Batman: Legends of the Dark Knight Annual #1 (1991)

Great Mignlola cover. Denny wrote the script. Ten other artists inked and penciled the rest.

I don't know why it took so many people to finish this annual. Probably because it's an annual and everybody working on it had plenty of other regular paying gigs and were cajoled into helping out on this story. Or, and this is way less plausible, Denny O'Neil was all, "I've envisioned the first six pages in Aparo's style. Then nine pages of Giffen's nine panel grids. Then some of Joe Quesada's overwrought craziness! Then, um, just whoever you can get, I guess. But finish with some Aparo! Man, love that guy!"

Batman has journeyed on foot through harsh blizzard conditions to a monastery high in the mountains in Korea (North? South? Denny didn't say!). He doesn't know why he's come, dragging a heavy duffel bag and its unknown contents the entire way. I think Denny picked Jim Aparo for this prologue because Aparo does a really good surprised Batman face.

Batman is surprised that he doesn't know what he's up to.

I'd go as far to say that Jim Aparo is the only artist that has ever drawn that face on Batman. Most artists can't even conceive of a shocked or surprised Batman. But when doing Batman and the Outsiders, Aparo had Batman making this face 80% of the time! "Halo! Put your tits away! Human girls usually wear shirts!" "Metamorpho, stop lighting your farts on fire!" "Black Lightning, you left your wig in the shower again and it scared the batcrap out of me!" "Geoforce, you suck!"

Somehow, Batman fucked up his destiny by choosing violence. The Master, an old man who trained Batman many years ago, says that Batman has embraced violence too eagerly and while he has a gift for it, he warns that it will destroy him. So The Master gives Batman two choices, either embrace peace or — "I'll take the second choice!" yells Batman!

I bet what lies at the heart is a big fucking gun.

Batman is so averse to pacifism that he doesn't even care if total murder and mayhem lie at the heart of a life of violence. What else could it be? Either become Vegan Daddy Hugbucks, or BatPunisher. There is no middle ground!

Batman's challenge awaits on the other side of a mystery door that leads to a world that looks like Keith Giffen drew it and Malcolm Jones III inked it. The Master reminds Batman to take his duffel bag and Batman heads out on his quest.

Batman finds himself in a strange hellscape where a red narration box constantly mocks him. And don't think it's just Batman having intrusive thoughts. Something actually seems to be speaking to him in his mind because it tempts him into leaving his duffel bag behind and he answers it by speaking aloud. Okay, maybe — just maybe — they're intrusive thoughts and he's just arguing with the part of him that really wants to dump whatever the fuck he's been carrying through the mountains. If the end credits didn't specify that Dennis O'Neil was the only person to script this story, I'd really believe that Keith Giffen wrote the dialogue for this part. Maybe he did. Scripting is totally different from dialogue and Keith Giffen knows that better than anybody after working with J.M. DeMatteis for so many years.

If this were Giffen dialogue, it would be a bit snappier. And you'd have to read it four times to figure out what they were talking about.

Batman encounters several devils who try to take the duffel bag from him but he beats the shit out of each one that tries and never gives up his burden. Is this a retelling of The Last Temptation of Christ? Batman never gives in but then the only thing he's been tempted with so far is giving up his heavy bag. If only David Finch or Tony S. Daniels were drawing one of these sections, Batman would be tempted by several women exiting showers and wearing only towels. He'd definitely fail that temptation! I mean, I'd definitely fail that temptation!

Batman discovers another door. On the other side is a world conceived of by Joe Quesada and Joe Rubinstein. He finds he has left Hell and found himself in a medieval castle. So last challenge was by Nikos Kazantzakis; is this challenge by, um, whomever wrote Sir Gawain and the Green Knight! I didn't think that sentence through to the end or I would have formatted it in a way that didn't depend on my (or anybody) knowing the author of Sir Gawain and the Green Knight.

Anyway, it looks like maybe Batman is going to get to fuck a woman and then get fucked by a knight! Two times lucky!

Oh boy oh boy oh boy! It's going to happen! Man, if she turns into a vampire and sics a massive lizard on Batman instead of fucking him, I'm going to be really disappointed.

Batman drinks from the goblet and gags because it's, um, blood. Goddammit!

How do I always forget I'm reading comic books and not pornography?

The vampire explains to Batman that he's free to go if he can get past her giant lizard. She also gives him a hint as to how to kill it. In the previous landscape, the final demon he confronted begged Batman to kill it before it escaped to torment mankind above. But Batman chose not to kill it and it froze in place. Again, Batman chooses not to kill. He tricks the dragon with the old spear-holding-open-the-mouth trick, gets his duffel bag, and escapes. Once again, without killing.

I guess The Master know Batman wouldn't choose pacifism. But he apparently wants to see if Batman can continue to choose not to kill in various violent scenarios, each one more dangerous than the last. Perhaps The Master was worried that anybody who commits as much violence on other humans as Batman does would surely, one day, succumb to actually killing his rivals. So he's brought him halfway across the world to test Batman's will and patience.

I hope Jason Todd's corpse is in the duffel bag!

Batman hikes through the next portal into a challenge drawn by Tom Lyle and inked by Ty Templeton. This one seems to be based on The Day the Earth Stood Still. Do you think Batman will choose murder in this scenario when he can't think of the word that follows Klaatu and Barada?

Oh, sorry. It's based on Earth vs. the Flying Saucers.

Like Earth vs. the Flying Saucers (my knowledge based on Wikipedia and not my stupid memory which I hate even though it's better than Pickle Boy's memory (my writing assistant who stopped remembering things about 26 years ago (based on trying to have discussions with him on House of Leaves immediately after we'd read it and most of his half of the discussion being, "I don't remember that part! I need to re-read it!"))), Batman defeats the alien by using sound. But first he has to call a National Guardsmen fat and shove him to the ground. He doesn't throw a sandwich at him but now, in my mind and stupid memory, he always will have thrown a sandwich at him when I think about this story.

The alien tells Batman that he fucked up by crashing his flying saucer into the Capitol Building and to recover from his humiliation, he needs to kill a human in one-on-one combat. Batman doesn't want to kill him so instead he tells the alien he can just find asylum in America because in 1992, America still cared about helping people. Or maybe it didn't. But Batman did! By not killing the alien even when the alien was practically begging for it so that he wouldn't be the laughingstock of his people, Batman has passed yet another test in controlling his violent nature.

Do you think Batman failed his violent nature test in The Poison Tomorrow when he, arguably, caused the truck to crash off of a bridge and almost certainly kill the two men in the cab? Or was that just part of proving that Batman walks the walk and doesn't just talk the talk because earlier he questioned Green Arrow's decision to save one person over thousands. Batman allowed those two men to die to save thousands of babies because he's a true hero and also it totally wasn't his fault! Those idiots who smashed themselves to smithereens at the bottom of the chasm were responsible for their own lives!

"See you later, fatso!"

Just so you know, I don't approve of Batman fat shaming that soldier even if Batman only did it to save his life. The soldier wanted to fight the alien himself and Batman decided to choose a worse form of violence than actual violence: patting a slightly overweight guy on the stomach and hinting at how fat he's getting. Is Batman my uncle?!

Batman's next challenge takes place in Dan Spiegle's steamy dark version of Gotham. This test will be easy! Batman's spent his whole life not killing people in Gotham!

It might not actually be Gotham though because it's 1920s Chicago and Batman's now in The Untouchables. To pass this test, Batman will have to ignore the advice of Sean Connery! And who can ignore the advice of Sean Connery?! Oh, um, you know what? I hope everybody ignores the advice of Sean Connery because isn't he the guy who said, "You're wife doesn't clean the dishes, you slap her. She yells back at you, you put her in the morgue." Or something like that. I'm not mad at my memory this time because why would I need to remember a terrible quote about domestic violence?!

Batman walks out of the misty night and stumbles on some mobsters bootlegging. They immediately begin firing bullets out of their tommy guns at an alarming rate. You can tell because while most guns go "POW!" or "BANG!", tommy guns go "BRRRAT!" Even Batman finds it terrifying!

How come fans got so angry at Kevin Smith when he made it canon that Batman pissed himself when Denny O'Neil made it canon that Batman shit himself? "BRRRAT!"

The FBI shows up and in the confusion, the Mobsters steal Batman's duffel bag. Batman's desperate to get it back because it probably contains a much needed change of underwear. As well as Jason Todd's corpse, of course.

Batman steals one of the FBI Agent's cars and gives chase to the escaping mobsters. They lead him on a chase directly to the location where they're delivering the illegal hooch. I think in the '20s, if you got the items you were smuggling to your home base, the cops had to stop pursuing you, snap their fingers in disappointment, and say, "Shucks! We'll get 'em next time!" Too bad Batman isn't from the '20s! He crashes his car into the bar and does his chronologically first crashing through the skylight.

Excuse me. I do not think that's true, Batman!

I'm pretty sure the modern equivalent of a speakeasy is just a fucking bar!

See in that panel where Batman notices the trucks are unloaded? Those trucks arrived in the middle of a high-speed chase with loads of gunfire! That's why I made up the thing where I equated playing tag or hide-n-seek to smuggling liquor. Why else would they be so confident to stop running and shooting and casually get out of the truck and unload the booze?

Once again, Batman doesn't kill anybody. He even goes so far in the other direction that The Master must be stroking his beard and raising his eyebrows and thinking, "I've never seen anybody like him!" Because a fire breaks out as Batman gets his duffel bag back and instead of leaving an unconscious gangster to roast, he tries to save him. It doesn't work because the floor collapses sending them into an underground river and the gangster drowns but, you know, in a test like this, it's mostly about Batman's intentions and less about how successful he is.

Look, he did everything he could. Now it's up to the unconscious man to save himself from drowning.

Falling in a river and resurfacing acts exactly like walking through a door so now Batman's in the world of James Blackburn and Michael Golden. I've never heard of either of those artists! I've heard of John Blackburn but not...I mean, no, wait. I've never heard of him either! Not knowing Michael Golden is just ignorance on my part. I've seen, at the very least, his Man-bat profile in Who's Who (the binder version)!

Is that the right-way round?

Batman finds himself in a snowy landscape. He decides, after so many tests, the best thing to do is take a nap in the snow. Sure, he's also soaking wet from the plunge in the river. But he built a fire! And his suit probably has electric blanket technology sewn into it.

Before he can freeze to death in his sleep, Batman's awakened by the butt of a rifle in his back and being called a pig in German.

Has anybody actually shit the same pair of trousers twice?

Uh-oh. This is Batman's real test! It's like that time Mulder found himself on a ghost ship full of ghost Nazis and he wanted nothing more than to kill every single one of them because they were the perfect symbol for everything he stood against. Meanwhile Scully was all, "There's no such thing as a ghost! Where is everybody? How come I don't get to participate in this story?!" What I'm trying to say is if there's something that Batman feels he can reasonably kill without feeling like he's actually killed anything, it's an undead Nazi. But The Master might not agree with that technicality!

Batman, having dealt with zombies probably at least forty or fifty times in his career, realizes fleeing is his best option. Besides, this test isn't "Stop undead fascism". This test is "Can you live by violence without letting it corrupt you into killing your enemies"? Up until now, Batman's had an easy time of it. Does he kill a demon begging for it? No, you never help a demon! Does he kill a dragon? No way! He's just doing his dragon thing being a dragon! Do you kill a pathetic alien loser? Why waste your time? Do you simply let a mobster burn to death even though none of it is really your fault? No but you probably shouldn't have let him drown either! So The Master is all, "I need to make this test hard! What or who can I throw in front of Batman to really tempt him into murder?!"

Uh-oh. Now I want him to fail! I don't want to think about what it says about Batman if he passes after this test!

Dennis O'Neil has written the only story that matters! How far will Batman go to preserve his rule about not killing somebody? How much evil will he allow to remain in the world just so he can look Superman in the eye and say, "Well, I've never killed anybody" (and then mutter, "Technically.")? Because as we saw in The Poison Tomorrow, Batman has the capacity to think about "If somebody raises some thing or person or ideal above everything else (Green Arrow needing to save Dinah (or Batman needing to never have killed!)), then how many will die (thousands of babies (or, in Batman's case, everybody The Joker murders after every time Batman doesn't kill him))?" Surely Batman isn't responsible for every murder The Joker commits when Batman catches him but doesn't kill him. Because Batman is just following Jesus's words and ideals about redemption. And also Gandalf's!

Batman decides his only way to escape this army of undead Nazi's is to use Hitler as a hostage. As he chases the tank with Hitler in it, it crashes backwards through an old bridge. He has his chance! Does he save Hitler? Or does he let him fall?

So Hitler was a metaphor for an even worse evil? The Joker?! That's backwards, right?

Batman realizes that the voice that's been mocking him all along was The Joker. And the head wound he kept receiving in every "fantasy" was an actual head wound he received from The Joker throwing a rock at his head. Yes, the burden he was pulling along all this time, the burden the voice kept trying to get him to leave, was The Joker. Batman was hallucinating from a fever brought on by the cold and the head wound.

Batman's grand philosophical response to this debate is "Shut up." Everybody online could learn a thing or two from Batman.

At one point, The Joker learns that Batman hallucinated that The Joker was Adolf Hitler and The Joker is all, "I'm flattered!" Which is the appropriate response by The Joker because having The Joker be all anti-Nazi and constantly trying to prove it with that bit where he's insulted by The Red Skull's Nazi affectations is stupid, useless bullshit. He's fucking crazy. He's a murderous madman. Proving that even he hates Nazis doesn't mean shit. "Oh, wow! Even The Joker hates Nazis! Well, let's applaud The Joker for having one rational belief although none of his beliefs are rational so why are you relying on this one being so?!" This, for me, is The Joker's canon response to Nazism and Adolf Hitler! He's pleased as punch to be anywhere in Hitler's league! That says more about how shit Hitler and the Nazis are than having The Joker somehow defend hating them!

Apparently Batman and The Joker were in a plane crash and Batman is dragging The Joker to an army medical station. On the final page, Batman answers the question as to why he won't kill The Joker and it's all the standard bullshit that I can't buy into. "Oh, I'd be no better than you!" "Oh, I believe all life is sacred even the life of a person who keeps taking lives over and over again and promises to keep doing it." "Oh, I just don't want to give you the satisfaction of seeing me fail my test." Maybe those answers are satisfying to some people on some level. But I still think the only real reason to keep somebody like The Joker alive is practically religious. It's utterly Christian. And it's the thing I said earlier about Christ's words on redemption. But, as I also mentioned, it's more because of what I learned from Gandalf. We don't have the right to bring back those who have died even if they deserve to be alive, why do we think we have the right to take the life of those we think should be dead? Of course, Gandalf's early words to Frodo are given the strength of an author writing like 900 more pages to prove Gandalf right when Gollum, who everybody wanted to kill, accidentally saves the world when Frodo loses the strength to do so. I guess real life isn't that cleanly written and perhaps there are some people who a real life Batman should kill. Or maybe we should develop techniques to convince evil people to kill themselves! That shouldn't be too hard, right? Maybe some Christian Rock band can learn how to backwards mask some hypnotic shit like that!

Batman: Legends of the Dark Knight Annual #1 Rating: A-. I know I don't rate annuals. But guess what? I'm tired of ending every annual explaining to readers why I didn't rate the stupid fucking annual! And since my ratings on every other comic book don't actually mean shit (seriously. Try to make sense of them! It'll drive you mad!), why not just rate these fuckers too? This issue might have gotten an A+ if that last page where Batman explains himself to The Joker was left out. He should have just left his response as "Shut up." This is the problem with Batman and the Internet! People always feel they need to explain their positions to other people who don't actually give a shit about your position or your explanation. They're just the fucking Joker trying to rile up your shit. Even "Shut up" is too much. You do know just about every site (except the Nazi site now, I guess?) has a well-executed Block function! Use it, guys! Use it for everything! Man, I block people who haven't even engaged with me who just slightly irritate me! Sometimes I'm just in a mood and I don't want to see a screenshot on Bluesky from Twitter and I'll be, "Get the fuck out of here, BronyFucker2003!" And that'll be after really enjoying some of BronyFucker2003's anthropomorphic animal sex sketches!