The Invisibles #1

If I had to pretend to know anything about art, I'd say this cover represents how pop culture can kill. Or will blow your mind. Or feels dangerous but it's actually pretty safe because the pin is still in the grenade.

What the fuck do I know about art and why the fuck am I assuming this comic book is going to be about art anyway?! Just because Grant Morrison wrote it and I happen to think Grant Morrison has written some pretty smart comic books? Well, I'm pretty sure he's written some huge fucking turds too! It's just that I haven't read any of them that I remember. Apparently I've read a few issues of this but I don't really remember it. I don't like to tell people that I don't remember it when they talk about how great it was because that's admitting that 22 year old me wasn't a discerning critic of his entertainment. At least I also can't remember the truly garbage comic books I was reading in 1994 as well! So it's possible I read this and thought, "I'm so smart because I understand what's happening!" Now I'm terrified to read it because I'm absolutely certain I'll think, "What the hell is going on in this comic book? I'm such a stupid asshole!"

Oh boy. This comic book is forty pages long. Get ready for a review that explicates the first fifteen pages thoroughly while also digressing twelve separate times before quickly summarizing the last twenty-five pages so I can go play some Apex.

I can't say for certain this is a shot at Ann Nocenti but, thankfully, I can say it's definitely not a shot at me!

This guy is Elfayed. He's retrieved a mummified scarab from the desert believing it might be a sign for the mysterious bald man with too many face piercings and the endeavor he's currently on. Which is a mystery because Grant Morrison isn't going to let the reader understand the comic book on the first page! Sheesh!

The second page doesn't help explain things but it does place the word "synchronicity" burning in my brain like a buzzing, blinking neon sign.

Get it? Mummified beetle. Dead Beatles. Boy throwing a Molotov cocktail. Pop culture and violence. I think I intuitively understand this comic book so 70% of the rest of what I say will be dick jokes.

The kid throwing the explosive is one of three members of a gang called the Croxteth Posse. Every youth in Britain joins a gang no matter how stupid and lame they are. It just proves how hard they are even if they never throw one Molotov cocktail or ever even get their genitals touched. The gang members run off into the night, past some "King Mob" graffiti which will be important later, yelling, "We are the boys! We are the boys!" Is that a thing lame youth gangs in London did in the 80s and 90s? Because I remember Lister and his posse saying that shit about being the boys of the Dwarf when they thought they were acting hard on some adventure that probably involved Lister fucking a future version of himself.

The Croxteth gang are from Liverpool because Croxteth is a suburb of Liverpool. It shows how imaginative these youths are. I bet there are at least fifty different Croxteth Posses bumbling about at night destroying things.

The bald guy's name is Gideon (and possibly King Mob. Unless the antagonist is King Mob. I should probably keep reading to find out) and he's both young and old at the same time. He's probably some kind of spirit of the zeitgeist or something, Grant Morrison's Jenny Sparks. He's looking for a new recruit for his own gang since something happened to John-A-Dreams. He might have just died of old age because Gideon's other acquaintance, Edith, is now 95 years old and sulking in her mortality. He wants her to contact somebody named Tom to let him know he thinks he found their new recruit. I think it's probably the anarchist kid because I know how stories work.

I'm starting to think maybe The Invisibles are a bit like the Upright Citizens Brigade. Their only enemy is the status quo. Their only friend is chaos. Except there will be less skits with people wearing giant papier-mâché cat heads and more ultra-violence.

The arsonist kid's name is McGowan and he's smarter than he acts, according to his teacher who gives him the old "you're not fulfilling your potential and your friends are just dragging you down" speech. But what kind of an anarchist would McGowan be if he gave a shit about what his teacher thinks of him? Oh, that's right! He'd be a good anarchist if he really gave a shit and a bad anarchist if he didn't give a shit but he let the teacher's words affect him anyway. That's how anarchy works, right?

The problem with anarchy is that it needs a few rules to make it work well but you can't enforce any rules or else you're not living an anarchic lifestyle. Here's my definition of anarchy from Places & Predators, my roller playing game: a philosophy where anybody can do anything they want without worrying about some stupid guard putting an axe in their head. But they have to worry about everyone else putting an axe in their head all the time because there are no guards.

I should probably read The Dispossessed by Ursula K. Le Guin instead of all these stupid Han Solo and Lando Calrissian adventure books.

Oh, well McGowan's mother withholds love and affection and blames him for all the ills in her life. I suppose I can now forgive him for torching the school library, right?

McGowan heads out to sit in the cold and watch John Lennon have a conversation with Stuart Sutcliffe. They joke about being dead and it's funny because they are dead. Stuart even says he wants to die young which is doubly funny because he does. Ha ha! McGowan doesn't laugh because maybe he doesn't find gallows humor funny. But some weird creature that speaks some German does laugh. He's all, "Ha ha! They're going to die young! Oh ho ho! Such jolly fun! Now join with me, you dumb kid." He also says some German stuff that I can't make sense of because I don't speak German and I don't want to ask the Non-Certified Spouse what it means. I could use Google but I'm being extra lazy right now.

McGowan tells the weird German tourist to fuck off because he doesn't care about anything. But you know what kind of people actually care a lot about everything? The kind who need to tell everybody that they don't care about anything. Only people whose feelings are super hurt say stuff like that. And maybe serial killers. Later McGowan decides to prove he doesn't care by suggesting he and his friends blow up the school. Not because he cares how they think they know everything and they want him to be just like them and all adults lack affection and sincerity. No, he just wants to blow it up because he doesn't give a shit about nothing, man.

The scene switches to the bald guy who might be King Mob on an LSD trip. It's nothing like taking LSD but I'll pretend it's all metaphor and analogy and spiritual nonsense.

In his trip, he sees a gigantic head of John Lennon. Mostly because the whole trip was to summon this head. It's a double page spread of psychedelic images and nonsense mixed with Beatles lyrics and album titles. Strange that Morrison fails to translate an acid trip involving The Beatles when The Beatles themselves have a song that I think most feels like and describes an acid trip. No, it's not "Lucy in the Sky with Diamonds"; it's "Strawberry Fields." If I had to state what my favorite Beatles song was right now, I'd say "Strawberry Fields" even though Magical Mystery Tour might be my least favorite (later) album (although now that I type it, I remember it contained "Penny Lane" and "The Fool on the Hill" and "All You Need is Love" and I guess I was wrong about Magical Mystery Tour being my least favorite album). I added the later because their early pop shit doesn't really resonate with me. I don't think I appreciate their music until after they've met Doctor Robert.

Just listened to "Strawberry Fields" and now I'm crying. Fucking great song.

While trying to burn down the school, McGowan is caught by his teacher. He gives his teacher a brutal beating and then answers a question he refused to answer in class, just to show he's both smart and violent.

McGowan's arrested and Hugh Laurie sentences him to hard juvenile labor.

I was speaking of acid earlier and I'd like to recommend the documentary on Netflix called Have a Good Trip, especially to people who have never done acid. It's enlightening. You might think that my favorite part was one of the crazier bits about hallucinations or one of the stories about how something odd always happens when on acid (it totally does) but I think my favorite bit is when the musician from Bikini Kill, Kathleen Hanna, tells the story about how acid made her realize that you didn't have to cross the street along the legs of the two triangles comprising the square intersection but can just cross along the hypotenuse. It's not that the idea is mind blowing or even close to an "A-ha!" shower thought; it's just that's the kind of mundane thought that seems like a fucking magic revelation when you're on acid. It's the epitome of the acid experience. LSD makes the mundane profound which is way more exciting than you might think. If you've never done acid, you might have fucked off to the comment section just now to point out that the universe is a wonderful and magical and profound place even without acid. And I fucking agree. But LSD makes everything profound. Every single thing you see or think combines with the fabric of the universe and it all becomes staring at the stars and wondering how it all fucking fits together. But you don't need space or infinity or philosophy; you just need LSD, a stapler, a bottle of water, and a Jack Kirby comic book from the early 70s.

Dane McGowan is sentenced to ten weeks in a juvenile facility called Harmony House. It's where violent teenage boys aren't taught to stop being violent; it's where they're taught to use their violence to benefit the government! At least that's my guess. I like to pretend I know what's happening in the comic book as I write the review and then later I delete the wrong assumptions I made and replace them with lies to make me look like a Grandmaster Comic Book Reviewer!

Actually, that last sentence was a lie. Normally if I get something wrong, I just write "Oops!" later and then tell readers to forget the terrible mistake I made.

This is the plot to every young adult dystopian book ever written: "Society says conformity is good. But one young spunky individual with weird hair won't submit and will save the world!"

Sometimes I feel the only people touched by stories about the individual refusing to be a sheep of the status quo are people who tend to be sheep of the status quo. To really identify with the hero in one of these stories, the reader needs to have thought of themselves as part of the status quo and felt the need to participate in some activity that would prove that they weren't. Instead of, you know, just being themselves and never actually giving their place in society a second thought. I find odd people who are inspired by a story that tells the reader to be themselves. How is that inspiring unless you never really knew that was an option? And how could you fucking not know it?! But then again, Heathers is one of my all-time favorite movies and I suppose that's got a similar message about being oneself. But it also has murder and some seriously great lines of dialogue and Christian Slater blowing himself to bits.

Oh, remember where I mentioned this comic book was basically screaming "synchronicity" at me and that I understood it on an instinctual level after page two? Grandmaster Comic Book Reader!

The leader of The Invisibles (man, I wish the comic book would just tell me that the bald guy with piercings is actually King Mob already) decides to infiltrate Harmony House to make sure their soon-to-be new recruit, McGowan, is doing okay. I'm sure he'll find he's fine because he's not buying into the whole "be a soldier of the status quo" bullshit being fed to the young boys at the institution. It's easy to be against a Headmaster who thinks arguments like "Liberals love freedom but do they want people to be so free that they can steal their VCRs." But will he be able to stand up against the techno-brainwashing and the influence of the mystical creature running things from behind the scenes?! Probably but only with help from the Upright Citizens Brigade. I mean The Invisibles.

It's surreal that this is the way we thought of controlling the populace in the 90s: turn them into content sheep without any anger or frustration. And yet the exact opposite of that is true: control them by making them angry and frustrated at as many lies and half-truths as you can.

The big twist reveal isn't that the boys' brains are cut up and messed with; it's that the boys genitals are removed as well. Yeesh! Now I'm angry and frustrated! I'm totally against this Harmony House bullshit. Is this actually happening in red states?! Horrific!

King Mob (yes, they finally reveal that's the bald guy's name) rescues Dane from Harmony House while shooting a bunch of people (including the Headmaster) and blowing the building to bits. It's a good thing we learned the real antagonist was some dick-eating creature called the King of Chains. Dane McGowan isn't ready to join The Invisibles which King Mob was ready for. He had a tarot reading earlier that said the kid was going to have to be put through the wringer first. So he leaves the kid in London and disappears, just so we all know why they're called The Invisibles. I guess Batman is a member?

The Invisibles #1 Rating: B+. This issue was forty pages long and it felt like it used every page to move the story along. It's insane that that's one of the greatest compliments I can give a comic book. Way too many writers just fill their scripts with nonsense because they don't have a real plan for their story. I know everybody espouses the idea that a good comic book story should teach the reader something new about the character. But unless learning that Superman can punch something harder than he previously thought he could, or Batman is super resilient and can take a ton of punishment for five issues before rising to the occasion through pure force of will, most comic book writers really don't put a lot of thought into themes. Sure, sure. This sort of feels like the mystic super hero version of Catcher in the Rye which might be why I stopped purchasing it after six issues. Although it's just as likely that I stopped purchasing it at six issues because my infrequent visits to the comic book store made me miss Issue #7 and I just gave up on it. It's not bad and it's put together well and as a young 48 year old who thinks the man can go fuck himself, I'm totally into it's message about being a unique individual! Anarchy rules!