Showing posts with label David Baron. Show all posts
Showing posts with label David Baron. Show all posts

Monday, August 3, 2026

Planetary Loves Batman: Night on Earth (August 2003)


Earth's secret archaeologist's hide outside of the light. And thus inside the Batman.

Planetary/Batman: Night on Earth (June 25th, 2003)
By Warren Ellis, John Cassaday, David Baron, and Wes Abbott
Cover by John Cassaday
Edited by Kristy Quinn and Scott Dunbier

I believe one of the reasons I was good at avoiding pointless and mindless debates with awful people on the Internet from the very beginning is that I was inoculated early in my life against that kind of dialogue thanks to my Catholic and Conservative friend in high school, Soy Rakelson. He completely disappeared from my life in 2016 when Trump was elected as president and I have my suspicions that it was because he completely agrees with every ideology Trump espouses (if you can call anything that comes out of Trump's mouth an "ideology" and not "diarrhea mouth vomit") but just didn't want to have to justify agreeing with it. Because Soy always believed he was living in a righteous and logical world behind that thin veneer of plausible deniability and dog whistles. But once the dog whistled message simply became the message, he understood it would be harder to agree with the message while maintaining his righteous and intelligent and "good" persona. I put good in quotes because he was never truly good; he was a selfish sociopath who merely wanted to be seen and understood as a good person.

Living through my teenage years with Soy was very much like being vaccinated against a disease. Once I was online and somebody came at me with the familiar Soy tactics, I would simply respond once. If I sensed they were actually confused by something I had said and weren't just being an asshole, I would respond with a quick clarification. Other times, I would just mock them and be done. Sometimes I would do both at once, like that time somebody on tumblr asked me if I was pro-domestic violence. What an absurd thing to ask somebody, I thought. So I simply responded, "If you thought I was for domestic violence in that passage, re-read it again while thinking, 'Tess isn't for domestic violence.' That should clear it up!"

Sometimes I refer to myself as "Tess" even though the name has nothing to do with me and is just part of the play on words in the title of my blog. Usually I'm Grunion Guy!

What got me thinking about this was a response from Soy to a Facebook post in 2010 (I'm going through my old emails! Nostalgia!) where I mentioned how I didn't want to "debate" him anymore because of his "ready-made arguments and attempts at logical traps." And then Soy, in his attempt to get me to drop my stance of not arguing with his idiocy, wrote, "How much can we learn from people with whom we vehemently agree? ;^)". Which, I'm sure, I didn't respond to because, you know, my rule of not arguing with choads on the Internet. You may begin to understand whom Soy is by that response because it's one you hear all the time from terrible people with terrible politics and the worst ideas about the world when they're trying to accuse other people of being in echo chambers. But my response is simply, "How much can we learn from people with whom we vehemently disagree?" I won't attempt the snide emoticon which, I guess, Soy thought was cute and friendly but, at least to me, looks like the look somebody gives you right before they commit sexual assault. Another response to Soy's inauthentic and meaningless question could have been, "How much have you ever learned from somebody with whom you vehemently disagree, Soy?" I'm sure it was and always will be nothing. Because the people trying to get people to debate them think that they're teaching the rest of the world some kind of capital T "Truth". And you can't argue Truth! You either succumb to its Truthiness or you remain a heathen blaspheming Godless piece of shit.

Yes, Soy. I chose heathen blaspheming Godless piece of shit rather than what you chose: "Defender of Western Civilization and Purveyor of the Truth." Both of those, really, are just synonyms for authoritarianism.

One last comment of Soy's from 2010 because I find him endlessly fascinating. Not likeable! Just fascinating! "I mention politics, and [Grunion Guy] emerges. Calling me names, no less! Welcome, brother! My point was this: The author seems to blame most of our ills on Republicans. I think that's a bit too simplistic, since we vote our representatives into office. So, with all of his contempt for our representatives, perhaps he should be blaming America's esteemed voters themselves?"

Here, Soy poses a question at the end that he thinks is some kind of logical trap. "Oho! I have replaced the target of his ire with a target that people would look down on him for targeting! Plus I called them 'America's esteemed voters' so that should really put him in a pickle if he dares to answer that with, 'Okay, yeah, fine. I blame the voters.'" Which is exactly how I would have answered that! Sure, fine! I will blame the voters! Now you have every reason to attack me directly because I've shown myself to be angry or against America or something. It's been awhile but I bet back in 2010, I could have predicted exactly how Soy would have answered me if I agreed with him that the voters should be blamed.

Enough about that authoritarian! Let's read about Batman! And Gotham City. Let's begin with a quick Gotham history lesson from Elijah Snow:


I'm disappointed that he doesn't mention the goats the hamlet was named after. They were probably on drugs too.

Jakita introduces Elijah to two of the Gotham City office Planetary staff: Dick Grayson and Jaspar. Jaspar looks suspiciously like The Joker. Like identical. I suppose even before this moment — perhaps the moment I picked up a comic book merging the Wildstorm universe with the DC Universe — I should have realized this was an Elseworlds title. It doesn't say Elseworlds anywhere on the book but in 2003, DC was still playing fast and loose with continuity and canon. I think they believed fans would understand the difference and nobody would be too bothered. I'm not sure why they would have thought that because even without the Internet, rabid continuity fans would bombard their offices with letters mentioning any suggestion that something happened differently than it had appeared to happen before. But with the rise of the Internet and too many fans being able to contact DC's offices and creators way too easily, they probably figured they needed to make every out-of-continuity and non-canon story extremely well-documented as such.

This issue also feels like it's the Gremlins of DC Comics in that the cover didn't have any kind of Mature rating on it but the content within immediately winds up being more mature than you'd usually see in a Batman funny book. Like The Drummer fucking a television set showing ant porn.


Maybe Cassaday just had something in his contract that stated his covers couldn't be modified even with Elseworlds or Mature Content labels?

I know it was mentioned multiple times that The Drummer enjoys fucking gadgets and gizmos but is this the first time he's shown actually doing it? And you know he's got his dick inside an A/V connection (possibly the tight little RF input!) because Jakita tells The Drummer to "zip it up"! Meaning his pants! His dick is out of his zipper!

What I was trying to point out with that Gremlins reference is that DC probably got yelled at by some Karen somewhere (not Berger! She was cool!) about their comics needing a stricter rating. Or any at all, apparently!

I just remembered in the previous Planetary Loves the Justice League, Batman wanted to destroy Planetary. For good reasons! They were more like the Alternate Dimension Fantastic Four in that book. So now I'm wondering: is this version of Planetary the good guys or the bad guys? Is Batman, whatever they are, their opposite? Does The Joker make a good bureaucrat?

Planetary have come to Gotham to seek out John Black, the son of a man who was experimented on in City Zero. That means he likely has powers, perhaps god-like powers, and they, being diggers up of information, would like to know what kinds of powers he might display.


I was going to joke that that's not a power but based on the zero people I've killed and the belief I couldn't kill any, I have to admit it's a power!

A lot of psycho people (especially men but women are psycho too. Think Kristi Noem) fantasize about killing other people. Most of them think they are good people so those fantasies of murdering somebody are ensconced in the narrative of a home invasion or somebody threatening their lives. But the impulse is still to imagine yourself murdering another human being. I don't even have that! I figure the only way I would murder another human being would be to save one of my cats. I probably wouldn't even bother with my own life because thank you, murderer, for setting me free!

Maybe I should add an addendum to people having fantasies about murdering people because I'm giving a lot of them too much benefit of the doubt with the "home invasion" fantasy. There's a direct line from Soy Rakelson arguing that it's wrong for liberals to call Republicans names (those were some of his arguments in the Facebook thread I was recently revisiting. That liberals pointing out that Republicans are selfish bastards is the real problem (sounds familiar, right?! Yeah, they haven't really come up with any new arguments other than "What if we just dropped the dog whistles? Those take too much imagination and most of our voter base are too stupid to hear them")) to Republicans now believing that liberals are so awful that murdering them is actually a righteous position. You can argue that's cynical and hyperbolic if you want but I'll just point out how many hand jobs Kyle Rittenhouse has gotten from Conservatives since he murdered a guy with a skateboard.

Fair warning: I'll probably be referring to a lot of my old emails as I nostalgia my way through 16 years of saved emails.

The Joker and Nightwing continue with the "John Black" debrief.


Dick Grayson outs himself as a secret Brit with the whole "body with prints on" bit. Next he'll be saying he was stood nearby the body or that it was found not wearing pants. Meaning underwear, of course!

The next crime scene photograph Dick shows them consists of three victims all seemingly merged at the torso. Elijah Snow assumes it was caused by some kind of alternate reality temporal disturbance but he's forgetting he's in Gotham and that just might be some weird Batman villain named The Rat King or something. Elijah mentions he was somewhere he wasn't supposed to be in 1986. If I had to think about somewhere I wasn't supposed to be in 1986, the only thing I can come up with is at Shoreline Amphitheater at a Bon Jovi/Cinderella concert. My first concert if you don't count The Country Bear Jamboree or a weekend at Chuck E. Cheese!

The team heads to Crime Alley to do some investigating the way Elijah Snow learned to detectivate from Sherlock Holmes and Dracula.


By "deliberate and clearly defined arc," Elijah's talking about John Black's character arc, right? Because John Black is Batman, right?

If there aren't any detectives to catch John Black then John Black is Gotham's greatest detective! Right? Is that Logic 101? Hmm. Okay, maybe John Black isn't Batman. But I had to write it just in case it turns out to be true so I can be all, "Ha ha! I knew it!" But if it doesn't wind up true, we can all simply forget I suggested it.

While in Crime Alley, Planetary stumbles upon John Black and a half-dissolved hooker. That's an old-fashioned term for sex worker! That's the kind of crack detective work that Sherlock Holmes would be proud of! Once you eliminate anywhere the criminal isn't, you'll accidentally be where the criminal is! Maybe that was more luck than detective work.

John Black manifests a kind of temporal reality field similar to the thing Ambrose Chase can do. After the field's gone, John Black staggers away while Planetary realizes they're suddenly in a completely different Gotham. One that contains The Batman!

This is where I'd usually scan the picture with Batman but you know what he looks like. Dark cowl. Cape. Bat on his chest. Pants on the outside of his trousers.

Jakita tells Batman they're dealing with the man who killed the hooker but Batman, being a control freak, is all, "Not in my city, you won't!" And then they fight. Should I have put fight in quotation marks? Because how can Batman stand up to Jakita Wagner? Sure, he can defeat all of his friends in the case they go mental but that's because they've all leaked their weaknesses to him. How can Batman beat a super fast, super strong woman whom he knows nothing about?!


OH! Through pure sexiness is how!

Before Jakita bends a couple of pipes into weapons to beat Batman to death, she mentions how beating men in fetish bat costumes is one of the things that keeps her going and, well, apparently one that fights back is exactly what she's looking for in a partner.

Jakita goes easy on Batman for a number of pages because women love foreplay. But then John Black does his alternate reality thing again and suddenly old-school Batman turns into Adam West Batman and Jakita loses her lady boner almost immediately.


I didn't even read this page before saying Jakita lost her lady boner. I just understand her character arc. And her fetishes.

I don't know what Batman sprays in her face to drive Jakita away but it's probably Cougar Repellant. Get it?! See, she's, inexplicably, much older than Adam West was when he played Batman. So her trying to fuck the alternate '40s Batman (who was probably even younger) makes her a cougar! And we know Batman keeps sprays on him that repel certain animals. Plus not only would he never hit a woman, he would never allow a woman to suck him off. Loser.

Oh wait! The next page shows the name on the can and, well, let me just be the first to congratulate me on being exactly right once again.


Not about the cougar repellant, obvs! But about how Adam West Batman wouldn't let a woman suck him off!

Since Jakita isn't exactly a villain, I'm assuming that repellant simply works against any woman at all. And Robin.

If you're wondering, "What Batman could possibly appear after John Black's next temporal seizure?", you're showing you ignorance on comic books. Because we all know it's going to be Frank Miller's Dark Knight. I mean, sure, I saw it on the opposite page. But it's what I would have guessed anyway!

Miller's Dark Knight does a little ass kicking because he's actually more like Midnighter. That makes it believable that he could stand toe-to-toe with Jakita and Elijah anyway. After he bests Planetary, he's changed again by a time-shift and becomes the Batman I think of as the Mike W. Barr/Jim Aparo Batman. Is that just pre-Crisis Batman? Post-Crisis Batman? Crisis-Crisis Batman? He's definitely the most detective-like and probably the one most willing to listen to Planetary.

This Batman does take the time to listen to them. And he almost gives in and allows them to deal with him but, you know, he's still Batman. And he's all, "Things must be done the right way! First arrest. Then Arkham. Then escape. Then loads of dead citizens. Then a fist fight. Then another arrest. Then Arkham. Then escape. Then loads of dead citizens. Then a fist fight. Then arrest. Then Blackgate. Then forgotten. Then years go by. Then Johns or Morrison or Gaiman make him even scarier. Then escape. Then loads of dead planets. And so on." So while he doesn't fight them, he does delay long enough for one more alternate reality shift.


Oh no! Original Batman with a gun! I though, culturally, we were all supposed to have forgotten this one!

The Drummer taps into the memories in Crime Alley (which they're all still in!) and learns about Batman's origin. This causes a shift to Idealized Future Batman! He's the Batman that has made the world a better place through doing the right thing and not using a gun. This version of Batman listens to Planetary and realizes giving John Black into their care is the only compassionate option that also makes the world better and safer.


Inspirational Batman is the best Batman!

Batman chooses not to use the weapons of his enemies (you know, guns!). But Inspirational Batman takes it one step further. He chooses to use the weapons that his enemy could never use: compassion, empathy, kindness. I love Idealized Batman!


And so does Jakita!

The Ranking!
Excellent! I love alternate reality comic books. I think comic books that don't need to rely on continuity and canon make for better entertainment. And yet, they rely on that continuity and canon to make their stories so impactful. You have to understand the lore of Batman to understand this comic book (I mean, sort of. It's not like this is Gravity's Rainbow). So I guess I have to acknowledge that continuity and canon stories are needed so that I can enjoy the occasional non-canon story out of continuity! It's a Catch-22, isn't it? That's some catch, that catch-22!

Wednesday, May 13, 2026

Planetary Loves JLA: Terra Occulta #1 (November 2002)


Why didn't Planetary make the cover of their own comic book?

Planetary/JLA: Terra Occulta (November 2002)
By Warren Ellis, Jerry Ordway, David Baron, and Michael Heisler
Cover by Jerry Ordway
Edited by Kristy Quinn and Scott Dunbier

Is this going to be an addendum to Planetary #10, "Magic and Loss"? Or is this just an "Elseworlds" story that might have happened if Baby Superman wasn't murdered by William Leather and Alternate Dimension Nazi Sue Storm didn't obliterate Alternate Dimension Wonder Woman as soon as she stepped off Paradise Island? Nobody really cares about Green Lantern which is why now Batman's making an appearance. Or, more probably, Batman didn't exist in the regular Planetary series which is how Superman and Wonder Woman and Green Lantern all died. If Bruce Wayne had been around, he would have made sure those things didn't happen. Yes, even Baby Superman being killed. I'm sure Baby Bruce Wayne was already more than capable of saving Baby Superman's whiny ass.

Should I be wondering how William Leather killed Baby Superman when Baby Superman was baby invulnerable? Or is the answer simply, "Alternate Dimension Fantastic Four are basically gods so shut up you virgin douche"? Jesus. Sorry for being curious, whoever gave me that answer!

This issue begins with Wonder Woman writing a letter home to mother while sitting on a park bench and every creep in Gotham stares at her as they go past. I don't know if that was a creepy note in Ellis's script or the creepy way that Jerry Ordway views the world. Or was I supposed to think, "Wonder Woman is so beautiful that men can't resist trying to look up her skirt," and not, "Those men are disgusting perverts. Mostly because they're old men in business suits so you know they're gross and not because they're looking up Wonder Woman's skirt which is a perfectly natural thing to want to do."


Fucking old men. So disgusting!¹

The way you can tell this is an Elseworlds story is that the cars are all air foil hovercrafts like in Richard Bachman's The Running Man. Oh, and also how Wonder Woman is alive enough to write a letter to her mother instead of too dead to write a letter to her mother.

The park bench Wonder Woman's practically flashing her netherparts on isn't actually in Gotham. She's heads to Gotham later through a "Planetary Portal" instead of by train. That gives me a hint about this world being one in which Planetary has taken decisive action to make the world a better place instead of letting Alternate Dimension Fantastic Four destroy it through their influence. Which probably means Batman will be all, "I don't like that there's a shadowy cabal of four godlike figures manipulating the world! I bet we could have a better world if it wasn't for them!" That's called Dramatic Irony because we, the readers, know that if Planetary wasn't in control, Batman's world wouldn't have teleportation and hovercrafts; it would have dead baby Superman and exploded into mist Wonder Woman.

New York is bright and full of creeps in business suits which means it's probably better than Gotham which is dark and full of creeps in moth-eaten clothing and fishnet stockings. So at least that's the same across dimensions.


Is The Drummer following Wonder Woman or Popeye?

Wonder Woman goes to a party thrown by Bruce Wayne where a couple of the guests are discussing an "activation loop" and a "timetrack" and the theory that the loop goes back to the point of activation but another theory surmises that there's actually a secret activation point begun earlier which Bruce Wayne paid for and controls and I'm reading this and I'm thinking, "Is this one panel where these guests are discussing this where Shane Carruth got the idea for Primer?! I'm not even entirely sure what they're talking about but that's probably why my brain, only knowing about the things it knows, thought, "Are they discussing Primer two years before it existed?" Now my brain, being trained on In Search of... and books about weird legends & lore and The X-Files and Dungeons & Dragons and Coast to Coast AM is now thinking, "Was Primer real?"²

Because this is an Elseworlds book where Wonder Woman exists as a non-spray-of-red-mist alongside The Drummer (probably all the rest of Planetary too but I don't have proof of that yet³), the partygoers are probably talking about a device that deals in alternate realities and multiple timelines. Rumor has it that Bruce Wayne maintains a "ghost timeline" which will probably be explained but I'm guessing it's the actual Planetary timeline. If I'm wrong, understand that this is speculation as I read the comic book. Don't be like that asshole who read my New 52 Justice League International annual or whatever where I speculated about potential plot threads not being picked up (and which I mentioned being wrong about by the end!) and comment on this by saying, "What are you? A fucking stupid piece of shit? Didn't you read the solicits which explained that the next issue of Blue Beetle will follow this thread you said they wouldn't follow? Fucking moron. Stupid idiot. You should kill yourself." But if you are going to be like that person, know that I'll use you as an example of one of the dumbest assholes on the planet for the rest of my life.

Wonder Woman's main super power in this reality is attracting weird creeps.


Bruce Wayne played by Phil Hartman.

Bruce does the "I'm a total letch who drinks too much and aggressively hits on every woman I meet" bit to counteract any suspicion that he might be Batman. Just like Clark does the "I'm a total klutz with terrible eyesight whose best friend is a huge nerd" to counter the accusations that he's just Superman with glasses on. I don't know how Diana Prince hides her identity. Maybe it's the "a woman who wears clothes that don't show almost everything" so creeps won't be all, "I recognize the shape of those nipples and the outline of those labia!"

Throughout Bruce and Diana's conversation at the party, the word "wonder" is used about eight thousand times but nary one mention of a bat. Maybe it's just a coincidence that Bruce is all, "I 'wonder' what it would be like to fuck a 'woman' like Diana Prince?" Diana does not respond, "Shameless, Bruce. At least 'bat' an eye while trying to 'man'handle me!" And then Bruce is all, "Let's go back to my place, 'Wonder' 'Woman', so we can secretly meet up with 'Super' 'Man' since I'm 'Bat' 'Man'!", while doing quote fingers around each word. That's when Diana is all, "Oh shit. Sorry, Bruce, my lasso got wrapped around your leg!"

Bruce and Diana are convinced that their acts are fooling the secret rulers of the Earth who have been spying on everybody with spy satellites. But once they slip into Wayne Manor to pretend to fuck, they drop the act because the house is bat-shielded from surveillance. Also, Batman planned this party on the night that Planetary's satellites wind up in a position where a man flying from Metropolis to Gotham cannot be observed for six full minutes. Obviously Planetary is aware of this "mistake" because The Drummer's already on Wonder Woman's tail. Or Popeye's.

Bruce has been investigating Planetary and hacked into their systems to discover some shocking truths that are only slightly different from the actual shocking truths committed by Alternate Dimension Alternate Dimension Fantastic Four in the alternate dimension. Planetary shot Ma and Pa Kent in the back of the head, stole the Kryptonian ship, and flooded Smallville to hide evidence of their involvement. Planetary firebombed Paradise Island just as Wonder Woman left to join Man's World. They dissected Barry Allen to steal his superspeed to use for Planetary's version of Fed-Ex. They murdered Raymond Palmer to steal his shrinking ability to use for medical advancement in micro-surgery. They claimed the Green Lantern ring after they blew the shit out of the wearer in Tunguska. All of these things were done by Planetary to advance technology and help the advancement of the human race⁴.


What are we doing here, Ellis?! Are you trying to make me rethink my feelings toward Alternate Dimension Fantastic Four from the regular series?!

I haven't finished the story⁵ so I can't say exactly what's going on here. I only have the pages so far to go on and Bruce Wayne's point of view. If I believe that Bruce has accurately depicted what's happening then I have to believe that Planetary is no better than Alternate Dimension Fantastic Four when in power. But we know, from the regular series, that that isn't the case. What I suspect is that Alternate Dimension Fantastic Four also existed in this reality but were stopped by Planetary. I suspect that in this reality, Elijah Snow never succumbed to the mental blocks by Dowling and continued to fight them. I believe they stopped Leather from killing Superman. They stopped Alternate Dimension Nazi Sue Storm from killing Wonder Woman. But they did not stop them from killing Barry Allen or Raymond Palmer or Green Lantern. What they did do, probably, was take the information gathered by Alternate Dimension Fantastic Four and used it to make the world a better place. So Bruce only actually has half of the story. The Artemis Project was so secret (and possibly so utterly destroyed by Planetary) that Bruce has found nothing about it. So he can only suspect that Planetary is the cause of all of the evil shit that's befallen people with super powers.

I don't know who killed Bruce's parents in this reality but I'm sure it will be worked into the plot.

Oh, the other option, of course, is that Bruce is exactly right and Planetary without an obvious evil nemesis would itself become corrupt in its power. Or maybe in this reality, Elijah Snow wasn't able to kick Dracula's dick off and was turned into a vampire. Or maybe . . . well, there's just too many maybes to go through, actually. I should probably just read the stupid comic book.


Bruce can't help speaking in DC Comics. "As a 'teen', I was a 'titan' of industry but an 'outsider' in all other ways. I knew to prevent 'doom', I would have to 'patrol' religiously."

The crazy guy from earlier talking about the plot of Primer is a scientist named Erdel working on time travel. While Bruce explains to the others how Erdel began working on time travel, Ellis drops an idea that I used to talk about a lot. I think it's a thing that to Ellis and anybody who has thought about it, it seems obvious so Ellis doesn't waste any time really going into it. But it's an idea that I only ever saw become mainstream for a blip of a moment when Patton Oswalt re-Tweeted somebody who mentioned it on Twitter as if it were the first time anybody had ever thought of it.


Technically the bomb would have been in front of the Earth if moved through time. Idiot.⁶

Obviously a time machine would also have to be a space craft. Or be programmed with some kind of momentum to wind up in the correct place in space where Earth would be at that time. Imagine sending a monkey back in time and at the exact same moment something enters the Earth's atmosphere and explodes in a great fireball. Coincidence or did the monkey sent back into deep space float around for fifty years until Earth caught up to it and crashed into it? Is all that Russian dash cam footage of objects exploding in the sky as they enter Earth's atmosphere actual evidence of time travel?! Probably!

When the league trying to get justice enter Erdel's lab, they find he's already started up his time machine while muttering, "Bastards! I'll show you!"


Is he talking about the bullies that gave him so many swirlies as a kid that his hair wound up in permanent Einstein disarray?

Planetary calmly watches from space as Erdel's machine blacks out half of Gotham. It then runs out of control to bring a Martian from seventy-five million years out of the past. Several ammonites drop out of its ass as it curses its own Martian god. It begins to suffocate since it's shapeshifted to breathe the atmosphere of a very different prehistoric Earth. As the alien lies dying, Ambrose Chase teleports in to see what's going on. He seems surprised to find Clark Kent there. Maybe a little scared too.

Superman manages to push Ambrose Chase into Erdel's time loop and then Bruce shuts down the machine with a Waynearang. After that, the "league" seeking "justice" use Ambrose's teleporter to travel to Planetary's base on the moon. Mere seconds after arriving, Clark is ejected into space where he can't fly or breathe. Elijah threatens the others that they'll get the same if they don't tell him where Ambrose is. As if anybody knows where Ambrose is. Probably floating in space somewhere slowing down time so that his last breath might last an eternity.

Diana runs around the base until she finds trophy evidence that Planetary is as terrible as Alternate Dimension Fantastic Four.


They've been 'incorporated' in stasis cells to the ends of 'infinity'.

I say "stasis cells" but obviously Hal Jordan has taken one to the dome so it's probably more like jars full of formaldehyde.

Jakita explains to Diana Prince that in this dimension Jakita basically is just an insert for Alternate Dimension Nazi Sue Storm, Kim Süskind. She's all, "We're genetically better than everybody else and your island's science and socialist belief in community wasn't welcome in our world. So I had to destroy it and now I'll destroy you." But while Jakita speaks, Diana manages to remove all of her clothes. That's when I'm all, "Oh! I recognize the outline of those labia! Wonder Woman!"

While the women fight, Bruce Wayne finally gets to reveal what drove him to becoming Wayneman.


Dun dun DUN!

Is this issue going to end with Elijah Snow waking up in a cold sweat and thinking, "Whew! We have to be extremely careful not to become the Four ourselves!"?

When Elijah Snow confronts Bruce Wayne, he says, "This is the human adventure. And your not all good enough to come along." I think that's exactly what one of The Four says in the regular series. You know, just to make sure the readers understand what's going on here and why Bruce Wayne gets to be the good guy even going up against Planetary. But also, this is why this is an Elseworlds book!

Bruce defeats Elijah but then Elijah is all, "I know you can't kill and you'll have to kill me to be safe!" But Elijah forgot this is an Elseworlds title and Batman can often kill in Elseworlds titles. But also Wonder Woman defeated Jakita off-panel and then came over to help Bruce kill Elijah because, you know, Elijah was right. Bruce can't kill. I mean, he did just kill Elijah by subduing him and then not telling Wonder Woman to not kill him. But at least he didn't get his hands covered in blood. The semantics of being able to say you don't kill are really all that's important. Batman can be responsible for the deaths of thousands of people but as long as he can say he hasn't killed anybody and have that be technically true to the most pedantic of assholes, everything's right with the world.


I mean, Clark's dead but who fucking cares, I guess?

The Ranking!
A fun little Justice League book that was probably meant to be, "What if the Justice League had to deal with The Four because Planetary didn't exist?" But nobody would know what the fuck "The Four/Justice League" would have been about. It's more fun to just pit Bruce, Diana, and Clark against Elijah, Jakita, and Ambrose. And I guess The Drummer although what the fuck happened to him? I assume he was either caught by Diana as he followed her, murdered, and shoved into a dumpster. Or he actually was following Popeye and that's a whole different story. Did Ellis ever write it?! I don't have the Batman/Planetary book. Am I also missing the Planetary/Popeye jam?!


__________________________________________________________________________________
¹ Goddammit! I just hurt my own feelings!
² Another conspiracy theory: older men's brains get super fried by conspiracy theories because they have less interruptions from their penis which normally balances how long they can think about something which cuts off the brain's ability to convince itself of truly stupid shit. So males are generally too perverse, sexist, and horny, or they're fucked up freaks who have lost the tether on reality. This especially takes hold when society has gotten so off-balance according to gender power dynamics that men can't help thinking that, just because they're men, they're the rational ones. This leads to them believing any thought that goes through their head because why would a great intelligent, logical, and rational mind think an irrational thought? The evidence of my theory is the current state of America in 2026.
³ I'm not counting Ambrose, Elijah, and Jakita on the back cover because those are spoilers for weak people who read back covers.
⁴ And line their pockets, probably.
⁵ Sure, I've finished it before. But by not remembering anything that I experience, it's like I haven't actually finished it.
⁶ Even as I call Bruce Wayne an idiot here, I've got that "I'm too old to be 100% sure about anything" feeling nagging at the back of my head that I've completely fucked this up. But if the bomb goes into the past, Earth would be further back along its orbit at that point in time. The bomb would end up in space where Earth would be in the future. So the bomb would be pumped "in front" of Earth. Right?! Am I the idiot?!

Friday, May 1, 2026

Planetary #10 (June 2000)


This issue looks like a fun time.

Planetary #10 (June 2000)
By Warren Ellis, John Cassaday, Laura Depuy Martin, David Baron, and Ryan Cline
Cover by John Cassaday
Edited by John Layman

This issue is called "Magic & Loss". Isn't that the name of the four panel comic with the guy rushing into the hospital to see his girlfriend who just lost her pregnancy? Or is that just called "Loss" and everybody thinks it's "Magic"? Or the opposite of magic? Science?

Maybe I should begin again but more confidently. This issue is called "Magic & Loss" which reminds me of that heartbreaking comic strip that everybody applauded as one of the most sensitive portrayals of a miscarriage in comedy web cartoon strips. Nobody ever made fun of it and it never became an attempt to embarrass the artist or his work. Giants in the field like that bald human-sized thumb and his scrawny hunchbacked friend didn't shit all over it in an attempt to distract from their dick wolf comic that they'd publish two years later. Nobody attacked Tim Buckley and his superb artistic expression at every opportunity and nobody's feelings were ever hurt and everybody on the Internet held hands with everybody else forever after. And everybody was happy except the two people on either side of Jerry Holkins. Because I imagine his hands are both sweaty and sticky.

Whew. That was much better. I saved it! I'm the hero!


This first page is just as depressing as the cover, isn't it?

Seems to me if you put "Loss" in the title of your comic book and/or strip, you drastically change the tone of the thing. We're we having alternate history fun in this comic book just a few issues ago? Giant monsters, giant ants, radioactive ghost women, guys named Leather, God's Hong Kong Cum Sock, First, Second, Third, and Fourth Men, and all the cool science fiction stuff that I've already forgotten? Why's everybody suddenly got to start dying? I bet I should blame it all on Ambrose Chase's reality distortion field. He activated it at the end of 1997 and everything just went off the rails after that. Now I have to witness Alternate Dimension Superman, Alternate Dimension Green Lantern, and Alternate Dimension Wonder Woman die?!

Maybe I'm jumping to conclusions. They could just be tossing all of their shit on the floor because they're about to fuck each other.

Or the reality: the items in the previous panel were all part of Alternate Dimension Fantastic Four's collection. The Planetary Clean-up Crew are taking apart Dowling's lab which the Field Team secured a few issues ago when Jakita was thrown out of the window and Elijah kicked Leather in the balls.

Sidebar: I have a theory that one of the reasons Gen-X have become the worst voting demographic is that, aside from so many of them already being the bad dudes in the John Hughes' movies, is that when Covid and the vaccine came about, they were just getting to the age where cancer risk increased. So they began seeing friends and family being diagnosed with cancer simply because they were aging into that risk group. But what they saw was a bunch of people getting the Covid vaccine and then being diagnosed with cancer and they were all, "A-ha! I am the great British Detective John Holmes! I know exactly what caused this cancer!" Another part of my theory is that a lot of people are just stupid morons. And, funny enough, all of the dumbest guys I was friends with when I was younger were all the ones to fall for Fox News propaganda. Who would have thought?! End Sidebar.

Was that a sidebar? I wished I'd watched more lawyer television shows so I'd know. The only one I ever watched regularly was L.A. Law and that was because I loved Larry Drake's character. He was always bringing them doughnuts!

After some techs look at the pile of super hero accessories and before they piss on it (or whatever lowly blue collar workers do to things on the job¹), Warren Ellis turns this issue into the origin stories he would have written for Superman, Green Lantern, and Wonder Woman.


This is gay sex so powerful that the orgasm destroys Krypton.

Warren Ellis's take on Kryptonians is that they're so arrogant and proud that they destroy their planet by sending their art, poetry, and history into space to be enjoyed by all the other civilizations. Krypton explodes because every launch uses a gravitational system that destabilizes a black hole at the center of the planet. The launch by these two Kryptonians — the ship carrying Superfoetus — is the last straw on the Nightwing's back. The planet implodes. Seems like Alternate Dimension Superman, being responsible for the death of Krypton, is going to need more therapy than Alternate Dimension Batman (whose origin we're not going to get. At least not here).

Alternate Dimension Green Lantern is actually a Blue Lantern and actually uses a lantern instead of a ring. I guess they haven't gotten to the point in their organization's existence where somebody said, "Why are we carrying these stupid lanterns around? Can't we refine this shit down to something smaller? Like a brooch or a pocket watch?"


I think one of these Blue Lanterns is Arseface!

Judging by the group shot, it seems each individual member is allowed to modify the lantern for their own ease of use. But it's still essentially a "lantern". Even when it's on a guy's finger!

Alternate Dimension Wonder Woman decides to visit mankind's world from her secret island because she got tired of watching them fuck space with their rocket dicks.


Alternate Dimension Wonder Woman's Mother doesn't know about Artemis.²

Man. That one image of Wonder Woman looking back over her shoulder makes me wish John Cassaday had done a Wonder Woman run.³

Timeout: I just realized I should be selling my comic runs as I read them so I can afford to buy more old comic runs to read! I should create a WhatNot account?! Time in!

After the origins, we learn how the Alternate Dimension Fantastic Four dealt with these powerful beings. Leather incinerated Alternate Dimension Baby Superman and stole his cape. Dowling captured and dissected Alternate Dimension Green Lantern who, interestingly enough, has an, um, uh, well, err . . . you know.


I'm blushing so deeply right now!

Dowling mentions selling the Blue Lantern's lantern to Henry Bendix so that establishes that that jerk knows about Artemis. Or at the very least, the Alternate Dimension Fantastic Four.

Kim, the Nazi daughter of the Nazi, kills Alternate Dimension Wonder Woman as soon as she steps out from the shield keeping Alternate Dimension Paradise Island safe. So what we've learned is that the Earth where Planetary resides never had a chance to learn about hope and inspiration through super heroes. It's timeline was kept firmly pointed at shadowy bullshit, dark futures, and shepherding the masses into the slaughterhouse by the Artemis Project and its four mad keepers.

The Ranking!
There was one page left which I hadn't read when I got ready to write this ranking bit that doesn't have any real identity as a separate section of the review. I know it says The Ranking! right there as a demarcation to show that we've gotten to the point where I assess what I've just written but do I ever really do that? Fuck no. That's, like, bullshit review work where you suddenly have to repeat yourself over and over again using review terms and standard review tropes that everybody understands. I just want to point out that my assessment of this story was how this "timeline was kept firmly pointed at shadowy bullshit, dark futures, and shepherding the masses into the slaughterhouse" was done before I read Elijah Snow's final word on his realization that Alternate Dimension Fantastic Four has been actively keeping his world from hope, joy, and enlightenment.


See? Sometimes I comprehend the things I read!

I forget who John Stone is but we'll find out next issue, I guess. From the cover of Issue #11, it looks like John Stone is some kind of James Bond or Human Target figure. Maybe it's Martian Manhunter, eh?!


__________________________________________________________________________________
¹ I'm pretending I don't know even though I've never worked a non-blue collar job in my entire life. It's just that if I talked about jerking off on the items during some boring downtime, people might begin to look at warehouse workers and burger flippers differently. Even if they shouldn't.
² I'm talking about the evil Alternate Dimension Fantastic Four's Artemis which has basically established a base on the moon as well as Mars but if you want to think I'm talking about our 2026 Artemis, that works as well.
³ Do I need to search out The Wonder Woman 100 Project just for Cassaday's Wonder Woman cover art?!

Thursday, April 30, 2026

Planetary #9 (April 2000)


Now playing in a fictional comic book that treats fiction as reality: Planet Fiction!

Planetary #9 (April 2000)
By Warren Ellis, John Cassaday, David Baron, and Michael Heisler
Cover by John Cassaday
Edited by John Layman

Because our time as human beings is finite, every interest we take during that time means we're sacrificing a potential interest in every other interesting thing. That was an obvious statement but it led to me thinking about what our interests project to others about ourselves, our choices, and, ultimately, our secret inner being. I suppose I'm just using deconstruction¹ to analyze others by decentering the very thing that they provide as their center. Sure, nobody is just one thing they love or embrace or build their lives around. But when you actively, and on purpose (which seems maybe slightly embarrassing?), portray yourself as "a Disney adult", you're telling me about the parts of you that are missing — which *must* be missing — for you to embrace such a paltry and corporatized persona.² I'm going to assume that you've never read Joseph Conrad's Heart of Darkness (at least not while thinking about Goofy and Minnie to such an extent that the words you read never actually reached your brain³). Not that Heart of Darkness means anything here (or does it? Why would I have picked it? What could you possibly extrapolate from my choice of such an ambiguous and — let's face it — fairly boring text?); it's just if you get off on Disney coffee in your Disney mugs on a sunny Disney morning in your Disney pajamas⁴, you might as well set up a flashing neon "No Vacancy" sign on your head.

Sorry! Sorry! I didn't mean for this to become a "Let's bash Disney adults" bit! It's not the fault of Disney lovers that their love of Disney had to become an all-consuming passion thanks to the Internet! Some of you older folks remember the days when you could be the biggest fan of something without it consuming your entire life because you only had to prove your love of that thing to, at most, one or two dozen other people. But now with Instagram and Tik Tok and Facebook and Bluesky, you really need to ratchet up your fandom to unheard of levels. So that's not helping with the amount of things you're missing out on to your top interests in life. I feel bad for kicking Disney adults when they're probably already huddled on the ground in a fetal position because they saw me coming their way with my Kaiser Blade of Epic Judgment at the ready. I feel bad! I just meant to say that no matter your interest, vapid or academic or philosophical or hedonist, it just means the energy you're expending on that interest cannot go to engaging with other things. It's simply impossible to engage with everything life has to offer. And, often, the thing you are noticeably engaged in tells other people things you probably aren't engaged in. Like if you're a Crypto bro, you're probably not big on social justice. Or community. Or anything that doesn't have to do with you explicitly and your extra-fake currency (being that, you know, all currency is a fantastic metaphor which we've all agreed to simply to make living among others easier).

My interest in comic books and self-pleasure probably tells you more about me than you'd like to know (but not enough to believe that I'd ever jerk off into a sink. Why would you even think that?! So gross). But I have to admit that sometimes knowing what a person is missing out on isn't as easy as when you see somebody super worked up by Conservative politics or Christianity. You always know what parts of humanity and our shared experience are missing from them! Like when a person I know is so into music that they recognize more bands than I ever knew existed. What have they given up to have listened to so much music? I have no idea! I couldn't even guess! I just know that the whole of music⁵ is something I've missed out on due to my pursuit of literature, comic books, and computer roleplaying games. Imagine how much more music I could have experienced in my life if I hadn't replayed Wizardry uncountable times?! And, sure, I could have listened to music as I played but that wouldn't have helped because music played while you're doing other things becomes almost nothing. You cease to hear it on an experiential, memory inducing level and it just becomes the thing that's happening around you as you concentrate on the actual thing you're doing.

I'm not sure I've worked through this thought on a level that would be acceptable to a newspaper editor or a college English teacher but I'm done with it now⁶. This introduction to my comic book review was brought to you by the term "Planet Fiction" and The Pixies' version of Neil Young's "Winterlong". I'm just providing the alchemical ingredients that brought me to that line of thinking. And now boredom and my short attention span are moving me away from it!

Hmm. I wonder if the idea of a "line of thinking" is a way to view some of the themes in Pynchon's Mason & Dixon?


This is how it begins. Beautiful.

Ellis and Cassaday dedicated this issue to Grant Morrison for some reason. I wonder if Alan Moore read that and let out a massive fart⁷?

The story begins with a fictional farmhouse pierced by a fictional rocket under an actual moon (fictionally stylized). Is this a retelling of the Superman story? I don't remember! The only thing I remember is the title "Planet Fiction" which excited something primal in me, as if the cells of my body hold the memory of how great this issue was but my brain couldn't be bothered to remember because it was thinking, "I wonder how quickly we could defeat Werdna if we started up another run of Wizardry?"

This story begins in England, 1997. So if it is a retelling of the Superman story, it'll be more critical of class consciousness than "a boy from rural America would obviously be honest and compassionate and, um, hate queers, probably". That third thing wasn't supposed to be there but then my cynicism was all, "Fuck that rural people propaganda bullshit that they're honest and hard working and the backbone of the country!"

I just realized that I should have wished for the death of my cynicism when that genie gave me three wishes. But no! Instead, I'm stuck with these three eight inch tall pianists. Stupid idiot!


Ma and Pa Kentshire were never got a chance to teach little Clarkson about compassion, responsibility, and how shit Margaret Thatcher was.

The ship seems to be one of Britain's own having returned from a mission to who-knows-where. It contains one more crewmember than when it departed. It crashed in Norfolk on its return, mystifying the team behind the mission. They suspect that one of the "creative team" who was from Norfolk wrote this return into the mission knowing that the "creative team" would be silenced by the government to ensure secrecy of this fictional mission. Is the UK government now exploring fictional worlds? Is that the actual final frontier?! To go into the space of our dreams? To explore art? To rise above the mire of reality and learn about ourselves through our artistic endeavors?

Hmm. Sounds about right, actually.

Before the ship can be opened by the UK Government, mission central is breached by Planetary.


This is 1997. Elijah Snow is still self-exiled to a desert in Nevada. Meet Ambrose Chase.

I decided to go with the actual page from the comic book when introducing Ambrose Chase instead of the first thing my brain wanted me to use to introduce Ambrose Chase because I told my brain, "Nobody would fucking understand what you're doing, you stupid piece of shit." If you're into seeing my first take on things, enjoy the next image. If you don't give a shit⁸, just skip it and begin reading again after the next image.


This is 1997. Elijah Snow is still self-exiled to a desert in Nevada. Meet Ambrose Chase.

Ambrose Chase has a reality distortion field. That means he, um, distorts reality. It's good for not getting shot and people thinking you have a massive dong. Even with what sounds like an extraordinary power to do whatever he wants, Ambrose realizes Planetary may be in trouble. They know the UK ship has brought back something from Planet Fiction and I'm guessing "warping reality" doesn't mean "warping fiction" so Ambrose might be powerless to whatever came back with (and killed!) the ship's crew.

"Dr. Dowling" is mentioned by the head of Project Fiction as he discusses the project with the creature brought back from the story they created simply to see if they could explore it. Does this mean the UK also has their own "Project Artemis" run by Alternate Dimension Fantastic Four? Is Project Artemis a joint program between white supremacist imperialist nations? Does the fictional person brought back from the fictional world have three eight inch dongs like every fictional person⁹ I create in my stories?

Ambrose, getting overconfident and not relying on his power, gets himself killed. During his death scene, parts of his life flash before the reader's eyes: learning about his power as a kid; consoling Jakita about somebody who's missing (possibly the Fourth Man); raising a baby girl (which might be Jakita's baby) over his head; meeting the Fourth Man (who loves white suits) in 1994; joining the field team as the Third Man.


Doesn't the scientist who overreaches also always die?

Ambrose Chase uses his reality distortion field as he dies and his body disappears. So he's probably not dead then, right?

Jakita kills the overreaching scientist who relies on his singular knowledge of the plot being plot armor. Jakita doesn't give a fuck about the plot so, you know, his plot armor does him know good. She figures they'll sort it out later. And because Jakita leaves the reader slightly unsatisfied by killing the only guy who could end it in a meaningful way, Warren Ellis ends the story with a small information dump.


This sounds like a word problem. Should I be able to come up with a syllogism that answers the mysteries so far from these four premises?

The Ranking!
Interesting issue that wasn't really a complete story which might be why my brain didn't fully remember it but my body remembered it was important. This is just a reminder that Planetary existed before Elijah Snow joined and the history that he missed is important. Plus we're given a little puzzle at the end! The Fourth Man missing in 1997 and then Elijah Snow was found in 2000? Elijah Snow has never heard of Ambrose Chase but Ambrose Chase used his reality distorting powers as he died so maybe he caused Snow to forget about his existence? Jakita Wagner was already a member before Chase joined and Chase met the Fourth Man which almost certainly means Jakita met the Fourth Man before he disappeared so she knows more about Elijah than he does¹⁰. And the last premise given, that the fictional creature is still at large, is just, um, foreshadowing for a future encounter, I guess? Probably doesn't actually fit in with the other premises, right?!

Um, anyway, just thought I'd close out with a letter to show that it didn't take the Internet to get Conservative fans angry when their stupid political ideas are called out.


Oh! Poor Mr. Bill "Snowflake" Fartrand needs his safe space!




__________________________________________________________________________________
¹ Correctly. Or, at least, more correctly than it gets used on tumblr, Twitter, or Facebook.
² This might sound like I'm subtweeting some friend or relation who constantly posts about Disney (and it very well could be) but it's not; I sincerely just picked "Disney adult" off the top of my head as I typed my way through the void of my Abyssian thoughts.
³ I don't mean this as an insult to the person's intelligence! I mean this as that thing we all often do as we read where we know we've gone through the motion and read the words but the meanings of those words didn't actually stick and you suddenly realize, like a literate form of highway hypnosis, that you've missed your exit and you have to go back five or six pages to get back on track. Ugh. That metaphor just caused a ten car pile-up.
⁴ No judgment as I sit in my Hot Topic women's cut Wednesday pajamas, a show that I've never seen but, after discovering that Enid, the other character on the pajamas, is a werewolf, has me pondering looking into it.
⁵ I don't mean I've missed out on "all music" by saying I've missed out on "the whole of music". I mean I've missed out on much of the landscape of music, or the whole of it, because time? Where is it? How do I have so little left to me?!
⁶ Like a cat leaving a still breathing mouse lying on the pavement with its guts hanging out.
⁷ Non-magical
⁸ Although if this is the case, how did you even read this far into the "review"? These reviews are nothing but my stupid takes!
⁹ Yes. Every single one.
¹⁰ Still working on the assumption that my memory is correct and Elijah is the Fourth Man unless that's not my memory at all and just the simple deduction which the comic book is leading everybody to.

Saturday, April 25, 2026

Planetary #7 (January 2000)


In the world of Planetary, Vertigo stories take place side by side with kiddie hero crap.

Planetary #7 (January 2000)
By Warren Ellis, John Cassaday, David Baron, and Ryan Cline
Cover by Dave McKean . . . I mean John Cassaday!
Edited by John Layman

The copy on the cover comes from Recollections of A. N. Welby Pugin and his Father, Augustus Pugin. The full quote follows:

An unwavering faith, a most singular piety towards bygone ages, a veneration the most profound for all that appertained to the beauty of the courts of the Lord, an imagination glowing with the glories of the past, all combined in impelling the subject of this memoir to surrender his heart and soul to the desire for the restoration of the forgotten faith and for the revival in the land of its ancient magnificence in art and architecture.

Augustus Pugin was the father of the father of London's Gothic Revival Architecture scene¹. Augustus Welby Northmore Pugin was the son who co-designed the Houses of Parliament after they burned down on November 5th, 1834. No, wait, sorry: it was on October 16th of that year. Surely it was November 5th, no? If not, why am I remembering, remembering that date?! Also he gave over his designs for Big Ben to Barry, co-designer of the Houses of Parliament, just before he went completely mad. I suppose the quote was used here because of its content which sounds like maybe somebody into the occult but also because the guy it was quoting went insane. So maybe we're supposed to view this version of John Constantine as more on the mad side than the clever side?

It's also possible that John Cassaday just grabbed up the first bit of olde timey font he could find to shove on the cover and he didn't really care what it meant in context of the story, as long as the words that could be read sounded vaguely of the occult.²


Jack Carter = John Constantine. With maybe a bit of a play on John Carter of Mars?

Hell of a way to begin a John Constantine story although I've got to assume that multiple Constantine stories have begun with the assumption that he's dead. It's probably a bit of a trope with that arsehole³. Anyway, they'll be going to his funeral and reminiscing about him and eventually finding out he's still alive, probably.

This issue is called "To Be In England, In The Summterime" which is a lyric from The Art of Noise's 1984 song, "Close (To the Edit)". That's the one where the video has a mini-punk/new age kid sentencing various musical instruments to death on some railroad tracks after which three grown men curb stomp a violin, grind up a saxophone, and dissect a standing bass. The title might also be from a poem by some old shite British loser like Robert Browning as well but I stopped my research at the discovery of the lyric. You'd think I would have remembered that line being in that song since all of the other lines are "dum dum dum dum" and "HEY!" and also I remembered the video vividly after watching it on YouTube but hadn't thought of it for probably 40 years. That's a shame. One of my regrets when I die will be not having watched this video regularly throughout my life.

Man. Those were the days! When men wore make-up and music videos were fucking cooler than shit.

The title could also be a reference to Van Morrison's "Summertime in England" since that mentions poets doing drugs and writing stream of consciousness shit. That's fitting but the title of this comic isn't "Summertime in England" so I'm skeptical.


All I'm hearing is "Jack Carter knew how to lay down some dick."

While they're reminiscing about Jack and London in the '80s, The Drummer mentions that Jenny Sparks ran a team of heroes there in the '60s and '80s. I was going to write, "Wouldn't that be a cool team-up? Planetary and The Authority?" when I remembered I own that team-up. So we'll get to it later!

While they're walking through the graveyard, it being a metaphor for nostalgia, remembrance, and the past, they see Miracleman⁴ fly past the moon while Dream and Death sit on a bench feeding pigeons. And then they come upon this group of disturbing and familiar mourners.


Let's see . . . represented here we've got Alan Moore, Peter Milligan, Grant Morrison, and Neil Gaiman. Probably others. Oh! Jamie Delano! Duh!

That was almost embarrassing! The entire thing is about the guy whose comic Delano wrote for like four years and my brain farted out his name as a mere afterthought! If I had one wish, I'd wish that my brain could take the form of a person for ten minutes so I could kick its fucking ass. I hate it so much. Although if I use my brain and think about it for like one second, I guess I hate my body more. Stupid monkey paw's wish! I'm realizing that, in the end, I'd let my brain kick my body's ass. At least my penis would enjoy either outcome.

Jakita explains how Jack Carter schooled them on why British thought in the '80s was so far outside the realm of American identity. We were watching Benson while they were watching Spitting Image. Americans were all, "Ho ho! People in government are doddering idiots but it's okay because the lower classes are much smarter and in control!" But the British were all, "Holy shit we're being governed by an insane woman and nothing we do matters! Somebody needs to fucking bomb the shit out of that hag while she's in the bath!" The British Invasion came over with ideas that seemed like far-fetched science fiction but they were really warnings about how countries can also get dementia as they get older and people need to stand guard against it. But Americans were just, "What?! Swamp Thing is a plant that thinks it's a man! That's nucking futs!"⁶

Jakite tells Snow a Jack Carter story which Warren Ellis probably pitched for Hellblazer but got rejected because it's about a ghost looking to abort the second coming of Jesus. Britains, being more cynical in general, don't mind a good crack about aborting Jesus but the only thing American masses would hate more is a story about the president taking everybody's guns away. I always thought that the hypothetical question that people love to ask, "Would you go back in time and kill Baby Hitler?", should always be followed up by a second question if the person answers, "Yes!", and that would be, "But would you go back in time and abort Baby Hitler?" Doesn't seem like a big change to me but I'm pretty sure a lot of Americans would be all, "Fuck yeah I'd kill a baby but I wouldn't want to sin by being responsible for an abortion!" Most Americans are really bad at theology, morals, philosophy, and ethics.


Pretty sure I know what Warren Ellis's script had in place of "toerag" before John Layman was all, "Dude. I get he's British. But maybe lay off the 'cunts' for our American comic book?"

Jakita wants to see where Jack died, presumably beaten to death by some nobody⁷ who thought he was an arsehole⁸. Once at the site, Drummer notices that a bunch of magic was done here and begins investigating with his "talking to technology" powers. Magic is partly technology but it's the part where you cheat at reality and damn all of your friends to Hell.

Planetary discover that Jack Carter faked his own death. As they discover this, the guy who supposedly killed him returns to rant and rave and monologue why he did it.


Nobody asked to see the British Invasion from the hero's point of view, dude!

Fucking great moment, really. Shade the Changing Man. Animal Man. Swamp Thing. Some various characters like Doctor Destiny and the Silver Scarab in The Sandman. Even more I can't remember, in loads of mini and maxi series like Kid Eternity and such. Anyway, after this revelation of internalized rage, this guy gets his guts blown out from behind by Jack Carter and a shotgun. Jack Carter's head is shaved now, probably needed for the fake death ritual and certainly needed for his coming transformation from past legend to future icon.


So should I think of this as canon when I re-read Transmetropolitan? That it's a sequel to Hellblazer?!

I guess on a less literal level, Spider Jerusalem is just an examination of the end of the 20th Century slash beginnings of the 21st Century in the same way that John Constantine was commentary on the degradations and oppressive government of the British '80s. Although this story takes place in the year 2000 so what did Jack Carter do? Time travel spell?!

The Ranking!
Fucking chuffed, I am! I think. Am I using that correctly? Probably not. The only thing I know about British culture is that "Raspberry" is Cockney rhyming slang for "fart" because of "raspberry tart." No wait! I also know that "Berk" is Cockney rhyming slang for cunt because of "Berkeley Hunt"! Also I just realized today that the current season of Have I Got News For You? is already halfway through and my YouTube algorithm wasn't fucking telling me about it even though I follow at least two Brits who constantly upload it! Now I have to watch Ian and Paul and their guests discuss news that's three to four weeks old already! ARGH! I hate my life! Nobody has it worse than I do!


__________________________________________________________________________________
¹ Was that a scene? Was it a revival? Not only do I not know how to write, I also do not know how to research. Do research? Read histories? Historiocize?
² It's also possible (quite probable, really) that Warren Ellis was reading Recollections of A. N. Welby Pugin and his Father, Augustus Pugin at the time because Ellis reads loads of boring things and marked this passage as interesting and faxed it to Cassaday to use in his riff on a Dave McKean cover.
³ Affectionately!
⁴ An assumption on my part as the caped person is mostly in silhouette but I think it's a good call given the theme⁵ of the issue.
⁵ What is that theme? The British Invasion of the mid to late '80s and, I guess with Jack Carter's death, it's dwindling in importance?
⁶ It was the '80s! Saying things like "Nucking futs!" was the height of hilarity, right after you've finished reading your 101 Uses for a Dead Cat book and then told a few dead baby and AIDS jokes!
⁷ Which is how all the greats guarded by their massive reputations usually go: Wild Bill Hickock, Omar, um, others, presumably.
⁸ Not affectionately!

Friday, March 27, 2026

Planetary #6 (November 1999)


I would be hearing The Right Stuff theme right now if I knew what it was. Probably something jazzy with a hint of white cultural appropriation? Instead I'm hearing the theme to Curb Your Enthusiasm.

Planetary #6 (November 1999)
By Warren Ellis, John Cassaday, Laura Depuy Martin, David Baron, and Allison Fuchs
Cover by John Cassaday
Edited by John Layman

• I used to have thoughts during the day which would translate into things I'd discuss in my comic book reviews. But it's been about five years since I gave up on thinking. What did thinking ever do for me?! It's a sucker's game. That billionaire who said introspection was made up bullshit wasn't right but he may as well have been! Introspection? PTUI! I spit on it! All it's ever done for me is make me a better, more compassionate person who's still poor! So now I'm overburdened with debt and a contemplative understanding of community, existence, the universe, and my place within it? It's too much! Why should I understand Conservatives better than they understand themselves?! I'd rather have money and hot babes! It's a burden I've placed upon myself with this stupid thinking thing! Five years ago, I discovered gambling streams on Twitch and I was all, "Oh! I can watch these and not think about anything at all!" I already feel like — if not a better person — a person who absolutely understands the world. Some might call me a self-contained narcissist who thinks every thought which comes unbidden into his head must be reality because how could he have thought it if it wasn't the Absolute Truth? I may not think anymore but I'm still the smartest person that ever lived! I must be because how come I know so much without ever reading an actual book or taking a college class or asking any experts any questions about anything?! Why would I need to? It's called Wisdom and Street Smarts, buddy. Plus I do my own research¹!

• One thing I accidentally thought about the other day while I was looking for a clean sock to jerk off into was how people sometimes use the phrase, "Facts don't care about feelings.²" It's one of those phrases that belongs on a bumper sticker because it's the only time it can be consumed and thought of as Absolute Truth because the person reading it is too stressed out to contemplate it for even a second because they're trying to merge but every single person on the road believes they have to be bumper to bumper with the person in front of them, even at 80 miles per hour (or 120 kilometers per hour. Did I do the conversion correctly? I must have because why else would I think 80 MPH was equal to 120 KPH?! Remember Bullet Point #1!). But the thing about every single person who says "Facts don't care about feelings" is that they don't care about facts at all. Maybe the statement could be true if the "fact" they were talking about was actually a fact and not made-up bullshit perpetuated by the people they consider their peers. Every "fact" that comes out of a person's mouth after they say that facts don't care about your feelings isn't a fact at all. It's just something they feel should be true. Which is ironic, right? Is that irony? It's not 10,000 forks irony but it's possibly more like actual irony than that? Anyway, you know if a person says, "Facts don't care about feelings," they're about to spout a load of pure nonsense out of their feelings hole.

• This issue is called "4" because it's about The Fantastic Four. It's weird that it's Issue #6 and not Issue #4. I guess Warren Ellis is just terrible at outlines and planning.


When's the learning curve begin to steepen, Drummer? Every kid on the playground knows this shit. This is In Search Of... 101, man.

• I wonder if, being that the world of Planetary is full of fictional people in the same way that Moore's League of Extraordinary Gentlemen is, Captain Blicero from Gravity's Rainbow was one of these top scientists brought over to America? If I see any background images of a guy shoving a rocket up his ass, I'll assume it's him.

• That page with Drummer doing the mission briefing is all the reader gets. We are not privileged with whatever terrible information he imparts to Elijah and Jakita which makes Elijah so angry on the next page while he's standing outside the Fantastic Four headquarters. He's ready to tie Reed into a cute little human bowtie, snuff out Johnny via super violent swirly technology, drill Ben into dust, and, um, have tea with Sue, I guess? I don't want to imagine a man beating up a woman. She's probably cool.

• Oh, I was wrong which I was suspecting I was going to be anyway but just kept typing. The Drummer's mission briefing continues on the even pages while the mission goes ahead on the odd pages. Hopefully Ellis and Layman worked with the ad people to make sure the adverts didn't interrupt this pattern.


Oh. Um. Artemis, you say? Was the diabolical evil space program? Um. Uh. Eep.

• I understand why Warren Ellis would name the sister program to Apollo "Artemis". NASA had named their program Apollo so why not use his twin sister as the opposite? Plus, even though it's entirely inaccurate to call Artemis a moon goddess, well, thanks to the Romans, mostly, Artemis is now thought of as a moon goddess and Apollo, thanks to whatever (Romans, again, probably), a sun god. But that's not my real concern. My real concern is that the current NASA program has taken on the name of the goddess who is the protector of young girls. Especially, you know, during this administration? I mean, shooting a phallus into space to impregnate the feminized moon with men and calling the entire program the name of the Goddess who protected young girls? Stop making reality creepier than fiction by Warren Ellis, my dudes.

• Remember, kids! Artemis's first manned mission is coming up on April 1st! Maybe. It's hard to say because April 1st has a history of being the most annoying day of every year. Gonna be some crazy headlines on that day and nobody's going to know if they can believe any of them.

• Planetary's mission is to destroy the Fantastic Four because they're monsters. Just the biggest, most inhuman monsters of all time. Worse than the guy with the stupid mustache because he didn't get super powers by flying through a shitload of space radiation. Imagine if he had been bitten by a radioactive spider though? Spider-Hitler! Spider-Hitler! Does whatever a Hitler does! You know what? That's enough of that song. What am I? Slayer?

• The Fantastic Four (Wildstorm edition):
     Randall Dowling (Reed Richards): an Omniscientist (in the vernacular of Scott Lobdell) who could have been "the American Einstein if not for his background". So probably a genius serial killer.
     Jacob Greene (Ben Grimm): Pilot who flew the most Top Secret missions in World War II. Probably a big dumb serial killer.
     William Leather (Johnny Storm): Adventurer. Supposedly rode on the last journey of Nemo's Nautilus. Built sex-positive airplanes. For serial killers.
     Kim Süskind (Sue Storm-Richards): Physicist. Daughter of one of the secret Nazis (possibly Blicero?). Definitely a serial killer.

• The Fantastic Four may have been superior sounding examples of the worst people in America but it wasn't through their ability or intelligence which allowed them to become super people. It was just a bunch of nerds sending them into space as guinea pigs and random, dumb luck³.


The Fantastic Four demonstrate how the camera reacts when it's shoved up your asshole during a colonoscopy.

• The Drummer describes The Fantastic Four as "the dark side of everything" Planetary does. I'm not going to make any judgment calls on this seeing as how, as a reader, I'm supposed to buy into the conceit that the team whose name is on the cover of the book are the good guys. In the first five issues, they seem to be doing, if not any meaningful good, at least no real harm. They profess to be working on a grand agenda to make the world a better place for humanity. The Drummer points out that The Fantastic Four usurped control over the Artemis program and began using it for their own ends. And even though the Artemis program didn't seem like it was trying to be non-nefarious, the idea that four individuals are using billions of dollars for their own pet projects and whims is almost certainly worse than whatever cold war spy shit America was using Artemis for.

• The Drummer ends his briefing by pointing out that the organization has heard Elijah's complaint that the group doesn't actually do anything to make the world better. It's just gathering information and resources. So this mission to end The Fantastic Four is kind of a bone being thrown to Elijah. Here's something good they can do. Here's a way to actually make the world better. They figured out where the Four are and they believe they can end them.


Of course, it's going to be more difficult than Jakita and her arrogance can conceive.

• After six issues, that was the first time we've seen Jakita fail. I think. No wait! I don't think anymore. So it definitely was because it was the thing I thought and I don't think thoughts that are wrong because, remember, I don't think. Facts just come unbidden into my brain as they bypass all the feelings.

• The Wildstorm Fantastic Four's symbol is the numeral 4. But it's the numeral 4 if you actually wanted it to be a swastika. I'm starting to get really nervous about this manned Artemis space launch in a few days!


I would vote for Elijah Snow.

• Elijah Snow confronts William Leather after Leather throws Jakita through a window where she falls 100 floors to the ground. Elijah says, "I know that you've done more than your share of making the world mediocre" and I can't think of a harsher criticism to lay out on not just this one man but the masses at large. So many people actively making the world mediocre by constantly arguing against trying to make things better. The centrists of the world. The libertarians of the world. The Democrats of the world. I'd also list the Republicans but fuck mediocre; they want the world much, much worse. Elijah's criticizing the people who have the means to make things better and instead choose to simply make life easier for themselves. Or not even easier! Just hoarding things because they fear limited resources. Leather's response to Elijah's criticism is "My crewmates and I [are] on the human adventure. And you can't all come along." Just fucking grotesque. The antithesis of humanitarianism. Just cold-blooded narcissism.

• Anyway, Elijah kicks him in the balls.

• Elijah's tactic doesn't destroy William Leather, as he's basically a god now, but it does get him to retreat. He acts as if the retreating is a choice he's making because "letting Elijah live" is somehow the most fun option. But I think Elijah might have exploded William's scrotum and now all William can think is, "Oh god I have to see what's happening in my underpants I think it's all coming undone down there holy fuck I'm so scared!"

• William Leather acts as if he knows Elijah. He points out that everything Planetary uncovers, the Fantastic Four either already know about or are the creators of that thing. He points out that Elijah Snow's lack of memory seems awfully contrived. Has he not thought about how he doesn't remember anything and Planetary goes about uncovering things that have been forgotten? That's some shit a writer would have done when beginning a mysterious comic book. Maybe think about that, Snow!

The Ranking!
It's not as if the ball hasn't been rolling since Issue #1 but holy hell did the ball pick up speed this issue. It's all coming together nicely. Even the Monster Island issue comes more into focus after this one, being that Planetary discovered the soldiers on Monster Island worked for whatever Artemis has now become. And they found files to allow them to locate the Fantastic Four there. So now Planetary has a nemesis in Dark Planetary. It's like Nibiru! Dark Planetary also answers the question "How is all of this weird shit not known to the masses? How does it remain hidden?" Well, if you've got four gods trying to keep all the cool paranormal stuff for themselves like greedy fucking children hoarding toys, you're going to miss out on all the fun stuff. Plus it's more exciting if your book about archaeology actually has some kind of conflict other than the dirt piled on top of the stuff that needs to be dug up.


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¹ Twitch Chat, rants from Gambling Streamers, and YouTube videos with nearly 180 views constitute research, right?
² Often said as "Facts don't care about your feelings" to make it more of an insult to the person they're trying to debate who's actually just trying to go about their day unmolested by a selfish narcissist who believes in personal freedom only to the point that people give up their own personal freedom to acknowledge them constantly.
³ Good? Bad? Who's to say?