Showing posts with label The Hellblazer. Show all posts
Showing posts with label The Hellblazer. Show all posts

Thursday, April 23, 2026

Eee! Tess Ate Chai Tea: The Newsletter #27 (First Week of June 2018)

E!TACT #27
Hit Girl #4, The Hellblazer #22, No Justice #3, No Justice #4, Plastic Man #1, Terrifics #4, Poetry Corner, and Grunion Guy's Musical Corner of Music Reviews!
By Grunion Guy


Comic Book Reviews!


Hit Girl #4
By Millar and Lopez Ortiz

Hit-Girl murders a bunch of people in violent and gory ways and I've lost all sense of why this comic book exists. Is it a parody of overly violent super-heroes? Is it a serious statement about how only brutal means are effective against brutal criminals? Is it simply a joke thought up by Millar while out drinking one night: "What if a tween girl becomes an assassin for justice?! How humiliating would it be to get split in two by a katana wielded by a young girl with unicorn earrings on her ears and a maxi-pad junior in her underwear?!" Whatever the reason for this comic book's existence, I think I finally reached my murder threshold after this issue. About half the pages in this comic book are simply panels showing drug dealers being slaughtered in graphic detail. If the ultimate joke of this book is that a young child is really efficient at killing people, I think I've lost my taste for it.

I know that's what the comic book has been about for years! It's just that, for some inexplicable reason that I can't put my trigger finger on, it has lost its abstract nature and has become more realistic than I think even Millar wanted this comic book and Kick-Ass to feel. Maybe it would be different if Hit-Girl were sympathetic or likable in some fashion. But she's just a psychotic teenage sociopath who uses a vague sense of morality to rationalize her love of killing. I just don't think that's enough for me anymore.


Wait. He knows the "loves to murder for the fun of it" part of her. What's the other half that makes her a monster?! Is she into fucking goats against their will?

Rating: Oh, who am I kidding? I'll probably keep reading this. What a premise: a tween girl who's an expert assassin! Ha ha! So unbelievable!


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The Hellblazer #22
By Seeley, Fabbri, Dalla Vecchia, and Strachan

Rating: This comic book expects me to remember everything that has happened in all twenty-one issues before it. I can't be bothered. Or it's physically impossible for me to remember twenty pages of comic book that I spend five to ten minutes on once a month over the last two years. But that's just depressing to think about because I used to be able to remember things like that. Maybe it was just that I was somehow passionate about comic books thirty years ago and so the stories stuck better. But now most of them don't have any real impact and I can't give up any mental real estate on remembering all of the demons Constantine has pissed off over the last two years. So instead of saying, "I just can't remember any plots to any comic books I read so why am I bothering with them?", I'd rather say, "I can't be bothered to remember any of The Hellblazer stories." It makes me feel more in control even when I just explained how it's all a big lie.

Is it better to be so delusional that you don't know you're deluded or better to understand and proudly embrace your delusional nature? I think one of those makes you a Fox News viewer and the other makes you a Shakespearean character.


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No Justice #3
By Snyder, Tynion IV, Williamson, Rossmo, To, and Hi-Fi

Wonder Woman activates the Tree of Wonder by believing in herself. She also has the help of her teammates who make sure to believe in her too. My concern is this: it took Brainiac's intelligence to put together a group of people who could believe in Wonder Woman? Couldn't any four other people from Earth have been placed on Wonder Woman's team? I mean aside from members of 4chan and Gamergate dudes. It's this type of lazy writing that practically forces me to be a cynic while reading comic books. Since no plot reasons were needed for Team Wonder, it becomes an arbitrary and generic group of DC magic users. Couldn't Snyder have come up with a specific reason for every character to be on each team? That's what I was expecting. Although I shouldn't be coming up with arguments to make this series any longer than four issues. Maybe it's better if each character fits on the team for only the most tenuous of reasons.

I suppose, from Snyder's point of view, every member of Team Wonder had a role. Etrigan woke up the angry spirits of the dead so that Zatanna would notice that their magic doesn't work so well. Then Raven was able to pipe up that her empathy still worked just fine which gave Wonder Woman the idea to believe in herself.

I didn't say Snyder's point of view was genius.

On Team Wisdom, Harley shows why she's needed when she says something wacky. It allows Cyborg to have an epiphany! Of course that epiphany is that he has a Mother Box at his disposal which he really should have remembered on his own. The Mother Box enables Cyborg to fuck the Tree of Wisdom.


While the other trees need to be awakened, the Tree of Wisdom needs to be calmed down. It'll probably need a nap after this.

In the end, the Justice League fails to save Colu. They do manage to save hundreds of planets that the Coluans had in cold storage so that's a decent trade. The main problem is that Galactus the Omega Titans are now heading to Earth to devour it. And the only hero standing in their way is Green Arrow. Maybe he'll confuse them all by being wonderful, mysterious, wise, and chaotic.

Rating: The only thing I ask when a writer takes up a premise like this is to fulfill that premise. If you're going to base a story on how the only people who can save the world are four specific teams that nobody ever thought of forming, the composition of those teams should make a difference to the story. I guess that's why Snyder had Brainiac killed. It's an easy way to say, "These teams were meant to save the universe via a Rube Goldbergian dynamic. But only Brainiac could make that happen and he died. So now they're just winging it in an effort to save the universe." Also they fail which is more proof that they just didn't utilize the teams correctly. So I can see, story-wise, how Snyder can get away with failing to provide what he advertised. But he can't get away from me judging him for taking the lazy way out. 1 out of 5 stars!

P.S. I often have trouble coming up with a name or a specific word I want to use because my brain is a traitor and an asshole. But over the course of my life, I've developed circuitous ways to find that word or name. But now with the Internet, I can find the word or name much quicker! I was blocked on "Rube Goldberg" so I just went to Google and typed in "complicated contraption to cook egg." First hit: Wikipedia's entry for Rube Goldberg machine.


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No Justice #4
By Snyder, Tynion IV, Williamson, Manapul, and Hi-Fi

The back cover of this issue reads, "At the twilight of humanity...Dawn of the Omega Titans!" I hope Dawn is hot. Shit, listen to me! I sound like a comic book reading noob! Of course Dawn is hot! She's a female in a comic book! If there's one thing comic books have gotten right, it's getting rid of all the uggos!

I had to check with Urban Dictionary to make sure "uggo" didn't have any racial or sexist connotations before using it. Turns out it's just a mean word to use on ugly people so I think that's okay. People stopped caring about what ugly people had to say the day MTV launched. Anyway, being super lazy, I never type in the actual URL of any site I'm going to even when the site is super obvious. I just type in the part that site's name between the www and the dot com. But when I typed "urban" into the address bar, my stupid browser tried to finish it with outfitters! Are there any lawyers who specialize in suing predictive text applications because I'm extremely offended right now.

My brain just asked itself the most important question that can be asked about this comic book series: "Why is it called 'No Justice'?" That's a good question, brain! Better than the question my penis was asking which I won't repeat because you'll never enjoy a Pop Tart ever again if you heard it.

So, um, why no justice? Probably because everything is random and "justice" is just our way of trying to create order out of chaos. There's no justice in four cosmic Galacti, having been summoned by Earth's heroes' actions to save the universe, suddenly arriving to destroy the universe. My supposition is that, in the end, the idea that there is no benevolent will behind the creation and movement of the universe will be the impetus behind the Justice League working even harder to instill order. Superman will step forward and say, "If there is no inherent justice in this uncaring and unforgiving shithole of a void, then let us stand up and become that justice!" Batman will awkwardly try to hide his boner while Wonder Woman will wish she'd installed a thick and absorbent gusset into her costume. Meanwhile the Guardians of the Universe will be shuffling around in the background mumbling, "Real original idea there, Supes." And even further in the back, way down in the shadows, Vril Dox will think, "What kind of pansy-ass justice will they mete out to the universe? To keep this chaos in check, the universe needs a tough anti-hero kind of justice! Time for L.E.G.I.O.N. '18!"

To save Earth, Cyborg comes up with a plan: a play-action pass! That's sports talk for pretending to run when you actually intend to pass. It totally fakes out the defense because the quarterback totally tucks the big fat ball into his armpit after having pretended to give it to the running back. It doesn't work as well as most people think it works because most quarterbacks have small armpits and also aren't good at pretending they don't have the ball. Also, if the Omega Titans are well disciplined, they'll know better than to bite at the fake hand off. They'll keep their positions knowing that the defensive line Omega Titans should be able to handle the run play. Of course, if the running back slaps the shot with a backhand switcheroo, it'll be a home run and the Omega Titans will lose 40-love.

What I'm trying to say is that Cyborg is a black American superhero so he always compares saving the world to football plays. It's probably not racist since he was a high school football star. Which, again, is probably not racist because he was also super smart. What might be racist is the way I'm hyper-aware of all of this race stuff.

Cyborg explains how they can save Earth after downloading Brainiac's mind into his. It's no use explaining it here because it didn't actually make much sense in the comic book either. Something about needing to fire their seed into one of the Omega Titans so that the other ones will eat its now pregnant ass. It's gross and weird and disgusting and now I want a Pop Tart.

Rating: This was just another comic book series that wasn't meant to tell a story so much as move the pieces around the game board so that DC readers would be prepared for a new version of the Justice League on the shelves and understand why there was once again a Justice League Dark and to remind them to buy whatever the fuck Justice League Odyssey was (probably the Justice League in space). It also made sure to mention that an Outsiders comic book was on the way and, although not explicitly revealed as a new title, I'm sure everybody should be saving a few bucks for the new L.E.G.I.O.N. book. Oh, and Green Arrow now has the power to destroy the Justice League if it ever comes to that. How? I don't know. But to stop the Justice League, all you need is a small antique box.


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Plastic Man #1
By Simone, Adriana, and Fitzpatrick


Plastic Man is a smarmy bitch.

With the return of Plastic Man to the DC Universe, DC Comics is declaring they don't give a fuck about being taken seriously anymore. Which is a good thing! Plastic Man is a sign that DC is daring to have fun again. They completely lost their sense of humor for awhile and then doubled down on not ever having a sense of humor ever again with The New 52. "Ambush Bug and Detective Chimp?" spat Dan DiDio into the faces of every writer who dared to mention that they chuckled at Giffen and DeMatteis's Justice League one time. "They're out! Put them in a stupid news feature in the back of the comic book! Make sure everybody knows they're out of continuity!" he declared as he wrote on the white board in the staff meeting room, "Continuity is king!" But after being criticized for a number of New 52 years and realizing that maybe they weren't making the barrels full of cash they had anticipated, Dan DiDio erased the white board and wrote, "Fans are stupid jerks." Then he put Tom King in charge of Batman to make sure everybody knew continuity was less important than great story telling.

By the way, that was a compliment for Tom King! It was also a criticism for all the people who can't stand Tom King's Batman because they wouldn't know a good story if Scott Lobdell knew how to write one.

I'm pretty sure I made my point in one of those last two paragraphs so I'm just going to move on without rereading them.

So. Plastic Man. He's perhaps the goofiest comic book character in the DC Universe that isn't named Aquaman. But he has to be taken seriously now because Scott Snyder said so. Although maybe I'm wrong about that because why would DC give a serious character to Gail Simone? She's just going to make him revel in fart and dick jokes.

You know what I just realized? I'm terrible at comic book reviews.

The issue begins with Eel getting his ass kicked by some low life thugs who used to be his friends. Then he makes a dick joke.


I might not know how to review comic books but I know how to spot somebody who loves a good dick joke.

For somebody who thinks they know a good dick joke, I can't even think of one right now. And the more I think about it, the more I realize maybe I've never told one in my entire life! What constitutes a good dick joke? Is it just referencing a penis like in the panel above? Does that count? Is emphasizing Grayson's first name when Bruce is scolding him technically a dick joke? Is the bill for the therapist I hired because the first woman who ever put her hands down my pants chuckled a dick joke? Oh wait! I just remembered a couple of dick jokes! The first one is that one where the guy wishes for a seven inch pianist (which seems weird because why not wish for an eight inch pianist? Is that too much?!). The other one I first heard in fifth grade and I didn't understand it but I pretended to because I didn't want to be embarrassed. It had a really strange premise where a cop was arresting me and a friend and somebody we didn't like (for purposes of the joke at the time, the person my friend and I didn't like was Paul Avila (sorry, Paul, if you're Googling your name!)). For some reason, the perverted cop decided he would let us all go if our penises measured thirteen inches. So I pulled out mine and it was six inches. Then my friend Daniel pulled out his and it was six and a half inches (of course he got the biggest penis! He was telling the joke!). Then Paul pulled out his and it was half an inch. Just enough so that the cop allowed us to go free. Afterward, Paul said, "Whew! Good thing I was popping a boner!" I laughed even though I was in fifth grade and didn't know the slang term "popping a boner." Maybe I was just a late bloomer and had never popped one before. It's hard to say because I didn't keep a boner diary when I was younger.

That last sentence makes it sound like I keep a boner diary now. But that's none of your business.

Anyway, Plastic Man works in a strip club where the strippers dress like superheroes. I hope most of the comic book takes place in this location. A few years ago, I met a stripper who called herself Princess Unicorn Pants. I still regret not running away with her because now I just sit alone at night searching for porn that never exists on Tumblr.


I'm so disappointed in you, Internet.

Later, after Plastic Man has a nightmare about the guy he thinks he killed when he was a criminal, a woman named Obscura shows up in his apartment. She works for Spyral which is probably important because she might know Dick Grayson and Dick Grayson's first name is Dick. Get it?


They get it!

I'm glad Gail Simone deals with the elephant in the room in this first issue otherwise I'd be reading every issue thinking, "So, how big is Plastic Man's penis? Big, right?" And I think this answers the question! Just look at Obscura's face! That's not the face of a woman looking at a tiny penis. I should know because I've never seen that face before.

Obscura wants to discuss the kind of conspiracy you'd learn about if you read Rosanne Barr's Twitter feed. And just as Plastic Man is learning about this conspiracy, he's drawn directly into it! His old criminal pal Benny is murdered and before he dies, he writes, "IT JLA," in blood on the wall. So Obscura was right! The superhero teams have been infiltrated by baddies! I hope they aren't Manhunters again. Or white Martians! Although when your team has Lobo on it, would you really be surprised if people began winding up slaughtered for no reason? Seriously, Batman, maybe try Zip Recruiter next time.

Plastic Man is fingered for the murder which sounds sexier than it really is. He'll probably get away next issue or else this series is just going to be Plastic Man telling dick jokes from a prison cell for fifty issues.

Rating: Three and a half inches out of five inches. Is that enough to satisfy readers? I don't think so. Maybe I should say seven inches out of ten inches. That sounds like a better system, right?! Now to see if maybe PorhHub knows what Sleestaks do in the privacy of their own caves.


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The Terrifics #4
By Shaner, Lemire, and Fairbairn


The killer squid is Plastic Man's fingers. I mean, ew, I hope it's his "fingers."

What does "the new age of heroes" mean? Shouldn't it read "Hey! We really are sorry about The New 52! And we know Rebirth didn't quite convince everybody that we're trying to apologize profusely for The New 52 so will this work? It's a new age of heroes! That means we at DC are recommitted to telling quality stories about heroes you don't give a shit about simply because Scott Snyder used them in that stupid Metal comic book. Not that we think it was stupid! Nobody at DC is rolling their eyes at this statement right now at all! We loved Metal! I mean, it was metal, right?! And 'metal' isn't a category of music that hasn't been relevant for thirty years, Scott! Everybody totally still thinks it's way cool and parents totally suck and jean jackets with 'Slayer' patches never went out of style! So, um, anyway, enjoy this comic book with that idiot Plastic Man in it! And if you think it's wacky that we've brought him back, just wait until you see who's a member of the new Justice League Dark: Detective Chimp! Dan DiDio may never have a boner again. And it's all for the fans!"

That might be a bit too much to put at the top of every new DC comic book. "The New Age of Heroes" probably works better.

If you haven't been reading this comic book, here's a quick summary: Phantom Girl's ass is succulent.

I just looked up the definition for "succulent" because I suspected I might be calling her ass a plant of some sort. But I used it as an adjective which is defined as "tender, juicy, and tasty." So, exactly the word I wanted!

Phantom Girl has a new diary in which she isn't writing secret sex stories about her hand's love affair with her vagina. Instead she's writing silly stuff like how she calls Metamorpho "Rexamorpho" because, I guess, that's cute or something? It makes it sound like she's too young for me to be salivating over her backside. What is Lemire trying to do here?! Make me feel uncomfortable about my lustful feelings for a fictional character?! As if I don't already have enough reasons to hate myself. He could have at least allowed Phantom Girl to begin her diary entry with "According to Bgztl orbit around its sun, I'm only sixteen years old. But that's forty-five in Earth years! So a 45 year old Earth guy could totally eat my ass if he was into that even though I'm going to keep writing in this diary and acting like I'm sixteen. That might seem a little gross to certain people on Tumblr who don't know the definition of 'fictional' but what are older guys reading comic books supposed to jerk off to? Aunt May?! Get with the times, man!"

The Terrifics are on their way to Bgztl to learn how to pronounce it. While they're traveling there, I'm going to watch Drake's video, "I'm Upset," one more time. I'm just really disappointed that Caitlin wasn't in it (just in case you were wondering if I was actually into age appropriate women and their butts).


Tone down the sex talk, Phantom Girl! Geez!

The Terrifics decide that going on an original adventure would be too difficult so they decide to reenact the trash compactor scene from Star Wars. In this day and age, that's an acceptable plot because fans feel smart when they can make the connection between an original work and the thing plagiarizing that work. They call it a "reference" and it elevates a written piece from boring garbage to intelligent pop culture commentary!

Metamorpho brings up the fact that Mister Terrific always called himself the "third smartest person on Earth" and Mister Terrific begins to backpedal on that fact. He's all, "Third smartest?! Why, that's just hyperbole and facetiousness! I'm not really a terrible comic book reviewer that jerks off over young fictional super heroes! Sheesh! Can't you tell the difference between somebody just being entertaining and somebody who's an actual disgusting pervert?!"

The Terrifics bond a bit in the trash compactor while battling the trash squid. It's the perfect amount of letting the readers get to know the characters and letting them bond realistically so the team doesn't seem as forced as the premise that they'll blow up if they separate balanced with just enough action for the people who like to read comic books. After they escape, they arrive on Bgztl to discover that Phantom Girl was trapped in the Dark Multiverse for thirty-two years which means she's really older than I am and I'm totally allowed to think about putting my tongue in her ass. In your face, judgy judgers!

Rating: You know how I often read comic books and think, "Why am I still reading comic books?" Well this comic book didn't make me think that! It was well put together, had great art, and was an enjoyable read. And that's my praise before I even add in Phantom Girl's butt! It also had a sweet message in a saccharine kind of way that some of you emotional nitwits might enjoy.


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Poetry Corner With Grunion Guy!


Amalgamation
When Jesus Christ was crucified,
Kennedy was shot
While Robespierre killed thousands
A Fat Man did the same
During a trial of ideas
Which left a great Greek dead
And caused a sudden rush towards space.

When Jesus Christ was crucified,
Prohibition caused a war
Between Europeans and indigenous
As a man named Jack killed London whores
Lincoln sat and watched a play
Of a culture lost across the sea
And enslaved through countless years.

When Jesus Christ was crucified,
A universe was formed
And dinosaurs roamed through the space
Between atoms and seconds and stars
Between cities which rose to cover the globe
As a flood cleansed this world's sins
In a garden of once perfect bliss.

Jesus Christ was crucified the moment I was born.


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Grunion Guy's Musical Corner of Music Reviews!


Guggenheim Love by Ookla the Mok
Remember the good old days when Ookla the Mok weren't just singing about The Incredible Hulk's lunch program or Captain America's uncircumcised penis? (You might if you aren't just now thinking, "Who the fuck are Ookla the Mok?") Sometimes they sang about their sad and pathetic attempts at relationships as well! This song is about the relationship that tanked for an unknown reason. It might be clear what that reason was if the narrator in the song remembered more of what his girlfriend said other than "Blah blah blah blah!"
      Okay, you know what? That's not fair! Most of the song is actually composed of quotes from the probably fictional girlfriend as she explained art to the asshole. Here's a great line that doesn't hold up so well in this post-Chris-Hardwick future: "I want to smash your face every time you mention negative space." Remember just hours ago when we could laugh at a nerd physically assaulting a woman that actually wants to share her loves with him and even wants to have sex with him? But now I can only shake my head and think, "Stop laughing at that line! Someone might see you and @ you on Twitter about it!"
      The title of this album is Less Than Art which might be my favorite album title of all time. Less because "Less than art" is a good title and more because the cover depicts a burned out K-Mart sign that reads "< art". Don't you just love burned out signs that read differently than they're supposed to?! It's like when a singer is about to rhyme a bad word but then stutters on the first word and winds up saying a non-swear word that doesn't rhyme at all! Classic!
      This song is pretty catchy though! Plus I learned the names of some artists that I can drop into conversations to sound artsy!
Grade: B.


A.M. 180 by Grandaddy
I feel like I just reviewed a song from Grandaddy's Under the Western Freeway! It seems like it might be too soon to review another one. But what can I do? I'm not in control of anything. This universe is chaotic and random and we're just barely hanging on by whichever cliché you want to use (you know, the teeth one or the nails one. There might also be one using the scrotum that I've never heard of but I'd use it if I had).
     This song sounds like a kid playing hopscotch who is suddenly hit by their first bout of severe depression who, about halfway through the song, is suddenly swarmed by bees. It's not to everybody's taste. But if you ever found yourself sitting at a Taco Bell taking another boring bite from the blandest burrito you knew was going to be bland before you even bit into it and thinking, "You know what would make this better? A song that sounds like a child playing hopscotch who suddenly was hit by depression and then was attacked by killer bees," then this is almost certainly the song for you.
      I've realized that hipsters have turned every single band into their own musical genre by appending as many different labels to describe a band's sound as possible so my music reviews can get pretty specific to appeal to their tastes.
Grade: B.


It'll Chew You Up and Spit You Out by Concrete Blonde
I like rock and roll. I seem to prefer rock and roll sung by women or men with women's names like Alice or Marilyn or Iron Maiden. In liking rock and roll, I'd be amiss to not like Concrete Blonde. In some ways, they are what rock and roll wishes it had always been and will always be. Their music has guitars and drums and angst and the occasional cow bell (unless that's just a cymbal (which it probably is)). It's like if you played this song to somebody who had never heard rock and roll before, they would say, "Hey. Is this rock and roll?" Then you could say, "Yeah!" After that, you'd have bonded. You'd both suddenly want to chug a beer out of a can and talk about each other's Levi's. Then one of you might say, "That song was really rock and roll! Let's hear another one by this Concrete Blonde!" And then you'd randomly start playing another one called Mexican Moon and your new friend would spit out their beer and say, "Wait. This isn't rock and roll. What is this?" Then you might have to explain that "It'll Chew You Up and Spit You Out" wasn't exactly indicative of every song sung by Concrete Blonde. You might actually need to apologize too. Then maybe you could play "Spirit of the Radio" by Rush and they, having never heard it before, would probably say, "Is this prog rock?" You'd sigh in relief because now you could go back to drinking beers and talking about jeans, both of you ignoring that whole "Mexican Moon" incident.
Grade: B.


Just Like Heaven by The Cure
When I think of The Cure, I think of this song. Their songs obviously swing wildly from depressed about breaking up with a woman you loved more than life itself to realizing all life is a meaningless pastiche of random events that somehow led to you or an Arab dying in the sand to being so hopelessly in love that you sing about the calendar to spilling milk and fucking like cats. But for some reason, this is the song that makes me think a stranger would hear it and say, "Is this The Cure?"
     This song contains the exact beat and rhythm which, when distilled to its pure essence, could be used to recreate The 80's. It's the sound of 80's dancing. It feels like 80's hair. I can see the way people dressed just by listening to this song. If this song were sent into deep space aboard a craft and discovered by aliens, they would hear it and think, "These Earthlings are fucking cool, man." Then they'd all start dancing like Molly Ringwald.
Grade: A.


Only Women Bleed by Alice Cooper
My dad bought a jukebox for his house about a decade ago. I purchased this single for the jukebox. Not long after that, his current wife removed it from the jukebox because she "realized what it was about" and didn't like it. I put "realized what it was about" in quotes because I'm still not sure what that means. It seems like it's obvious that it's a song about domestic abuse so I tend to think my dad made a menstruation joke about the title and she made a face and went, "Ugh. This is about periods? Gross."
I once dated a woman who asked me, "Why is it always the woman who has to bleed?" after hearing this song. I smashed her in the face and said, "You tell me!" Dammit! That's not even funny in a pre-Chris-Hardwick world, is it?! What I really said after not having done the violent thing I pretended to do that wasn't funny even if it was a callback to the Guggenheim Love song review was this: "In his song, 'Burning Our Bed,' he says, 'Sometimes a man can bleed.' So if you're taking all of your strongly held beliefs about the universe from Alice Cooper songs, take heart! He tells you directly that men bleed too!" My response might have been embellished a bit from what I actually said. But you get the picture.
     Anyway, I coldly broke up with her not long after that and avoided speaking to her ever again. But I least I didn't Chris Hardwick her!
Grade: A-.


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That's all! Can I end with 'That's all!' when it was actually quite a lot to read? I should put secret messages into my writing that lead to a secret stash of ten million dollars. That would probably ensure that people read every fucking word I write! My ego can't take thinking that nobody reads this shit! But would I feel better if people were only reading it because I bribed them to read it? Probably! Which is why there was a secret message in this Newsletter leading to ten million dollars! Good luck!

Wednesday, January 21, 2026

Eee! Tess Ate Chai Tea: The Newsletter #19 (Second Week of April 2018)

E!TACT! #19
Metal #6, Justice League: All Access, Doomsday Clock #4, Mother Panic: Gotham AD #1, The Hellblazer #20, Detective Comics #977, Justice League of America #27, Demon: Hell is Earth #5, Suicide Squad #38, The Terrifics #2, Exit Stage Left: The Snagglepuss Chronicles #4, and Deathstroke vs. Batman #30
By Grunion Guy!


Comic Book Reviews!

Metal #6
By Snyder, Capullo, Glapion, and Plascencia

Fact That Isn't Fun (It's Just a Fact, You Know?): Metal is the longest running six issue comic book series in DC's history that also has the most issues (well over six! I lost count somewhere around year ten).

But it's finally over, guys! I'm using guys the way the young generation use it after they've just gone to Wikipedia to learn as much as they can about a thing that somebody else mentioned in an attempt to pretend they always knew more about it than they originally did. I mean, I'm not completely using it that way since I haven't just read (and will never read) the Wikipedia entry on Metal. I probably couldn't even find the right one since it certainly disambiguates into dozens of different entries.

Today, I become a man! No, not because I'm going to finally have sex! I did that like four years ago. Today I'm a man because finishing this series feels like the biggest accomplishment of my life! After having sex, of course. Which is what really made me a man in society's eyes. Up until that point, I was just a loser virgin who could tell how every color of kryptonite affects Superman and how many times in the original Star Wars you can see the outline of Mark Hamill's cock through his pants.

Earth-Main-Earth has sunk into the Dark Multiverse. Wonder Woman and Lady Blackhawk remain the last hope for all mankind. And, I'm assuming, the entire Earth-Main-Earth universe. I'm never quite clear on how much the problems on Earth are affecting the rest of the universe. I think, as human readers, we're supposed to narcissistically believe that the fate of the entire cosmos hangs in the balance of what happens to Earth. Mostly I think all of the aliens would just like to see Earth-Main-Earth destroyed for good. There would be so much less drama.

Plastic Man finally wakes up to save the day and I lose all respect for this comic book. Nobody believes Plastic Man can save the world! He's the biggest joke since a few of those schoolyard jokes about the space shuttle Challenger disaster. Who came up with those jokes immediately after the tragedy? I bet it was some Deep State comedian who knew the Challenger was going to be blown up by government operatives and aliens.

Luckily, Plastic Man only saves the day for like a page. I'm not even sure why he was in this comic book. I'm guessing it was a drunken bet between Scott Snyder and Dan DiDio. Snyder was all, "I bet I can bring Plastic Man back into the DC Universe in a serious way." And DiDio was all, "No way. There's less chance of that than a comic book with two women in a romantic and healthy relationship not having a mature rating." And then Snyder was all, "If I fail, you can have James Tynion IV for a night." And DiDio was all, "Deal!"

After Plastic Man saves the day, Wonder Woman saves the day. But only until the real saviors arrive.


Monkeys and Batmen!

Now I'm pissed at DC Comics. They spent five years trying to sell everybody a historically watered down and less fun version of their comic book universe by claiming there were just 52 worlds. But all that time they could have been printing a comic book full of monkeys on a 53rd Earth?! Does DC have no actual business men running their business?!

Batman and Superman also return because I guess they're the ones who need to save the day. The monkeys and Plastic Man and alternate Batmen weren't actually important after all and never really appear again after that splash page arrival. They were the non-raisin bits of this Raisin Bran. Oh, I guess that would be the bran. Now, I like raisins as much as any other boring person but could any company in any of the 53 universes have come up with a more unappetizing name for a cereal? I mean aside from Grape Nuts.

Maybe I should give up on trying to determine who actually saves the day because this issue is just scene after scene of somebody arriving to save the day but then the day never actually gets saved. I guess they're all just making things more hopeful. Especially when The Joker saves the day. That's when every Fangender is supposed to go, "Did Snyder include his dick in this comic book because I think I'm supposed to start sucking it now?"

In the end, the Justice League pull some Sailor Moon shit and believe in each other and save the world while holding hands while remembering all the good times they had with each other, like the time Sailor Batman cheered up Sailor Wonder Woman, and the time Sailor Superman gave Sailor Flash a prostate exam.

Rating: There's the typical epilogue that explains things have only been saved (by fifty different people) for a short time because things are actually going to get worse than what they just went through. You know how stories foreshadow future events as they go along in an unobtrusive way that sometimes you don't even catch until a subsequent rereading? Being a comic book (and a Scott Snyder comic book, at that), this isn't like that. The story resolves with the heroes winning and then there's an epilogue where Batman says, "Things are just going to get worse!" and Lucius says, "Dream, where are you? OMG! There's a book missing in the library of books never written! What does it mean? Aside from it suddenly having been written or something." This is the part where I might wonder how comic books can keep escalating but I've learned that the escalation is all just an illusion. This seemed like the biggest threat to the universe since the last one but was it? They're all really just the same. The bottom line is that everything is always on the line. This story just made the 'everything' part bigger by removing the Source Wall, expanding the DC Universe, and creating a lovable Earth full of monkeys.

All in all, it was a big event that was quite comic booky. That's all I'm looking for. The main problem was all the tie-ins that didn't matter and didn't really add much to the story. DC should have just made this an eight issue series, folding Hawkman Found and The Wild Hunt into the main story. All of the other books should have been scrapped.


Justice League: No Justice All Access Page
By whoever writes this shit

Here's a quote about No Justice from Francis Manapul: "Anyone who has asked for Harley Quinn, Martian Manhunter, Starfire, Zatanna, the Atom, Raven or Doctor Fate to be in their personal Justice League will stand up and cheer." It's nice to see he's shooting for the smallest audience possible. I was almost cheering but he included the Atom instead of Lobo. Man, I was so close to being one of the three people excited for this!


Doomsday's Cock #4
By Johns, Frank, and Anderson


Based on this cover, the comic should be called "Rorschach's Cock is Long and Weird."

Doomsday's cock was going to be long and weird since Doomsday has never really had any motivation for wanting to kill everything. But being enraged at the universe for having a micro-penis makes sense to me. Not that I know what it's like to have a micro-penis! My penis is at least twice as big as a micro-penis. And that's when it's flaccid! I know I shouldn't brag about the size of my penis when I'm writing comic book reviews that will be read by comic book nerds. Although I'm mostly writing to fans of DC Comics who have the biggest penises of all comic book fans. I haven't done research on this fact but I have to assume that DC fans have to have enough self-confidence to be shit on by Marvel fans on the daily. And you know the only way people can have any self-confidence is by being okay with their penis size, right?

I don't know how women gain self-confidence. By knowing guys with big penises?

I should stop writing about big penises because I'm getting anxious and a little bit scared.

Let's talk about Rorschach for a second! I just read a comic recently where a character stole the Rorschach line about people being locked up in prison with him but I can't remember which comic book it was. I wish I could remember because I couldn't help thinking, "Why, as a writer, are you lifting that line for your comic book?! It's like one of the most famous comic book lines which means your entire audience is going to snort and scoff when they read it and think, 'What a hack!'" Why didn't the writer use something like "To be or not to be, that's a fairly relevant question"? Less people would have known where the author had stolen that line from than the Rorschach line! That wasn't really talking about Rorschach. I'm sorry for lying to you in the segue into that paragraph.


This is where I first realized the new Rorschach was the son of Rorschach's psychiatrist. Was it evident earlier than this? I mean, probably since there were only two black characters in the entire run of Watchmen and one of them died hugging an old white man.

The new Rorschach, Reggie, has wound up in Earth-Main-Earth's Arkham Asylum because he trespassed in the Batcave. I guess Batman sometimes doesn't give a shit about the rule of law and he just backdoors people he doesn't like into Arkham. It's probably where Rorschach belongs since he was driven insane by Ozymandias's fake alien attack on New York City.

Reggie has been placed in Arkham across from Saturn Girl so I guess it's about time we learn why she's the only member of the Legion of Super-heroes left in DC continuity. I bet it's because she's the only one Superboy had sex with. She probably read his mind when he was looking at her at age sixteen and thinking, "I'd like to have sex with her!" She was flattered because she was too naïve to realize he was thinking that whenever he looked at any female Legionnaire. Also Superboy probably had sex with all of them. Why wouldn't he? The Legionnaires fucked everything that moved! It's what the entire series was based around.

Reggie and Saturn Girl escape while Alfred worries about another one of Batman's choices. How could Batman stick some guy who knew his identity into Arkham without at least erasing his mind first?! Hasn't he learned anything?!

Rating: Four dogs with split heads out of five dogs with split heads. Maybe even four and a half dogs with split heads. This is the first issue that makes me think Johns has the chops to pull this thing off. This issue was the secret origin of the new Rorschach and it may have taken me an hour to read. That's a compliment! Some reviewer said of the first issue of this series that it was a page turner that the reader devoured unlike Alan Moore's. That praise didn't sit right with me because it just screams of fluff and the same old bullshit tropes to make readers think they're reading something exciting. I want a comic book that forces me to take my time with it and this issue was finally that. If the rest of the series tanks, it may have been worth it for this issue alone. Hell, Mothman's story could have been a stand alone mini-comic that I would have raved about for minutes. Perhaps hours even. The one downside is that it didn't mention Doomsday's penis once.


Mother Panic: Gotham A.D. #1
By Houser, Moustafa, and Boyd

Rating: This might be better than the previous version. It also might be worse. It's hard to tell after just one issue, especially when that issue spends the majority of time reminding the reader that Mother Panic has been dumped in an alternate Gotham in an alternate time and an alternate place. Batman has gone missing in this Gotham, presumed dead by The Joker who noticed that nobody ever stops him killing people any more. The city isn't run by Owls either. Instead, The Collective (the organization behind Gather House and turning Violet Paige into Mother Panic) has taken control, turning Gotham into a great place to live (as long as you don't mind pretending you're living in a great place that actually sucks lady balls). The art fits the book, the sidekick character might be reminiscent of Hit-Girl but more likeable and cutesy, and something about Mother Panic's uniform makes me want to fuck her super hard. Not that I've ever fucked anything super hard. Unless almost sticking my penis inside of a vagina as my penis unwound its spool of silly string is an acceptable definition of fucking hard.


The Hellblazer #20
By Seeley, Fabbri, Dalla Vecchia, and Strachan

Rating: The art is terrible. Just awful. Maybe, occasionally, there's a shot of The Huntress's thighs that made me appreciate The Huntress's thighs just a little bit more than I did before. But that was one panel out of twenty pages of panels. That's about all the rant I have in me on that.

Remember when I used to be so harsh on artists and writers that I'd go on for multiple paragraphs trying to think up unique ways to use time travel to prevent their birth? And now that I've got a more private place to do it, you'd think I'd get even more blasphemous in my descriptions of Rube Goldberg machines that would destroy the fertility of the artist's mother's ovaries. But instead, I can only seem to write the equivalent of a shrug. And I think I know why that is.

When I got back into comic books and first began reading The New 52, I decided to take my time with each issue. I wanted to read carefully and examine each panel with a critical eye. I felt there was a mystery to be solved in this New 52. DC had to have some kind of a plan for their new universe. There had to be a genius reason behind throwing out all of their continuity to rebuild their superhero playground. I haven't reread them but I bet a lot of my early reviews were fairly innocent and upbeat. The jokes were at my own expense, exposing how dumb I was, never faulting the comic book. I chose to believe that I just couldn't fathom the secret depths of DC's huge plan. But ever so slowly, I began to see past the veil. DC had no plan. DC didn't know what they were doing. DC had put no thought into their idea and hired some of the worst comic book writers of all time to help them pretend they were doing something special. It drove me crazy and I began to attack every thing wrong with a merciless fervor.

Fans of DC that had jumped ship because of The New 52 had no sympathy for me. "You should have known," they commented, not really caring to engage with me but needing an outlet to pretend the temper tantrum they threw dropping DC was actually an intelligent and well-thought out choice. But these people didn't get it. DC had a chance to do something wonderful. They could have begun The New 52 with the idea that Rebirth or something like it would eventually happen. They could have had a plan in place. Things could have been foreshadowed across their entire line of comic books. What the people who instantly hated The New 52 failed to understand was that I was doing the science. I was out there running the numbers and doing the math and trying to solve the mystery of what DC was doing. So when I discovered that there was no substance behind The New 52, I took the passion I had for researching the mystery and applied it to mocking the fuck out of them. So, yeah. I eventually reached the same conclusion as all the butt-hurt fans who suddenly didn't have Wally West to jerk off over. But those fans dumped DC from the beginning of The New 52 without proof of its poorly thought out structure. They didn't have the numbers and the facts and the research that I had to back the opinion that The New 52 failed miserably. They claimed to have hated The New 52 but none of them really had to experience it in-depth like I did.

But now that everything is back to normal? I just don't fucking care enough to call Davide Fabbri's mother's twat a superfund site full of dog paddling sperm where the only babies made could either be creatures like the one from the movie Prophecy (not The Prophecy! That one doesn't have the creature I'm speaking of!) or artists that make me wish I'd been born deaf, dumb, and blind. Mostly blind. But I'll take being deaf as well so that nobody can tell me how bad the art is. I don't know why I chose to be dumb too. Maybe so I have a better chance of being a super smeller?

"So what about the story?" nobody is still reading this to ask. Well, the story's okay. It's by Tim Seeley and it features John Constantine and The Huntress. That's a combination that makes it impossible for a story to be terrible. But this is a comic book which means 75% of the reason people are reading it is for the art. And that art is horrible.

P.S. It's possible the terrible art is due to inker Christian Dalla Vecchia or colorist Carrie Strachan. If that's the case, apply all of my insults to their mother's vaginas and send my apologies to Davide's mom's twat.


Detective Comics #977
By Tynion IV, Fernandez, Barrows, Ferreira, Kalisz, and Lucas

Rating: I'm going to drop this comic book because I'm sick of typing that IV after Tynion's name. Also, I guess, for some other less important reasons. One of them is that I'm tired of Tynion's Bat-stories. Here are some things which Tynion thinks makes a good story: smartest kid on Earth thinks up super smart stuff that could revolutionize everything but uses it to stop petty criminals in Gotham; smartest kid on Earth meets other smartest kid on Earth and they smart things up; smartest kid on Earth makes older people look stupid and bitter and gender normative; smartest kid on Earth acts boring and bland and makes me throw up five times from extreme boredom. "Maybe can we have less smartest person in the DC Universe stories?" I say as I sit eager to read The Terrifics #2 because it only features the 3rd smartest person on Earth. "I can't wait to see how dumb heroes tackle problems!" I exclaim while shoving five Oreos into my mouth so that the Non-Certified Spouse in the next room hears, "GRRBBLE GRPDT FLBABBLOLL *hack sputter choke*!" Should I be concerned that she waited for ten minutes of silence after choking on the cookies to check on me?


Gross.


Justice League of America #27
By Orlando, Petrus, and Hi-Fi

Rating: More time travel nonsense with an added side of "Earth superheroes exist because some proto-superguy came to Earth in the Jurassic period and left a footprint." What a time to have just lost Lobo! He'd be immune to Chronos's plan to erase the idea of Earthly superheroes! I knew the Justice League of America was fucked when Lobo chose to leave. Mostly I knew that because it would cause me to stop raving about this comic book and begin treating it like every other shitty DC title. He was this book's Kevlar!

I wish Steve Orlando's name was Steve Orlando IV so I would have a good reason to drop this book.


Demon: Hell is Earth #5
By Constant, Walker, Hennessy, and Sotomayor

Rating: This comic book just reminds me that there was once a Demon comic book written by Alan Grant and drawn by Val Semeiks that was so entertaining that I didn't mind that I wasn't getting laid. Later after I totally laid a non-made-up girl that doesn't exist just for the sake of the story and so that I don't suffer the embarrassment of being another virgin on the Internet, I came to the conclusion that the comic book was better. That might be a controversial opinion because according to everybody who has ever had an orgasm, apparently nothing is better than an orgasm. That's something that I probably agree with so now my argument has been completely invalidated since even I don't support it. Maybe I should stop discussing orgasms before you begin trying to picture the contorted face I make when my totally real sex partner makes me orgasm. Here's a clue to help you visualize it: Disney log flume souvenir photo.

I would love to reread Grant's Demon comic book (along with the later issues by Ennis and McCrea) but those comic books are still in the basement of the house in which I grew up. The good news is that my mother is driving up to visit this summer and she's offered to bring up more comic books! The bad news is that my mother is coming up to visit!

I haven't even read this comic book and I'm purporting to rate it. I'm beginning to wonder if I even need to read the comic books I'm reviewing any more. It would certainly save me a lot of money. And as an added benefit, I could start reviewing Marvel books too!


Suicide Squad #38
By Williams, Derenick, and Arreola

Rating: I forgot to take this off of my pull list. Maybe my subconscious won't allow it. I try to cancel it but then I black out and wake up naked in a pile of old Ostrander issues. Maybe if I get hypnotized, I'll be able to do it. Because it really needs to be done. This comic book is so terrible that I'm beginning to fantasize about an Ann Nocenti version of the Squad drawn by Brett Booth.


The Terrifics #2
By Reis, Lemire, Luis, Tarragona, and Maiolo

First let me offer congratulations to the creative team for making Linnya Wazoo, the only female of the group, super hot. That might sound sarcastic because what female superhero isn't super hot, right? But it's not sarcastic. That congratulations comes from the bottom of my heart and the tip of something else. Probably my brain but don't make me declare that while hooked up to a lie detector unless you want to be offended. And if you want to be offended, just accept that, yes, I meant my erect penis. But seriously, you try not having an erect penis when looking at Tinnya Wazoo in that tight uniform.

Mister Terrific's uniform is just as tight but that only suggests that he has no genitalia. That Linnya has no discernible genitalia is hot because my mind is going crazy imagining what a woman looks like down there. I bet a woman's private place is just an image of a naked woman, right? That would be hot on so many levels. Probably.


I felt guilty, ashamed, and reprimanded when Linnya said, "Don't look at me."

I had a huge crush on a girl named Marilyn Mendoza in junior high. She spent every lunch in the library so I would too so that I could stare at her (I was with friends, of course! I didn't just sit their creepily alone. I was creepy while with friends). One day, her friends noticed me staring at her. As she walked out of the library, she came past my table and said, "I don't like being stared at." After that, I was heartbroken but I basically abandoned my crush and tried to ignore her. I stopped staring and just tried to not die from sadness. A few months later, she walked past me as I was going into the school wing with my locker and she said, "Don't go in there. I think a fight is about to break out." But I said I needed to go to my locker. At least I think I did. I might have said, "Grbble snack pediddle." It was hard to tell with my heart beating so loudly and my love machine whirring back into action.

Some time after that, we were sitting across from each other in the library passing notes back and forth. At one point, her note to me said, "You're weird." I don't know what I wrote in response to that. She responded, "I like you anyway." I didn't even know how to respond to that and, weirdly, stopped passing the note back and forth.

Some time after that, she convinced her friends to join the P.E. class that me and my friends were signing up for. During that class, she tried to casually give me one of her school pictures and I, shyly and stupidly, laughed it off and didn't take it.

If you're wondering what the fuck was wrong with me, you're still miles behind the amount of thought I've put into that.

Some time after that, at the end of the school year, she asked me if she could sign my 9th grade year book. She wrote a long note that seemed a bit form-letter-ish but was sweet and way more eloquent than the "P.S. I'll miss you" that I wrote in hers. Her cursive was beautiful and immaculate and she surrounded what she wrote with junior high school 80's designs. After signing her name, she wrote, "P.S. Say hi to Kim for me! JK!" Kim was a girl I'd known since elementary school and we always sat next to each other in class because our last names were so close alphabetically. We were friendly enough that I guess it seemed flirtatious. Being an anti-social shy nerd, I couldn't flirt. Also I didn't even know what "JK" meant.

Some time after that, in the middle of summer after 9th grade, my friend Sal was looking through my yearbook. He said, "Who is this girl who said she loves you?" And I was all, "What are you talking about, you stupid illiterate idiot?" He showed me Marilyn's note to me and sort of mixed in with the designs she'd made, she'd written, "Luv you, kid!" I never saw Marilyn Mendoza again.

So you see, children! The moral of this story is to stop staring at women when they want you to stop staring at them and they'll fall in love with you so that you can throw the entire potential of a doomed and awkward childhood romance into the toilet with your weird behaviors! Isn't love grand?!

That short story was probably better than 95% of all of the comic books I've ever read over my lifetime. That might sound arrogant but I'm just stating the non-subjective facts. "Non-subjective" means "objective"!

Linnya tells her origin story to the other Terrifics and I think it's supposed to be tragic but I wound up laughing a lot. See, she was on vacation with her parents when some space problem cropped up. For some reason, the ship they were in had an escape pod which only had room for one member of the crew. I suppose that makes sense because why would a ship the size of a Volkswagen house another ship the size of a Volkswagen to escape in case something happened to the first Volkswagen? But then it doesn't make sense either because why have an escape pod that only allows for one person in a ship to escape? That's going to make for a seriously tense game of roshambo.

Anyway, Linnya's parents send her off in the pod which subsequently gets sucked into the space problem while the parents go free. I bet they were kicking themselves for weeks over that mishap.

Luckily Linnya aged while stuck in phantom form without needing to eat or pee otherwise I'd be feeling even more shame and guilt over the way her uniform fits. She doesn't say how old she is but she must be that perfect female age where she's old enough so that nobody can arrest you for wanting to engage her in adult pastimes but young enough that she's not yet thirty and gross.

I learned that women don't matter after thirty from songs by Marina and the Diamonds and Lily Allen. I don't think they were meant as criticisms of that way of thinking at all!

Metamorpho tries to touch Phantom Girl without her consent and his hands pass right through her. He then apologizes but not, I think, for the non-consensual attempt at contact. I think he's sorry that his hand passed through her titties. That does seem inappropriate.

Um, so, the Terrifics escape the Dark Multiverse and everything works out. And in only two issues! I mean, there is the problem that they can't wander more than a few dozen feet away from one another without all of them dying painfully. But that's just a plot point to force them to work together for the entire run of this comic series. It's not a real issue!

Rating: I hate this comic book way less than I hate all of the other comic books I'm reading (aside from Batman and Mister Miracle and Snagglepuss and maybe Eternity Girl). I might even sort of like this book even though it features Plastic Man. Plus there hasn't been a bum like Linnya Wazoo's since the early days of The New 52 Supergirl!


Exit Stage Left: The Snagglepuss Chronicles #4
By Russell, Stilwell, Feehan, Vazquez, Parsons, Mounts, and Campbell

Rating: This is the kind of comic book that will get reviewers straining their intelligence muscles. It's the kind of book you have to talk smartly about or else your review site will look like it's run by rubes. It's the kind of comic book that requires footnotes and mentions of how much you know about specific events in history and how they differ from their portrayal here. It's the kind of review that I'd never do. My only criticism with it is that the anthropomorphic animals don't wear pants and yet I haven't seen one animal ding-dong or hoo-ha.

I didn't realize while writing the above with left leaning comic book reviewers in mind that it would be even more true for right leaning comic book reviewers. But apparently this is just the type of comic book that gets them to write about how much they know about history so that when they say, "This comic book is boring," it will have more authority than just saying, "I disagree with the obvious leftist slant in the politics and the most damning critique I can give it is saying, 'Meh.'"

Sometimes I think if my mind were erased and I was left as a blank slate with no knowledge of how the universe worked or what exactly was going on, but I still understood language (only the English language, of course. What am I? Not American?!), I would know instantly which side of the political aisle I belonged on just by which responses from one side to the other I enjoyed more. So I wouldn't be moved by "You're just shocking to be shocking" (or, even better, "You think you're shocking but you're not," which is just another way of saying, "I was shocked but I don't want to admit that you shocked me." Although what is "being shocked" anyway? Isn't that what humor is all about? You don't laugh because you see the punch line coming. You laugh because it jumps out from behind a bush and shoves its finger up your ass. No wait. That probably isn't a laughing matter because I just realized that analogy is rape) but I would totally be won over by "You've probably never made a woman come." After which, I might have to concede that the lame argument about people being shocking just to be shocking might have a granule of truth. Although, having been accused of "being shocking for the sake of being shocking" by boring people on the boring Internet, I can say that, from my perspective, most people aren't out there trying to be shocking. A lot of us just don't hold anything sacred and say things that make us laugh, figuring other people will find it funny as well.


Deathstork vs. Batman #30
By Priest, Pagulayan, Paz, and Cox

How many times have Batman and Deathstork fought now? Don't they do it every six months or so? I think DC Comics has a permanent Google Calendar alert set for this event. Occasionally they'll trash the Batman vs. Deathstork event and ramp it up so that it's Deathstork vs. Superman. I think sometime in the early 90s, the decision was made to alternate which hero Deathstork has to beat to continually prove that he's the best super-villain in the DC Universe. Although I don't think anybody at DC has thought of him as a villain since just after he stopped having sex with a minor. Since then, they're constantly playing up his mercenary with a sense of ethics card. When he fights with heroes, it's understood to be some kind of misunderstanding.

I guess he sometimes battles Wonder Woman too but since Daniel or Finch or Mrs. Finch was writing that story, I've mostly purged it from my memory.

Rating: Batman finds evidence that Damian might be Deathstork's son. He's desperate to finally learn if he can write Robin out of his will and he's willing to murder Deathstork's ability to make money from murder until he clears up the confusing newly discovered DNA results. Deathstork's response is to threaten Batman and Batman's family because that's never caused the violence to escalate in the past. What is wrong with these two guys? They know exactly what to say to make a conflict between them last for six issues. That's just long enough to sell as a graphic novel later.

My only question with regards to Batman and Deathstork constantly fighting is why does Batman allow Deathstork to keep killing? Is it because Batman knows he can't beat him? Or is it the same reason Batman lets Jason Todd go on killing? And Wonder Woman (who doesn't kill as often but also doesn't see the problem with it)? Is it because Batman's war on crime is only a war on random crime? He doesn't want random people dying due to criminal activity but it's okay if a criminal dies due to their criminal activity? That seems about right. He's got an old school sensibility about responsibility.

Or maybe Batman just figures if Deathstork were really a problem, Superman would throw him into the Phantom Zone. And since that has never happened (unless it has?), Deathstork must be a pretty swell guy.

Deathstork and Batman didn't fight much in this issue so Deathstork vs. Batman has started off in a disappointing manner. But since Priest is writing this, I bet he takes a completely different tack with it. I bet Batman and Deathstork simply face off on a matter of philosophy. Instead of trading punches, they'll trade biting existential remarks about the other's ideology. Preferably while sipping cappuccinos in a Paris café.


Sorry for such a long newsletter that was all comic reviews. Maybe next time I'll just draw a bunch of sexy Dick Grayson pictures. Goodbye, jerkos!

Thursday, December 11, 2025

Eee! Tess Ate Chai Tea: The Newsletter #15 (Third Week of March 2018)

 

E!TACT! #15
Hit Girl #1, Batman and the Signal #2, Justice League #39, Batman: Sins of the Father #1, Damage #2, The Hellblazer #19, Raven: Daughter of Darkness #2, Detective Comics #975, Pickle Boy Comics, Grunion Guy's Musical Corner of Music Reviews, and Letters to Me!
By Grunion Guy



How do people with 40+ hour per week jobs get anything done? I work maybe fifteen to twenty hours per week and I can't read all the books I want to read, watch all the television I want to watch, masturbate to all the porn I want to masturbate to, write all the things I want to write, and play the sixty hours worth of video games I always play.

Oh wait. I see the problem. Never mind.


Comic Book Reviews!

Hit-Girl #1
By Millar and Lopez Ortiz

The unexpected and exciting conceit of this comic book is that a young girl has the skill to murder dozens of well-armed and experienced men. To make it even more unbelievable, this takes place in a comic book universe that isn't a comic book universe at all but more like the universe that we believe exists. If it were a superhero universe, the reader would react by yawning and saying, "Seen it." But since it's a regular old universe, the reader gasps in amazement and screams, "Can you believe that this little girl can murder so ruthlessly and efficiently?!" To which the answer should be, "Well, no," followed by the reader throwing the comic book in the garbage can.

If I had written this comic book, leaving all these conceits intact, I would have made Hit-Girl about a set of quintuplets. But they would never attack in force. They would attack one at a time and when one was getting in trouble, she'd duck out and hide while one of her sisters attacked from a new angle. I would also have a few of them die to show how realistic and even more realistic my story was from the one that Millar actually published. The problem with the Millar Universe is that it's supposed to be realistic which simply causes it to seem even more unrealistic than most comic book universes. I'd sooner believe a man could have a skeleton made of a fake nerd metal than I'd believe a tween girl could murder dozens and dozens of well-armed bad guys. Maybe I should reread the part of the story where Hit-Girl's father trained her to such a high degree of skill that the reader thinks, "Oh yeah. That makes sense then."

Now you're probably thinking, "If you have such a problem with the premise of this comic book, why did you buy the sequel?" That question is easy to answer: I love seeing little girls murder people! Which is a good reason to like this book because Hit-Girl loves murdering people. And it's acceptable murder because she only murders non-ambiguously bad people. Although in this issue, she's hired one of those guys to be her sidekick. I don't think that will be a problem because she'll almost certainly murder him by the end.

Hit-Girl #1 Rating: I'm not a huge fan of the art in this issue. The style straddles the line between poorly done mainstream art and flood the markets with as much as you can Manga. So the worst of two worlds combined into one disgusting snack. The story is also a bit flat. It's just Hit-Girl trying to satiate both her bloodlust and her loneliness. For those of you who can't quite wrap your mind around cheering for a murderous little psychopath, this story gives you a bit of an out with a person you can root for: the woman in Colombia who hired Hit-Girl. She's sympathetic because she vocalizes how hard it was to hire a monster as a necessary means to avenge the death of her son in the gang-riddled streets of whatever the capital of Colombia is. Is it Ecuador? Anyway, she's the good person in this story, I guess. Except she hired an assassin so how good can she really be? I bet she gets hers in the end as well.


Batman and the Signal #2
By Snyder, Patrick, Hamner, and Martin

I don't give a fuck about Meadowlark or whatever this not-Robin's name actually is. He hasn't been interesting since he was introduced. Of course I don't remember when that was because he's so not interesting. The most interesting thing about him was that nobody knew what his superhero name was. But that just made things confusing because people would want to talk about how uninteresting he was.

Comic Book Reading Loser: "Hey, how lame is that Duke kid in Batman?"
Cool Comic Book Fan: "You mean Batwing?"
Comic Book Reading Loser: "No. That's Luke. I mean Duke. Batman's sidekick. I think."
Cool Comic Book Fan: "Oh, Robin. There isn't a Robin named Duke."
Comic Book Reading Loser: "I know. The point of Duke is that he isn't allowed to be Robin. But Batman lets him hang out because Batman realized he had a diversity problem in the Bat-Family."
Cool Comic Book Fan: "Oh, is he black? You must be thinking of Batwing."
Comic Book Reading Loser: "No! That's Luke! Christ. Duke was the one from the Futures End story. The Zero Year kid."
Cool Comic Book Fan: "What is Futures End? Year Zero? I must have missed those cartoons."
Comic Book Reading Loser: "The big New 52 event from a few years ago?"
Cool Comic Book Fan: "The New 52? I never heard of that movie."
Comic Book Reading Loser: "It was when DC revamped their entire comic line! How could you not have heard of it?!"
Cool Comic Book Fan: "Oh, I see. I don't read the comics."
Comic Book Reading Loser: "Well, take my word for it. Duke Smith is boring."
Cool Comic Book Fan: "Yeah. I never liked Batwing either."

I didn't mean to write any of that. I didn't even mean to write anything at all about this comic book (which I guess I still haven't so good job, me!). I just wanted to point out that this series is only three issues long. Finally, DC Comics is listening to my advice! Their obsession with six issue long mini-series has been destroying the quality of those series. Most of them have only really had enough story to justify a three issue length arc at most anyway.

Batman and the Signal #2 Rating: When will writers learn that this kind of origin story doesn't work? Just because Snyder and Patrick declare that Duke Thomas is the culmination of thousands of years of planning and is now center of everything happening in Gotham (and probably the universe), it doesn't mean the reader will suddenly find the character interesting. "Oh! So he's super important! That's awesome!" is a thing nobody ever says. They might roll their eyes so hard teenagers everywhere can feel a disturbance in the angst. But nobody but online comic book reviewers who type their reviews with their erect phalluses will ever be impressed by opening a packet of Instant Importance on a dull character. You don't need to make a minority character super powerful or reveal how they're incredibly important to the scheme of everything to drive up their popularity so you can point to your diverse line of other non-Batman, non-Superman, and non-Wonder Woman characters. All you have to do is make them interesting, dum-dums!

Not that I think Superman and Wonder Woman are themselves terribly interesting. Which proves the point that making a character super powerful and important to DC continuity doesn't automatically make them worth reading. But Superman and Wonder Woman have, at times, been quite interesting. Do that more, DC. With all your stupid characters. Or just some of them. Or maybe just one of them at least?


Justice League #39
By Priest, Churchill, and Sollazzo


Speaking of uninteresting characters!

I can't think of a single Cyborg story where the writer pulled me in and made me care about what happens to him. Remember when Marv Wolfman made Cyborg a non-talking, brain-dead pile of spare toaster parts for like five years? That was five years he could have been working on Cyborg's personality! Possibly the only interesting version of Cyborg is from the Teen Titans cartoon and his character is defined mostly by ravenous snacking.

Cyborg is now the leader of the Justice League. DC probably thinks that will make him more popular. But they should remember what happened when Aquaman made Martian Manhunter the leader of the Justice League and dropped Superman, Batman, and Wonder Woman. Remember how popular that made Martian Manhunter? So popular that the book was cancelled not long after! I mean, I suppose I should really be laying the blame on Aquaman since he's the idiot who disbanded the Justice League and hired a bunch of non-union scabs to run the show. Also he sucks.

Although bringing up Justice League Detroit just proves my initial premise because the characters in that series (particularly Vibe) were mostly poorly done stereotypes. And none of them (particularly Steel) were even slightly interesting. Although what was to be expected when you allow the most boring member of the Justice League, Aquaman, to pick the new team?!

Justice League #39 Rating: It turns out the Justice League is racist and everybody wants to sue them. Especially that Superman. Fucker ignores all the racial injustice in the world while passing as a white human being. It's disgusting. At least Batman cradles a black baby at one point because he gets it. Or, as a billionaire, he understands photo opportunities better than the rest. I'm sure Jess or Simon would have been less racially careless than the rest of the group (who were only interested in saving white people and white property) but they were pulled away at the last minute by Martian Manhunter who needed the minorities on the Justice League to deal with a sensitive racial crisis at the other end of the universe. He even tried to get Cyborg to come along but Cyborg was all, "I'm the leader now! I can't...wait. Why do you keep yawning and looking at your wrist?"

It is weird that the Justice League decided to save all of the rich white people in Estes Park North when the train carrying every single specific chemical that when mixed will destroy all of humankind everywhere crashed in Estes Park West where all the poor black people live. You would think they would evacuate the people from the west side first. But then you were also probably under the impression that the Justice League wasn't racist. Obviously they are though since they have power and a certain amount of authority. Of course they're going to abuse it to help maintain the status quo. They aren't even conscious they're doing it which is exactly the problem Priest is getting at! I'm sure glad Priest has the balls to deal with the racism problem that's existed in the Justice League for decades. Finally, the Justice League will get some reverse justice, the bastards!

Anyway, I get that this story is commentary on systemic racism and how even the most seemingly right-minded people can fall into simply accepting the way things have always been. I get that. But the Justice League is a fictional group of people in power. They're supposed to be a shining example of who we can be. On my other hand (which totally isn't doing what you think it's doing, you pervert), flawed characters are more interesting and have the potential to tell better morality tales. So Priest is using a team that we all expect to be ideal citizens to show that even the most kind and upstanding members of our community can be blind to their faults. The shining example that we expect from the Justice League will come in the second half of the story where they examine that blindness and take account of their actions. We will see them make a real attempt to be better. And that is the story that Priest believes the audience needs. At one time in my life, I would have scoffed at that. I really did think, at some point in the past, that comic book readers were less likely to be prejudiced and racist assholes. I have no idea why I thought that. We've had plenty of evidence to the contrary to wake me from my naïve stupor. Every time some white male character gets traded out for a minority character, a large percentage of fanboys simply lose their shit. I imagine they'll lose their shit over this story too. And for many of the reasons that I made fun of in my whimsical, facetious tone describing the book in the preceding paragraphs. Also some of those comments were deadly serious because I'm on record as hating comic books where the heroes are being attacked and called out by the people they're supposed to be protecting. But what if they don't realize they're favoring a certain segment of the population with their protection? Which is why Priest is writing this story and why it's arguably necessary.

The main problem here is that I'm not the one to argue its necessity. I'm the jester. I'm the fool. I make dumb jokes. Somebody (perhaps Véronique Emma Houxbois?) will probably write an eloquent essay about this book but it won't be me. Mostly because I'd need to reread it and I always fall asleep reading Cyborg stories.


Batman: Sins of the Father #1
By Gage, Ienco, and Major

This series is based on the Telltale Batman game. I never played it but, working back through the clues in this story, it seems the plot dealt with Thomas Wayne being a monster who worked with Carmine Falcone. Thomas would drive rivals crazy with drugs and stick them in Arkham Asylum. When all of this came to light, it threatened to destroy Wayne Enterprises and the Wayne legacy. The only bright spot left in Bruce's past is that his mother was the one who exposed Thomas's crimes and that she continued her philanthropic and charitable nature throughout.

Most of that premise drives me crazy. Some writer always wants to create some dark twist in a hero's past for easy drama. But I must say, I wasn't expecting this comic book that deals with the aftermath of that story to be truer to the character of Batman than a lot of the canonical Batman comics. In this issue, Bruce is sued by the families hurt by his father's crimes. Instead of letting the board of his company declare bankruptcy, he chooses to settle with everybody harmed and create Wayne Enterprise trusts for their families. He chooses sacrifice to honor his mother while atoning for his father's crimes. And finally, he decides to investigate the matter to find even more victims to help.

While meeting with ex-employees of Arkham that might know something about his father's crimes, one of them is sniped. Bruce dons the Batman costume to save the day and realizes he's chasing the most accurate sniper in the history of everything. In this universe, it's Deadshot's first appearance and in the few panels he appears, he, too, is written more interestingly than he's been written since Ostrander had his hands on him.

Also, Batman has a good working relationship with the Gotham Police. Why the fuck can't this be a regular thing? Oh, I remember why. Because it doesn't create easy drama for lazy writers.

Batman: Sins of the Father #1 Rating: I was pleasantly surprised by this comic book. From the first panel, I was expecting to be bored and already hating it. But it won me over. You know how hard it is to win me over? I mean without giving me Oreos. It's . . . well, you know what? It's probably not as hard as I want it to appear. I'm a fucking pushover, really. This entire comic book could have been terrible but if they had just put in one panel of Lobo looking at the new tattoo of Ambush Bug on Supergirl's bum, I'd be all, "Best comic book I ever read! The greatest of all time! I'm coming in my pants!"


Damage #2
By Daniel, Venditti, Miki, and Morey

I must have gotten brain damage from some event that I've forgotten due to the brain damage. It's the only reason I can come up with for why I purchased the second issue of this comic book. Maybe there was a small part of me that wanted to see the Suicide Squad get their asses kicked. And since none of them ever die in their own series, maybe one of them might die here!

Tony S. Daniel doesn't disappoint his fans by including a two page splash on pages two and three. It always makes for a more exciting comic book even when, in the back of my mind, I'm thinking, "This is really cutting into how much story I'm getting for my three dollars! Does DC know that I can go to a used book store and buy one or two novel length stories for this same price?!"

Venditti must love this gig. So far he's turned in two scripts that were probably each two pages longs. Both issues were mostly just a bunch of fight scenes. I suppose this one had a call to Damage's mother so the readers can begin to feel some kind of empathy for the monster. "Oh look! He has a mother! Poor thing!"

Damage #2 Ranking: I tried not to think the entire time, "This is just the Hulk or Doomsday!" Instead, I thought the entire time, "This is just the Hulk or Doomsday!" At least I didn't make the same mistake I made with this comic with Sideways by purchasing its second issue. I definitely will not be buying Issue #3 of this which will be eighteen pages of Doomsday fighting Wonder Woman. I mean Hulk fighting Wonder Woman.


The Hellblazer #19
By Seeley, Fabbri, Dalla Vecchia, and Strachan

I was going to read this without commenting and then I saw Tim Seeley was now writing it. My next thought was, "I'll comment on it after I've read it." But then I started to read it and Constantine's slang was the kind of British that comes from an American writer trying to write a British voice but never having really been immersed in the British vocabulary. And then the woman Constantine was saving said she had been going to a "hen party" instead of a "hen do" and I couldn't help myself. I had to put the comic book down and begin typing a rant about the truly most insignificant thing a person reading a comic book could be upset by, especially when "hen party" is almost certainly just as acceptable as "hen do!" What's worse is that the entire time I was thinking, "This art is terrible." But I never feel passionate enough about complaining about the art unless it's so horrendous that it becomes entertaining. Plus a person on Tumblr once read one of my reviews about an artist and said, "I'd love to see how the blogger draws." So now before I critique an artist, I have to think, "Is this better than drawing a stick figure with genitals?" If the answer is yes, I can't offer any criticism.

Looking for that Tumblr quote, I just had to reread dozens of posts where people called me an idiot because too many people in this world are composed primarily of earnestness. They have no ability to discern facetiousness or whimsy or mock anger for effect. I'd like to ask "When did young people get so serious?" but I feel like the answer has something to do with how many of them are getting shot while in school. And I'm not capable of discussing anything seriously so if I bring up school shootings, I'm going to wind up making a terrible joke in super poor taste (although it would probably be really funny).

Being called an idiot dozens of times stemmed from the time I criticized Batwing #12 in my typically over-the-top and angry fashion. That same review ends like this: "Batwing #12 Rating: +1 Ranking. Ha ha! Look at how much I can bitch and still enjoy reading a comic book! What the fuck is wrong with me?" It's like I provided the argument for all of their criticism before I even knew I would be criticized! Grandmaster Comic Book Reviewer!

By the end, Tim Seeley introduces The Huntress into this book. So when is this book's name going to change back from The Hellblazer to Grayson? I mean Constantine?

The Hellblazer #19 Rating: Who else is sick of this comic book being called "The" Hellblazer?! Maybe next time Constantine's comic book gets rebooted, DC can call it "A Hellblazer." I should submit a script for my version, "On Hellblazer." It won't have any art and will be twenty pages of me discussing how stupid "The Hellblazer" sounds. I guess I should rework the title to "On The Hellblazer."


Raven: Daughter of Darkness #2
By Wolfman, Mhan, and Kindzierski

It's becoming more and more evident that DC Comics treasures loyalty more than quality. Why else do they keep putting out comic books written by people who haven't written a good comic book since before most of the people currently reading comic books were born? I'm not sure Wolfman's written a good comic book since before I was born and I was born in 1971. I haven't read much by Neal Adams but I'll assume that he did some good work after that point because I've heard about the series he and Denny O'Neil wrote about Hal and Oliver's romantic trip across the country. Supposedly it was way ahead of its time because it dealt with gentrification, labor rights, and homosexual three-ways involving a little blue alien.

Raven: Daughter of Darkness #2 Rating: I have no idea what I just read. I mean, I could answer a quiz based on the plot. But I might have a bit of trouble with the essay question asking about the theme. I only purchased this comic book because I can't seem to break the habit of buying terrible comic books just to write about them. But I'm not writing about every individual comic book the way I used to. That means I don't have to purchase Issue #3! Way to solve the absolute least of all of my problems, logic!


Detective Comics #975
By Tynion IV, Martinez, Fernandez, and Anderson

While reading this, I realized that I hate Bruce Wayne's reason for becoming Batman. I hate how politicians and lawmakers constantly try to pass laws that will prevent death and tragedy whenever some single incident blows up the news cycle. They all rush to be the first legislator to introduce a bill declaring that the terrible thing that just happened will never happen again. It's putting on hard hats to survive a coming tsunami. Death and tragedy happen. And of course we should try to prevent those tragedies which are preventable. But when you have legislators instantly deciding to put forth a law to keep one more dog from dying on an airplane while completely ignoring this country's problem with gun violence, how can you not become a cynical son of a bitch? We have a government that has decided that regulations which protect citizens are oppressive if they lower the bottom line for any corporation. Nobody seems to care about the greater good. They only care about themselves.

So how does that relate to Batman? Well, he began his journey just like a bill to stop another dog from dying on an airline. His parents were killed senselessly so he passed the Batman Law to prevent something like that from ever happening again. It's purely selfish. And while I agree that it could be a move to increase the greater good, it seems most Batman writers don't approach it that way. Like Tynion in this issue. Batman is less concerned with the fact that Batwoman probably saved hundreds of lives by killing an out of control Clayface. All Batman cares about is that she broke his rules. Batman has decided to embrace his system more than the reason that system exists. It's to save people.

Sure, he was trying to save Clayface. But why should Clayface's life count more than the hundreds of lives he was endangering? It's definitely possible not killing Clayface wouldn't have resulted in any more deaths. But should Batman take that risk when he's seen Gotham citizens die by the dozens every time some criminal thinks up a plan to irritate Batman? Does Batman think the life of the man who killed his parents shouldn't have been taken if somebody had had a shot to save them?

It's a lot of Monday morning quarterbacking (unless it was Monday Night Football and then it's whatever the day after Monday is morning quarterbacking). But that's the point. Batman gets to judge Batwoman after the fact. She either killed a man or saved hundreds of lives. Batman can't seem to believe that she, in fact, did both.

Detective Comics #975 Rating: I can finally say I enjoyed a comic book written by Tynion. I think he did an admirable job with the voices of the Bat-kids and their takes on Batwoman's actions. I agreed with Red Hood the most which is why I'll be eviscerating myself the second I hit send on this Newsletter.


Pickle Boy Comics!

I have decided to bring back this old feature from the Places & Predators website. It's where my writing assistant and sandwich maker, Pickle Boy, thinks up an idea for a comic and then I draw it. Unfortunately, his first comic for the return of Pickle Boy Comics was too ambiguous for me: "Trump with his arm up the Statue of Liberty's ass up to his elbow screaming, 'MAGA!'" People probably see me as being slightly critical of Trump and I couldn't, with good conscience, draw a comic that portrays him in a decent light. I understand that Pickle Boy's comic might be trying to express a harsh criticism of him in that he's anally fisting America. But isn't it also a good thing if you're into anal fisting? A person who loves anal fisting would see this comic and think I'm pro-Trump! I definitely couldn't live with that. So instead of drawing Pickle Boy's new idea, I'll just reprint my favorite comic we did from the old batch. And by "we," I mean me and Pickle Boy's kid. Pickle Boy didn't really help with this one.




Letters to Me!

KB writes: "Spam again! Will Thunderbird never learn?

I still make "Phil and Dixie" references that nobody gets, which is good, because if they did they'd probably avoid me. Whenever I always encounter one of those "what's wrong with this picture?" things, I always think in terms of, "the knight is chewing gum" and "the knight is wearing polyester underwear".

Phil Foglio did some entertaining work for DC in the 90s too, a "Stanley and his Monster" miniseries and an "Angel and the Ape" miniseries. He did a good job of playing the humor straight: more a matter of absurd situations carried out sensibly rather than pratfall-mongering. For example, as Stanley's monster is actually a demon (!) and gets sent back to hell at one point, the Phantom Stranger shows up to intercede ... but Stanley isn't allowed to talk to strangers, so a John Constantine pastiche has to serve as Stanley's guide.

[LINKS SHOWING THOSE PANELS REMOVED. SORRY!]

My reply: A Phil and Dixie reference? How do I block you from replying?! Actually, I'm just happy somebody probably read the Dragon magazine articles and thought, "Yeah, those are definitely not made up Dragon magazine articles." I should hang the Village of Hommlet poster in my office.

I was once developing a card game where I was beginning with no idea how to play but every card would reference something only Dungeons & Dragons nerds would understand. Here are two of the cards I made for it:



Now I want to go back and read all the Phil and Dixie comics I can find. I'm surprised I never picked up Angel and the Ape (I don't remember Stanley and his Monster). I did read the Myth adventures and remember the Angel and the Ape comic when it was published. I think maybe I was a bit embarrassed to buy it, thinking it would be titillating in a way that the guy ringing up my comics would arch his eyebrow at. It's one of the reasons I stopped reading the Xanth books when the newest one was called The Color of Her Panties.

KB writes again: "My mom was fond of saying 'the unexamined life is not worth living'; it was her way of cutting people down while trying to sound all smarty-pantsier-than-thou. One of my sister's friends eventually had enough of this passive-aggressive sniping and responded with, 'Well the unlived life is not worth examining!' Good job MS, you know who you are."

My reply: I like this story a lot. I would like it even more if MS were a subscriber of this Newsletter.

KB continues: "About white people adopting black kids in sitcoms, let's call that out for what it is: the "enlightened" position that there's nothing inherently wrong with black kids except they usually have the bad luck to be raised by black parents. See also the 'Flash' comics where Wally West was a black teenager who was on the verge of following his inherent criminal instincts until a white man took him under his wing and taught him to love baseball. Verily we live in a post-racial paradise. (You know what would have been a better idea, besides damn near anything? Pre-Flashpoint, the word on Barry Allen was that he was a big fan of jazz and especially Charlie Parker. If they're going to go the route of save-a-black-kid-from-his-blackness, at least do so by introducing him to some black artistic geniuses. Anyway, it was Hal Jordan who was the big dumb baseball fan. This shouldn't be so hard for them to keep track of.)"

My reply: That's a salient point about white people thinking black children need to be saved from their own blackness. I'm trying to think of a way to segue into talking about a show that showed a poor black family in a good and realistic light, Good Times, but I can't figure it out so that was the segue. Remember when they wrote John Amos out of the show by killing him off? As a kid, I really thought the actor died and they just incorporated it into the show. Some part of me continues to believe that because I'm constantly surprised when he pops up somewhere. I didn't really have a father figure in my young life but his character James was always the father I would have liked to have. Even with the temper (perhaps because of the temper?); he radiated fatherhood.

I just watched the episode of Good Times where James brings a gun into the house and Michael hides it from him because of his temper. As the show was ending, I thought, "Did Happy Days ever do a gun episode?!"

KB continues: "I decided to devote one minute of my life to thinking of villainous ways to foil super-speed. Here's what I came up with:

1) Cut off their ability to see: smoke, for example.

2) Set off bombs by remote control, so the speedster can't just grab the bomb and throw it.

3) And the remote control shouldn't be a thing with a bright red button and an "off" switch. Maybe make it voice-activated, and don't tell the speedster that the bomb goes off when you say "avocado".

4) Some sort of weight-sensitive plate that, if the speedster steps off it, a bomb detonates at a remote location. (For extra fun, don't let the speedster know that there are additional sensors to detect him zooming off the pad and back with a mannequin and some cinder blocks.)

Basically, keep the speedster from knowing how to stop the bad guy, and super-speed gets less useful."

My reply: When you write things like this where you spend nearly no time thinking about it (or, subconsciously, you've actually spent the last forty years thinking about this?), it makes me realize even more clearly how terrible so many comic book writers are. Also, do you think it's appropriate to bring up that bomb stuff right now? Too soon, man.


Grunion Guy's Musical Corner of Music Reviews!

Unmarked Helicopters by Soul Coughing
This song isn't the one where Soul Coughing takes the escalator to the mezzanine to have some Cinnabon-bon, Cinnabon-bon. It's still pretty good. It's off the album with music "inspired" by The X-Files. Unless The X-Files was inspired by these songs. It might be a chicken and the egg thing since Chris Carter decided to do this album when he heard Nick Cave's "Red Right Hand" while driving through Death Valley at night. That might be an apocryphal tale and probably is on a scale stronger than "might be." It might have been in the liner notes on the CD or it's just something I thought up in a dream. Does it really matter? Reality! What is it, really?! Also in the liner notes was the clue "Nick Cave and the Dirty Three remind you that zero is a number!" I tried listening to track 0 but it didn't work so I just thought the liner note writers were assholes. A year or two later while driving to Iowa with Aaron Coleman, we discussed this album and he said there was indeed a hidden track 0 but that some CD players weren't able to play it. So I've still never heard the song. Which I realize is stupid because the Internet is a thing that exists.
Grade: A.

In Heaven by The Pixies
This is that song from Eraserhead but sung more angrily. Black Francis screaming "In heaven, everything is fine" makes me think maybe he's not being totally honest about heaven. Is that the point of The Pixies' version? Maybe I'm supposed to think, "Dude. You so aren't in heaven." Or maybe Frank has just rendered into song the existential angst that drives some of us to open our bellies in an attempt to remove the taint of reality. That's probably it.
Grade: B+.

Little Dove by Faster Pussycat
This song might be about a guy who gets off on fucking cars. Or maybe the singer is a car that loves making women orgasm through its vibrations? It has the lyrics "Your high heeled river of love is drippin' down your thighs" so it can't be the worst song ever written, right? Or do those lyrics weight it toward being the worst song ever written? Sometimes it's hard to tell with 80s glam rock. Anyway, it's an 80s rock song about sex so it's pretty average.
Grade: C-.

Should I Be Loved by Blue October
I have my own floor cleaning business which means I spend a lot of time alone in closed stores in the middle of the night listening to my Nano. This also means that there exists a ton of security camera footage of me singing at the top of my lungs while buffing or waxing floors. This is one of the songs that I love to sing too loudly. I wish they had it at the Karaoke place I go to but the only Blue October song they have is 18th Floor Balcony and I'm not singing that "danced to it at our wedding" garbage.
Grade: A+.

November Rain by Guns 'n Roses
If you're of a certain age (probably five to ten years younger than I am), you'll remember this as the greatest video you have ever seen. If you're more my age, you'll remember the video as a reminder that the album is never going to come out. I might be remembering that wrong. Perhaps the album came out first. But I do remember seeing Guns 'n Roses on their "Use Your Illusion" tour before the two albums had even been released. It was kind of annoying. But not annoying enough for me to hate this song. This song is fucking cool, man.
Grade: A.

And that's a wrap on this week's newsletter! Goodbye, jerkos