
Look out, Superman! It's a fat guy in a hazmat suit!
In 1992, a fat guy in a hazmat suit was the most intimidating and threatening image a team of comic book creators could come up with. Either that or Dan Jurgens hadn't quite finished with his sketch for a creature that would finally bring down Superman. After pressuring him to finish up the scariest creature he's ever designed but getting nowhere, they simply yelled at Jon Bogdanove to "put him in a bag covered in PVC piping and be done with it!" This cover looks like something Keith Giffen would have wet farted out of his asshole while drunk and still made into the most hilarious comic book DC ever published. Except it's supposed to be threatening. Maybe everybody remembered how fucking stupid Lobo looked when he first appeared and yet he became the deadliest character in the DC Universe. So editorial was all, "Who cares how dumb he looks! We'll make him threatening later!" And then Dan Jurgens was all, "What if his bones were on the outside?" And that allowed Bogdanove to make Doomsday just a little bit more interesting on the inside.

This isn't anything like Wolverine, you cynical assholes. Doomsday's knuckle blades are stubby spikes!
I don't know why Doomsday broke out of the middle of the Earth instead of crashing to Earth from space. I guess so he could be more of a surprise. Coming from space, everybody would have noticed him. But crashing out of the ground like a fat mole in a hazmat suit tangled up in PVC pipes? That's fucking bad-ass! Did that read as sarcastically as I hoped it would? I don't like to be sarcastic because it feels like I'm disrespecting the medium of comic books when I do. But having just realized, after all these years, that Superman was killed by a fucking mole man has me questioning if the comic book medium perhaps didn't have the best people working in it.
This is the page opposite the one I scanned of Doomsday breaking out of the ground:
This is the page opposite the one I scanned of Doomsday breaking out of the ground:

Apparently you put glasses on this body, throw it in a suit, make it stumble and stutter a bit, and suddenly everybody thinks this Chad is a fucking cuck.
Sorry for the worst-people-on-Earth vernacular. Sometimes I can't help myself. Anyway, those two pictures splashed on opposite pages tells nearly the entire story soon to come. A demon of destruction risen from Hell battling against a soaring, sky-bound angel of hope, complete with the name of the victor over Superman's head. Did I even need to buy the next year's worth of Superman comic books? Did I need to purchase this issue twice?
Oh yeah. I have two copies of this issue! I'm sure it was an absentminded error and not some sort of '90s comic retirement plan. I never fell for that investment shit. If I have two copies of an issue, it's because the comic book shop left the comic on the "NEW!" rack two weeks in a row and I'd forgotten I'd purchased the book the week before. I have far worse duplicates than the first appearance of Doomsday as evidence that I wasn't trying to make money. Although the main evidence of that is that I own zero Image titles from the '90s!
The main story concerns some underworld monster club living in the Metropolis subway and sewer tunnels who want to take over the above world. Was Superman's main threats in the '90s mole people? Lois reads Clark's mail at work warning him of a mole man attack on a power station. She realizes he doesn't check his mail at the Daily Planet because the mail boxes are on the ground floor and he always comes in via the roof. So she leaves a note on his computer and tells a coworker that if they see Clark, tell him Lois left a note on his computer. Too bad Clark didn't give Lois a nifty watch that alerts him to trouble like he gave his boy Jimmy. Maybe he did but she used it on non-emergency things like needing to get super fucked or asking him to pick up toilet paper on the way home so he took it away.
Before Clark can read the message about underworld monsters breaking into a power station's sub-levels, the monsters cut the power and Clark loses Lois's message! How did Lois not foresee that happening?! She's fucking losing her touch.
Oh yeah. I have two copies of this issue! I'm sure it was an absentminded error and not some sort of '90s comic retirement plan. I never fell for that investment shit. If I have two copies of an issue, it's because the comic book shop left the comic on the "NEW!" rack two weeks in a row and I'd forgotten I'd purchased the book the week before. I have far worse duplicates than the first appearance of Doomsday as evidence that I wasn't trying to make money. Although the main evidence of that is that I own zero Image titles from the '90s!
The main story concerns some underworld monster club living in the Metropolis subway and sewer tunnels who want to take over the above world. Was Superman's main threats in the '90s mole people? Lois reads Clark's mail at work warning him of a mole man attack on a power station. She realizes he doesn't check his mail at the Daily Planet because the mail boxes are on the ground floor and he always comes in via the roof. So she leaves a note on his computer and tells a coworker that if they see Clark, tell him Lois left a note on his computer. Too bad Clark didn't give Lois a nifty watch that alerts him to trouble like he gave his boy Jimmy. Maybe he did but she used it on non-emergency things like needing to get super fucked or asking him to pick up toilet paper on the way home so he took it away.
Before Clark can read the message about underworld monsters breaking into a power station's sub-levels, the monsters cut the power and Clark loses Lois's message! How did Lois not foresee that happening?! She's fucking losing her touch.

Meanwhile, Doomsday proves he's as dangerous as a feral cat.
I don't know why the bird flies directly into Doomsday's hand. Is that ever mentioned again? Does he have the power to control animals? Was that scene simply an allusion to the canary in a coalmine theory of detecting danger? Plus it reiterates the idea that this threat to Superman comes from under the ground. Is that important or am I making too big a deal out of it? Was Doomsday meant to represent Satan? Was this some kind of Christian allegory where good battles evil? Then it looks like evil has won but good actually just died to save mankind and then returns from the dead a short time later? Were we all fooled into buying some pop culture Christian tat? Man, I'm so pissed now!
If you want to see how quickly a crack journalistic news team like the people running the Daily Planet can figure out when a blackout happens, check this out:
If you want to see how quickly a crack journalistic news team like the people running the Daily Planet can figure out when a blackout happens, check this out:

Almost as quickly as everybody else in the world!
I'm surprised the media would jump to the conclusion that Metropolis was having a blackout without first hearing all the sides to the story. If even one person says there's no blackout, don't they feel compelled to then report that some sources say there is no blackout and that opinion should be weighted just as heavily as the opinions — heavily weighted with all of the evidence that their opinion is correct — that a blackout is happening. I guess internally, inside the newsroom, they can speak the truth which they'd never dare print. Assholes.
Meanwhile the underworld monsters (or should I say the demons from hell?) celebrate their victory over electric power. They will now rule the city since we all know that nobody can do anything but whinge on and on when the power goes out. The overworlders will simply roll over just to get a little more juice for their entertainment systems.
Meanwhile, Doomsday smashes a tree. Boy, he sure is evil!
Superman apparently got the message about the power station being under attack because he arrives in time to find some little kid spraypainting the Superman logo on the roof of the power station. He doesn't have time to arrest the kid for copyright infringement because he has to go underground and stop the army of mole people from taking over Metropolis and also killing Lois. With the help of a pacifist underworld hippie, Superman saves Lois. Without any help from anybody else, Superman saves Metropolis from the underworlders who weren't actually Metropolis underworlders but refugees from Warworld who couldn't stop making war.
Meanwhile the underworld monsters (or should I say the demons from hell?) celebrate their victory over electric power. They will now rule the city since we all know that nobody can do anything but whinge on and on when the power goes out. The overworlders will simply roll over just to get a little more juice for their entertainment systems.
Meanwhile, Doomsday smashes a tree. Boy, he sure is evil!
Superman apparently got the message about the power station being under attack because he arrives in time to find some little kid spraypainting the Superman logo on the roof of the power station. He doesn't have time to arrest the kid for copyright infringement because he has to go underground and stop the army of mole people from taking over Metropolis and also killing Lois. With the help of a pacifist underworld hippie, Superman saves Lois. Without any help from anybody else, Superman saves Metropolis from the underworlders who weren't actually Metropolis underworlders but refugees from Warworld who couldn't stop making war.

Superman couldn't pull his punch enough to not make a hippie's head explode. Lois just returned the favor and saved that guy's life.
I don't know about you but Lois's foot going up Superman's bunghole is kind of doing it for me right now.
Meanwhile, Doomsday finally decides to attack a bridge so that the Justice League notices. Nobody cared when he was just destroying wildlife. But start doing property damage and the authorities perk up real quick. Oberon hears about the carnage and contacts the Justice League to take care of it and/or get their asses kicked so hard that they all lose confidence in themselves and fear fighting crime for the rest of their lives.
Superman: The Man of Steel #18 Rating: B. I never read much Superman so was this kind of thing normal? Did he often beat up a space threat like Warworld only to have to face some threat from underground immediately after? Constantly swinging back and forth between the two? Which makes Doomsday the ultimate threat because he crawled out of the Earth but we eventually find out he's from space. I think. What am I, a boring ass Superman scholar? Unless he was battling Lobo or Ambush Bug, I barely gave a shit about him! I only owned the entire run of DC Comics Presents for the guest stars!
Meanwhile, Doomsday finally decides to attack a bridge so that the Justice League notices. Nobody cared when he was just destroying wildlife. But start doing property damage and the authorities perk up real quick. Oberon hears about the carnage and contacts the Justice League to take care of it and/or get their asses kicked so hard that they all lose confidence in themselves and fear fighting crime for the rest of their lives.
Superman: The Man of Steel #18 Rating: B. I never read much Superman so was this kind of thing normal? Did he often beat up a space threat like Warworld only to have to face some threat from underground immediately after? Constantly swinging back and forth between the two? Which makes Doomsday the ultimate threat because he crawled out of the Earth but we eventually find out he's from space. I think. What am I, a boring ass Superman scholar? Unless he was battling Lobo or Ambush Bug, I barely gave a shit about him! I only owned the entire run of DC Comics Presents for the guest stars!