bucks.
          "Well, why don't you leave the tip, what with all that thirty money you have," scowled Jesse but in a righteous way. "And Terence can deny having ordered the appetizers!"
          "What?! Why would you say that?" asked Terence. "And I didn't order them!"
          "Oh my goodness! How did he know you'd say that?!" cried Sebastian! "It's a miracle!"
         "He knew I'd say it because I didn't order them!" denied Terence.
          "Are you sure?" asked Philip.
          "Of course I'm sure I didn't order them! My stomach can't handle all that cheese!" denied Terence again.
          "Oh, to hell with this!" exclaimed Jeremy. "That's him! That one! The one in the Pacific Beach t-shirt!" Several Valleys rushed in to grab Jesse.
          "I got him!" yelled Brad!
         "Me too!" yelled Brad! It was a different Brad from the Valley than that first Brad from the Valley.
         "Oh no!" screamed eleven friends of Jesse! "Let's challenge them to a surfing contest!"
          "Put away your boards!" exclaimed Jesse as he winked at the camera. Later he surfed for everybody's sins. That was the exciting part. But the important part was that he made it through the tube three days later as all the bikini-clad onlookers watched in shock and amazement. Everybody always remembered him forever after that, especially the way he hated gay people.

The End!


Comic Book Reviews!

Eternity Girl #2
By Visaggio, Liew, and Chuckry

Rating: One of my favorite things in the world after Oreos are writers who tell people how to write. It's always so informative for people who think they want to be writers but aren't actually writers. Because if you're a writer, you write. If you're a person who wants to be a writer, you ask writers what it takes to be a writer. Luckily for my love of writers who give writing advice, Magdalene Visaggio (the writer of Eternity Girl!) drops some knowledge on us at the end of this issue: "[W]riting is about saying yes more than it is about saying no. Don't let your fear that your stuff isn't good enough stop you from listening to your instincts. You don't have to be a genius right when you start; spend time writing and figuring out what kind of writer you want to be, and then you'll know what ideas work and don't for what you are doing."

Let's see. I definitely say yes more than I say no, as people (for example, all editors) who constantly criticize my writing will attest. I definitely wasn't a genius when I started out (and have no expectation that I'm somehow growing into a genius the further along I go). I have spent time writing but I don't think I've spent enough time figuring out what kind of writer I want to be! Is that how writing is done? Am I supposed to have an image of me on the back cover of my first novel and write toward that? I want to be one of those guys smoking a pipe and banging tons of ladies. What's a look that says "I bang a ton of ladies!" since I don't think publishers actually let you stick a photograph of you banging a ton of ladies right on the back cover of your novel. And finally, I'm not sure if I'm following the advice of that last sentence because I'm still trying to parse it.

One more great piece of advice from Magdalene: "Live fearlessly, and honestly; this is the only life you get." That's pretty profound when you think about it. I mean, seriously. Think about it! Have you ever considered that you only have one life? I bet you haven't or else you'd be spending it smoking pipes and banging tons of chicks and/or dudes! If you aren't puffing away on a pipe right now feeling superior, you're wasting your life!

In my early twenties, I had that only life you get epiphany and stupidly told my current girlfriend. She, understanding my mind better than I did at the time, said, "What the hell is that supposed to mean?" I thought it was obvious but I was apparently wrong because she saw my epiphany better than I did! Obviously what my mind was telling me in its stupidly grandiose way was this: "You probably need to break up with your current girlfriend." My mind was right but I was a naïve asshole who probably gave people writing advice and definitely shouldn't have told my girlfriend that thing that was basically code for "I need a new direction in life and some space and really need to change some things, especially one big relationship thing!"

I should probably review this comic book now. I'm not sure how I feel about this series after this issue. I liked the first issue but this one was just depressing. I'm starting to see how a book about a main character desperate to die can be a bit of a downer. The commentary on comic book continuity didn't help to make me feel any better by thinking, "Whoa! Was that post-modern? I think that was post-modern? What is post-modernity anyway? Is asking that post-modern?!"

Two point six out of five stars.


New Super-man and the Justice League of China #22
By Yang, Peeples, Santorelli, and Hi-fi

Rating: This comic book is less fun than it used to be. Three point one stars out of six.


Detective Comics #978
By Tynion IV, Fernandez, and Kalisz

Rating: You might remember how I said I was going to stop picking up this book because I hate typing the IV on Tynion's name, right? Well I did it! I took it off of my subscription box at the local comic book store! But I still have a couple of issues to read in the stack. This is one of them. I haven't read it yet but ignorance has never stopped me from reviewing a comic book. I'm sure this one is as mediocre and Tim Drake heavy as the previous dozen. Two point seven stars out of twelve.


Suicide Squad #39
By Williams, Edwards, and Arreola

Rating: I finally dropped this book as well. It's a shame it's been mostly bad for the last six and a half years since, seeing it on the shelf in December of 2011 while in Phoenix, Arizona, it was the impetus that got me back into comics and reading The New 52. If I had to judge the past seven years based on the quality of comic books I've read since that moment, I'd say it was a bad decision to walk into that comic book store. But if I had to judge it on how much enjoyment it's given me through writing about comic books, it was one of the best decisions of my life. But now, I must finally break up with this comic book because Rob Williams writes terrible one-dimensional characters. He isn't as funny as he might think he is. I suppose he doesn't give a shit if his characters' quips are humorous or not. He just knows he gets the same dollar amount per page no matter how shitty the quality of each page. Well, I finally give a shit and I won't read this shit any more. Point five out of ten stars.


Justice League of America #28
By Orlando, Petrus, and Hi-Fi

Rating: Now that Lobo has left the team, I can finally read this comic book with clarity and objectivity. And it's not very good. For some reason, Orlando has decided that telling a good story is less important than stating a thesis and then restating that thesis and then grabbing the reader by the back of the neck and rubbing the reader's face in that thesis. I'm not sure why he even bothered to give the script to an artist. He could have just written "Inspiration is the most important thing in the world (after diversity, of course. But we covered that in the early issues)." The premise of this story is that super-heroes inspire people to greatness. That hasn't been the reality of comic books for decades (since Watchmen, probably?) but it's still a shared delusion that comic book readers all pretend to believe. Super-heroes aren't meant to take care of our problems for us because that apparently makes us weaker (although that's been the plot of every comic book since Watchmen. Probably); super-heroes inspire us to be as heroic as they are (except more heroic because we aren't invulnerable or good looking). But how could super-heroes be so inspiring if they didn't have inspiration as well? Nobody thinks up or does anything meaningful by themselves. Somebody has to do nothing but inspire before somebody else can think, "Oh! I hadn't thought of that! Now let me do all the real work while you go on singing or raising awareness or being famous or whatever." So super-heroes were inspired by a god of super-heroes whose existence they depend on. I guess without him, little Bruce Wayne would have just shrugged his shoulders after his parents were murdered and grown up to be another boring businessman.

Chronos has decided the way to defeat all the heroes at once is to kill Ahl, the god of super-heroes, with a magic brick. This is one of the few stories in recorded history that would be made better by a final revelation that it was all a dream. The other stories that would be made better by the dream revelation thing are the previous stories in this comic book series. Hopefully the final issue of Justice League of America will be Batman being awakened by one of his own long and painful farts. Then Alfred will walk in, make a sour face, and wave his hands in front of his nose before thinking, "That reminds me. Whatever happened to Batcow?"

One star out of seven.


Action Comics #1000
By lots of people.

Speaking of inspiration being the means to the end of itself, here's an eight dollar book with a bunch of stories all about inspiration! The stories within are best summarized by Geoff Johns and Dick Donner's story "The Car." It's about the guy who owned the car on the cover of Action Comics #1. The man's car is a metaphor for the man's life: he can either fix it or junk it. Superman gives him the option to make his life about helping make other people's lives better so they don't have to live the shitty life that led this man into crime. As Superman and the man speak, the guy says, out of nowhere, really, "Out on 45th, yeah. It used to get so hot, we always wanted to go swimmin' but there weren't no pool." As I read that, my eyes rolled and I blacked out for three minutes. "What the fuck was that non sequitur?" I thought critically. Sure, Superman mentioned the guy grew up in the orphanage on 45th. But who suddenly goes into some sort of nostalgic reverie over that comment? Shouldn't he just be like, "Yeah, I growed up there, Supes. What of it?!"

But being a Grandmaster Comic Book Reader, I know when dialogue that sounds unnaturally wedged into the story has been placed there to make a point later. So this man whom Superman lets go to fix his life or junk it chooses to fix his life by making the world a better place. And how does he do that? By breaking fire hydrants down on 45th so that the kids can keep cool! Thank God Superman is on the job to inspire people to make a difference! Can you imagine if those kids had to be a little too warm for a few weeks without this do-gooder's do-gooding?! I'm so glad Superman is out there inspiring us all to be our best selves!

Paul Dini's story, Actionland, is the best story because unlike Tom King and Scott Snyder and Geoff Johns and that Bendis guy, he doesn't think he has to be the smartest guy in the story collection. He just writes a dirty story about Mxyzptlk's sex life complete with rocket boners and purple-headed innuendos. I wonder how many young people will check this out of their elementary school library and get their first sexy time feelings reading this? They'll probably be confused and it will impact their sex life for decades after.

Brad Meltzer decides to twist the idea that everybody else came up with for this book: he has Superman inspired by the people he saves! But his story sucks because it didn't end with "I apologize for killing Sue Dibny."

Rating: I lied. This issue isn't about Superman being inspiring at all. It's, apparently, all about whether or not he's Superman without the red briefs. According to nearly every writer and artist in this issue, Superman's underwear is the most important part of Superman. And while some of them simply put the underwear back on him without saying much about it, Bendis seems to think his entire story hinges on mentioning it over and over and over again. I've never read Bendis so I'm now thinking, "This is what everybody raves about?" I'll simply assume this isn't his best work rather than assume it's typical of his writing. Although why would he write such overwrought pap for his big debut at DC? I'm not talking about the pages of underwear dialogue now. I'm talking about the prologue he's written for whatever he's doing next for DC. Once again we have a writer who believes their voice is so important to the comic book world that they have to bring about their vision of the Superman mythos by rewriting the entire thing. So welcome DoomsMongulod, the newest and worst nemesis Superman has ever faced! Working with Jor-el (because we haven't gotten enough reworking of Jor-el into a terrible person over the last few years (what is this fascination with making the previously glorified parents of superheroes into pieces of shit?)), Rogol Zarr (the Doomsday Mongul Zod Lobo mash-up) was the cause of Krypton's destruction in his quest to kill all Kryptonians.

Okay, maybe Jor-el wasn't part of this guy's quest. I should probably point out that Rogol Zarr simply says he promised Jor-el that he'd destroy all Kryptonians. That was probably meant as a threat and not a handshake deal. I just needed to add this paragraph because my facetiousness is hard to read in written texts to an online audience rabid to correct as many people as possible (whether they need correcting or not!).

58 stars out of 1000.


Kick-Ass #3
By Millar and Romita Jr.

Rating: Kick-Ass finally learns that she's not in a comic book. I mean, she is. But the premise is that she isn't. And she learns the painful lesson about reality this issue when everything goes to hell and she's captured by her nemesis. You can tell he's her nemesis because he looks different than all the other characters who pretty much look the same. That way when she encounters him, she doesn't have to think his name so the reader can say, "Oh! That's who that is! Her brother-in-law! There's no way I would have remembered." Now when Violencia appears, the reader can exclaim, "That's that guy! The really bad one! You can tell because he's covered in tattoos and piercings!" Then everybody in the coffee shop can scowl at that imaginary reader for shouting although it could have been worse. I almost made the reader shout, "That's the fucking cunt who almost killed Kick-Ass!" Then they really would have had a reason to scowl self-righteously.

3 stars out of 5. It might be standard Kick-Ass fare but I guess it's sort of entertaining if you've completely forgotten the premise of the first two Kick-Asses (which is also the premise of this Kick-Ass (I think. I've forgotten the premise of the first two)).


Deadman #6
By Neil Adams

Rating: Thank the stars this is the final issue so I don't have to feel compelled to buy another issue of this nonsensical garbage. I said "Thank the stars!" because I don't believe in God. But is thanking the stars any more reasonable than thanking God even when I don't believe in Him? Because now I sound like one of those wacky jerks from the seventies who believed in astrology and extra body hair and big orange vans.

Every cover of this series has had some kind of secret or special cover right up until this one. But I figure this one must have some kind of secret so I completely ruined it due to being convinced it was a Mad Fold-in. I'm still not positive it isn't so maybe I'll scan it into Photoshop and play around with it for a bit.


It's no good! I can't figure it out! I'm stumped as to how this cover is special. Maybe the fact that it's not special is how it's special! Maybe the only secret is the eye in Deadman's musculature?

Reading Deadman is like watching somebody have a stroke in slow motion. Did people at DC Comics simply accept the pages of this comic book without checking up on Neal? Editor Kristy Quinn must have been paid to not do her job. "Just accept whatever he turns in, Kristy," ordered DiDio as he wrote up a complaint to Human Resources about how long James Tynion IV holds eye contact. "It's not like he's going to come up with anything better on a second try. Did you read The Coming of the Supermen? No? Nobody did. Don't bother reading this either."

At one point during Deadman's "conversation" with Rama Kushna, he says, "You got no time to shut up and get on with it!" I have now spent longer contemplating the meaning of that line than the meaning of my own existence.

I think maybe this issue is a transcription of Neal Adams' personal conversation with God. Or maybe he's ranting at DC Comics for stealing all of his life's ideas and treating him like shit. Doesn't this sound more like Neal ranting at DC than Deadman ranting at Rama Kushna:

Neal: "Do you actually think I want to be here? You suck, you know that? This whole place sucks! If I could...I'd spit on you!"
More Neal, continued: "And you...you soulless witch...you have all my secrets and you hold them away from me!! I hate you...with a blue flame, Rama Bullpucky. You lie to me...and you compound your lies!! You're like a politician. You don't even know when you're lying."

Neal and/or Deadman seems angry at something but it's never really made clear. Nothing in this book was ever clear. It's the ramblings of a madman who gets to draw and say whatever he likes for a paycheck. I'm so fucking envious of Neal Adams right now! Who knew that by working hard your entire life at a job that earns you kudos and respect, a person can be rewarded with a paying soapbox to do whatever the fuck they want?! Why didn't somebody tell me this at twenty?! Instead, I've been on the non-paying soapbox trying to garner an audience by rambling like a madman! Stupid system!

Zero stars out of ten.


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Grunion Guy's Musical Corner of Music Reviews!

Praise the Lord by Everlast
There are as many versions of rap as there are versions of rock. Maybe more since rock only has the two types: "I love fucking girls" and "There's a girl I want to fuck but she won't let me." I guess if we think of "Prog Rock" as rock, we discover a few more kinds of rock themes, such as "Don't help poor people because it hinders their ambition," and "I read a book once and I'm going to tell you about it now." Some people think the only versions of rap and/or hip hop that exist are "We're about to fuck, baby" and "Let's kill some cops." But this is Everlast so we get the white variation on rap with this song which is "I got beats and can rhyme better than all the other n-words, yo!" I'm not a white rapper so I'm not allowed to say the n-word when I'm being a bit jokey. If I were writing a serious treatise on whatever serious people write about, I would totally use it. The only other time I'd actually use the word n-word is if playing it would help me win a Scrabble championship. And then I'd probably make it plural to get the fifty point bonus and also so I could play it by pluralizing the last word I played, faggot. Although, I bet Scrabble doesn't allow players to use the n-word and I'd lose in a challenge. But they have to allow faggot because I was using the British variation of it, of course.
       Anyway, this song by the jump around guy playing a character named Whitey Ford was written to express how great he is at writing rap songs (presumably all about how great he is at writing rap songs about how great he is). At one point, he compares himself to Edgar Allen Poe which I thought was super clever because I recognized that name as a writer of psychological thrillers and sado-masochistic porn. He also mentions farting in a line where some people catch the vapors. Is that old-time farting? Probably!
Grade: C.

Crocodile by XTC
This song falls into a sub-category of "There's a girl I want to fuck but she won't let me" because it's about Andy Partridge's wife who left him. I think. Aren't all the songs on Nonsuch about that? I suppose every song in existence could be about Andy Partridge and his divorce from his wife Marianne if I think about it for long enough.
       The problem with this song is that it's on an album where I love half of the songs so much that it causes me to dislike the other songs even more than I normally would. So "Crocodile" and "Holly Up On Poppy" and "Humble Daisy" and "Bungalow" wind up covered in my spit and invective because I'd rather hear "War Dance" or "Rook" or "The Ballad of Peter Pumpkinhead" or "Dear Madam Barnum" or "Books Are Burning."
       Also, I read up on this album a little bit and discovered that the supposed crocodile noises in "Crocodile" are actually just slowed down pig grunts. Being that I have no understanding of my emotional responses to things (if that emotional response is anything other than blind, angry hatred), I don't know if this impresses me or makes me feel like fool.
Grade: C.

18 Wheeler by Pink
Pink lets us know immediately in this song that we can't keep her down after which she makes me realize my categories of rock songs are completely sexist! Who knew I was sexist?! I certainly learned something today! Also maybe I'm racist and homophobic based on my Scrabble bit earlier!
      Anyway, Pink's song, "18 Wheeler," falls into the rock category of "I'm the girl that's not going to let you fuck her." So while my categories were sexist in their initial perspective, they still work, I guess. It's also a good example of how the "girl" and the "fucking" in my category are completely metaphorical. See, you thought I was really limiting myself in my categories while also being sexist, didn't you?! Well maybe you won't underestimate me next time now that I've pretended I knew what I was doing all along.
       Let me explain: the "18 Wheeler" is a metaphor for music producers. I think. And Pink is all, "You aren't going to treat me like a slave because I'll join the Underground Railroad. Choo choo!" Which might be a bit of an iffy metaphor, Pink. I mean, do you really want to compare yourself to a slave when you're a rock star? I suppose it isn't as bad as her song called "My Vietnam" in which Pink declares how helping feed the homeless one time in her life was as bad as Vietnam. At times, Pink can get really melodramatic.
       iTunes lists the album Missundaztood under the genre of "Dance & House." Who comes up with these things? I'm pretty sure this song is simply "Rock" or "Pop." It certainly doesn't make me want to dance. Especially when Pink pronounces "sword" as "suh-ward."
Grade: C.

Last Dance by The Cure
Most of the songs on Disintegration fall into a subcategory of "There's a girl I want to fuck but she won't let me." That subcategory is "There's a girl I want to fuck but she won't let me because she drowned or something just as tragic. Maybe she just moved on with her life and left me to wither in my heartbreak and pain." This song seems to be about the death of innocence, or the dangers of living in nostalgia, or, maybe, about a man who murders a woman he once loved when they were children because she doesn't love him anymore. It's hard to tell because every song on Disintegration sounds as if you've just taken six Vicodin (it's the only opiate-based medication I've ever taken so it's all I can compare it to! Otherwise I'd probably say, "Five seconds on a morphine drip!" or "Three spoons of heroin!" or "Tea derived from steeping twenty-eight opium poppies!") and learned to listen to music through gauze while somebody sits by you, holding and caressing your hand, reminding you of the death of every pet you've ever had.
       Disintegration really is an album that probably did more harm than good hearing it at the time of my life I did. What I needed was an album that had songs like "How Many Times Does She Have to Tell You No, You Stalker?!" and "Take Control of Your Emotions, You Jackass!" and "Get on With Living, Dope!" Instead I discovered this album which was all, "Why?" and "How could she?" and "Maybe She Can Love Me If I Just Invest Even More Time Than I've Already Wasted!"
Grade: A+.

Some Fantastic by Bare Naked Ladies
I've never before noticed how much this song sounds like somebody simply hit a tempo button on an 80s keyboard before ad-libbing some goofy lyrics. Do all Bare Naked Ladies songs sound that way? I'm currently convinced the answer to that question is "How did I never notice it before?!"
      I was just goofing around when I came up with my rock categories but this song is another version of the "There's a girl I want to fuck but she won't let me." But instead of being sad about it, this guy is all, "If I think about it enough, I'll come up with some ridiculous plan to get her to sleep with me!" Then he lists all of those plans. I think if he had one more verse, it would be all, "I'll buy a van and remove the handles from the inside door before learning which bus you take to work after which I'll pull up and ask you if you can help me find my lost puppy. But first I need to learn where I can buy chloroform."
Grade: B-.


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Letters to Me!

KB writes: There really ought to be an annual Superboy Punch! to clean up continuity. There are of course conflicting opinions about what should be cleaned up, but maybe we start with the comics events that have pissed off a lot of fans, and see if the criticisms are valid, or if there are better versions of those events. Like, Barbara Gordon. There are differing opinions about whether she was better as Oracle in her wheelchair, but I think we can probably agree that the rapey aspects of "The Killing Joke" are worth retconning away.

My Reply: Isn't one of DC's big problems that they try a Superboy Punch! every few years? They should probably just leave everything alone. I especially don't think they should let fans determine what should and shouldn't be canon. They're the worst people to be in charge! Like if I were to write only stuff Doom Bunny wants me to write about, this blog would be full of recipes that didn't have any cheese unless it was cheddar and only in super extreme circumstances. Also if there are nuts in the recipe, there shouldn't be any chocolate. Also every plated recipe would look like an orgasming penis.


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KB Writes: The young have never heard of Chesterton's Fence. It goes as follows:

"In the matter of reforming things, as distinct from deforming them, there is one plain and simple principle; a principle which will probably be called a paradox. There exists in such a case a certain institution or law; let us say, for the sake of simplicity, a fence or gate erected across a road. The more modern type of reformer goes gaily up to it and says, "I don't see the use of this; let us clear it away." To which the more intelligent type of reformer will do well to answer: "If you don't see the use of it, I certainly won't let you clear it away. Go away and think. Then, when you can come back and tell me that you do see the use of it, I may allow you to destroy it.""

To put it differently, maybe very simple solutions rarely fix the world because the world is a complicated place. Much more often than not, the "wisdom of youth" is more aptly called "the Dunning-Kruger effect". All in all I think it's a good thing that Tynion IV doesn't have the power to remake the world in his image, because good Lord imagine all the fences he'd rip down all willy-nilly.

My Reply: I think Chesterton doesn't describe his paradox clearly enough, or he needs to work on it a bit more. Sometime in my early twenties, I took up the philosophy that if I really despised something, or something really annoyed me for seemingly arbitrary reasons, I should actually pursue that thing as if I were one of the mindless masses to see if I could understand the joy of that thing. It's why I wound up with my tongue pierced in my mid-twenties. Although that also came about as challenging myself to do something ritualistic so that I could, even if only symbolically, feel like I'd made some transition between childhood and adulthood. I suppose taking my cross country trip in my Volkswagen bus was that as well. And that was a good metaphor for my transition to adulthood since my bus broke down halfway across the country.


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KB Writes: Can I admit that I miss all your daily thousands and thousands of reviews? Not that I want you to subject yourself to that sort of suffering; we've got only one of you so we should keep you in good repair. But, I really did enjoy all the hard work you did. Have you ever considered re-reviewing Cullen Bunn's work to see if you like it any better years later?

My Reply: I miss doing all of those reviews as well! Which is why I'm doing this! I'm not sad to be reading far, far less comic books though. I've finally gotten back to reading actual books at a reasonable pace again and I'm enjoying it. Plus one used book costs as much as one twenty page comic which just makes me hate comic books even more than I do when I'm reading one by Cullen Bunn. Speaking of which, how dare you ask me to consider re-reading Cullen Bunn's comic books! I was just forgetting about Twat Lobo and now look what you've done? I'm bleeding from my eyes and anus!


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That's all for this week! I've forgotten my sign-out! Later, jerkos? That sounds about right!

Friday, November 21, 2025

Eee! Tess Ate Chai Tea: The Newsletter #12 (Fourth Week of February 2018)

 

E!TACT! #12
Black Lightning: Cold, Dead Hands #4, Kick-Ass #1, Milk Wars, and Letters to Me!
By Grunion Guy



Black Lightning: Cold Dead Hands #4
By Isabella, Henry, Guichet, and Pantazis

Why does the United States of America have to suffer so much tragedy simply because the founders of this country made a mistake by including the 2nd Amendment? Are we not allowed to think of them as flawed human beings? Also, it's a fucking amendment. That word proves that the constitution is not an infallible God from on high teaching us how to live our lives! The document has been amended! It can be again! Some people are just too stupid to own guns.

Besides, have they not been living in the United States their entire lives? This is a country that bans everything in an effort to appease the friends and relatives of people who die in accidents! One person's daughter got a lawn dart in the throat? Ban those fuckers! Some kids might possibly choke on the toy inside a plastic egg covered in chocolate because they're obviously gluttonous little assholes who inhale sweets? Ban fucking Kinder Eggs! We ban toys that shoot tiny missiles that can get lodged down the throats of children that will probably die in some other stupid way anyway so now I don't own an awesome Boba Fett action figure from my childhood! How is that fair?! Although I did own the Shogun Warrior Gaiking who shot rockets from his nipples so I guess I didn't miss out that much. I bet it was Gaiking that caused the loss of rocket shooting Boba Fett. How many kids were pretending to suck on Gaiking's nipples when they accidentally triggered those rockets and died in the second most embarrassing way after autoerotic asphyxiation? (I don't need to be "actually'd" about Battlestar Galactica toys. Thanks!)

What I'm trying to say is that Portland now has stupid green bike areas at every stupid intersection where bikes can gather while preventing cars from turning right on a red (which is actually the safest time to turn right to avoid mowing down bicyclists) because lawmakers are constantly trying to prove that they're doing something to prevent sadness and tragedy. Except, of course, when it comes to guns. I suppose if the people who want to turn right on red lights had a huge lobby with loads of money, we'd have fewer green streets in Portland. Politicians only seem to care about issues when the issue either provides them with a lot of money by choosing the side which has the money behind it or will get them a lot of press and adulation for creating a law that wouldn't have even have saved the dead person who caused their family to lobby for change.

None of that has anything to do with Black Lightning. It's also just three paragraphs of probably incoherent ranting that almost certainly could be made into an intelligent essay if I were intelligent. Instead, I'm now going to hop on eBay and see if I can find a replacement for my childhood Gaiking toy. Maybe I'll replace Rodan while I'm at it!

Actually I just read the comic book and all of that had a lot to do with Black Lightning since it's all about Tobias Whale trying to ramp up people's fears to sell his alien technology weapons. I wonder what 2nd Amendment loving conspiracy nuts would think of this story. Why do they think the best argument to use is that people want to get rid of guns for profit and power when it is so obviously the other way around? I mean, I know the answer. Shitty dumb selfish evil people with power and influence know that accusing their opponents of all the terrible things they themselves do works because most people are idiots.

Here's the difference between most liberals and most conservatives. Liberals are liberal because of the things they believe. Conservatives believe the things they believe because they're conservative. When an argument is made, a person should weigh the rationality of the argument. They should not agree with a particular side simply because they think of themselves as belonging to that side. I suppose conservatives think they're the ones being logical and liberals only think what they think to continue some kind of liberal agenda. It's weird that that "liberal agenda" tends toward things like peace and love and health insurance for everybody and less poverty and burning effigies of Ayn Rand and being pro-masturbation and equality and fields full of kittens. I guess that's where the scads and scads of profit come in.

Black Lightning: Cold Dead Hands #4 Rating: Once again, I probably could have been smarter and less facetious and stream of conscious in my argument against the easily befuddled strawman caricature of a conservative but why? Intelligent people get what I'm saying! Nobody with an ounce of integrity thinks the world would truly be better with more Jesus and more guns. I can say what kinds of attributes they probably do have (other than integrity) but I hate metaphorically beating dead horses.


Kick-Ass #1
By Millar and Romita Jr.

Maybe I should start seeing a therapist because the majority of my comic book "reviews" begin with "Why the fuck am I even reading this?" I suppose the answer is a heady mix of curiosity and a collector's compulsion. If I were to see a therapist, I might learn that I also want to fuck my mother which would just screw me up more than the "I definitely don't want to fuck my mother" version of me that really wants to change the subject now.

Me buying comics: "Oh? What's this? A comic book with a name I recognize that I've purchased in the past? I must see how the story continues even though I can't remember anything about the previous comic book! Plus it will distract me from my mother fucking fantasies."

If Kick-Ass were really about what would happen if some kid decided to become a vigilante in the real world, it would just be a series of first issues where the protagonist dies in some horribly tragic but preventable way in just a few pages. Instead, Millar infuses Kick-Ass with a sense of reality by having Kick-Ass get his ass kicked constantly while never actually being shot in the face. At least I don't think he ever gets shot in the face. Maybe he did eventually get shot in the face since this appears to be a new Kick-Ass. In fact, seeing as how I haven't even read the issue yet, maybe it will be a whole series of copycat Kick-Asses who wind up getting murdered in their pursuit of justice and YouTube subscribers.

After just a few pages, I'm more impressed with Romita's art than I've been with his work at DC. It might simply be because this is the first issue and he's had a good amount of time to work on it. It will probably degrade as deadlines for later issues begin to compress. Thankfully, Millar will probably need some delays to get his scripts done giving Romita time to catch up. Although it's possible that even by the end of this issue, I'll start seeing Romita's rushed work which is quite similar to my "spent way too long trying to make it look passable" art style.


It's at this point in any given narrative where I begin to dislike the protagonist.

I'm getting a bit tired of protagonists who only manage to survive because their enemies choose not to kill them when they have the chance. But the "good guys," at the first opportunity, begin slaughtering the guys who gave them a chance to live. The "bad guys" offer to let the "good guys" live if they do what they're told. If they're the bad guys, why not just instantly kill them? Maybe I'm being naïve but it seems they could have killed her immediately and still gotten whatever information they needed from Coop. Instead, the "bad guys" all get slaughtered for restraining themselves from violent action. The "good guys" never exercise that kind of restraint. Which is why these kinds of scenes really ruin my connection to the protagonists. The Walking Dead television series is a good example of this. Rick and company should have been dead dozens of times over because the "bad guys" rarely shoot first. They're always trying to do some namby-pamby negotiating of some kind and wind up dead because Rick knows that a dead motherfucker isn't a threat. I mean, literally they are because, um, you know, zombies. But they aren't as big a threat as when they were alive.

I guess that's why Carl had to die. So that Rick could regain his humanity and the audience can maybe stop wishing Negan was the protagonist of the show. Although I'd rather the show just continued to show Rick as the real monster, thus making audiences extremely uncomfortable as they realized they'd been rooting for the bad guy the entire show. Then the final episode of the series could just be three hours of Frank Darabont explaining how the series was a metaphor for American patriotism.

I'm pretty sure the writers on The Walking Dead expected viewers to be shocked and hurt by the revelation that Carl had been bitten in the stomach. But my reaction was, "Who cares?!" It's possible they realized that was the reaction of most viewers because Carl didn't really have much of a character arc. So they began the mid-season premiere with a music montage of Carl doing things so the viewer could gain some kind of empathetic bond with him.

The Walking Dead Producers: "Carl is a boring shit. How are we supposed to make people care about him?! Can we play 'Hallelujah' as we show past clips of him growing older? We can't afford that?! Well fuck. Find another song that can produce melancholy and heartache in the listener which they'll transfer to Carl as we show him doing kind and sad things! Maybe we can trick them into thinking they felt that way about him all along!"

Anyway, back to Kick-Ass, you'll be happy to know that the three Americans survived by slaughtering dozens of Afghans whom I'm certain were terrorists who all had a hand in the World Trade Center attack. They were living in a village where an American soldier was being held hostage so even if they weren't involved in terrorism, they weren't actively involved in helping get the American to safety. What monsters.

The new Kick-Ass's name is Patience. That's probably supposed to make the reader think.

Upon coming back from America's imperialist, vindictive bullshit war, Patience learns that her husband has left her for another woman.


So he's Hitler in his own analogy?

Millar makes an attempt at political commentary by theorizing that Trump became president because some states were mocked as flyover states, specifically New Mexico. After studying geography, he might need to come up with a better argument. And I don't mean his argument about those "flyover states" being ignored by the government since it's those states in particular which gain the most benefit from taxes.

Patience decides to become the Robin Hood of Albuquerque by dressing up as Kick-Ass and stealing money from gang members. She'll donate some and pay for her kids to go to college with the rest. I don't see why drug dealers should have to pay for her lifestyle! First she makes a living on taxpayer money and now she expects drug dealers to pay her way? What a fucking parasite.

Oh, and for the history books (you know the future ones where Grunion Guy is proclaimed a god): Romita's art goes steeply downhill as the issue goes along. He finally got tired of drawing actual guns and decided the drug dealers should have weapons from the Halo franchise.

Kick-Ass #1 Rating: It's much better than I made it sound. Not "Shakespeare much better" unless you thought Shakespeare was a hack who thought up premises for stories that he immediately abandoned. Premises like "What would happen if a teenager became a hero in the real world?" abandoned for "What would happen if a teenager in a comic book thought he was in the real world and became a comic book superhero and everything worked out how you would expect it to work out in a comic book but with a few more bruises and lacerations?" At least this Kick-Ass has military training. But then, that's the twist! The bad guys in this book think, "Oh! Look! Some kid in the real world pretending to be a hero! We'll destroy this person!" And then they're all, "Ow! She poked me in the eye with a military move! We can't fight against American military training! We can't even pull the trigger on our guns before she pokes six guys in the eye! This is not like a comic book at all!"


Milk Wars
By lots of people

I enjoyed one-half of this Young Animal/DC Comics crossover. The other half of this crossover was a dud hardly worth reading. Somebody thought up the idea that milk is homogenized and so are mainstream comics. That thought was then expanded into a five issue series that doesn't say a whole lot more than that. Okay, that's not completely true. It's the commentary on the retconning of characters that makes three of the five issues entertaining. The first issue was decent because it was the introduction of the idea. After that, the Cave Carson/Swamp Thing issue was the only one of the three middle chapters that was necessary for the plot (as well as being the only interesting middle chapter). At the end of every issue is a two page comic about the history of "Eternity Girl" and ALPHA 13. The only reason to have purchased the Mother Panic and Shade the Changing Girl issues was pretty much for the way this story ties in to the main story. Also good is this moment where it boldly proclaims, "Here's a more interesting way to say what the rest of this series doesn't quite know how to say."


I think it might also answer my question about why I keep buying and reading this shit.

Possibly my favorite part was presenting Rita Farr as a comic book Christ figure, dying for perceived effect in comic book continuity only to have a number of half-hearted second comings that never really took. Until now, I guess.

The final issue brings me this image that I probably would have loved to see as a poster and had hanging on my bedroom wall until I was thirty-six.


Could I have used a funnier age than thirty-six? Perhaps thirty-three?

Lord Manga Khan and Mister Nebula also make an appearance. Only 80s kids will understand that!

Milk Wars Rating: Overall, a fun story that remembers it's a comic book and plays to those strengths. I believe it also brought the Doom Patrol back into the regular DC Universe while turning Robotman into Old Man Man and bringing back Rita Farr. The other Young Animal characters wind up in new realities which will be the basis of their next books. Plus Eternity Girl managed to sneak her way out of comic book's comic books and into comic books themselves. So that'll be a new brand that all the kids can get behind and throw their lawn mowing and baby sitting money at.


Letters to Me!

First up, KB! As usual! And probably last up too.

KB writes: Aaaand we're back in the junk folder!

Yeah, I think you nailed it with Deathstork: there were a bunch of last-minute editorial fixes as DC suddenly realized that killing people with sniper rifles is no longer cool. Can I applaud DC for doing the right thing for once without having to be shamed into it?

I predict that DC is going to have Deathstork return to being a killer soon -- just a killer who doesn't use guns. Maybe he'll start carrying Deathstorkarangs? Perhaps he'll make comments about how people who use guns are losers who couldn't seduce a teenage girl even if they tried.

I've been watching a ton of WILTY lately, and yes, you've got good taste. Lee Mack is a devious liar; when he has to sell a "true" story as a lie, he stalls VERY convincingly. I was especially surprised to learn that Lee Mack is a master of darts (hereafter to be known as "Leemackarangs").

My reply: I believe Deathstork retrieved his sword in the issue immediately following the issue where he declares he's killing people again. He also mentions something about his gun's bullets still being of the Ich Luger variety when he shoots New Super-man in the head. So it looks like DC has decided maybe guns shouldn't be solving problems in the DC Universe for awhile. And boy do I hope he makes that comment about losers seducing teenage girls!

If you like WILTY, I also recommend 8 Out of 10 Cats and 8 Out of 10 Cats Does Countdown, if you haven't seen those. I believe we've spoken about QI which I still enjoy but do miss Stephen Fry interacting with Alan Davies on a regular basis.


Nobody writes: Oh. I guess that's it. I wish I would get more mail. I'm so lonely.