Saturday, January 2, 2021

Player Piano: Chapter 7

Vonnegut decides to use this chapter to shit all over the American military. Now, don't start getting all red-faced and shifting uncomfortably in your seat! He doesn't shit on the soldiers themselves! A good portion of this is from the perspective of a private who, I imagine, thinks the thoughts Vonnegut probably thought quite a few times while he was serving, thoughts about the kind of venemous and disrespectful things he'd love to say directly to his commanders once he's a civilian again and they can't punish him for it.

The Shah of Bratpuhr is in the scene to, once again, point out that Americans, especially these Americans in the military, sure do act an awful lot like slaves (Takaru in his language), no matter what you call them. Halyard tries to convince him, yet again, that they aren't slaves but it only confuses the Shah.

"Niki Takaru!" he cried, exhaling a strong effluvium of Sumklish.
    "No Takaru!" said Doctor Halyard. "Sol-dee-yers."
    "No Takaru?" said the Shah in puzzlement.
    "What's he say?" said General of Armies Bromley.
    "Said they're a fine bunch of slaves," said Halyard. He turned to the Shah again and waggled his finger at the small, dark man. "No Takaru. No, no, no."
    Khashdrahr seemed baffled, too, and offered Halyard no help in clarifying the point.
    "Sim koula Takaru, akka sahn salet?" said the Shah to Khashdrahr.
    Khashdrahr shrugged and looked questioningly at Halyard. "Shah says, if these not slaves, how you get them to do what they do?"
    "Patriotism," said General of the Armies Bromly sternly. "Patriotism, damn it."
    "Love of country," said Halyard.
    Khashdrahr told the Shah, and the Shah nodded slightly, but his look of puzzlement did not disappear. "Sidi ba—" he said tentatively.
    "Eh?" said Corbett.
    "Even so—" translated Khashdrahr, and he looked as doubtful as the Shah.


What an extraordinary example of why I love Vonnegut so much. He simply and elegantly describes the truth of the situation while including the lies Americans tell themselves to obfuscate that truth. In just a few, uncomplicated lines from 1952, he exposes the virtue signaling at the heart of patriotism. The soldiers do what they're told by men they hate in a job they didn't choose (remember, the machines made it so that most people have to either be soldiers or crew for maintaining the country's infrastructure) and everybody chooses to believe it's a noble and patriotic decision. I'm certain every person on Twitter who's constantly complaining about cancel culture would fucking cancel Kurt Vonnegut in a heartbeat for being some commie socialist liberal wank just because of this short scene. In actuality, Vonnegut is a creative genius who understands fucking America.

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