Why is Rorschach on the cover of Doomsday's Cock #1?
I've been waiting for this comic book for months and I just realized that I've been misreading the title. So this isn't going to be twelve issues of a massive, veiny, throbbing alien penis? Instead it's going to be twelve issues of a thing I don't want to be reminded of seeing as how our president is an idiotic, narcissistic, easily offended toddler with access to our nuclear arsenal? I'd much rather see Doomsday's penis dribbling pre-cum as he delivers sexual excitement from beating the shit out of any DC hero he can get his fists on. I'd rather see great ribbons of Doomsday's love goo arc across the bloodied face of Superman and Batman and Wonder Woman! No, wait. Not Wonder Woman. That gets into a weird territory that might be construed as some kind of rape fantasy. But I think it's okay if it's male on male action. Nobody needs to correct me on that if they think I'm wrong though because I'm sure there are plenty of people who are right now nodding their heads in agreement and taking down their pants. You don't want to erase those perverts, do you? So uncool.
So now that I'm not going to get a story about Doomsday's cock, I guess I'm getting a story about how the Watchmen are to blame for The New 52. It's a clever way for DC to wash their hands of the murder of all of DC's past history while also making it into a big money grab for fans who can't get enough milk from continuity's engorged teat. Although if we had a brave little dog right now, it would probably be pulling back a curtain with Doomsday Clock stitched across it to reveal a naked Crisis on Infinite Earths jerking itself off as it blows Zero Hour who's currently being fucked in the ass by Infinite Crisis and The New 52 licks up everybody's bodily fluids spilling onto the floor while Rebirth sucks its own dick while watching from a stool in the corner and Convergence lies ignored in the corner fumbling with its underwear.
I just realized I fucked up my anticipation for this series because there's no way it's going to be as good as what I just described.
I haven't opened the cover of this comic book yet because I want to talk about the cover and also I want to first say, "I bet the first page panel layout is that Brady Bunch shit that was a staple of the way the original Watchmen communicated in subtle and intricate ways!" So first, the cover. Ignoring that Rorschach is on the cover, the entire design is meant to invoke the original Watchmen series. At first glance, the image isn't anything like Watchmen #1 except maybe for the way the red mist behind Rorschach is somewhat reminiscent of the pooling blood. But ignoring the image as a coherent image, it still manages to recall the original cover. The slant of Rorschach's scarf feels like the same slant of the spatter of blood on the smiley face button. Even the negative spaces in Rorschach's trench coat seem to fill in the spaces of the button's eyes and smile. His collar forms a circle that could easily be the outline of the button. If I were to say this cover looked like the original cover, people would scoff. But is it reminiscent of it? Is it meant to subtly invoke the same patterns as the original to enhance a sense of déjà vu? Perhaps. I would admit that that's complete speculation. But one thing is an absolute fact: Rorschach's ink blot face's negative space is definitely a cock and balls.
Flipping open to the first page, I see the familiar Watchmen panel layout, nine squares with occasional large panels subsuming a few squares but still maintaining the general layout. When Watchmen changed the layout, there was always a reason for it, whether you consciously understood it at the time. I'm going to assume that Geoff Johns isn't as good at story telling as Alan Moore without any real evidence for it aside from my own bias and say that Geoff Johns' main reason to change the layout will probably be to allude to Watchmen's style but to not be a slave to it. The majority of the story will be told in the Brady Bunch opening credits style but with quite a bit of leeway and variation. That's because this story is about the DC Universe and how the Watchmen (or just Dr. Manhattan, I suppose) are trying to mold it into their reality. The panels breaking out of the nine panel layout simply show the DC Universe's resistance to that manipulation. Once again, speculation. But it's smarter speculation than anything you'll see on Weird Science's stupid anti-Tom King blog! What do they have against great writing?!
The story begins some time after Ozymandias's artistic alien crashed into the streets of New York. It was meant to unite the world, bringing nations together in the face of a threat toward the entire planet. Instead it just made people feel terrified. They lashed out and began to blame those who thought differently than themselves. The initial commentary seems to be from Rorschach's journal but it can't be because he was atomized. I mean, unless he wasn't? Maybe he was just teleported to some unknown location? I've stopped reading at the end of the panels with the commentary so I don't quite know if the media reported on Rorschach's journal and Ozymandias's alien invasion was exposed as fake news (one sign in the crowd seems to show Veidt's face with a null symbol over it). I wanted to think about Rorschach's words (if they are, indeed, Rorschach's).
The narrative commentary on what's happening in America forms a Bothsidesism point of view. It's the rational bastion of the cowardly who want to be seen as more intellectually open-minded than the next person. It's the voice of the professional Devil's Advocate who believes that nobody but they have spent any time considering their own beliefs and points of view. They're constantly testing everybody else in a patronizing belief that nobody has a mind of their own, that nobody spends any time plumbing their own depths, that nobody reflects on the self. They're boring bastards with no moral or ethical backbone. Their only belief is that they shall have no belief other than condemning everybody else's beliefs. I'm not sure how well this jives with Rorschach's views in Watchmen since it's been quite a few years since I've reread it. He was always a bit fascist, so his condemnation of the liberal side of the argument seems apt. But he also takes a moment to point out the flaws of the other side. I suppose a modern day Rorschach would work quite well as a Both Sideser rather than a complete fascist, so I suspect I don't mind?
So now that I'm not going to get a story about Doomsday's cock, I guess I'm getting a story about how the Watchmen are to blame for The New 52. It's a clever way for DC to wash their hands of the murder of all of DC's past history while also making it into a big money grab for fans who can't get enough milk from continuity's engorged teat. Although if we had a brave little dog right now, it would probably be pulling back a curtain with Doomsday Clock stitched across it to reveal a naked Crisis on Infinite Earths jerking itself off as it blows Zero Hour who's currently being fucked in the ass by Infinite Crisis and The New 52 licks up everybody's bodily fluids spilling onto the floor while Rebirth sucks its own dick while watching from a stool in the corner and Convergence lies ignored in the corner fumbling with its underwear.
I just realized I fucked up my anticipation for this series because there's no way it's going to be as good as what I just described.
I haven't opened the cover of this comic book yet because I want to talk about the cover and also I want to first say, "I bet the first page panel layout is that Brady Bunch shit that was a staple of the way the original Watchmen communicated in subtle and intricate ways!" So first, the cover. Ignoring that Rorschach is on the cover, the entire design is meant to invoke the original Watchmen series. At first glance, the image isn't anything like Watchmen #1 except maybe for the way the red mist behind Rorschach is somewhat reminiscent of the pooling blood. But ignoring the image as a coherent image, it still manages to recall the original cover. The slant of Rorschach's scarf feels like the same slant of the spatter of blood on the smiley face button. Even the negative spaces in Rorschach's trench coat seem to fill in the spaces of the button's eyes and smile. His collar forms a circle that could easily be the outline of the button. If I were to say this cover looked like the original cover, people would scoff. But is it reminiscent of it? Is it meant to subtly invoke the same patterns as the original to enhance a sense of déjà vu? Perhaps. I would admit that that's complete speculation. But one thing is an absolute fact: Rorschach's ink blot face's negative space is definitely a cock and balls.
Flipping open to the first page, I see the familiar Watchmen panel layout, nine squares with occasional large panels subsuming a few squares but still maintaining the general layout. When Watchmen changed the layout, there was always a reason for it, whether you consciously understood it at the time. I'm going to assume that Geoff Johns isn't as good at story telling as Alan Moore without any real evidence for it aside from my own bias and say that Geoff Johns' main reason to change the layout will probably be to allude to Watchmen's style but to not be a slave to it. The majority of the story will be told in the Brady Bunch opening credits style but with quite a bit of leeway and variation. That's because this story is about the DC Universe and how the Watchmen (or just Dr. Manhattan, I suppose) are trying to mold it into their reality. The panels breaking out of the nine panel layout simply show the DC Universe's resistance to that manipulation. Once again, speculation. But it's smarter speculation than anything you'll see on Weird Science's stupid anti-Tom King blog! What do they have against great writing?!
The story begins some time after Ozymandias's artistic alien crashed into the streets of New York. It was meant to unite the world, bringing nations together in the face of a threat toward the entire planet. Instead it just made people feel terrified. They lashed out and began to blame those who thought differently than themselves. The initial commentary seems to be from Rorschach's journal but it can't be because he was atomized. I mean, unless he wasn't? Maybe he was just teleported to some unknown location? I've stopped reading at the end of the panels with the commentary so I don't quite know if the media reported on Rorschach's journal and Ozymandias's alien invasion was exposed as fake news (one sign in the crowd seems to show Veidt's face with a null symbol over it). I wanted to think about Rorschach's words (if they are, indeed, Rorschach's).
The narrative commentary on what's happening in America forms a Bothsidesism point of view. It's the rational bastion of the cowardly who want to be seen as more intellectually open-minded than the next person. It's the voice of the professional Devil's Advocate who believes that nobody but they have spent any time considering their own beliefs and points of view. They're constantly testing everybody else in a patronizing belief that nobody has a mind of their own, that nobody spends any time plumbing their own depths, that nobody reflects on the self. They're boring bastards with no moral or ethical backbone. Their only belief is that they shall have no belief other than condemning everybody else's beliefs. I'm not sure how well this jives with Rorschach's views in Watchmen since it's been quite a few years since I've reread it. He was always a bit fascist, so his condemnation of the liberal side of the argument seems apt. But he also takes a moment to point out the flaws of the other side. I suppose a modern day Rorschach would work quite well as a Both Sideser rather than a complete fascist, so I suspect I don't mind?
Uh oh. Trump fans are going to be upset about this comic book. Of course, they'll pretend they're upset about comics making any kind of political commentary. But they're really just upset that the story portrays a world falling apart because the president is an obvious Trumpian disaster.
News reports indicate that Veidt's plan was exposed as The Great Lie. He's now considered a terrorist being hunted by everybody. It was Rorschach's journal that exposed the truth, a journal which disappeared not long after. I guess Rorschach did survive somehow and decided to get back to journaling.
And then there he is. Rorschach has survived, reappearing to comment on how the world has gone to shit so that comic book Fanboys everywhere can fuck themselves silly.
And then there he is. Rorschach has survived, reappearing to comment on how the world has gone to shit so that comic book Fanboys everywhere can fuck themselves silly.
Oh wait. Scratch that. They're more likely to rage about pandering until their heads explode.
Rorscach recruits the Marionette for some secret mission he's on. I don't remember The Marionette but I'm sure it was some villain that Rorschach nearly killed. They have three hours to find Doctor Manhattan since America has launched their nuclear missiles. The world is about to end which probably means The New 52 is about to begin. For some reason. It'll all be explained in time! Probably. I mean, it'll probably be the way Doctor Manhattan saves the world. Or something.
Before leaving prison, The Marionette and Rorschach pick up The Marionette's husband, the Mime. They're the perfect team to catch Doctor Manhattan! She'll pull Jon's strings and he'll trap him in an invisible box. Even a fucking omnipotent blue naked guy can't defend against that.
It turns out Rorscach is working with Ozymandias to find Doctor Manhattan to save their world. But when Ozymandias last saw Doctor Manhattan, he was leaving the Watchmen Universe to find one less complicated to live in. Or to find one that was fairly complicated and fuck it all up so that it didn't seem, at first glance, complicated at all. But like every continuity reboot, it was actually way more complicated than if things had been left alone.
The issue ends with Clark having a nightmare about his prom night. I'm not sure if the scariest part of the dream was when his parents were killed in the traffic accident or when he saw Pete dancing. Lois wakes up and he tells her, "I don't think I've ever had one." Oh, um, the one refers to a nightmare. I didn't want to change the quote and I didn't want to add more dialogue. Instead I decided to write all of this extraneous and awkward crap.
The night Superman has the nightmare is probably the night Doctor Manhattan arrived and changed the past because he didn't want to have to learn seventy years of DC history to understand the world he was now living in. The issue ends with a few lines from the poem, "Ozymandias," because why not? That's a pretty easy quote pull! Especially because it mentioned aliens and appeared after the Superman scene!
Doomsday's Cock #1 Rating: It was huge.
Before leaving prison, The Marionette and Rorschach pick up The Marionette's husband, the Mime. They're the perfect team to catch Doctor Manhattan! She'll pull Jon's strings and he'll trap him in an invisible box. Even a fucking omnipotent blue naked guy can't defend against that.
It turns out Rorscach is working with Ozymandias to find Doctor Manhattan to save their world. But when Ozymandias last saw Doctor Manhattan, he was leaving the Watchmen Universe to find one less complicated to live in. Or to find one that was fairly complicated and fuck it all up so that it didn't seem, at first glance, complicated at all. But like every continuity reboot, it was actually way more complicated than if things had been left alone.
The issue ends with Clark having a nightmare about his prom night. I'm not sure if the scariest part of the dream was when his parents were killed in the traffic accident or when he saw Pete dancing. Lois wakes up and he tells her, "I don't think I've ever had one." Oh, um, the one refers to a nightmare. I didn't want to change the quote and I didn't want to add more dialogue. Instead I decided to write all of this extraneous and awkward crap.
The night Superman has the nightmare is probably the night Doctor Manhattan arrived and changed the past because he didn't want to have to learn seventy years of DC history to understand the world he was now living in. The issue ends with a few lines from the poem, "Ozymandias," because why not? That's a pretty easy quote pull! Especially because it mentioned aliens and appeared after the Superman scene!
Doomsday's Cock #1 Rating: It was huge.
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